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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #842048 it is the complementary color #7BDFB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #842048. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #842048 shade: #892043, #9A3256, #AB4469, #BC567C and #CD688F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #842048. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #842048 shade: #842048, #730E35, #620022, #51000F and #400000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #842048 shade: #832048, #83202D and #832020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #842048 shade: #832048, #832062, #83207D, #6F2083 and #542083

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #842048 shade matches the following richer shades: #832048, #911345 and #9E0542

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #842048 shade: #832048, #762D4A, #693A4D, #5C4750 and #4F5552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #842048 shade: #83207D, #832062, #832048, #83202D and #832D20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #842048 shade: #411023, #621836, #832048, #A5285A and #C6306C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #842048 shade: #842048, #836F20 and #206F83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #842048 shade: #842048, #488320 and #204883

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #842048 shade: #842048, #836F20, #20835C and #203483

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #842048 shade: #842048, #798320, #20835C and #2A2083

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 45 / 48

HEX #842048

RGB 132 32 72

HSL 336, 0.61%, 0.32%

LAB 30.42, 45.08, 0.77

 

Complementary color

CMYK 45 / 0 / 18 / 13

HEX #7BDFB7

RGB 123 223 183

HSL 156, 0.61%, 0.68%

LAB 82.06, -38.52, 10.57

 

CMYK 0 / 77 / 51 / 46

HEX #892043

RGB 137 32 67

HSL 340, 0.62%, 0.33%

LAB 31.25, 46.11, 5.39

 

CMYK 0 / 68 / 44 / 40

HEX #9A3256

RGB 154 50 86

HSL 339.23, 0.51%, 0.4%

LAB 37.52, 46.22, 2.5

 

CMYK 0 / 60 / 39 / 33

HEX #AB4469

RGB 171 68 105

HSL 338.45, 0.43%, 0.47%

LAB 43.96, 45.78, 0.31

 

CMYK 0 / 54 / 34 / 26

HEX #BC567C

RGB 188 86 124

HSL 337.65, 0.43%, 0.54%

LAB 50.45, 45.08, -1.41

 

CMYK 0 / 49 / 30 / 20

HEX #CD688F

RGB 205 104 143

HSL 336.83, 0.5%, 0.61%

LAB 56.94, 44.27, -2.82

 

CMYK 0 / 76 / 45 / 48

HEX #842048

RGB 132 32 72

HSL 336, 0.61%, 0.32%

LAB 30.42, 45.08, 0.77

 

CMYK 0 / 88 / 54 / 55

HEX #730E35

RGB 115 14 53

HSL 336.83, 0.78%, 0.25%

LAB 24.37, 43.91, 4.44

 

CMYK 0 / 100 / 65 / 62

HEX #620022

RGB 98 0 34

HSL 339.18, 1%, 0.19%

LAB 18.85, 41.11, 9.56

 

CMYK 0 / 100 / 81 / 68

HEX #51000F

RGB 81 0 15

HSL 348.89, 1%, 0.16%

LAB 14.31, 35.38, 15.91

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64 0 0

HSL 0, 1%, 0.13%

LAB 9.72, 29.76, 15.34

 

CMYK 0 / 76 / 45 / 49

HEX #832048

RGB 131 32 72

HSL 335.76, 0.61%, 0.32%

LAB 30.22, 44.78, 0.46

 

CMYK 0 / 76 / 66 / 49

HEX #83202D

RGB 131 32 45

HSL 352.12, 0.61%, 0.32%

LAB 29.53, 42.51, 17.41

 

CMYK 0 / 76 / 76 / 49

HEX #832020

RGB 131 32 32

HSL 0, 0.61%, 0.32%

LAB 29.32, 41.78, 25.51

 

CMYK 0 / 76 / 45 / 49

HEX #832048

RGB 131 32 72

HSL 335.76, 0.61%, 0.32%

LAB 30.22, 44.78, 0.46

 

CMYK 0 / 76 / 25 / 49

HEX #832062

RGB 131 32 98

HSL 320, 0.61%, 0.32%

LAB 31.21, 47.91, -15.08

 

CMYK 0 / 76 / 5 / 49

HEX #83207D

RGB 131 32 125

HSL 303.64, 0.61%, 0.32%

LAB 32.57, 52.04, -30.15

 

CMYK 15 / 76 / 0 / 49

HEX #6F2083

RGB 111 32 131

HSL 287.88, 0.61%, 0.32%

LAB 29.54, 48.6, -38.93

 

CMYK 36 / 76 / 0 / 49

HEX #542083

RGB 84 32 131

HSL 271.52, 0.61%, 0.32%

LAB 25.43, 42.97, -45.78

 

CMYK 0 / 76 / 45 / 49

HEX #832048

RGB 131 32 72

HSL 335.76, 0.61%, 0.32%

LAB 30.22, 44.78, 0.46

 

CMYK 0 / 87 / 52 / 43

HEX #911345

RGB 145 19 69

HSL 336.19, 0.77%, 0.32%

LAB 31.61, 52.28, 4.82

 

CMYK 0 / 97 / 58 / 38

HEX #9E0542

RGB 158 5 66

HSL 336.08, 0.94%, 0.32%

LAB 33.5, 57.66, 9.85

 

CMYK 0 / 76 / 45 / 49

HEX #832048

RGB 131 32 72

HSL 335.76, 0.61%, 0.32%

LAB 30.22, 44.78, 0.46

 

CMYK 0 / 62 / 37 / 54

HEX #762D4A

RGB 118 45 74

HSL 336.16, 0.45%, 0.32%

LAB 29.97, 35.08, -1.51

 

CMYK 0 / 45 / 27 / 59

HEX #693A4D

RGB 105 58 77

HSL 335.74, 0.29%, 0.32%

LAB 30.8, 23.44, -2.49

 

CMYK 0 / 23 / 13 / 64

HEX #5C4750

RGB 92 71 80

HSL 334.29, 0.13%, 0.32%

LAB 32.61, 10.62, -1.93

 

CMYK 7 / 0 / 4 / 67

HEX #4F5552

RGB 79 85 82

HSL 150, 0.04%, 0.32%

LAB 35.53, -3.05, 0.92

 

CMYK 0 / 76 / 5 / 49

HEX #83207D

RGB 131 32 125

HSL 303.64, 0.61%, 0.32%

LAB 32.57, 52.04, -30.15

 

CMYK 0 / 76 / 25 / 49

HEX #832062

RGB 131 32 98

HSL 320, 0.61%, 0.32%

LAB 31.21, 47.91, -15.08

 

CMYK 0 / 76 / 45 / 49

HEX #832048

RGB 131 32 72

HSL 335.76, 0.61%, 0.32%

LAB 30.22, 44.78, 0.46

 

CMYK 0 / 76 / 66 / 49

HEX #83202D

RGB 131 32 45

HSL 352.12, 0.61%, 0.32%

LAB 29.53, 42.51, 17.41

 

CMYK 0 / 66 / 76 / 49

HEX #832D20

RGB 131 45 32

HSL 7.88, 0.61%, 0.32%

LAB 31.36, 36.22, 27.82

 

CMYK 0 / 75 / 46 / 75

HEX #411023

RGB 65 16 35

HSL 336.73, 0.6%, 0.16%

LAB 13.33, 25.56, -0.02

 

CMYK 0 / 76 / 45 / 62

HEX #621836

RGB 98 24 54

HSL 335.68, 0.61%, 0.24%

LAB 22, 35.61, -0.13

 

CMYK 0 / 76 / 45 / 49

HEX #832048

RGB 131 32 72

HSL 335.76, 0.61%, 0.32%

LAB 30.22, 44.78, 0.46

 

CMYK 0 / 76 / 45 / 35

HEX #A5285A

RGB 165 40 90

HSL 336, 0.61%, 0.4%

LAB 38.3, 53.74, 1.33

 

CMYK 0 / 76 / 45 / 22

HEX #C6306C

RGB 198 48 108

HSL 336, 0.61%, 0.48%

LAB 45.91, 62.04, 1.87

 

CMYK 0 / 76 / 45 / 48

HEX #842048

RGB 132 32 72

HSL 336, 0.61%, 0.32%

LAB 30.42, 45.08, 0.77

 

CMYK 0 / 15 / 76 / 49

HEX #836F20

RGB 131 111 32

HSL 47.88, 0.61%, 0.32%

LAB 47.36, -1.1, 44.43

 

CMYK 76 / 15 / 0 / 49

HEX #206F83

RGB 32 111 131

HSL 192.12, 0.61%, 0.32%

LAB 43.23, -16.35, -17.83

 

CMYK 0 / 76 / 45 / 48

HEX #842048

RGB 132 32 72

HSL 336, 0.61%, 0.32%

LAB 30.42, 45.08, 0.77

 

CMYK 45 / 0 / 76 / 49

HEX #488320

RGB 72 131 32

HSL 95.76, 0.61%, 0.32%

LAB 49.15, -36.78, 44.73

 

CMYK 76 / 45 / 0 / 49

HEX #204883

RGB 32 72 131

HSL 215.76, 0.61%, 0.32%

LAB 30.83, 7.82, -37.27

 

CMYK 0 / 76 / 45 / 48

HEX #842048

RGB 132 32 72

HSL 336, 0.61%, 0.32%

LAB 30.42, 45.08, 0.77

 

CMYK 0 / 15 / 76 / 49

HEX #836F20

RGB 131 111 32

HSL 47.88, 0.61%, 0.32%

LAB 47.36, -1.1, 44.43

 

CMYK 76 / 0 / 30 / 49

HEX #20835C

RGB 32 131 92

HSL 156.36, 0.61%, 0.32%

LAB 48.65, -37.67, 13.22

 

CMYK 76 / 60 / 0 / 49

HEX #203483

RGB 32 52 131

HSL 227.88, 0.61%, 0.32%

LAB 24.96, 21.66, -46.76

 

CMYK 0 / 76 / 45 / 48

HEX #842048

RGB 132 32 72

HSL 336, 0.61%, 0.32%

LAB 30.42, 45.08, 0.77

 

CMYK 8 / 0 / 76 / 49

HEX #798320

RGB 121 131 32

HSL 66.06, 0.61%, 0.32%

LAB 52.29, -16.77, 48.86

 

CMYK 76 / 0 / 30 / 49

HEX #20835C

RGB 32 131 92

HSL 156.36, 0.61%, 0.32%

LAB 48.65, -37.67, 13.22

 

CMYK 68 / 76 / 0 / 49

HEX #2A2083

RGB 42 32 131

HSL 246.06, 0.61%, 0.32%

LAB 20.69, 36.05, -53.73

 

Description

Color code: HEX #842048 | qconv.com Color code: HEX #842048 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 32 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 32 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 45 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 45% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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