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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83EB2D it is the complementary color #7C14D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83EB2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83EB2D shade: #88EB28, #99FD3B, #AAFF4E, #BBFF61 and #CCFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83EB2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83EB2D shade: #83EB2D, #72D91A, #61C707, #50B500 and #3FA300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83EB2D shade: #83EB2D, #B7EB2D, #EAEB2D, #EBBA2D and #EB862D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83EB2D shade: #83EB2D, #50EB2D, #2DEB3E, #2DEB71 and #2DEBA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83EB2D shade matches the following richer shades: #83EB2D and #81FE1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83EB2D shade: #83EB2D, #85D940, #87C652, #89B465 and #8AA177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83EB2D shade: #EBEB2D, #B9EB2D, #86EB2D, #53EB2D and #2DEB3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83EB2D shade: #5BB511, #6EDB14, #83EB2D, #99EF53 and #B0F379

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83EB2D shade: #83EB2D, #2DEBB9 and #EB2DD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83EB2D shade: #83EB2D, #2D86EB and #EB2D86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83EB2D shade: #83EB2D, #2DEBB9, #932DEB and #EB2D60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83EB2D shade: #83EB2D, #2DE5EB, #932DEB and #EB332D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 81 / 8

HEX #83EB2D

RGB 131 235 45

HSL 92.84, 0.83%, 0.55%

LAB 84.19, -58.59, 74.68

 

Complementary color

CMYK 41 / 90 / 0 / 18

HEX #7C14D2

RGB 124 20 210

HSL 272.84, 0.83%, 0.45%

LAB 36.82, 70.71, -74.47

 

CMYK 42 / 0 / 83 / 8

HEX #88EB28

RGB 136 235 40

HSL 90.46, 0.83%, 0.54%

LAB 84.38, -57.23, 76.14

 

CMYK 40 / 0 / 77 / 1

HEX #99FD3B

RGB 153 253 59

HSL 90.93, 0.98%, 0.61%

LAB 90.48, -57.89, 77

 

CMYK 33 / 0 / 69 / 0

HEX #AAFF4E

RGB 170 255 78

HSL 88.81, 1%, 0.65%

LAB 91.96, -51.97, 72.57

 

CMYK 27 / 0 / 62 / 0

HEX #BBFF61

RGB 187 255 97

HSL 85.82, 1%, 0.69%

LAB 92.99, -44.69, 66.7

 

CMYK 20 / 0 / 55 / 0

HEX #CCFF74

RGB 204 255 116

HSL 82.01, 1%, 0.73%

LAB 94.15, -36.96, 60.23

 

CMYK 44 / 0 / 81 / 8

HEX #83EB2D

RGB 131 235 45

HSL 92.84, 0.83%, 0.55%

LAB 84.19, -58.59, 74.68

 

CMYK 47 / 0 / 88 / 15

HEX #72D91A

RGB 114 217 26

HSL 92.36, 0.79%, 0.48%

LAB 78.04, -57.73, 73.19

 

CMYK 51 / 0 / 96 / 22

HEX #61C707

RGB 97 199 7

HSL 91.88, 0.93%, 0.4%

LAB 71.83, -56.55, 70.4

 

CMYK 56 / 0 / 100 / 29

HEX #50B500

RGB 80 181 0

HSL 93.48, 1%, 0.35%

LAB 65.56, -54.97, 65.96

 

CMYK 61 / 0 / 100 / 36

HEX #3FA300

RGB 63 163 0

HSL 96.81, 1%, 0.32%

LAB 59.21, -53.08, 60.71

 

CMYK 44 / 0 / 81 / 8

HEX #83EB2D

RGB 131 235 45

HSL 92.84, 0.83%, 0.55%

LAB 84.19, -58.59, 74.68

 

CMYK 22 / 0 / 81 / 8

HEX #B7EB2D

RGB 183 235 45

HSL 76.42, 0.83%, 0.55%

LAB 86.84, -40.41, 78.04

 

CMYK 0 / 0 / 81 / 8

HEX #EAEB2D

RGB 234 235 45

HSL 60.32, 0.83%, 0.55%

LAB 90.37, -19.97, 82.48

 

CMYK 0 / 21 / 81 / 8

HEX #EBBA2D

RGB 235 186 45

HSL 44.53, 0.83%, 0.55%

LAB 77.86, 5.15, 71.74

 

CMYK 0 / 43 / 81 / 8

HEX #EB862D

RGB 235 134 45

HSL 28.11, 0.83%, 0.55%

LAB 65.67, 32.57, 60.93

 

CMYK 44 / 0 / 81 / 8

HEX #83EB2D

RGB 131 235 45

HSL 92.84, 0.83%, 0.55%

LAB 84.19, -58.59, 74.68

 

CMYK 66 / 0 / 81 / 8

HEX #50EB2D

RGB 80 235 45

HSL 108.95, 0.83%, 0.55%

LAB 82.55, -71.61, 72.57

 

CMYK 81 / 0 / 74 / 8

HEX #2DEB3E

RGB 45 235 62

HSL 125.37, 0.83%, 0.55%

LAB 82.01, -75.87, 66.78

 

CMYK 81 / 0 / 52 / 8

HEX #2DEB71

RGB 45 235 113

HSL 141.47, 0.83%, 0.55%

LAB 82.47, -70.29, 46.25

 

CMYK 81 / 0 / 30 / 8

HEX #2DEBA4

RGB 45 235 164

HSL 157.58, 0.83%, 0.55%

LAB 83.26, -61.16, 21.9

 

CMYK 44 / 0 / 81 / 8

HEX #83EB2D

RGB 131 235 45

HSL 92.84, 0.83%, 0.55%

LAB 84.19, -58.59, 74.68

 

CMYK 49 / 0 / 90 / 0

HEX #81FE1A

RGB 129 254 26

HSL 92.89, 0.99%, 0.55%

LAB 89.69, -66.76, 83.18

 

CMYK 44 / 0 / 81 / 8

HEX #83EB2D

RGB 131 235 45

HSL 92.84, 0.83%, 0.55%

LAB 84.19, -58.59, 74.68

 

CMYK 39 / 0 / 71 / 15

HEX #85D940

RGB 133 217 64

HSL 92.94, 0.67%, 0.55%

LAB 79.03, -49.84, 63.88

 

CMYK 32 / 0 / 59 / 22

HEX #87C652

RGB 135 198 82

HSL 92.59, 0.5%, 0.55%

LAB 73.64, -39.61, 50.76

 

CMYK 24 / 0 / 44 / 29

HEX #89B465

RGB 137 180 101

HSL 92.66, 0.34%, 0.55%

LAB 68.68, -28.44, 35.64

 

CMYK 14 / 0 / 26 / 37

HEX #8AA177

RGB 138 161 119

HSL 92.86, 0.18%, 0.55%

LAB 63.53, -15.92, 19.27

 

CMYK 0 / 0 / 81 / 8

HEX #EBEB2D

RGB 235 235 45

HSL 60, 0.83%, 0.55%

LAB 90.44, -19.56, 82.58

 

CMYK 21 / 0 / 81 / 8

HEX #B9EB2D

RGB 185 235 45

HSL 75.79, 0.83%, 0.55%

LAB 86.96, -39.65, 78.2

 

CMYK 43 / 0 / 81 / 8

HEX #86EB2D

RGB 134 235 45

HSL 91.89, 0.83%, 0.55%

LAB 84.32, -57.66, 74.84

 

CMYK 65 / 0 / 81 / 8

HEX #53EB2D

RGB 83 235 45

HSL 108, 0.83%, 0.55%

LAB 82.62, -71.01, 72.66

 

CMYK 81 / 0 / 75 / 8

HEX #2DEB3A

RGB 45 235 58

HSL 124.11, 0.83%, 0.55%

LAB 81.99, -76.16, 68.06

 

CMYK 50 / 0 / 91 / 29

HEX #5BB511

RGB 91 181 17

HSL 92.93, 0.83%, 0.39%

LAB 65.99, -51.43, 64.24

 

CMYK 50 / 0 / 91 / 14

HEX #6EDB14

RGB 110 219 20

HSL 92.86, 0.83%, 0.47%

LAB 78.48, -59.8, 74.47

 

CMYK 44 / 0 / 81 / 8

HEX #83EB2D

RGB 131 235 45

HSL 92.84, 0.83%, 0.55%

LAB 84.19, -58.59, 74.68

 

CMYK 36 / 0 / 65 / 6

HEX #99EF53

RGB 153 239 83

HSL 93.08, 0.83%, 0.63%

LAB 86.57, -50.78, 64.83

 

CMYK 28 / 0 / 50 / 5

HEX #B0F379

RGB 176 243 121

HSL 92.95, 0.84%, 0.71%

LAB 89.26, -41.1, 51.78

 

CMYK 44 / 0 / 81 / 8

HEX #83EB2D

RGB 131 235 45

HSL 92.84, 0.83%, 0.55%

LAB 84.19, -58.59, 74.68

 

CMYK 81 / 0 / 21 / 8

HEX #2DEBB9

RGB 45 235 185

HSL 164.21, 0.83%, 0.55%

LAB 83.69, -56.43, 11.58

 

CMYK 0 / 81 / 11 / 8

HEX #EB2DD2

RGB 235 45 210

HSL 307.89, 0.83%, 0.55%

LAB 56.28, 83.37, -42.19

 

CMYK 44 / 0 / 81 / 8

HEX #83EB2D

RGB 131 235 45

HSL 92.84, 0.83%, 0.55%

LAB 84.19, -58.59, 74.68

 

CMYK 81 / 43 / 0 / 8

HEX #2D86EB

RGB 45 134 235

HSL 211.89, 0.83%, 0.55%

LAB 55.69, 9.64, -58.25

 

CMYK 0 / 81 / 43 / 8

HEX #EB2D86

RGB 235 45 134

HSL 331.89, 0.83%, 0.55%

LAB 53.23, 74.72, -2.4

 

CMYK 44 / 0 / 81 / 8

HEX #83EB2D

RGB 131 235 45

HSL 92.84, 0.83%, 0.55%

LAB 84.19, -58.59, 74.68

 

CMYK 81 / 0 / 21 / 8

HEX #2DEBB9

RGB 45 235 185

HSL 164.21, 0.83%, 0.55%

LAB 83.69, -56.43, 11.58

 

CMYK 37 / 81 / 0 / 8

HEX #932DEB

RGB 147 45 235

HSL 272.21, 0.83%, 0.55%

LAB 44.34, 72.45, -76.31

 

CMYK 0 / 81 / 59 / 8

HEX #EB2D60

RGB 235 45 96

HSL 343.89, 0.83%, 0.55%

LAB 52.27, 71.84, 19.13

 

CMYK 44 / 0 / 81 / 8

HEX #83EB2D

RGB 131 235 45

HSL 92.84, 0.83%, 0.55%

LAB 84.19, -58.59, 74.68

 

CMYK 81 / 3 / 0 / 8

HEX #2DE5EB

RGB 45 229 235

HSL 181.89, 0.83%, 0.55%

LAB 83.23, -40.64, -15.46

 

CMYK 37 / 81 / 0 / 8

HEX #932DEB

RGB 147 45 235

HSL 272.21, 0.83%, 0.55%

LAB 44.34, 72.45, -76.31

 

CMYK 0 / 78 / 81 / 8

HEX #EB332D

RGB 235 51 45

HSL 1.89, 0.83%, 0.55%

LAB 52.08, 68.02, 48.28

 

Description

Color code: HEX #83EB2D | qconv.com Color code: HEX #83EB2D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 235 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 235 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 81 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 81% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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