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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83F559 it is the complementary color #7C0AA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83F559. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83F559 shade: #88F554, #99FF67, #AAFF7A, #BBFF8D and #CCFFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83F559. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83F559 shade: #83F559, #72E346, #61D133, #50BF20 and #3FAD0D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83F559 shade: #81F556, #ACF556, #D7F556, #F5E956 and #F5BE56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83F559 shade: #81F556, #56F556, #56F581, #56F5AC and #56F5D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83F559 shade matches the following richer shades: #81F556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83F559 shade: #81F556, #88E765, #8ED873, #95CA82 and #9CBB90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83F559 shade: #D8F556, #AEF556, #83F556, #59F556 and #56F57E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83F559 shade: #49EB0E, #64F32F, #81F556, #9EF77D and #BBFAA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83F559 shade: #83F559, #56F5E8 and #F556C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83F559 shade: #83F559, #5683F5 and #F55683

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83F559 shade: #83F559, #56F5E8, #C856F5 and #F55664

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83F559 shade: #83F559, #56D3F5, #C856F5 and #F57956

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 64 / 4

HEX #83F559

RGB 131 245 89

HSL 103.85, 0.89%, 0.65%

LAB 87.41, -59.5, 63.08

 

Complementary color

CMYK 25 / 94 / 0 / 35

HEX #7C0AA6

RGB 124 10 166

HSL 283.85, 0.89%, 0.35%

LAB 32.38, 63.47, -55.73

 

CMYK 44 / 0 / 66 / 4

HEX #88F554

RGB 136 245 84

HSL 100.62, 0.89%, 0.65%

LAB 87.57, -58.46, 65.29

 

CMYK 40 / 0 / 60 / 0

HEX #99FF67

RGB 153 255 103

HSL 100.26, 1%, 0.7%

LAB 91.36, -55.53, 61.94

 

CMYK 33 / 0 / 52 / 0

HEX #AAFF7A

RGB 170 255 122

HSL 98.35, 1%, 0.74%

LAB 92.34, -48.19, 54.95

 

CMYK 27 / 0 / 45 / 0

HEX #BBFF8D

RGB 187 255 141

HSL 95.79, 1%, 0.78%

LAB 93.45, -40.35, 47.66

 

CMYK 20 / 0 / 37 / 0

HEX #CCFFA0

RGB 204 255 160

HSL 92.21, 1%, 0.81%

LAB 94.69, -32.12, 40.24

 

CMYK 47 / 0 / 64 / 4

HEX #83F559

RGB 131 245 89

HSL 103.85, 0.89%, 0.65%

LAB 87.41, -59.5, 63.08

 

CMYK 50 / 0 / 69 / 11

HEX #72E346

RGB 114 227 70

HSL 103.18, 0.74%, 0.58%

LAB 81.27, -59.13, 63.72

 

CMYK 54 / 0 / 76 / 18

HEX #61D133

RGB 97 209 51

HSL 102.53, 0.63%, 0.51%

LAB 75.06, -58.53, 63.92

 

CMYK 58 / 0 / 83 / 25

HEX #50BF20

RGB 80 191 32

HSL 101.89, 0.71%, 0.44%

LAB 68.8, -57.61, 63.37

 

CMYK 64 / 0 / 92 / 32

HEX #3FAD0D

RGB 63 173 13

HSL 101.25, 0.86%, 0.36%

LAB 62.48, -56.22, 61.57

 

CMYK 47 / 0 / 65 / 4

HEX #81F556

RGB 129 245 86

HSL 103.77, 0.89%, 0.65%

LAB 87.31, -60.33, 64.14

 

CMYK 30 / 0 / 65 / 4

HEX #ACF556

RGB 172 245 86

HSL 87.55, 0.89%, 0.65%

LAB 89.27, -46.55, 66.83

 

CMYK 12 / 0 / 65 / 4

HEX #D7F556

RGB 215 245 86

HSL 71.32, 0.89%, 0.65%

LAB 91.87, -30.52, 70.36

 

CMYK 0 / 5 / 65 / 4

HEX #F5E956

RGB 245 233 86

HSL 55.47, 0.89%, 0.65%

LAB 90.94, -12.74, 70.09

 

CMYK 0 / 22 / 65 / 4

HEX #F5BE56

RGB 245 190 86

HSL 39.25, 0.89%, 0.65%

LAB 80.13, 9.13, 58.59

 

CMYK 47 / 0 / 65 / 4

HEX #81F556

RGB 129 245 86

HSL 103.77, 0.89%, 0.65%

LAB 87.31, -60.33, 64.14

 

CMYK 65 / 0 / 65 / 4

HEX #56F556

RGB 86 245 86

HSL 120, 0.89%, 0.65%

LAB 85.98, -70.7, 62.32

 

CMYK 65 / 0 / 47 / 4

HEX #56F581

RGB 86 245 129

HSL 136.23, 0.89%, 0.65%

LAB 86.44, -65.44, 43.74

 

CMYK 65 / 0 / 30 / 4

HEX #56F5AC

RGB 86 245 172

HSL 152.45, 0.89%, 0.65%

LAB 87.13, -57.9, 23.22

 

CMYK 65 / 0 / 12 / 4

HEX #56F5D7

RGB 86 245 215

HSL 168.68, 0.89%, 0.65%

LAB 88.06, -48.28, 2.27

 

CMYK 47 / 0 / 65 / 4

HEX #81F556

RGB 129 245 86

HSL 103.77, 0.89%, 0.65%

LAB 87.31, -60.33, 64.14

 

CMYK 47 / 0 / 65 / 4

HEX #81F556

RGB 129 245 86

HSL 103.77, 0.89%, 0.65%

LAB 87.31, -60.33, 64.14

 

CMYK 41 / 0 / 56 / 9

HEX #88E765

RGB 136 231 101

HSL 103.85, 0.73%, 0.65%

LAB 83.61, -51.34, 53.73

 

CMYK 34 / 0 / 47 / 15

HEX #8ED873

RGB 142 216 115

HSL 103.96, 0.56%, 0.65%

LAB 79.67, -41.45, 42.48

 

CMYK 26 / 0 / 36 / 21

HEX #95CA82

RGB 149 202 130

HSL 104.17, 0.4%, 0.65%

LAB 76.22, -30.63, 30.56

 

CMYK 17 / 0 / 23 / 27

HEX #9CBB90

RGB 156 187 144

HSL 103.26, 0.24%, 0.65%

LAB 72.64, -18.6, 18.39

 

CMYK 12 / 0 / 65 / 4

HEX #D8F556

RGB 216 245 86

HSL 70.94, 0.89%, 0.65%

LAB 91.94, -30.13, 70.45

 

CMYK 29 / 0 / 65 / 4

HEX #AEF556

RGB 174 245 86

HSL 86.79, 0.89%, 0.65%

LAB 89.38, -45.85, 66.98

 

CMYK 47 / 0 / 65 / 4

HEX #83F556

RGB 131 245 86

HSL 103.02, 0.89%, 0.65%

LAB 87.39, -59.76, 64.25

 

CMYK 64 / 0 / 65 / 4

HEX #59F556

RGB 89 245 86

HSL 118.87, 0.89%, 0.65%

LAB 86.06, -70.1, 62.42

 

CMYK 65 / 0 / 49 / 4

HEX #56F57E

RGB 86 245 126

HSL 135.09, 0.89%, 0.65%

LAB 86.4, -65.89, 45.13

 

CMYK 69 / 0 / 94 / 8

HEX #49EB0E

RGB 73 235 14

HSL 103.98, 0.89%, 0.49%

LAB 82.31, -73.97, 77.93

 

CMYK 59 / 0 / 81 / 5

HEX #64F32F

RGB 100 243 47

HSL 103.78, 0.89%, 0.57%

LAB 85.51, -69.79, 74.97

 

CMYK 47 / 0 / 65 / 4

HEX #81F556

RGB 129 245 86

HSL 103.77, 0.89%, 0.65%

LAB 87.31, -60.33, 64.14

 

CMYK 36 / 0 / 49 / 3

HEX #9EF77D

RGB 158 247 125

HSL 103.77, 0.88%, 0.73%

LAB 89.52, -48.36, 50.02

 

CMYK 25 / 0 / 34 / 2

HEX #BBFAA4

RGB 187 250 164

HSL 103.95, 0.9%, 0.81%

LAB 92.41, -35.08, 35.07

 

CMYK 47 / 0 / 64 / 4

HEX #83F559

RGB 131 245 89

HSL 103.85, 0.89%, 0.65%

LAB 87.41, -59.5, 63.08

 

CMYK 65 / 0 / 5 / 4

HEX #56F5E8

RGB 86 245 232

HSL 175.09, 0.89%, 0.65%

LAB 88.5, -43.98, -5.96

 

CMYK 0 / 65 / 20 / 4

HEX #F556C3

RGB 245 86 195

HSL 318.87, 0.89%, 0.65%

LAB 61.66, 71.11, -25.13

 

CMYK 47 / 0 / 64 / 4

HEX #83F559

RGB 131 245 89

HSL 103.85, 0.89%, 0.65%

LAB 87.41, -59.5, 63.08

 

CMYK 65 / 47 / 0 / 4

HEX #5683F5

RGB 86 131 245

HSL 223.02, 0.89%, 0.65%

LAB 56.88, 20.26, -61.81

 

CMYK 0 / 65 / 47 / 4

HEX #F55683

RGB 245 86 131

HSL 343.02, 0.89%, 0.65%

LAB 59.62, 63.97, 8.83

 

CMYK 47 / 0 / 64 / 4

HEX #83F559

RGB 131 245 89

HSL 103.85, 0.89%, 0.65%

LAB 87.41, -59.5, 63.08

 

CMYK 65 / 0 / 5 / 4

HEX #56F5E8

RGB 86 245 232

HSL 175.09, 0.89%, 0.65%

LAB 88.5, -43.98, -5.96

 

CMYK 18 / 65 / 0 / 4

HEX #C856F5

RGB 200 86 245

HSL 283.02, 0.89%, 0.65%

LAB 57.59, 68.52, -60.14

 

CMYK 0 / 65 / 59 / 4

HEX #F55664

RGB 245 86 100

HSL 354.72, 0.89%, 0.65%

LAB 58.96, 61.56, 25.99

 

CMYK 47 / 0 / 64 / 4

HEX #83F559

RGB 131 245 89

HSL 103.85, 0.89%, 0.65%

LAB 87.41, -59.5, 63.08

 

CMYK 65 / 14 / 0 / 4

HEX #56D3F5

RGB 86 211 245

HSL 192.83, 0.89%, 0.65%

LAB 79.13, -24.4, -26.91

 

CMYK 18 / 65 / 0 / 4

HEX #C856F5

RGB 200 86 245

HSL 283.02, 0.89%, 0.65%

LAB 57.59, 68.52, -60.14

 

CMYK 0 / 51 / 65 / 4

HEX #F57956

RGB 245 121 86

HSL 13.21, 0.89%, 0.65%

LAB 64.77, 44.91, 41.07

 

Description

Color code: HEX #83F559 | qconv.com Color code: HEX #83F559 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 245 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 245 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 64 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 64% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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