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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83F926 it is the complementary color #7C06D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83F926. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83F926 shade: #88F921, #99FF34, #AAFF47, #BBFF5A and #CCFF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83F926. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83F926 shade: #83F926, #72E713, #61D500, #50C300 and #3FB100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83F926 shade: #82F924, #BCF924, #F5F924, #F9C424 and #F98B24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83F926 shade: #82F924, #49F924, #24F939, #24F973 and #24F9AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83F926 shade matches the following richer shades: #82F924

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83F926 shade: #82F924, #84E736, #86D549, #89C35B and #8BB16D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83F926 shade: #F6F924, #BDF924, #84F924, #4BF924 and #24F936

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83F926 shade: #5AC605, #6CEE06, #82F924, #99FA4C and #B0FB75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83F926 shade: #83F926, #24F9C4 and #F924D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83F926 shade: #83F926, #2484F9 and #F92484

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83F926 shade: #83F926, #24F9C4, #9924F9 and #F9245A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83F926 shade: #83F926, #24EFF9, #9924F9 and #F92F24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 85 / 2

HEX #83F926

RGB 131 249 38

HSL 93.55, 0.95%, 0.56%

LAB 88.31, -64.05, 79.94

 

Complementary color

CMYK 43 / 97 / 0 / 15

HEX #7C06D9

RGB 124 6 217

HSL 273.55, 0.95%, 0.44%

LAB 36.79, 74.26, -78.55

 

CMYK 45 / 0 / 87 / 2

HEX #88F921

RGB 136 249 33

HSL 91.39, 0.95%, 0.55%

LAB 88.49, -62.72, 81.14

 

CMYK 40 / 0 / 80 / 0

HEX #99FF34

RGB 153 255 52

HSL 90.15, 1%, 0.6%

LAB 91.03, -59, 79.43

 

CMYK 33 / 0 / 72 / 0

HEX #AAFF47

RGB 170 255 71

HSL 87.72, 1%, 0.64%

LAB 91.92, -52.4, 74.92

 

CMYK 27 / 0 / 65 / 0

HEX #BBFF5A

RGB 187 255 90

HSL 84.73, 1%, 0.68%

LAB 92.94, -45.22, 69.41

 

CMYK 20 / 0 / 57 / 0

HEX #CCFF6D

RGB 204 255 109

HSL 80.96, 1%, 0.71%

LAB 94.08, -37.57, 63.19

 

CMYK 47 / 0 / 85 / 2

HEX #83F926

RGB 131 249 38

HSL 93.55, 0.95%, 0.56%

LAB 88.31, -64.05, 79.94

 

CMYK 51 / 0 / 92 / 9

HEX #72E713

RGB 114 231 19

HSL 93.11, 0.85%, 0.49%

LAB 82.26, -63, 77.79

 

CMYK 54 / 0 / 100 / 16

HEX #61D500

RGB 97 213 0

HSL 92.68, 1%, 0.42%

LAB 76.15, -61.66, 74.55

 

CMYK 59 / 0 / 100 / 24

HEX #50C300

RGB 80 195 0

HSL 95.38, 1%, 0.38%

LAB 69.99, -59.87, 69.46

 

CMYK 64 / 0 / 100 / 31

HEX #3FB100

RGB 63 177 0

HSL 98.64, 1%, 0.35%

LAB 63.75, -57.86, 64.32

 

CMYK 48 / 0 / 86 / 2

HEX #82F924

RGB 130 249 36

HSL 93.52, 0.95%, 0.56%

LAB 88.27, -64.41, 80.29

 

CMYK 24 / 0 / 86 / 2

HEX #BCF924

RGB 188 249 36

HSL 77.18, 0.95%, 0.56%

LAB 91.04, -44.89, 83.75

 

CMYK 2 / 0 / 86 / 2

HEX #F5F924

RGB 245 249 36

HSL 61.13, 0.95%, 0.56%

LAB 94.86, -22.37, 88.47

 

CMYK 0 / 21 / 86 / 2

HEX #F9C424

RGB 249 196 36

HSL 45.07, 0.95%, 0.56%

LAB 81.7, 5.7, 77.96

 

CMYK 0 / 44 / 86 / 2

HEX #F98B24

RGB 249 139 36

HSL 29.01, 0.95%, 0.56%

LAB 68.56, 35.4, 67.29

 

CMYK 48 / 0 / 86 / 2

HEX #82F924

RGB 130 249 36

HSL 93.52, 0.95%, 0.56%

LAB 88.27, -64.41, 80.29

 

CMYK 71 / 0 / 86 / 2

HEX #49F924

RGB 73 249 36

HSL 109.58, 0.95%, 0.56%

LAB 86.65, -77.57, 78.26

 

CMYK 86 / 0 / 77 / 2

HEX #24F939

RGB 36 249 57

HSL 125.92, 0.95%, 0.56%

LAB 86.22, -81.05, 72.45

 

CMYK 86 / 0 / 54 / 2

HEX #24F973

RGB 36 249 115

HSL 142.25, 0.95%, 0.56%

LAB 86.68, -75.24, 50.43

 

CMYK 86 / 0 / 31 / 2

HEX #24F9AC

RGB 36 249 172

HSL 158.31, 0.95%, 0.56%

LAB 87.54, -65.29, 23.66

 

CMYK 48 / 0 / 86 / 2

HEX #82F924

RGB 130 249 36

HSL 93.52, 0.95%, 0.56%

LAB 88.27, -64.41, 80.29

 

CMYK 48 / 0 / 86 / 2

HEX #82F924

RGB 130 249 36

HSL 93.52, 0.95%, 0.56%

LAB 88.27, -64.41, 80.29

 

CMYK 43 / 0 / 77 / 9

HEX #84E736

RGB 132 231 54

HSL 93.56, 0.79%, 0.56%

LAB 83.09, -56.32, 71.16

 

CMYK 37 / 0 / 66 / 16

HEX #86D549

RGB 134 213 73

HSL 93.86, 0.63%, 0.56%

LAB 77.96, -47.19, 59.34

 

CMYK 30 / 0 / 53 / 24

HEX #89C35B

RGB 137 195 91

HSL 93.46, 0.46%, 0.56%

LAB 72.96, -36.63, 45.83

 

CMYK 21 / 0 / 38 / 31

HEX #8BB16D

RGB 139 177 109

HSL 93.53, 0.3%, 0.56%

LAB 68.05, -25.17, 30.7

 

CMYK 1 / 0 / 86 / 2

HEX #F6F924

RGB 246 249 36

HSL 60.85, 0.95%, 0.56%

LAB 94.94, -21.97, 88.56

 

CMYK 24 / 0 / 86 / 2

HEX #BDF924

RGB 189 249 36

HSL 76.9, 0.95%, 0.56%

LAB 91.1, -44.51, 83.82

 

CMYK 47 / 0 / 86 / 2

HEX #84F924

RGB 132 249 36

HSL 92.96, 0.95%, 0.56%

LAB 88.34, -63.82, 80.39

 

CMYK 70 / 0 / 86 / 2

HEX #4BF924

RGB 75 249 36

HSL 109.01, 0.95%, 0.56%

LAB 86.69, -77.23, 78.3

 

CMYK 86 / 0 / 78 / 2

HEX #24F936

RGB 36 249 54

HSL 125.07, 0.95%, 0.56%

LAB 86.2, -81.23, 73.3

 

CMYK 55 / 0 / 97 / 22

HEX #5AC605

RGB 90 198 5

HSL 93.58, 0.95%, 0.4%

LAB 71.26, -58.2, 70.06

 

CMYK 55 / 0 / 97 / 7

HEX #6CEE06

RGB 108 238 6

HSL 93.62, 0.95%, 0.48%

LAB 84.15, -67.28, 80.51

 

CMYK 48 / 0 / 86 / 2

HEX #82F924

RGB 130 249 36

HSL 93.52, 0.95%, 0.56%

LAB 88.27, -64.41, 80.29

 

CMYK 39 / 0 / 70 / 2

HEX #99FA4C

RGB 153 250 76

HSL 93.45, 0.95%, 0.64%

LAB 89.7, -55.72, 70.72

 

CMYK 30 / 0 / 53 / 2

HEX #B0FB75

RGB 176 251 117

HSL 93.58, 0.94%, 0.72%

LAB 91.46, -45.01, 56.24

 

CMYK 47 / 0 / 85 / 2

HEX #83F926

RGB 131 249 38

HSL 93.55, 0.95%, 0.56%

LAB 88.31, -64.05, 79.94

 

CMYK 86 / 0 / 21 / 2

HEX #24F9C4

RGB 36 249 196

HSL 165.07, 0.95%, 0.56%

LAB 88.02, -59.93, 11.99

 

CMYK 0 / 86 / 13 / 2

HEX #F924D9

RGB 249 36 217

HSL 309.01, 0.95%, 0.56%

LAB 58.43, 88.72, -42.63

 

CMYK 47 / 0 / 85 / 2

HEX #83F926

RGB 131 249 38

HSL 93.55, 0.95%, 0.56%

LAB 88.31, -64.05, 79.94

 

CMYK 86 / 47 / 0 / 2

HEX #2484F9

RGB 36 132 249

HSL 212.96, 0.95%, 0.56%

LAB 55.8, 15.4, -65.84

 

CMYK 0 / 86 / 47 / 2

HEX #F92484

RGB 249 36 132

HSL 332.96, 0.95%, 0.56%

LAB 55.14, 79.74, 1.89

 

CMYK 47 / 0 / 85 / 2

HEX #83F926

RGB 131 249 38

HSL 93.55, 0.95%, 0.56%

LAB 88.31, -64.05, 79.94

 

CMYK 86 / 0 / 21 / 2

HEX #24F9C4

RGB 36 249 196

HSL 165.07, 0.95%, 0.56%

LAB 88.02, -59.93, 11.99

 

CMYK 39 / 86 / 0 / 2

HEX #9924F9

RGB 153 36 249

HSL 272.96, 0.95%, 0.56%

LAB 45.46, 78.76, -82.33

 

CMYK 0 / 86 / 64 / 2

HEX #F9245A

RGB 249 36 90

HSL 344.79, 0.95%, 0.56%

LAB 54.17, 76.97, 25.75

 

CMYK 47 / 0 / 85 / 2

HEX #83F926

RGB 131 249 38

HSL 93.55, 0.95%, 0.56%

LAB 88.31, -64.05, 79.94

 

CMYK 86 / 4 / 0 / 2

HEX #24EFF9

RGB 36 239 249

HSL 182.82, 0.95%, 0.56%

LAB 86.48, -41.64, -17.96

 

CMYK 39 / 86 / 0 / 2

HEX #9924F9

RGB 153 36 249

HSL 272.96, 0.95%, 0.56%

LAB 45.46, 78.76, -82.33

 

CMYK 0 / 81 / 86 / 2

HEX #F92F24

RGB 249 47 36

HSL 3.1, 0.95%, 0.56%

LAB 54.34, 72.74, 55.67

 

Description

Color code: HEX #83F926 | qconv.com Color code: HEX #83F926 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 249 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 249 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 85 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 85% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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