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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83E722 it is the complementary color #7C18DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83E722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83E722 shade: #88E71D, #99F930, #AAFF43, #BBFF56 and #CCFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83E722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83E722 shade: #83E722, #72D50F, #61C300, #50B100 and #3F9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83E722 shade: #83E723, #B8E723, #E7E023, #E7AC23 and #E77723

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83E722 shade: #83E723, #4EE723, #23E72C, #23E761 and #23E796

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83E722 shade matches the following richer shades: #83E723 and #83FA0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83E722 shade: #83E723, #83D336, #84BF4A, #84AB5E and #849772

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83E722 shade: #E7E023, #B9E723, #85E723, #50E723 and #23E729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83E722 shade: #5AA412, #6FCA16, #83E723, #98EB48 and #ADEF6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83E722 shade: #83E722, #23E7AC and #E723D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83E722 shade: #83E722, #2385E7 and #E72385

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83E722 shade: #83E722, #23E7AC, #8523E7 and #E7235D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83E722 shade: #83E722, #23E7E7, #8523E7 and #E72323

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 85 / 9

HEX #83E722

RGB 131 231 34

HSL 90.46, 0.8%, 0.52%

LAB 82.96, -57.5, 76.13

 

Complementary color

CMYK 44 / 89 / 0 / 13

HEX #7C18DD

RGB 124 24 221

HSL 270.46, 0.8%, 0.48%

LAB 38.13, 72.24, -78.65

 

CMYK 41 / 0 / 87 / 9

HEX #88E71D

RGB 136 231 29

HSL 88.22, 0.81%, 0.51%

LAB 83.17, -56.05, 77.35

 

CMYK 39 / 0 / 81 / 2

HEX #99F930

RGB 153 249 48

HSL 88.66, 0.94%, 0.58%

LAB 89.27, -56.84, 78.86

 

CMYK 33 / 0 / 74 / 0

HEX #AAFF43

RGB 170 255 67

HSL 87.13, 1%, 0.63%

LAB 91.9, -52.62, 76.2

 

CMYK 27 / 0 / 66 / 0

HEX #BBFF56

RGB 187 255 86

HSL 84.14, 1%, 0.67%

LAB 92.91, -45.49, 70.91

 

CMYK 20 / 0 / 59 / 0

HEX #CCFF69

RGB 204 255 105

HSL 80.4, 1%, 0.71%

LAB 94.05, -37.9, 64.84

 

CMYK 43 / 0 / 85 / 9

HEX #83E722

RGB 131 231 34

HSL 90.46, 0.8%, 0.52%

LAB 82.96, -57.5, 76.13

 

CMYK 46 / 0 / 93 / 16

HEX #72D50F

RGB 114 213 15

HSL 90, 0.87%, 0.45%

LAB 76.8, -56.5, 73.82

 

CMYK 50 / 0 / 100 / 24

HEX #61C300

RGB 97 195 0

HSL 90.15, 1%, 0.38%

LAB 70.57, -55.2, 70.17

 

CMYK 55 / 0 / 100 / 31

HEX #50B100

RGB 80 177 0

HSL 92.88, 1%, 0.35%

LAB 64.28, -53.53, 64.96

 

CMYK 60 / 0 / 100 / 38

HEX #3F9F00

RGB 63 159 0

HSL 96.23, 1%, 0.31%

LAB 57.9, -51.68, 59.68

 

CMYK 43 / 0 / 85 / 9

HEX #83E723

RGB 131 231 35

HSL 90.61, 0.8%, 0.52%

LAB 82.97, -57.46, 75.93

 

CMYK 20 / 0 / 85 / 9

HEX #B8E723

RGB 184 231 35

HSL 74.39, 0.8%, 0.52%

LAB 85.74, -38.57, 79.39

 

CMYK 0 / 3 / 85 / 9

HEX #E7E023

RGB 231 224 35

HSL 57.86, 0.8%, 0.52%

LAB 87.2, -16.13, 81.98

 

CMYK 0 / 26 / 85 / 9

HEX #E7AC23

RGB 231 172 35

HSL 41.94, 0.8%, 0.52%

LAB 73.94, 10.52, 71.11

 

CMYK 0 / 48 / 85 / 9

HEX #E77723

RGB 231 119 35

HSL 25.71, 0.8%, 0.52%

LAB 61.92, 38.4, 61.14

 

CMYK 43 / 0 / 85 / 9

HEX #83E723

RGB 131 231 35

HSL 90.61, 0.8%, 0.52%

LAB 82.97, -57.46, 75.93

 

CMYK 66 / 0 / 85 / 9

HEX #4EE723

RGB 78 231 35

HSL 106.84, 0.8%, 0.52%

LAB 81.23, -71.19, 73.74

 

CMYK 85 / 0 / 81 / 9

HEX #23E72C

RGB 35 231 44

HSL 122.76, 0.8%, 0.52%

LAB 80.57, -76.85, 70.73

 

CMYK 85 / 0 / 58 / 9

HEX #23E761

RGB 35 231 97

HSL 138.98, 0.8%, 0.52%

LAB 80.95, -72.12, 51.74

 

CMYK 85 / 0 / 35 / 9

HEX #23E796

RGB 35 231 150

HSL 155.2, 0.8%, 0.52%

LAB 81.68, -63.43, 26.93

 

CMYK 43 / 0 / 85 / 9

HEX #83E723

RGB 131 231 35

HSL 90.61, 0.8%, 0.52%

LAB 82.97, -57.46, 75.93

 

CMYK 48 / 0 / 94 / 2

HEX #83FA0F

RGB 131 250 15

HSL 90.38, 0.96%, 0.52%

LAB 88.56, -64.97, 83.62

 

CMYK 43 / 0 / 85 / 9

HEX #83E723

RGB 131 231 35

HSL 90.61, 0.8%, 0.52%

LAB 82.97, -57.46, 75.93

 

CMYK 38 / 0 / 74 / 17

HEX #83D336

RGB 131 211 54

HSL 90.57, 0.64%, 0.52%

LAB 77.09, -48.69, 65.39

 

CMYK 31 / 0 / 61 / 25

HEX #84BF4A

RGB 132 191 74

HSL 90.26, 0.48%, 0.52%

LAB 71.32, -38.32, 51.66

 

CMYK 23 / 0 / 45 / 33

HEX #84AB5E

RGB 132 171 94

HSL 90.39, 0.31%, 0.52%

LAB 65.62, -26.84, 35.33

 

CMYK 13 / 0 / 25 / 41

HEX #849772

RGB 132 151 114

HSL 90.81, 0.15%, 0.52%

LAB 60.12, -13.74, 17.3

 

CMYK 0 / 3 / 85 / 9

HEX #E7E023

RGB 231 224 35

HSL 57.86, 0.8%, 0.52%

LAB 87.2, -16.13, 81.98

 

CMYK 20 / 0 / 85 / 9

HEX #B9E723

RGB 185 231 35

HSL 74.08, 0.8%, 0.52%

LAB 85.8, -38.18, 79.47

 

CMYK 42 / 0 / 85 / 9

HEX #85E723

RGB 133 231 35

HSL 90, 0.8%, 0.52%

LAB 83.05, -56.83, 76.03

 

CMYK 65 / 0 / 85 / 9

HEX #50E723

RGB 80 231 35

HSL 106.22, 0.8%, 0.52%

LAB 81.28, -70.8, 73.8

 

CMYK 85 / 0 / 82 / 9

HEX #23E729

RGB 35 231 41

HSL 121.84, 0.8%, 0.52%

LAB 80.55, -77.01, 71.48

 

CMYK 45 / 0 / 89 / 36

HEX #5AA412

RGB 90 164 18

HSL 90.41, 0.8%, 0.36%

LAB 60.58, -45.08, 59.48

 

CMYK 45 / 0 / 89 / 21

HEX #6FCA16

RGB 111 202 22

HSL 90.33, 0.8%, 0.44%

LAB 73.34, -53.09, 69.88

 

CMYK 43 / 0 / 85 / 9

HEX #83E723

RGB 131 231 35

HSL 90.61, 0.8%, 0.52%

LAB 82.97, -57.46, 75.93

 

CMYK 35 / 0 / 69 / 8

HEX #98EB48

RGB 152 235 72

HSL 90.55, 0.8%, 0.6%

LAB 85.28, -50.28, 67.63

 

CMYK 28 / 0 / 54 / 6

HEX #ADEF6D

RGB 173 239 109

HSL 90.46, 0.8%, 0.68%

LAB 87.83, -41.63, 55.53

 

CMYK 43 / 0 / 85 / 9

HEX #83E722

RGB 131 231 34

HSL 90.46, 0.8%, 0.52%

LAB 82.96, -57.5, 76.13

 

CMYK 85 / 0 / 26 / 9

HEX #23E7AC

RGB 35 231 172

HSL 161.94, 0.8%, 0.52%

LAB 82.1, -58.71, 16.12

 

CMYK 0 / 85 / 9 / 9

HEX #E723D3

RGB 231 35 211

HSL 306.12, 0.8%, 0.52%

LAB 54.96, 84.73, -44.89

 

CMYK 43 / 0 / 85 / 9

HEX #83E722

RGB 131 231 34

HSL 90.46, 0.8%, 0.52%

LAB 82.96, -57.5, 76.13

 

CMYK 85 / 42 / 0 / 9

HEX #2385E7

RGB 35 133 231

HSL 210, 0.8%, 0.52%

LAB 54.97, 7.93, -57.19

 

CMYK 0 / 85 / 42 / 9

HEX #E72385

RGB 231 35 133

HSL 330, 0.8%, 0.52%

LAB 51.71, 75.82, -4.14

 

CMYK 43 / 0 / 85 / 9

HEX #83E722

RGB 131 231 34

HSL 90.46, 0.8%, 0.52%

LAB 82.96, -57.5, 76.13

 

CMYK 85 / 0 / 26 / 9

HEX #23E7AC

RGB 35 231 172

HSL 161.94, 0.8%, 0.52%

LAB 82.1, -58.71, 16.12

 

CMYK 42 / 85 / 0 / 9

HEX #8523E7

RGB 133 35 231

HSL 270, 0.8%, 0.52%

LAB 41.15, 72.73, -79.35

 

CMYK 0 / 85 / 60 / 9

HEX #E7235D

RGB 231 35 93

HSL 342.24, 0.8%, 0.52%

LAB 50.67, 72.84, 18.66

 

CMYK 43 / 0 / 85 / 9

HEX #83E722

RGB 131 231 34

HSL 90.46, 0.8%, 0.52%

LAB 82.96, -57.5, 76.13

 

CMYK 85 / 0 / 0 / 9

HEX #23E7E7

RGB 35 231 231

HSL 180, 0.8%, 0.52%

LAB 83.59, -43.37, -12.82

 

CMYK 42 / 85 / 0 / 9

HEX #8523E7

RGB 133 35 231

HSL 270, 0.8%, 0.52%

LAB 41.15, 72.73, -79.35

 

CMYK 0 / 85 / 85 / 9

HEX #E72323

RGB 231 35 35

HSL 0, 0.8%, 0.52%

LAB 49.87, 70.51, 50.97

 

Description

Color code: HEX #83E722 | qconv.com Color code: HEX #83E722 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 231 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 231 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 85 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 85% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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