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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83EC0A it is the complementary color #7C13F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83EC0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83EC0A shade: #88EC05, #99FE18, #AAFF2B, #BBFF3E and #CCFF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83EC0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83EC0A shade: #83EC0A, #72DA00, #61C800, #50B600 and #3FA400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83EC0A shade: #82EB0A, #BFEB0A, #EBDA0A, #EB9D0A and #EB610A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83EC0A shade: #82EB0A, #46EB0A, #0AEB0B, #0AEB47 and #0AEB84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83EC0A shade matches the following richer shades: #82EB0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83EC0A shade: #82EB0A, #81D71E, #80C331, #7EB045 and #7D9C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83EC0A shade: #EBD80A, #C2EB0A, #86EB0A, #4AEB0A and #0EEB0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83EC0A shade: #569C06, #6CC308, #82EB0A, #96F628 and #AAF850

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83EC0A shade: #83EC0A, #0AEB9C and #EB0AE0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83EC0A shade: #83EC0A, #0A86EB and #EB0A86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83EC0A shade: #83EC0A, #0AEB9C, #6F0AEB and #EB0A59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83EC0A shade: #83EC0A, #0AEBE0, #6F0AEB and #EB0A15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 96 / 7

HEX #83EC0A

RGB 131 236 10

HSL 87.88, 0.92%, 0.48%

LAB 84.4, -59.92, 80.74

 

Complementary color

CMYK 49 / 92 / 0 / 4

HEX #7C13F5

RGB 124 19 245

HSL 267.88, 0.92%, 0.52%

LAB 40.15, 78.43, -88.95

 

CMYK 42 / 0 / 98 / 7

HEX #88EC05

RGB 136 236 5

HSL 85.97, 0.96%, 0.47%

LAB 84.61, -58.4, 81.4

 

CMYK 40 / 0 / 91 / 0

HEX #99FE18

RGB 153 254 24

HSL 86.35, 0.99%, 0.55%

LAB 90.65, -59.49, 84.66

 

CMYK 33 / 0 / 83 / 0

HEX #AAFF2B

RGB 170 255 43

HSL 84.06, 1%, 0.58%

LAB 91.79, -53.67, 82.57

 

CMYK 27 / 0 / 76 / 0

HEX #BBFF3E

RGB 187 255 62

HSL 81.14, 1%, 0.62%

LAB 92.77, -46.87, 78.87

 

CMYK 20 / 0 / 68 / 0

HEX #CCFF51

RGB 204 255 81

HSL 77.59, 1%, 0.66%

LAB 93.86, -39.57, 74.04

 

CMYK 44 / 0 / 96 / 7

HEX #83EC0A

RGB 131 236 10

HSL 87.88, 0.92%, 0.48%

LAB 84.4, -59.92, 80.74

 

CMYK 48 / 0 / 100 / 15

HEX #72DA00

RGB 114 218 0

HSL 88.62, 1%, 0.43%

LAB 78.3, -58.58, 76.5

 

CMYK 52 / 0 / 100 / 22

HEX #61C800

RGB 97 200 0

HSL 90.9, 1%, 0.39%

LAB 72.13, -57.03, 71.39

 

CMYK 56 / 0 / 100 / 29

HEX #50B600

RGB 80 182 0

HSL 93.63, 1%, 0.36%

LAB 65.87, -55.33, 66.21

 

CMYK 62 / 0 / 100 / 36

HEX #3FA400

RGB 63 164 0

HSL 96.95, 1%, 0.32%

LAB 59.53, -53.43, 60.97

 

CMYK 45 / 0 / 96 / 8

HEX #82EB0A

RGB 130 235 10

HSL 88, 0.92%, 0.48%

LAB 84.06, -59.85, 80.45

 

CMYK 19 / 0 / 96 / 8

HEX #BFEB0A

RGB 191 235 10

HSL 71.73, 0.92%, 0.48%

LAB 87.25, -38.08, 84.31

 

CMYK 0 / 7 / 96 / 8

HEX #EBDA0A

RGB 235 218 10

HSL 55.47, 0.92%, 0.48%

LAB 85.92, -11.86, 84.75

 

CMYK 0 / 33 / 96 / 8

HEX #EB9D0A

RGB 235 157 10

HSL 39.2, 0.92%, 0.48%

LAB 70.73, 19.78, 73.81

 

CMYK 0 / 59 / 96 / 8

HEX #EB610A

RGB 235 97 10

HSL 23.2, 0.92%, 0.48%

LAB 58.26, 50.16, 65.57

 

CMYK 45 / 0 / 96 / 8

HEX #82EB0A

RGB 130 235 10

HSL 88, 0.92%, 0.48%

LAB 84.06, -59.85, 80.45

 

CMYK 70 / 0 / 96 / 8

HEX #46EB0A

RGB 70 235 10

HSL 104, 0.92%, 0.48%

LAB 82.24, -74.57, 78.22

 

CMYK 96 / 0 / 95 / 8

HEX #0AEB0B

RGB 10 235 11

HSL 120.27, 0.92%, 0.48%

LAB 81.57, -80.52, 77.31

 

CMYK 96 / 0 / 70 / 8

HEX #0AEB47

RGB 10 235 71

HSL 136.27, 0.92%, 0.48%

LAB 81.8, -77.5, 63.31

 

CMYK 96 / 0 / 44 / 8

HEX #0AEB84

RGB 10 235 132

HSL 152.53, 0.92%, 0.48%

LAB 82.46, -69.46, 37

 

CMYK 45 / 0 / 96 / 8

HEX #82EB0A

RGB 130 235 10

HSL 88, 0.92%, 0.48%

LAB 84.06, -59.85, 80.45

 

CMYK 45 / 0 / 96 / 8

HEX #82EB0A

RGB 130 235 10

HSL 88, 0.92%, 0.48%

LAB 84.06, -59.85, 80.45

 

CMYK 40 / 0 / 86 / 16

HEX #81D71E

RGB 129 215 30

HSL 87.89, 0.76%, 0.48%

LAB 78.09, -52.06, 72.72

 

CMYK 34 / 0 / 75 / 24

HEX #80C331

RGB 128 195 49

HSL 87.53, 0.6%, 0.48%

LAB 72.12, -43.34, 62.18

 

CMYK 28 / 0 / 61 / 31

HEX #7EB045

RGB 126 176 69

HSL 88.04, 0.44%, 0.48%

LAB 66.46, -34.19, 48.36

 

CMYK 20 / 0 / 43 / 39

HEX #7D9C59

RGB 125 156 89

HSL 87.76, 0.27%, 0.48%

LAB 60.66, -22.73, 31.57

 

CMYK 0 / 8 / 96 / 8

HEX #EBD80A

RGB 235 216 10

HSL 54.93, 0.92%, 0.48%

LAB 85.4, -10.86, 84.36

 

CMYK 17 / 0 / 96 / 8

HEX #C2EB0A

RGB 194 235 10

HSL 70.93, 0.92%, 0.48%

LAB 87.44, -36.89, 84.55

 

CMYK 43 / 0 / 96 / 8

HEX #86EB0A

RGB 134 235 10

HSL 86.93, 0.92%, 0.48%

LAB 84.23, -58.6, 80.66

 

CMYK 69 / 0 / 96 / 8

HEX #4AEB0A

RGB 74 235 10

HSL 102.93, 0.92%, 0.48%

LAB 82.32, -73.85, 78.32

 

CMYK 94 / 0 / 96 / 8

HEX #0EEB0A

RGB 14 235 10

HSL 118.93, 0.92%, 0.48%

LAB 81.58, -80.4, 77.41

 

CMYK 45 / 0 / 96 / 39

HEX #569C06

RGB 86 156 6

HSL 88, 0.93%, 0.32%

LAB 57.82, -43.49, 59.08

 

CMYK 45 / 0 / 96 / 24

HEX #6CC308

RGB 108 195 8

HSL 87.91, 0.92%, 0.4%

LAB 71.03, -51.64, 69.84

 

CMYK 45 / 0 / 96 / 8

HEX #82EB0A

RGB 130 235 10

HSL 88, 0.92%, 0.48%

LAB 84.06, -59.85, 80.45

 

CMYK 39 / 0 / 84 / 4

HEX #96F628

RGB 150 246 40

HSL 87.96, 0.92%, 0.56%

LAB 88.23, -56.95, 79.76

 

CMYK 31 / 0 / 68 / 3

HEX #AAF850

RGB 170 248 80

HSL 87.86, 0.92%, 0.64%

LAB 89.98, -48.94, 69.82

 

CMYK 44 / 0 / 96 / 7

HEX #83EC0A

RGB 131 236 10

HSL 87.88, 0.92%, 0.48%

LAB 84.4, -59.92, 80.74

 

CMYK 96 / 0 / 34 / 8

HEX #0AEB9C

RGB 10 235 156

HSL 158.93, 0.92%, 0.48%

LAB 82.85, -64.87, 25.41

 

CMYK 0 / 96 / 5 / 8

HEX #EB0AE0

RGB 235 10 224

HSL 302.93, 0.92%, 0.48%

LAB 55.34, 90.18, -51.64

 

CMYK 44 / 0 / 96 / 7

HEX #83EC0A

RGB 131 236 10

HSL 87.88, 0.92%, 0.48%

LAB 84.4, -59.92, 80.74

 

CMYK 96 / 43 / 0 / 8

HEX #0A86EB

RGB 10 134 235

HSL 206.93, 0.92%, 0.48%

LAB 55.19, 7.62, -59.08

 

CMYK 0 / 96 / 43 / 8

HEX #EB0A86

RGB 235 10 134

HSL 326.93, 0.92%, 0.48%

LAB 51.38, 80.06, -5.14

 

CMYK 44 / 0 / 96 / 7

HEX #83EC0A

RGB 131 236 10

HSL 87.88, 0.92%, 0.48%

LAB 84.4, -59.92, 80.74

 

CMYK 96 / 0 / 34 / 8

HEX #0AEB9C

RGB 10 235 156

HSL 158.93, 0.92%, 0.48%

LAB 82.85, -64.87, 25.41

 

CMYK 53 / 96 / 0 / 8

HEX #6F0AEB

RGB 111 10 235

HSL 266.93, 0.92%, 0.48%

LAB 37.11, 76.5, -88.39

 

CMYK 0 / 96 / 62 / 8

HEX #EB0A59

RGB 235 10 89

HSL 338.93, 0.92%, 0.48%

LAB 50.22, 76.92, 20.64

 

CMYK 44 / 0 / 96 / 7

HEX #83EC0A

RGB 131 236 10

HSL 87.88, 0.92%, 0.48%

LAB 84.4, -59.92, 80.74

 

CMYK 96 / 0 / 5 / 8

HEX #0AEBE0

RGB 10 235 224

HSL 177.07, 0.92%, 0.48%

LAB 84.41, -48.12, -7.91

 

CMYK 53 / 96 / 0 / 8

HEX #6F0AEB

RGB 111 10 235

HSL 266.93, 0.92%, 0.48%

LAB 37.11, 76.5, -88.39

 

CMYK 0 / 96 / 91 / 8

HEX #EB0A15

RGB 235 10 21

HSL 357.07, 0.92%, 0.48%

LAB 49.42, 74.72, 57.08

 

Description

Color code: HEX #83EC0A | qconv.com Color code: HEX #83EC0A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 236 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 236 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 96 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 96% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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