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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #841B98 it is the complementary color #7BE467. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #841B98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #841B98 shade: #891B93, #9A2DA6, #AB3FB9, #BC51CC and #CD63DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #841B98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #841B98 shade: #841B98, #730985, #620072, #51005F and #40004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #841B98 shade: #841B98, #981B8A, #981B68, #981B47 and #981B25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #841B98 shade: #841B98, #621B98, #401B98, #1F1B98 and #1B1B98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #841B98 shade matches the following richer shades: #841B98 and #8E0CA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #841B98 shade: #841B98, #7A2989, #70387B, #66466C and #5C555E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #841B98 shade: #401B98, #621B98, #831B98, #981B8B and #981B6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #841B98 shade: #470E52, #651575, #841B98, #A221BB and #BE2BDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #841B98 shade: #841B98, #981F1B and #1B9851

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #841B98 shade: #841B98, #98831B and #1B9883

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #841B98 shade: #841B98, #981F1B, #30981B and #1B9498

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #841B98 shade: #841B98, #98441B, #30981B and #1B6E98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 82 / 0 / 40

HEX #841B98

RGB 132 27 152

HSL 290.4, 0.7%, 0.35%

LAB 33.89, 58.56, -44.73

 

Complementary color

CMYK 46 / 0 / 55 / 11

HEX #7BE467

RGB 123 228 103

HSL 110.4, 0.7%, 0.65%

LAB 82.2, -53.79, 51.04

 

CMYK 7 / 82 / 0 / 42

HEX #891B93

RGB 137 27 147

HSL 295, 0.69%, 0.34%

LAB 34.41, 58.63, -40.78

 

CMYK 7 / 73 / 0 / 35

HEX #9A2DA6

RGB 154 45 166

HSL 294.05, 0.57%, 0.41%

LAB 40.41, 59.83, -42.53

 

CMYK 8 / 66 / 0 / 27

HEX #AB3FB9

RGB 171 63 185

HSL 293.11, 0.49%, 0.49%

LAB 46.6, 60.19, -43.75

 

CMYK 8 / 60 / 0 / 20

HEX #BC51CC

RGB 188 81 204

HSL 292.2, 0.55%, 0.56%

LAB 52.88, 60.05, -44.61

 

CMYK 8 / 56 / 0 / 13

HEX #CD63DF

RGB 205 99 223

HSL 291.29, 0.66%, 0.63%

LAB 59.19, 59.63, -45.26

 

CMYK 13 / 82 / 0 / 40

HEX #841B98

RGB 132 27 152

HSL 290.4, 0.7%, 0.35%

LAB 33.89, 58.56, -44.73

 

CMYK 14 / 93 / 0 / 48

HEX #730985

RGB 115 9 133

HSL 291.29, 0.87%, 0.28%

LAB 28.2, 56.06, -42.3

 

CMYK 14 / 100 / 0 / 55

HEX #620072

RGB 98 0 114

HSL 291.58, 1%, 0.22%

LAB 23.04, 51.53, -38.73

 

CMYK 15 / 100 / 0 / 63

HEX #51005F

RGB 81 0 95

HSL 291.16, 1%, 0.19%

LAB 18.26, 45.25, -34.19

 

CMYK 16 / 100 / 0 / 70

HEX #40004C

RGB 64 0 76

HSL 290.53, 1%, 0.15%

LAB 13.3, 38.75, -29.48

 

CMYK 13 / 82 / 0 / 40

HEX #841B98

RGB 132 27 152

HSL 290.4, 0.7%, 0.35%

LAB 33.89, 58.56, -44.73

 

CMYK 0 / 82 / 9 / 40

HEX #981B8A

RGB 152 27 138

HSL 306.72, 0.7%, 0.35%

LAB 36.54, 60.26, -31.7

 

CMYK 0 / 82 / 32 / 40

HEX #981B68

RGB 152 27 104

HSL 323.04, 0.7%, 0.35%

LAB 34.92, 55.67, -12.9

 

CMYK 0 / 82 / 53 / 40

HEX #981B47

RGB 152 27 71

HSL 338.88, 0.7%, 0.35%

LAB 33.8, 52.36, 6.81

 

CMYK 0 / 82 / 76 / 40

HEX #981B25

RGB 152 27 37

HSL 355.2, 0.7%, 0.35%

LAB 33.12, 50.27, 27.88

 

CMYK 13 / 82 / 0 / 40

HEX #841B98

RGB 132 27 152

HSL 290.4, 0.7%, 0.35%

LAB 33.89, 58.56, -44.73

 

CMYK 36 / 82 / 0 / 40

HEX #621B98

RGB 98 27 152

HSL 274.08, 0.7%, 0.35%

LAB 28.51, 52.54, -53.71

 

CMYK 58 / 82 / 0 / 40

HEX #401B98

RGB 64 27 152

HSL 257.76, 0.7%, 0.35%

LAB 24.13, 47.72, -61.06

 

CMYK 80 / 82 / 0 / 40

HEX #1F1B98

RGB 31 27 152

HSL 241.92, 0.7%, 0.35%

LAB 21.37, 44.71, -65.72

 

CMYK 82 / 82 / 0 / 40

HEX #1B1B98

RGB 27 27 152

HSL 240, 0.7%, 0.35%

LAB 21.15, 44.47, -66.09

 

CMYK 13 / 82 / 0 / 40

HEX #841B98

RGB 132 27 152

HSL 290.4, 0.7%, 0.35%

LAB 33.89, 58.56, -44.73

 

CMYK 14 / 93 / 0 / 35

HEX #8E0CA6

RGB 142 12 166

HSL 290.65, 0.87%, 0.35%

LAB 35.53, 65.91, -50.48

 

CMYK 13 / 82 / 0 / 40

HEX #841B98

RGB 132 27 152

HSL 290.4, 0.7%, 0.35%

LAB 33.89, 58.56, -44.73

 

CMYK 11 / 70 / 0 / 46

HEX #7A2989

RGB 122 41 137

HSL 290.63, 0.54%, 0.35%

LAB 32.98, 48.67, -37.06

 

CMYK 9 / 54 / 0 / 52

HEX #70387B

RGB 112 56 123

HSL 290.15, 0.37%, 0.35%

LAB 33.36, 35.78, -27.85

 

CMYK 6 / 35 / 0 / 58

HEX #66466C

RGB 102 70 108

HSL 290.53, 0.21%, 0.35%

LAB 34.58, 20.97, -16.64

 

CMYK 2 / 10 / 0 / 63

HEX #5C555E

RGB 92 85 94

HSL 286.67, 0.05%, 0.35%

LAB 37.08, 4.73, -4.18

 

CMYK 58 / 82 / 0 / 40

HEX #401B98

RGB 64 27 152

HSL 257.76, 0.7%, 0.35%

LAB 24.13, 47.72, -61.06

 

CMYK 36 / 82 / 0 / 40

HEX #621B98

RGB 98 27 152

HSL 274.08, 0.7%, 0.35%

LAB 28.51, 52.54, -53.71

 

CMYK 14 / 82 / 0 / 40

HEX #831B98

RGB 131 27 152

HSL 289.92, 0.7%, 0.35%

LAB 33.72, 58.37, -45.01

 

CMYK 0 / 82 / 9 / 40

HEX #981B8B

RGB 152 27 139

HSL 306.24, 0.7%, 0.35%

LAB 36.6, 60.42, -32.23

 

CMYK 0 / 82 / 30 / 40

HEX #981B6A

RGB 152 27 106

HSL 322.08, 0.7%, 0.35%

LAB 35, 55.9, -14.05

 

CMYK 13 / 83 / 0 / 68

HEX #470E52

RGB 71 14 82

HSL 290.29, 0.71%, 0.19%

LAB 16.81, 36.44, -27.87

 

CMYK 14 / 82 / 0 / 54

HEX #651575

RGB 101 21 117

HSL 290, 0.7%, 0.27%

LAB 25.53, 47.6, -36.62

 

CMYK 13 / 82 / 0 / 40

HEX #841B98

RGB 132 27 152

HSL 290.4, 0.7%, 0.35%

LAB 33.89, 58.56, -44.73

 

CMYK 13 / 82 / 0 / 27

HEX #A221BB

RGB 162 33 187

HSL 290.26, 0.7%, 0.43%

LAB 41.78, 68.79, -52.72

 

CMYK 13 / 80 / 0 / 15

HEX #BE2BDA

RGB 190 43 218

HSL 290.4, 0.7%, 0.51%

LAB 49.18, 76.61, -58.52

 

CMYK 13 / 82 / 0 / 40

HEX #841B98

RGB 132 27 152

HSL 290.4, 0.7%, 0.35%

LAB 33.89, 58.56, -44.73

 

CMYK 0 / 80 / 82 / 40

HEX #981F1B

RGB 152 31 27

HSL 1.92, 0.7%, 0.35%

LAB 33.42, 48.72, 34.16

 

CMYK 82 / 0 / 47 / 40

HEX #1B9851

RGB 27 152 81

HSL 145.92, 0.7%, 0.35%

LAB 55.36, -48.9, 28.27

 

CMYK 13 / 82 / 0 / 40

HEX #841B98

RGB 132 27 152

HSL 290.4, 0.7%, 0.35%

LAB 33.89, 58.56, -44.73

 

CMYK 0 / 14 / 82 / 40

HEX #98831B

RGB 152 131 27

HSL 49.92, 0.7%, 0.35%

LAB 55.06, -2.76, 54.13

 

CMYK 82 / 0 / 14 / 40

HEX #1B9883

RGB 27 152 131

HSL 169.92, 0.7%, 0.35%

LAB 56.41, -37.34, 1.84

 

CMYK 13 / 82 / 0 / 40

HEX #841B98

RGB 132 27 152

HSL 290.4, 0.7%, 0.35%

LAB 33.89, 58.56, -44.73

 

CMYK 0 / 80 / 82 / 40

HEX #981F1B

RGB 152 31 27

HSL 1.92, 0.7%, 0.35%

LAB 33.42, 48.72, 34.16

 

CMYK 68 / 0 / 82 / 40

HEX #30981B

RGB 48 152 27

HSL 109.92, 0.7%, 0.35%

LAB 55.24, -51.82, 51.97

 

CMYK 82 / 3 / 0 / 40

HEX #1B9498

RGB 27 148 152

HSL 181.92, 0.7%, 0.35%

LAB 55.77, -29.24, -11.14

 

CMYK 13 / 82 / 0 / 40

HEX #841B98

RGB 132 27 152

HSL 290.4, 0.7%, 0.35%

LAB 33.89, 58.56, -44.73

 

CMYK 0 / 55 / 82 / 40

HEX #98441B

RGB 152 68 27

HSL 19.68, 0.7%, 0.35%

LAB 39.39, 32.72, 39.92

 

CMYK 68 / 0 / 82 / 40

HEX #30981B

RGB 48 152 27

HSL 109.92, 0.7%, 0.35%

LAB 55.24, -51.82, 51.97

 

CMYK 82 / 28 / 0 / 40

HEX #1B6E98

RGB 27 110 152

HSL 200.16, 0.7%, 0.35%

LAB 43.73, -8.76, -29.61

 

Description

Color code: HEX #841B98 | qconv.com Color code: HEX #841B98 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 27 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 27 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 82 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 82% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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