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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #840A83 it is the complementary color #7BF57C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #840A83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #840A83 shade: #890A7E, #9A1C91, #AB2EA4, #BC40B7 and #CD52CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #840A83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #840A83 shade: #840A83, #730070, #62005D, #51004A and #400037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #840A83 shade: #850A84, #850A63, #850A42, #850A20 and #850A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #840A83 shade: #850A84, #650A85, #440A85, #220A85 and #0A0A85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #840A83 shade matches the following richer shades: #850A84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #840A83 shade: #850A84, #791678, #6E216D, #622D62 and #573856

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #840A83 shade: #430A85, #640A85, #850A85, #850A64 and #850A43

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #840A83 shade: #380438, #5E075E, #850A84, #AB0DAA and #D210D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #840A83 shade: #840A83, #85230A and #0A8554

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #840A83 shade: #840A83, #85850A and #0A8585

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #840A83 shade: #840A83, #85230A, #0A850A and #0A6C85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #840A83 shade: #840A83, #85470A, #0A850A and #0A4785

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 1 / 48

HEX #840A83

RGB 132 10 131

HSL 300.49, 0.86%, 0.28%

LAB 31.26, 58.6, -35.98

 

Complementary color

CMYK 50 / 0 / 49 / 4

HEX #7BF57C

RGB 123 245 124

HSL 120.49, 0.86%, 0.72%

LAB 87.47, -57.87, 47.65

 

CMYK 0 / 93 / 8 / 46

HEX #890A7E

RGB 137 10 126

HSL 305.2, 0.86%, 0.29%

LAB 31.9, 58.78, -31.76

 

CMYK 0 / 82 / 6 / 40

HEX #9A1C91

RGB 154 28 145

HSL 304.29, 0.69%, 0.36%

LAB 37.38, 61.51, -34.65

 

CMYK 0 / 73 / 4 / 33

HEX #AB2EA4

RGB 171 46 164

HSL 303.36, 0.58%, 0.43%

LAB 43.2, 62.92, -36.73

 

CMYK 0 / 66 / 3 / 26

HEX #BC40B7

RGB 188 64 183

HSL 302.42, 0.49%, 0.49%

LAB 49.22, 63.48, -38.25

 

CMYK 0 / 60 / 1 / 20

HEX #CD52CA

RGB 205 82 202

HSL 301.46, 0.55%, 0.56%

LAB 55.36, 63.51, -39.4

 

CMYK 0 / 92 / 1 / 48

HEX #840A83

RGB 132 10 131

HSL 300.49, 0.86%, 0.28%

LAB 31.26, 58.6, -35.98

 

CMYK 0 / 100 / 3 / 55

HEX #730070

RGB 115 0 112

HSL 301.57, 1%, 0.23%

LAB 26.2, 54.1, -32.19

 

CMYK 0 / 100 / 5 / 62

HEX #62005D

RGB 98 0 93

HSL 303.06, 1%, 0.19%

LAB 21.53, 47.94, -27.41

 

CMYK 0 / 100 / 9 / 68

HEX #51004A

RGB 81 0 74

HSL 305.19, 1%, 0.16%

LAB 16.72, 41.57, -22.42

 

CMYK 0 / 100 / 14 / 75

HEX #400037

RGB 64 0 55

HSL 308.44, 1%, 0.13%

LAB 11.73, 34.98, -17.15

 

CMYK 0 / 92 / 1 / 48

HEX #850A84

RGB 133 10 132

HSL 300.49, 0.86%, 0.28%

LAB 31.51, 58.94, -36.19

 

CMYK 0 / 92 / 26 / 48

HEX #850A63

RGB 133 10 99

HSL 316.59, 0.86%, 0.28%

LAB 29.67, 54.19, -18.06

 

CMYK 0 / 92 / 50 / 48

HEX #850A42

RGB 133 10 66

HSL 332.68, 0.86%, 0.28%

LAB 28.37, 50.65, 1.83

 

CMYK 0 / 92 / 76 / 48

HEX #850A20

RGB 133 10 32

HSL 349.27, 0.86%, 0.28%

LAB 27.59, 48.47, 23.64

 

CMYK 0 / 92 / 92 / 48

HEX #850A0A

RGB 133 10 10

HSL 0, 0.86%, 0.28%

LAB 27.37, 47.82, 36.07

 

CMYK 0 / 92 / 1 / 48

HEX #850A84

RGB 133 10 132

HSL 300.49, 0.86%, 0.28%

LAB 31.51, 58.94, -36.19

 

CMYK 24 / 92 / 0 / 48

HEX #650A85

RGB 101 10 133

HSL 284.39, 0.86%, 0.28%

LAB 25.79, 53.58, -46.32

 

CMYK 49 / 92 / 0 / 48

HEX #440A85

RGB 68 10 133

HSL 268.29, 0.86%, 0.28%

LAB 20.59, 49.08, -55.05

 

CMYK 74 / 92 / 0 / 48

HEX #220A85

RGB 34 10 133

HSL 251.71, 0.86%, 0.28%

LAB 16.75, 46.2, -61.53

 

CMYK 92 / 92 / 0 / 48

HEX #0A0A85

RGB 10 10 133

HSL 240, 0.86%, 0.28%

LAB 15.36, 45.29, -63.89

 

CMYK 0 / 92 / 1 / 48

HEX #850A84

RGB 133 10 132

HSL 300.49, 0.86%, 0.28%

LAB 31.51, 58.94, -36.19

 

CMYK 0 / 92 / 1 / 48

HEX #850A84

RGB 133 10 132

HSL 300.49, 0.86%, 0.28%

LAB 31.51, 58.94, -36.19

 

CMYK 0 / 82 / 1 / 53

HEX #791678

RGB 121 22 120

HSL 300.61, 0.69%, 0.28%

LAB 29.4, 52.06, -32.13

 

CMYK 0 / 70 / 1 / 57

HEX #6E216D

RGB 110 33 109

HSL 300.78, 0.54%, 0.28%

LAB 28.13, 43.71, -27.24

 

CMYK 0 / 54 / 0 / 62

HEX #622D62

RGB 98 45 98

HSL 300, 0.37%, 0.28%

LAB 27.72, 32.29, -20.92

 

CMYK 0 / 36 / 1 / 66

HEX #573856

RGB 87 56 86

HSL 301.94, 0.22%, 0.28%

LAB 28.18, 19.37, -12.53

 

CMYK 50 / 92 / 0 / 48

HEX #430A85

RGB 67 10 133

HSL 267.8, 0.86%, 0.28%

LAB 20.46, 48.97, -55.28

 

CMYK 25 / 92 / 0 / 48

HEX #640A85

RGB 100 10 133

HSL 283.9, 0.86%, 0.28%

LAB 25.62, 53.42, -46.61

 

CMYK 0 / 92 / 0 / 48

HEX #850A85

RGB 133 10 133

HSL 300, 0.86%, 0.28%

LAB 31.57, 59.1, -36.72

 

CMYK 0 / 92 / 25 / 48

HEX #850A64

RGB 133 10 100

HSL 316.1, 0.86%, 0.28%

LAB 29.72, 54.32, -18.63

 

CMYK 0 / 92 / 50 / 48

HEX #850A43

RGB 133 10 67

HSL 332.2, 0.86%, 0.28%

LAB 28.4, 50.74, 1.2

 

CMYK 0 / 93 / 0 / 78

HEX #380438

RGB 56 4 56

HSL 300, 0.87%, 0.12%

LAB 10.65, 31.56, -19.69

 

CMYK 0 / 93 / 0 / 63

HEX #5E075E

RGB 94 7 94

HSL 300, 0.86%, 0.2%

LAB 21.36, 45.65, -28.4

 

CMYK 0 / 92 / 1 / 48

HEX #850A84

RGB 133 10 132

HSL 300.49, 0.86%, 0.28%

LAB 31.51, 58.94, -36.19

 

CMYK 0 / 92 / 1 / 33

HEX #AB0DAA

RGB 171 13 170

HSL 300.38, 0.86%, 0.36%

LAB 40.97, 71.3, -43.86

 

CMYK 0 / 92 / 1 / 18

HEX #D210D0

RGB 210 16 208

HSL 300.62, 0.86%, 0.44%

LAB 50.25, 83.27, -50.89

 

CMYK 0 / 92 / 1 / 48

HEX #840A83

RGB 132 10 131

HSL 300.49, 0.86%, 0.28%

LAB 31.26, 58.6, -35.98

 

CMYK 0 / 74 / 92 / 48

HEX #85230A

RGB 133 35 10

HSL 12.2, 0.86%, 0.28%

LAB 29.94, 40.59, 38.15

 

CMYK 92 / 0 / 37 / 48

HEX #0A8554

RGB 10 133 84

HSL 156.1, 0.86%, 0.28%

LAB 48.86, -42.64, 18.04

 

CMYK 0 / 92 / 1 / 48

HEX #840A83

RGB 132 10 131

HSL 300.49, 0.86%, 0.28%

LAB 31.26, 58.6, -35.98

 

CMYK 0 / 0 / 92 / 48

HEX #85850A

RGB 133 133 10

HSL 60, 0.86%, 0.28%

LAB 53.8, -13.1, 56.52

 

CMYK 92 / 0 / 0 / 48

HEX #0A8585

RGB 10 133 133

HSL 180, 0.86%, 0.28%

LAB 50.14, -29.14, -8.6

 

CMYK 0 / 92 / 1 / 48

HEX #840A83

RGB 132 10 131

HSL 300.49, 0.86%, 0.28%

LAB 31.26, 58.6, -35.98

 

CMYK 0 / 74 / 92 / 48

HEX #85230A

RGB 133 35 10

HSL 12.2, 0.86%, 0.28%

LAB 29.94, 40.59, 38.15

 

CMYK 92 / 0 / 92 / 48

HEX #0A850A

RGB 10 133 10

HSL 120, 0.86%, 0.28%

LAB 48.09, -52.04, 49.49

 

CMYK 92 / 19 / 0 / 48

HEX #0A6C85

RGB 10 108 133

HSL 192.2, 0.86%, 0.28%

LAB 41.97, -16.06, -21

 

CMYK 0 / 92 / 1 / 48

HEX #840A83

RGB 132 10 131

HSL 300.49, 0.86%, 0.28%

LAB 31.26, 58.6, -35.98

 

CMYK 0 / 47 / 92 / 48

HEX #85470A

RGB 133 71 10

HSL 29.76, 0.86%, 0.28%

LAB 36.96, 22.43, 43.44

 

CMYK 92 / 0 / 92 / 48

HEX #0A850A

RGB 10 133 10

HSL 120, 0.86%, 0.28%

LAB 48.09, -52.04, 49.49

 

CMYK 92 / 47 / 0 / 48

HEX #0A4785

RGB 10 71 133

HSL 210.24, 0.86%, 0.28%

LAB 30.07, 7.06, -39.77

 

Description

Color code: HEX #840A83 | qconv.com Color code: HEX #840A83 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 132 red, 10 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
132 10 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 1 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 1% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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