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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #841870 it is the complementary color #7BE78F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #841870. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #841870 shade: #89186B, #9A2A7E, #AB3C91, #BC4EA4 and #CD60B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #841870. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #841870 shade: #841870, #73065D, #62004A, #510037 and #400024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #841870 shade: #861971, #861954, #861937 and #861919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #841870 shade: #861971, #7C1986, #5F1986, #421986 and #241986

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #841870 shade matches the following richer shades: #861971 and #920C79

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #841870 shade: #861971, #792569, #6C3261, #5F3F59 and #524C51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #841870 shade: #5F1986, #7D1986, #861972, #861955 and #861937

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #841870 shade: #400C36, #631254, #861971, #A81F8F and #CB25AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #841870 shade: #841870, #864219 and #19866E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #841870 shade: #841870, #728619 and #197286

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #841870 shade: #841870, #864219, #19862D and #195C86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #841870 shade: #841870, #866319, #19862D and #193B86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 15 / 48

HEX #841870

RGB 132 24 112

HSL 311.11, 0.69%, 0.31%

LAB 31.18, 52.7, -24.09

 

Complementary color

CMYK 47 / 0 / 38 / 9

HEX #7BE78F

RGB 123 231 143

HSL 131.11, 0.69%, 0.69%

LAB 83.62, -49.48, 33.45

 

CMYK 0 / 82 / 22 / 46

HEX #89186B

RGB 137 24 107

HSL 315.93, 0.7%, 0.32%

LAB 31.88, 53.17, -19.73

 

CMYK 0 / 73 / 18 / 40

HEX #9A2A7E

RGB 154 42 126

HSL 315, 0.57%, 0.38%

LAB 37.9, 54.38, -22.13

 

CMYK 0 / 65 / 15 / 33

HEX #AB3C91

RGB 171 60 145

HSL 314.05, 0.48%, 0.45%

LAB 44.14, 54.7, -23.86

 

CMYK 0 / 59 / 13 / 26

HEX #BC4EA4

RGB 188 78 164

HSL 313.09, 0.45%, 0.52%

LAB 50.48, 54.52, -25.16

 

CMYK 0 / 53 / 11 / 20

HEX #CD60B7

RGB 205 96 183

HSL 312.11, 0.52%, 0.59%

LAB 56.84, 54.06, -26.18

 

CMYK 0 / 82 / 15 / 48

HEX #841870

RGB 132 24 112

HSL 311.11, 0.69%, 0.31%

LAB 31.18, 52.7, -24.09

 

CMYK 0 / 95 / 19 / 55

HEX #73065D

RGB 115 6 93

HSL 312.11, 0.9%, 0.24%

LAB 25.46, 50.13, -20.98

 

CMYK 0 / 100 / 24 / 62

HEX #62004A

RGB 98 0 74

HSL 314.69, 1%, 0.19%

LAB 20.41, 45.14, -16.37

 

CMYK 0 / 100 / 32 / 68

HEX #510037

RGB 81 0 55

HSL 319.26, 1%, 0.16%

LAB 15.62, 38.82, -10.79

 

CMYK 0 / 100 / 44 / 75

HEX #400024

RGB 64 0 36

HSL 326.25, 1%, 0.13%

LAB 10.68, 32.33, -4.71

 

CMYK 0 / 81 / 16 / 47

HEX #861971

RGB 134 25 113

HSL 311.56, 0.69%, 0.31%

LAB 31.71, 53.04, -23.88

 

CMYK 0 / 81 / 37 / 47

HEX #861954

RGB 134 25 84

HSL 327.52, 0.69%, 0.31%

LAB 30.41, 49.25, -7.11

 

CMYK 0 / 81 / 59 / 47

HEX #861937

RGB 134 25 55

HSL 343.49, 0.69%, 0.31%

LAB 29.51, 46.52, 10.85

 

CMYK 0 / 81 / 81 / 47

HEX #861919

RGB 134 25 25

HSL 0, 0.69%, 0.31%

LAB 28.99, 44.88, 29.62

 

CMYK 0 / 81 / 16 / 47

HEX #861971

RGB 134 25 113

HSL 311.56, 0.69%, 0.31%

LAB 31.71, 53.04, -23.88

 

CMYK 7 / 81 / 0 / 47

HEX #7C1986

RGB 124 25 134

HSL 294.5, 0.69%, 0.31%

LAB 31.12, 54.28, -38.16

 

CMYK 29 / 81 / 0 / 47

HEX #5F1986

RGB 95 25 134

HSL 278.53, 0.69%, 0.31%

LAB 26.3, 48.64, -46.17

 

CMYK 51 / 81 / 0 / 47

HEX #421986

RGB 66 25 134

HSL 262.57, 0.69%, 0.31%

LAB 22.21, 43.85, -53.02

 

CMYK 73 / 81 / 0 / 47

HEX #241986

RGB 36 25 134

HSL 246.06, 0.69%, 0.31%

LAB 19.19, 40.28, -58.11

 

CMYK 0 / 81 / 16 / 47

HEX #861971

RGB 134 25 113

HSL 311.56, 0.69%, 0.31%

LAB 31.71, 53.04, -23.88

 

CMYK 0 / 92 / 17 / 43

HEX #920C79

RGB 146 12 121

HSL 311.19, 0.85%, 0.31%

LAB 33.47, 59.58, -26.03

 

CMYK 0 / 81 / 16 / 47

HEX #861971

RGB 134 25 113

HSL 311.56, 0.69%, 0.31%

LAB 31.71, 53.04, -23.88

 

CMYK 0 / 69 / 13 / 53

HEX #792569

RGB 121 37 105

HSL 311.43, 0.53%, 0.31%

LAB 30.42, 44.29, -20.95

 

CMYK 0 / 54 / 10 / 58

HEX #6C3261

RGB 108 50 97

HSL 311.38, 0.37%, 0.31%

LAB 30.24, 32.61, -16.26

 

CMYK 0 / 34 / 6 / 63

HEX #5F3F59

RGB 95 63 89

HSL 311.25, 0.2%, 0.31%

LAB 31.14, 18.66, -9.89

 

CMYK 0 / 7 / 1 / 68

HEX #524C51

RGB 82 76 81

HSL 310, 0.04%, 0.31%

LAB 33.04, 3.54, -2.06

 

CMYK 29 / 81 / 0 / 47

HEX #5F1986

RGB 95 25 134

HSL 278.53, 0.69%, 0.31%

LAB 26.3, 48.64, -46.17

 

CMYK 7 / 81 / 0 / 47

HEX #7D1986

RGB 125 25 134

HSL 295.05, 0.69%, 0.31%

LAB 31.29, 54.48, -37.87

 

CMYK 0 / 81 / 15 / 47

HEX #861972

RGB 134 25 114

HSL 311.01, 0.69%, 0.31%

LAB 31.76, 53.18, -24.44

 

CMYK 0 / 81 / 37 / 47

HEX #861955

RGB 134 25 85

HSL 326.97, 0.69%, 0.31%

LAB 30.45, 49.36, -7.71

 

CMYK 0 / 81 / 59 / 47

HEX #861937

RGB 134 25 55

HSL 343.49, 0.69%, 0.31%

LAB 29.51, 46.52, 10.85

 

CMYK 0 / 81 / 16 / 75

HEX #400C36

RGB 64 12 54

HSL 311.54, 0.68%, 0.15%

LAB 13.35, 29.95, -13.88

 

CMYK 0 / 82 / 15 / 61

HEX #631254

RGB 99 18 84

HSL 311.11, 0.69%, 0.23%

LAB 22.74, 42.21, -19.48

 

CMYK 0 / 81 / 16 / 47

HEX #861971

RGB 134 25 113

HSL 311.56, 0.69%, 0.31%

LAB 31.71, 53.04, -23.88

 

CMYK 0 / 82 / 15 / 34

HEX #A81F8F

RGB 168 31 143

HSL 310.95, 0.69%, 0.39%

LAB 40.06, 63.46, -29.04

 

CMYK 0 / 82 / 15 / 20

HEX #CB25AD

RGB 203 37 173

HSL 310.84, 0.69%, 0.47%

LAB 48.31, 73.65, -33.66

 

CMYK 0 / 82 / 15 / 48

HEX #841870

RGB 132 24 112

HSL 311.11, 0.69%, 0.31%

LAB 31.18, 52.7, -24.09

 

CMYK 0 / 51 / 81 / 47

HEX #864219

RGB 134 66 25

HSL 22.57, 0.69%, 0.31%

LAB 36.05, 26.16, 36.68

 

CMYK 81 / 0 / 18 / 47

HEX #19866E

RGB 25 134 110

HSL 166.79, 0.69%, 0.31%

LAB 49.96, -35.29, 4.6

 

CMYK 0 / 82 / 15 / 48

HEX #841870

RGB 132 24 112

HSL 311.11, 0.69%, 0.31%

LAB 31.18, 52.7, -24.09

 

CMYK 15 / 0 / 81 / 47

HEX #728619

RGB 114 134 25

HSL 71.01, 0.69%, 0.31%

LAB 52.62, -21.77, 51.32

 

CMYK 81 / 15 / 0 / 47

HEX #197286

RGB 25 114 134

HSL 191.01, 0.69%, 0.31%

LAB 44.18, -17.81, -18.19

 

CMYK 0 / 82 / 15 / 48

HEX #841870

RGB 132 24 112

HSL 311.11, 0.69%, 0.31%

LAB 31.18, 52.7, -24.09

 

CMYK 0 / 51 / 81 / 47

HEX #864219

RGB 134 66 25

HSL 22.57, 0.69%, 0.31%

LAB 36.05, 26.16, 36.68

 

CMYK 81 / 0 / 66 / 47

HEX #19862D

RGB 25 134 45

HSL 131.01, 0.69%, 0.31%

LAB 48.82, -48.16, 38.48

 

CMYK 81 / 31 / 0 / 47

HEX #195C86

RGB 25 92 134

HSL 203.12, 0.69%, 0.31%

LAB 37.08, -4.93, -29.22

 

CMYK 0 / 82 / 15 / 48

HEX #841870

RGB 132 24 112

HSL 311.11, 0.69%, 0.31%

LAB 31.18, 52.7, -24.09

 

CMYK 0 / 26 / 81 / 47

HEX #866319

RGB 134 99 25

HSL 40.73, 0.69%, 0.31%

LAB 44.32, 6.96, 44.47

 

CMYK 81 / 0 / 66 / 47

HEX #19862D

RGB 25 134 45

HSL 131.01, 0.69%, 0.31%

LAB 48.82, -48.16, 38.48

 

CMYK 81 / 56 / 0 / 47

HEX #193B86

RGB 25 59 134

HSL 221.28, 0.69%, 0.31%

LAB 26.89, 17.12, -45.5

 

Description

Color code: HEX #841870 | qconv.com Color code: HEX #841870 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 24 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 24 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 15 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 15% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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