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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #841D78 it is the complementary color #7BE287. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #841D78. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #841D78 shade: #891D73, #9A2F86, #AB4199, #BC53AC and #CD65BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #841D78. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #841D78 shade: #841D78, #730B65, #620052, #51003F and #40002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #841D78 shade: #861D7A, #861D5D, #861D41, #861D25 and #861D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #841D78 shade: #861D7A, #761D86, #5A1D86, #3D1D86 and #211D86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #841D78 shade matches the following richer shades: #861D7A, #931084 and #A0038E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #841D78 shade: #861D7A, #792B70, #6B3865, #5E455B and #515251

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #841D78 shade: #591D86, #741D86, #861D7B, #861D60 and #861D44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #841D78 shade: #420F3C, #64165B, #861D7A, #A82598 and #C92CB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #841D78 shade: #841D78, #863D1D and #1D8666

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #841D78 shade: #841D78, #7B861D and #1D7B86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #841D78 shade: #841D78, #863D1D, #1D8628 and #1D6686

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #841D78 shade: #841D78, #865C1D, #1D8628 and #1D4786

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 9 / 48

HEX #841D78

RGB 132 29 120

HSL 306.99, 0.64%, 0.32%

LAB 32.12, 52.44, -27.69

 

Complementary color

CMYK 46 / 0 / 40 / 11

HEX #7BE287

RGB 123 226 135

HSL 126.99, 0.64%, 0.68%

LAB 82.03, -48.67, 35.39

 

CMYK 0 / 79 / 16 / 46

HEX #891D73

RGB 137 29 115

HSL 312.22, 0.65%, 0.33%

LAB 32.78, 52.87, -23.44

 

CMYK 0 / 69 / 13 / 40

HEX #9A2F86

RGB 154 47 134

HSL 311.21, 0.53%, 0.39%

LAB 38.94, 53.71, -25.45

 

CMYK 0 / 62 / 11 / 33

HEX #AB4199

RGB 171 65 153

HSL 310.19, 0.45%, 0.46%

LAB 45.27, 53.81, -26.9

 

CMYK 0 / 56 / 9 / 26

HEX #BC53AC

RGB 188 83 172

HSL 309.14, 0.44%, 0.53%

LAB 51.67, 53.5, -27.99

 

CMYK 0 / 51 / 7 / 20

HEX #CD65BF

RGB 205 101 191

HSL 308.08, 0.51%, 0.6%

LAB 58.08, 52.97, -28.85

 

CMYK 0 / 78 / 9 / 48

HEX #841D78

RGB 132 29 120

HSL 306.99, 0.64%, 0.32%

LAB 32.12, 52.44, -27.69

 

CMYK 0 / 90 / 12 / 55

HEX #730B65

RGB 115 11 101

HSL 308.08, 0.83%, 0.25%

LAB 26.23, 50.35, -25.02

 

CMYK 0 / 100 / 16 / 62

HEX #620052

RGB 98 0 82

HSL 309.8, 1%, 0.19%

LAB 20.85, 46.26, -21.12

 

CMYK 0 / 100 / 22 / 68

HEX #51003F

RGB 81 0 63

HSL 313.33, 1%, 0.16%

LAB 16.05, 39.9, -15.81

 

CMYK 0 / 100 / 31 / 75

HEX #40002C

RGB 64 0 44

HSL 318.75, 1%, 0.13%

LAB 11.08, 33.34, -10.11

 

CMYK 0 / 78 / 9 / 47

HEX #861D7A

RGB 134 29 122

HSL 306.86, 0.64%, 0.32%

LAB 32.6, 53.23, -28.18

 

CMYK 0 / 78 / 31 / 47

HEX #861D5D

RGB 134 29 93

HSL 323.43, 0.64%, 0.32%

LAB 31.2, 49.09, -11.8

 

CMYK 0 / 78 / 51 / 47

HEX #861D41

RGB 134 29 65

HSL 339.43, 0.64%, 0.32%

LAB 30.23, 46.06, 5.19

 

CMYK 0 / 78 / 72 / 47

HEX #861D25

RGB 134 29 37

HSL 355.43, 0.64%, 0.32%

LAB 29.61, 44.09, 22.84

 

CMYK 0 / 78 / 78 / 47

HEX #861D1D

RGB 134 29 29

HSL 0, 0.64%, 0.32%

LAB 29.5, 43.73, 27.75

 

CMYK 0 / 78 / 9 / 47

HEX #861D7A

RGB 134 29 122

HSL 306.86, 0.64%, 0.32%

LAB 32.6, 53.23, -28.18

 

CMYK 12 / 78 / 0 / 47

HEX #761D86

RGB 118 29 134

HSL 290.86, 0.64%, 0.32%

LAB 30.52, 51.78, -39.17

 

CMYK 33 / 78 / 0 / 47

HEX #5A1D86

RGB 90 29 134

HSL 274.86, 0.64%, 0.32%

LAB 26.08, 46.17, -46.57

 

CMYK 54 / 78 / 0 / 47

HEX #3D1D86

RGB 61 29 134

HSL 258.29, 0.64%, 0.32%

LAB 22.27, 41.23, -52.94

 

CMYK 75 / 78 / 0 / 47

HEX #211D86

RGB 33 29 134

HSL 242.29, 0.64%, 0.32%

LAB 19.73, 37.83, -57.22

 

CMYK 0 / 78 / 9 / 47

HEX #861D7A

RGB 134 29 122

HSL 306.86, 0.64%, 0.32%

LAB 32.6, 53.23, -28.18

 

CMYK 0 / 89 / 10 / 42

HEX #931084

RGB 147 16 132

HSL 306.87, 0.8%, 0.32%

LAB 34.48, 60.69, -31.31

 

CMYK 0 / 98 / 11 / 37

HEX #A0038E

RGB 160 3 142

HSL 306.88, 0.96%, 0.32%

LAB 36.91, 66.37, -33.48

 

CMYK 0 / 78 / 9 / 47

HEX #861D7A

RGB 134 29 122

HSL 306.86, 0.64%, 0.32%

LAB 32.6, 53.23, -28.18

 

CMYK 0 / 64 / 7 / 53

HEX #792B70

RGB 121 43 112

HSL 306.92, 0.48%, 0.32%

LAB 31.72, 42.84, -23.39

 

CMYK 0 / 48 / 6 / 58

HEX #6B3865

RGB 107 56 101

HSL 307.06, 0.31%, 0.32%

LAB 31.56, 29.65, -16.79

 

CMYK 0 / 27 / 3 / 63

HEX #5E455B

RGB 94 69 91

HSL 307.2, 0.15%, 0.32%

LAB 32.68, 14.92, -8.84

 

CMYK 1 / 0 / 1 / 68

HEX #515251

RGB 81 82 81

HSL 120, 0.01%, 0.32%

LAB 34.76, -0.62, 0.44

 

CMYK 34 / 78 / 0 / 47

HEX #591D86

RGB 89 29 134

HSL 274.29, 0.64%, 0.32%

LAB 25.93, 45.98, -46.81

 

CMYK 13 / 78 / 0 / 47

HEX #741D86

RGB 116 29 134

HSL 289.71, 0.64%, 0.32%

LAB 30.19, 51.36, -39.72

 

CMYK 0 / 78 / 8 / 47

HEX #861D7B

RGB 134 29 123

HSL 306.29, 0.64%, 0.32%

LAB 32.65, 53.39, -28.72

 

CMYK 0 / 78 / 28 / 47

HEX #861D60

RGB 134 29 96

HSL 321.71, 0.64%, 0.32%

LAB 31.33, 49.47, -13.55

 

CMYK 0 / 78 / 49 / 47

HEX #861D44

RGB 134 29 68

HSL 337.71, 0.64%, 0.32%

LAB 30.31, 46.33, 3.32

 

CMYK 0 / 77 / 9 / 74

HEX #420F3C

RGB 66 15 60

HSL 307.06, 0.63%, 0.16%

LAB 14.55, 30.34, -16.26

 

CMYK 0 / 78 / 9 / 61

HEX #64165B

RGB 100 22 91

HSL 306.92, 0.64%, 0.24%

LAB 23.8, 42.25, -22.47

 

CMYK 0 / 78 / 9 / 47

HEX #861D7A

RGB 134 29 122

HSL 306.86, 0.64%, 0.32%

LAB 32.6, 53.23, -28.18

 

CMYK 0 / 78 / 10 / 34

HEX #A82598

RGB 168 37 152

HSL 307.33, 0.64%, 0.4%

LAB 41.08, 63.16, -32.9

 

CMYK 0 / 78 / 9 / 21

HEX #C92CB7

RGB 201 44 183

HSL 306.88, 0.64%, 0.48%

LAB 49.05, 72.91, -38.38

 

CMYK 0 / 78 / 9 / 48

HEX #841D78

RGB 132 29 120

HSL 306.99, 0.64%, 0.32%

LAB 32.12, 52.44, -27.69

 

CMYK 0 / 54 / 78 / 47

HEX #863D1D

RGB 134 61 29

HSL 18.29, 0.64%, 0.32%

LAB 34.99, 29.09, 33.58

 

CMYK 78 / 0 / 24 / 47

HEX #1D8666

RGB 29 134 102

HSL 161.71, 0.64%, 0.32%

LAB 49.82, -36.92, 9.07

 

CMYK 0 / 78 / 9 / 48

HEX #841D78

RGB 132 29 120

HSL 306.99, 0.64%, 0.32%

LAB 32.12, 52.44, -27.69

 

CMYK 8 / 0 / 78 / 47

HEX #7B861D

RGB 123 134 29

HSL 66.29, 0.64%, 0.32%

LAB 53.33, -17.59, 50.95

 

CMYK 78 / 8 / 0 / 47

HEX #1D7B86

RGB 29 123 134

HSL 186.29, 0.64%, 0.32%

LAB 47.17, -22.2, -13.63

 

CMYK 0 / 78 / 9 / 48

HEX #841D78

RGB 132 29 120

HSL 306.99, 0.64%, 0.32%

LAB 32.12, 52.44, -27.69

 

CMYK 0 / 54 / 78 / 47

HEX #863D1D

RGB 134 61 29

HSL 18.29, 0.64%, 0.32%

LAB 34.99, 29.09, 33.58

 

CMYK 78 / 0 / 70 / 47

HEX #1D8628

RGB 29 134 40

HSL 126.29, 0.64%, 0.32%

LAB 48.84, -48.14, 40.74

 

CMYK 78 / 24 / 0 / 47

HEX #1D6686

RGB 29 102 134

HSL 198.29, 0.64%, 0.32%

LAB 40.39, -10.5, -24.04

 

CMYK 0 / 78 / 9 / 48

HEX #841D78

RGB 132 29 120

HSL 306.99, 0.64%, 0.32%

LAB 32.12, 52.44, -27.69

 

CMYK 0 / 31 / 78 / 47

HEX #865C1D

RGB 134 92 29

HSL 36, 0.64%, 0.32%

LAB 42.48, 11.25, 41.07

 

CMYK 78 / 0 / 70 / 47

HEX #1D8628

RGB 29 134 40

HSL 126.29, 0.64%, 0.32%

LAB 48.84, -48.14, 40.74

 

CMYK 78 / 47 / 0 / 47

HEX #1D4786

RGB 29 71 134

HSL 216, 0.64%, 0.32%

LAB 30.61, 9.29, -39.49

 

Description

Color code: HEX #841D78 | qconv.com Color code: HEX #841D78 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 29 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 29 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 9 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 9% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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