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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83FEC4 it is the complementary color #7C013B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83FEC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83FEC4 shade: #88FEBF, #99FFD2, #AAFFE5, #BBFFF8 and #CCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83FEC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83FEC4 shade: #83FEC4, #72ECB1, #61DA9E, #50C88B and #3FB678

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83FEC4 shade: #81FEC3, #81FEA1, #82FE81, #A4FE81 and #C6FE81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83FEC4 shade: #81FEC3, #81FEE5, #81F5FE, #81D4FE and #81B2FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83FEC4 shade matches the following richer shades: #81FEC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83FEC4 shade: #81FEC3, #8BF3C2, #95E9C2, #A0DFC1 and #AAD4C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83FEC4 shade: #83FE81, #81FEA0, #81FEC1, #81FEE3 and #81F7FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83FEC4 shade: #2FFD9C, #58FDAF, #81FEC3, #AAFED6 and #D2FFEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83FEC4 shade: #83FEC4, #81A4FE and #FE8F81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83FEC4 shade: #83FEC4, #C181FE and #FEC181

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83FEC4 shade: #83FEC4, #81A4FE, #FE81BD and #FEDA81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83FEC4 shade: #83FEC4, #8381FE, #FE81BD and #FCFE81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 23 / 0

HEX #83FEC4

RGB 131 254 196

HSL 151.71, 0.98%, 0.75%

LAB 91.55, -47.5, 17.27

 

Complementary color

CMYK 0 / 99 / 52 / 51

HEX #7C013B

RGB 124 1 59

HSL 331.71, 0.98%, 0.25%

LAB 25.63, 49.4, 2.38

 

CMYK 46 / 0 / 25 / 0

HEX #88FEBF

RGB 136 254 191

HSL 147.97, 0.98%, 0.76%

LAB 91.63, -47.27, 19.97

 

CMYK 40 / 0 / 18 / 0

HEX #99FFD2

RGB 153 255 210

HSL 153.53, 1%, 0.8%

LAB 92.99, -39.61, 12.24

 

CMYK 33 / 0 / 10 / 0

HEX #AAFFE5

RGB 170 255 229

HSL 161.65, 1%, 0.83%

LAB 94.19, -31.14, 4.28

 

CMYK 27 / 0 / 3 / 0

HEX #BBFFF8

RGB 187 255 248

HSL 173.82, 1%, 0.87%

LAB 95.52, -22.4, -3.48

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 48 / 0 / 23 / 0

HEX #83FEC4

RGB 131 254 196

HSL 151.71, 0.98%, 0.75%

LAB 91.55, -47.5, 17.27

 

CMYK 52 / 0 / 25 / 7

HEX #72ECB1

RGB 114 236 177

HSL 150.98, 0.76%, 0.69%

LAB 85.37, -47.63, 18.34

 

CMYK 56 / 0 / 28 / 15

HEX #61DA9E

RGB 97 218 158

HSL 150.25, 0.62%, 0.62%

LAB 79.13, -47.7, 19.49

 

CMYK 60 / 0 / 31 / 22

HEX #50C88B

RGB 80 200 139

HSL 149.5, 0.52%, 0.55%

LAB 72.81, -47.67, 20.74

 

CMYK 65 / 0 / 34 / 29

HEX #3FB678

RGB 63 182 120

HSL 148.74, 0.49%, 0.48%

LAB 66.42, -47.48, 22.09

 

CMYK 49 / 0 / 23 / 0

HEX #81FEC3

RGB 129 254 195

HSL 151.68, 0.98%, 0.75%

LAB 91.46, -48.18, 17.64

 

CMYK 49 / 0 / 37 / 0

HEX #81FEA1

RGB 129 254 161

HSL 135.36, 0.98%, 0.75%

LAB 90.84, -54.39, 34.01

 

CMYK 49 / 0 / 49 / 0

HEX #82FE81

RGB 130 254 129

HSL 119.52, 0.98%, 0.75%

LAB 90.42, -58.86, 48.99

 

CMYK 35 / 0 / 49 / 0

HEX #A4FE81

RGB 164 254 129

HSL 103.2, 0.98%, 0.75%

LAB 91.85, -48.92, 51.06

 

CMYK 22 / 0 / 49 / 0

HEX #C6FE81

RGB 198 254 129

HSL 86.88, 0.98%, 0.75%

LAB 93.66, -37.41, 53.68

 

CMYK 49 / 0 / 23 / 0

HEX #81FEC3

RGB 129 254 195

HSL 151.68, 0.98%, 0.75%

LAB 91.46, -48.18, 17.64

 

CMYK 49 / 0 / 10 / 0

HEX #81FEE5

RGB 129 254 229

HSL 168, 0.98%, 0.75%

LAB 92.22, -40.84, 1.21

 

CMYK 49 / 4 / 0 / 0

HEX #81F5FE

RGB 129 245 254

HSL 184.32, 0.98%, 0.75%

LAB 90.38, -30.59, -14.5

 

CMYK 49 / 17 / 0 / 0

HEX #81D4FE

RGB 129 212 254

HSL 200.16, 0.98%, 0.75%

LAB 81.24, -14.22, -28.34

 

CMYK 49 / 30 / 0 / 0

HEX #81B2FE

RGB 129 178 254

HSL 216.48, 0.98%, 0.75%

LAB 72, 4.11, -42.63

 

CMYK 49 / 0 / 23 / 0

HEX #81FEC3

RGB 129 254 195

HSL 151.68, 0.98%, 0.75%

LAB 91.46, -48.18, 17.64

 

CMYK 49 / 0 / 23 / 0

HEX #81FEC3

RGB 129 254 195

HSL 151.68, 0.98%, 0.75%

LAB 91.46, -48.18, 17.64

 

CMYK 43 / 0 / 20 / 5

HEX #8BF3C2

RGB 139 243 194

HSL 151.73, 0.81%, 0.75%

LAB 88.68, -41.12, 14.3

 

CMYK 36 / 0 / 17 / 9

HEX #95E9C2

RGB 149 233 194

HSL 152.14, 0.66%, 0.75%

LAB 86.29, -33.87, 10.97

 

CMYK 28 / 0 / 13 / 13

HEX #A0DFC1

RGB 160 223 193

HSL 151.43, 0.5%, 0.75%

LAB 84.02, -26.11, 8.33

 

CMYK 20 / 0 / 9 / 17

HEX #AAD4C0

RGB 170 212 192

HSL 151.43, 0.33%, 0.75%

LAB 81.53, -17.75, 5.36

 

CMYK 48 / 0 / 49 / 0

HEX #83FE81

RGB 131 254 129

HSL 119.04, 0.98%, 0.75%

LAB 90.46, -58.59, 49.04

 

CMYK 49 / 0 / 37 / 0

HEX #81FEA0

RGB 129 254 160

HSL 134.88, 0.98%, 0.75%

LAB 90.82, -54.56, 34.48

 

CMYK 49 / 0 / 24 / 0

HEX #81FEC1

RGB 129 254 193

HSL 150.72, 0.98%, 0.75%

LAB 91.42, -48.57, 18.61

 

CMYK 49 / 0 / 11 / 0

HEX #81FEE3

RGB 129 254 227

HSL 167.04, 0.98%, 0.75%

LAB 92.17, -41.3, 2.17

 

CMYK 49 / 3 / 0 / 0

HEX #81F7FE

RGB 129 247 254

HSL 183.36, 0.98%, 0.75%

LAB 90.94, -31.53, -13.67

 

CMYK 81 / 0 / 38 / 1

HEX #2FFD9C

RGB 47 253 156

HSL 151.75, 0.98%, 0.59%

LAB 88.57, -68.99, 33.15

 

CMYK 65 / 0 / 31 / 1

HEX #58FDAF

RGB 88 253 175

HSL 151.64, 0.98%, 0.67%

LAB 89.59, -60.06, 25.08

 

CMYK 49 / 0 / 23 / 0

HEX #81FEC3

RGB 129 254 195

HSL 151.68, 0.98%, 0.75%

LAB 91.46, -48.18, 17.64

 

CMYK 33 / 0 / 16 / 0

HEX #AAFED6

RGB 170 254 214

HSL 151.43, 0.98%, 0.83%

LAB 93.57, -33.7, 11.12

 

CMYK 18 / 0 / 8 / 0

HEX #D2FFEA

RGB 210 255 234

HSL 152, 1%, 0.91%

LAB 96.48, -18.32, 5.28

 

CMYK 48 / 0 / 23 / 0

HEX #83FEC4

RGB 131 254 196

HSL 151.71, 0.98%, 0.75%

LAB 91.55, -47.5, 17.27

 

CMYK 49 / 35 / 0 / 0

HEX #81A4FE

RGB 129 164 254

HSL 223.2, 0.98%, 0.75%

LAB 68.3, 12.03, -48.45

 

CMYK 0 / 44 / 49 / 0

HEX #FE8F81

RGB 254 143 129

HSL 6.72, 0.98%, 0.75%

LAB 71.08, 40.46, 25.97

 

CMYK 48 / 0 / 23 / 0

HEX #83FEC4

RGB 131 254 196

HSL 151.71, 0.98%, 0.75%

LAB 91.55, -47.5, 17.27

 

CMYK 24 / 49 / 0 / 0

HEX #C181FE

RGB 193 129 254

HSL 270.72, 0.98%, 0.75%

LAB 65.12, 47.79, -53.15

 

CMYK 0 / 24 / 49 / 0

HEX #FEC181

RGB 254 193 129

HSL 30.72, 0.98%, 0.75%

LAB 82.27, 14.46, 40.55

 

CMYK 48 / 0 / 23 / 0

HEX #83FEC4

RGB 131 254 196

HSL 151.71, 0.98%, 0.75%

LAB 91.55, -47.5, 17.27

 

CMYK 49 / 35 / 0 / 0

HEX #81A4FE

RGB 129 164 254

HSL 223.2, 0.98%, 0.75%

LAB 68.3, 12.03, -48.45

 

CMYK 0 / 49 / 26 / 0

HEX #FE81BD

RGB 254 129 189

HSL 331.2, 0.98%, 0.75%

LAB 69.79, 54.11, -9.32

 

CMYK 0 / 14 / 49 / 0

HEX #FEDA81

RGB 254 218 129

HSL 42.72, 0.98%, 0.75%

LAB 88.35, 1.54, 48.15

 

CMYK 48 / 0 / 23 / 0

HEX #83FEC4

RGB 131 254 196

HSL 151.71, 0.98%, 0.75%

LAB 91.55, -47.5, 17.27

 

CMYK 48 / 49 / 0 / 0

HEX #8381FE

RGB 131 129 254

HSL 240.96, 0.98%, 0.75%

LAB 59.6, 32.86, -62.27

 

CMYK 0 / 49 / 26 / 0

HEX #FE81BD

RGB 254 129 189

HSL 331.2, 0.98%, 0.75%

LAB 69.79, 54.11, -9.32

 

CMYK 1 / 0 / 49 / 0

HEX #FCFE81

RGB 252 254 129

HSL 60.96, 0.98%, 0.75%

LAB 97.29, -17.14, 58.91

 

Description

Color code: HEX #83FEC4 | qconv.com Color code: HEX #83FEC4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 254 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 254 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 23 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 23% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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