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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #841FB0 it is the complementary color #7BE04F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #841FB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #841FB0 shade: #891FAB, #9A31BE, #AB43D1, #BC55E4 and #CD67F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #841FB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #841FB0 shade: #841FB0, #730D9D, #62008A, #510077 and #400064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #841FB0 shade: #851FB2, #AD1FB2, #B21F8F, #B21F68 and #B21F40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #841FB0 shade: #851FB2, #5E1FB2, #361FB2 and #1F1FB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #841FB0 shade matches the following richer shades: #851FB2 and #8C0EC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #841FB0 shade: #851FB2, #7F30A1, #784190, #71527F and #6B636E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #841FB0 shade: #351FB2, #5C1FB2, #831FB2, #AA1FB2 and #B21F92

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #841FB0 shade: #51136C, #6B198F, #851FB2, #A026D5 and #B045DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #841FB0 shade: #841FB0, #B21F30 and #1FB249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #841FB0 shade: #841FB0, #B2831F and #1FB283

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #841FB0 shade: #841FB0, #B21F30, #4EB21F and #1FB2A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #841FB0 shade: #841FB0, #B23A1F, #4EB21F and #1F97B2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 82 / 0 / 31

HEX #841FB0

RGB 132 31 176

HSL 281.79, 0.7%, 0.41%

LAB 36.02, 62.05, -55.75

 

Complementary color

CMYK 45 / 0 / 65 / 12

HEX #7BE04F

RGB 123 224 79

HSL 101.79, 0.7%, 0.59%

LAB 80.79, -54.64, 59.82

 

CMYK 20 / 82 / 0 / 33

HEX #891FAB

RGB 137 31 171

HSL 285.43, 0.69%, 0.4%

LAB 36.44, 61.93, -52.05

 

CMYK 19 / 74 / 0 / 25

HEX #9A31BE

RGB 154 49 190

HSL 284.68, 0.59%, 0.47%

LAB 42.44, 62.91, -53.48

 

CMYK 18 / 68 / 0 / 18

HEX #AB43D1

RGB 171 67 209

HSL 283.94, 0.61%, 0.54%

LAB 48.61, 63.13, -54.43

 

CMYK 18 / 63 / 0 / 11

HEX #BC55E4

RGB 188 85 228

HSL 283.22, 0.73%, 0.61%

LAB 54.86, 62.9, -55.09

 

CMYK 17 / 58 / 0 / 3

HEX #CD67F7

RGB 205 103 247

HSL 282.5, 0.9%, 0.69%

LAB 61.13, 62.42, -55.55

 

CMYK 25 / 82 / 0 / 31

HEX #841FB0

RGB 132 31 176

HSL 281.79, 0.7%, 0.41%

LAB 36.02, 62.05, -55.75

 

CMYK 27 / 92 / 0 / 38

HEX #730D9D

RGB 115 13 157

HSL 282.5, 0.85%, 0.33%

LAB 30.32, 59.93, -53.7

 

CMYK 29 / 100 / 0 / 46

HEX #62008A

RGB 98 0 138

HSL 282.61, 1%, 0.27%

LAB 25.05, 56.11, -50.69

 

CMYK 32 / 100 / 0 / 53

HEX #510077

RGB 81 0 119

HSL 280.84, 1%, 0.23%

LAB 20.37, 50.03, -46.44

 

CMYK 36 / 100 / 0 / 61

HEX #400064

RGB 64 0 100

HSL 278.4, 1%, 0.2%

LAB 15.54, 43.78, -42.07

 

CMYK 25 / 83 / 0 / 30

HEX #851FB2

RGB 133 31 178

HSL 281.63, 0.7%, 0.41%

LAB 36.33, 62.62, -56.43

 

CMYK 3 / 83 / 0 / 30

HEX #AD1FB2

RGB 173 31 178

HSL 297.96, 0.7%, 0.41%

LAB 42.88, 69.77, -45.54

 

CMYK 0 / 83 / 20 / 30

HEX #B21F8F

RGB 178 31 143

HSL 314.29, 0.7%, 0.41%

LAB 41.89, 65.66, -26.04

 

CMYK 0 / 83 / 42 / 30

HEX #B21F68

RGB 178 31 104

HSL 330.2, 0.7%, 0.41%

LAB 40.32, 61.18, -4.28

 

CMYK 0 / 83 / 64 / 30

HEX #B21F40

RGB 178 31 64

HSL 346.53, 0.7%, 0.41%

LAB 39.27, 58.06, 19.62

 

CMYK 25 / 83 / 0 / 30

HEX #851FB2

RGB 133 31 178

HSL 281.63, 0.7%, 0.41%

LAB 36.33, 62.62, -56.43

 

CMYK 47 / 83 / 0 / 30

HEX #5E1FB2

RGB 94 31 178

HSL 265.71, 0.7%, 0.41%

LAB 30.82, 56.75, -65.67

 

CMYK 70 / 83 / 0 / 30

HEX #361FB2

RGB 54 31 178

HSL 249.39, 0.7%, 0.41%

LAB 26.67, 52.48, -72.65

 

CMYK 83 / 83 / 0 / 30

HEX #1F1FB2

RGB 31 31 178

HSL 240, 0.7%, 0.41%

LAB 25.22, 51.01, -75.11

 

CMYK 25 / 83 / 0 / 30

HEX #851FB2

RGB 133 31 178

HSL 281.63, 0.7%, 0.41%

LAB 36.33, 62.62, -56.43

 

CMYK 28 / 93 / 0 / 24

HEX #8C0EC3

RGB 140 14 195

HSL 281.77, 0.87%, 0.41%

LAB 37.53, 70.66, -64.46

 

CMYK 25 / 83 / 0 / 30

HEX #851FB2

RGB 133 31 178

HSL 281.63, 0.7%, 0.41%

LAB 36.33, 62.62, -56.43

 

CMYK 21 / 70 / 0 / 37

HEX #7F30A1

RGB 127 48 161

HSL 281.95, 0.54%, 0.41%

LAB 36.36, 51.75, -46.25

 

CMYK 17 / 55 / 0 / 44

HEX #784190

RGB 120 65 144

HSL 281.77, 0.38%, 0.41%

LAB 37.46, 37.78, -34.25

 

CMYK 11 / 35 / 0 / 50

HEX #71527F

RGB 113 82 127

HSL 281.33, 0.22%, 0.41%

LAB 39.71, 21.76, -20.4

 

CMYK 3 / 10 / 0 / 57

HEX #6B636E

RGB 107 99 110

HSL 283.64, 0.05%, 0.41%

LAB 43.03, 5.42, -5.06

 

CMYK 70 / 83 / 0 / 30

HEX #351FB2

RGB 53 31 178

HSL 248.98, 0.7%, 0.41%

LAB 26.6, 52.4, -72.78

 

CMYK 48 / 83 / 0 / 30

HEX #5C1FB2

RGB 92 31 178

HSL 264.9, 0.7%, 0.41%

LAB 30.57, 56.49, -66.09

 

CMYK 26 / 83 / 0 / 30

HEX #831FB2

RGB 131 31 178

HSL 280.82, 0.7%, 0.41%

LAB 36.02, 62.29, -56.95

 

CMYK 4 / 83 / 0 / 30

HEX #AA1FB2

RGB 170 31 178

HSL 296.73, 0.7%, 0.41%

LAB 42.37, 69.21, -46.39

 

CMYK 0 / 83 / 18 / 30

HEX #B21F92

RGB 178 31 146

HSL 313.06, 0.7%, 0.41%

LAB 42.03, 66.06, -27.65

 

CMYK 25 / 82 / 0 / 58

HEX #51136C

RGB 81 19 108

HSL 281.8, 0.7%, 0.25%

LAB 21.2, 42.36, -37.97

 

CMYK 25 / 83 / 0 / 44

HEX #6B198F

RGB 107 25 143

HSL 281.69, 0.7%, 0.33%

LAB 28.91, 52.77, -47.45

 

CMYK 25 / 83 / 0 / 30

HEX #851FB2

RGB 133 31 178

HSL 281.63, 0.7%, 0.41%

LAB 36.33, 62.62, -56.43

 

CMYK 25 / 82 / 0 / 16

HEX #A026D5

RGB 160 38 213

HSL 281.83, 0.7%, 0.49%

LAB 43.75, 71.97, -64.66

 

CMYK 21 / 69 / 0 / 13

HEX #B045DE

RGB 176 69 222

HSL 281.96, 0.7%, 0.57%

LAB 50.41, 65.96, -58.92

 

CMYK 25 / 82 / 0 / 31

HEX #841FB0

RGB 132 31 176

HSL 281.79, 0.7%, 0.41%

LAB 36.02, 62.05, -55.75

 

CMYK 0 / 83 / 73 / 30

HEX #B21F30

RGB 178 31 48

HSL 353.06, 0.7%, 0.41%

LAB 39, 57.24, 29.28

 

CMYK 83 / 0 / 59 / 30

HEX #1FB249

RGB 31 178 73

HSL 137.14, 0.7%, 0.41%

LAB 63.85, -58.7, 42.67

 

CMYK 25 / 82 / 0 / 31

HEX #841FB0

RGB 132 31 176

HSL 281.79, 0.7%, 0.41%

LAB 36.02, 62.05, -55.75

 

CMYK 0 / 26 / 83 / 30

HEX #B2831F

RGB 178 131 31

HSL 40.82, 0.7%, 0.41%

LAB 57.84, 9.27, 56.34

 

CMYK 83 / 0 / 26 / 30

HEX #1FB283

RGB 31 178 131

HSL 160.82, 0.7%, 0.41%

LAB 64.78, -47.94, 13.77

 

CMYK 25 / 82 / 0 / 31

HEX #841FB0

RGB 132 31 176

HSL 281.79, 0.7%, 0.41%

LAB 36.02, 62.05, -55.75

 

CMYK 0 / 83 / 73 / 30

HEX #B21F30

RGB 178 31 48

HSL 353.06, 0.7%, 0.41%

LAB 39, 57.24, 29.28

 

CMYK 56 / 0 / 83 / 30

HEX #4EB21F

RGB 78 178 31

HSL 100.82, 0.7%, 0.41%

LAB 64.61, -53.53, 59.81

 

CMYK 83 / 0 / 10 / 30

HEX #1FB2A1

RGB 31 178 161

HSL 173.06, 0.7%, 0.41%

LAB 65.52, -40.16, -1.74

 

CMYK 25 / 82 / 0 / 31

HEX #841FB0

RGB 132 31 176

HSL 281.79, 0.7%, 0.41%

LAB 36.02, 62.05, -55.75

 

CMYK 0 / 67 / 83 / 30

HEX #B23A1F

RGB 178 58 31

HSL 11.02, 0.7%, 0.41%

LAB 42.14, 47.39, 42.16

 

CMYK 56 / 0 / 83 / 30

HEX #4EB21F

RGB 78 178 31

HSL 100.82, 0.7%, 0.41%

LAB 64.61, -53.53, 59.81

 

CMYK 83 / 15 / 0 / 30

HEX #1F97B2

RGB 31 151 178

HSL 191.02, 0.7%, 0.41%

LAB 57.69, -21.9, -23.05

 

Description

Color code: HEX #841FB0 | qconv.com Color code: HEX #841FB0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 31 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 31 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 82 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 82% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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