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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83D64A it is the complementary color #7C29B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83D64A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83D64A shade: #88D645, #99E858, #AAFA6B, #BBFF7E and #CCFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83D64A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83D64A shade: #83D64A, #72C437, #61B224, #50A011 and #3F8E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83D64A shade: #82D548, #A8D548, #CED548, #D5B748 and #D59148

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83D64A shade: #82D548, #5CD548, #48D55B, #48D581 and #48D5A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83D64A shade matches the following richer shades: #82D548, #7EE836 and #7BFA24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83D64A shade: #82D548, #85C35A, #88B16C, #8C9F7F and #8F8D91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83D64A shade: #CED548, #A9D548, #83D548, #5DD548 and #48D559

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83D64A shade: #5AA626, #6CC72D, #82D548, #99DD6A and #B0E58B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83D64A shade: #83D64A, #48D5B7 and #D548BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83D64A shade: #83D64A, #4883D5 and #D54883

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83D64A shade: #83D64A, #48D5B7, #9B48D5 and #D54867

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83D64A shade: #83D64A, #48CAD5, #9B48D5 and #D55448

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 65 / 16

HEX #83D64A

RGB 131 214 74

HSL 95.57, 0.63%, 0.56%

LAB 78.12, -48.52, 59.07

 

Complementary color

CMYK 31 / 77 / 0 / 29

HEX #7C29B5

RGB 124 41 181

HSL 275.57, 0.63%, 0.44%

LAB 36.38, 58.38, -58.19

 

CMYK 36 / 0 / 68 / 16

HEX #88D645

RGB 136 214 69

HSL 92.28, 0.64%, 0.55%

LAB 78.32, -47.24, 61.32

 

CMYK 34 / 0 / 62 / 9

HEX #99E858

RGB 153 232 88

HSL 92.92, 0.76%, 0.63%

LAB 84.58, -47.47, 60.66

 

CMYK 32 / 0 / 57 / 2

HEX #AAFA6B

RGB 170 250 107

HSL 93.57, 0.93%, 0.7%

LAB 90.77, -47.6, 59.78

 

CMYK 27 / 0 / 51 / 0

HEX #BBFF7E

RGB 187 255 126

HSL 91.63, 1%, 0.75%

LAB 93.27, -42.04, 54.45

 

CMYK 20 / 0 / 43 / 0

HEX #CCFF91

RGB 204 255 145

HSL 87.82, 1%, 0.78%

LAB 94.48, -33.97, 47.25

 

CMYK 39 / 0 / 65 / 16

HEX #83D64A

RGB 131 214 74

HSL 95.57, 0.63%, 0.56%

LAB 78.12, -48.52, 59.07

 

CMYK 42 / 0 / 72 / 23

HEX #72C437

RGB 114 196 55

HSL 94.89, 0.56%, 0.49%

LAB 71.78, -48.19, 59.53

 

CMYK 46 / 0 / 80 / 30

HEX #61B224

RGB 97 178 36

HSL 94.23, 0.66%, 0.42%

LAB 65.37, -47.63, 59.35

 

CMYK 50 / 0 / 89 / 37

HEX #50A011

RGB 80 160 17

HSL 93.57, 0.81%, 0.35%

LAB 58.87, -46.75, 58.05

 

CMYK 56 / 0 / 100 / 44

HEX #3F8E00

RGB 63 142 0

HSL 93.38, 1%, 0.28%

LAB 52.29, -45.46, 55.26

 

CMYK 39 / 0 / 66 / 16

HEX #82D548

RGB 130 213 72

HSL 95.32, 0.63%, 0.56%

LAB 77.76, -48.6, 59.47

 

CMYK 21 / 0 / 66 / 16

HEX #A8D548

RGB 168 213 72

HSL 79.15, 0.63%, 0.56%

LAB 79.83, -34.93, 62.28

 

CMYK 3 / 0 / 66 / 16

HEX #CED548

RGB 206 213 72

HSL 62.98, 0.63%, 0.56%

LAB 82.47, -19.71, 65.85

 

CMYK 0 / 14 / 66 / 16

HEX #D5B748

RGB 213 183 72

HSL 47.23, 0.63%, 0.56%

LAB 75.13, -1.53, 58.41

 

CMYK 0 / 32 / 66 / 16

HEX #D59148

RGB 213 145 72

HSL 31.06, 0.63%, 0.56%

LAB 65.64, 18.79, 48.13

 

CMYK 39 / 0 / 66 / 16

HEX #82D548

RGB 130 213 72

HSL 95.32, 0.63%, 0.56%

LAB 77.76, -48.6, 59.47

 

CMYK 57 / 0 / 66 / 16

HEX #5CD548

RGB 92 213 72

HSL 111.49, 0.63%, 0.56%

LAB 76.27, -59.66, 57.44

 

CMYK 66 / 0 / 57 / 16

HEX #48D55B

RGB 72 213 91

HSL 128.09, 0.63%, 0.56%

LAB 75.9, -62.02, 48.68

 

CMYK 66 / 0 / 39 / 16

HEX #48D581

RGB 72 213 129

HSL 144.26, 0.63%, 0.56%

LAB 76.41, -56.26, 30.76

 

CMYK 66 / 0 / 22 / 16

HEX #48D5A7

RGB 72 213 167

HSL 160.43, 0.63%, 0.56%

LAB 77.13, -48.46, 11.84

 

CMYK 39 / 0 / 66 / 16

HEX #82D548

RGB 130 213 72

HSL 95.32, 0.63%, 0.56%

LAB 77.76, -48.6, 59.47

 

CMYK 46 / 0 / 77 / 9

HEX #7EE836

RGB 126 232 54

HSL 95.73, 0.79%, 0.56%

LAB 83.13, -58.55, 71.12

 

CMYK 51 / 0 / 86 / 2

HEX #7BFA24

RGB 123 250 36

HSL 95.61, 0.96%, 0.56%

LAB 88.31, -66.75, 80.23

 

CMYK 39 / 0 / 66 / 16

HEX #82D548

RGB 130 213 72

HSL 95.32, 0.63%, 0.56%

LAB 77.76, -48.6, 59.47

 

CMYK 32 / 0 / 54 / 24

HEX #85C35A

RGB 133 195 90

HSL 95.43, 0.47%, 0.56%

LAB 72.73, -38.16, 45.98

 

CMYK 23 / 0 / 39 / 31

HEX #88B16C

RGB 136 177 108

HSL 95.65, 0.31%, 0.56%

LAB 67.84, -26.41, 30.93

 

CMYK 12 / 0 / 20 / 38

HEX #8C9F7F

RGB 140 159 127

HSL 95.63, 0.14%, 0.56%

LAB 63.26, -12.79, 14.5

 

CMYK 1 / 3 / 0 / 43

HEX #8F8D91

RGB 143 141 145

HSL 270, 0.02%, 0.56%

LAB 58.91, 1.52, -1.87

 

CMYK 3 / 0 / 66 / 16

HEX #CED548

RGB 206 213 72

HSL 62.98, 0.63%, 0.56%

LAB 82.47, -19.71, 65.85

 

CMYK 21 / 0 / 66 / 16

HEX #A9D548

RGB 169 213 72

HSL 78.72, 0.63%, 0.56%

LAB 79.89, -34.54, 62.37

 

CMYK 38 / 0 / 66 / 16

HEX #83D548

RGB 131 213 72

HSL 94.89, 0.63%, 0.56%

LAB 77.81, -48.27, 59.53

 

CMYK 56 / 0 / 66 / 16

HEX #5DD548

RGB 93 213 72

HSL 111.06, 0.63%, 0.56%

LAB 76.3, -59.42, 57.48

 

CMYK 66 / 0 / 58 / 16

HEX #48D559

RGB 72 213 89

HSL 127.23, 0.63%, 0.56%

LAB 75.88, -62.26, 49.56

 

CMYK 46 / 0 / 77 / 35

HEX #5AA626

RGB 90 166 38

HSL 95.63, 0.63%, 0.4%

LAB 61.3, -44.97, 54.76

 

CMYK 46 / 0 / 77 / 22

HEX #6CC72D

RGB 108 199 45

HSL 95.45, 0.63%, 0.48%

LAB 72.38, -51.93, 63.39

 

CMYK 39 / 0 / 66 / 16

HEX #82D548

RGB 130 213 72

HSL 95.32, 0.63%, 0.56%

LAB 77.76, -48.6, 59.47

 

CMYK 31 / 0 / 52 / 13

HEX #99DD6A

RGB 153 221 106

HSL 95.48, 0.63%, 0.64%

LAB 81.58, -40.99, 49.25

 

CMYK 23 / 0 / 39 / 10

HEX #B0E58B

RGB 176 229 139

HSL 95.33, 0.63%, 0.72%

LAB 85.57, -32.61, 38.49

 

CMYK 39 / 0 / 65 / 16

HEX #83D64A

RGB 131 214 74

HSL 95.57, 0.63%, 0.56%

LAB 78.12, -48.52, 59.07

 

CMYK 66 / 0 / 14 / 16

HEX #48D5B7

RGB 72 213 183

HSL 167.23, 0.63%, 0.56%

LAB 77.51, -44.63, 3.83

 

CMYK 0 / 66 / 12 / 16

HEX #D548BC

RGB 213 72 188

HSL 310.64, 0.63%, 0.56%

LAB 54.46, 67.31, -32.67

 

CMYK 39 / 0 / 65 / 16

HEX #83D64A

RGB 131 214 74

HSL 95.57, 0.63%, 0.56%

LAB 78.12, -48.52, 59.07

 

CMYK 66 / 38 / 0 / 16

HEX #4883D5

RGB 72 131 213

HSL 214.89, 0.63%, 0.56%

LAB 54.46, 6.94, -47.84

 

CMYK 0 / 66 / 38 / 16

HEX #D54883

RGB 213 72 131

HSL 334.89, 0.63%, 0.56%

LAB 52.31, 60, -2.42

 

CMYK 39 / 0 / 65 / 16

HEX #83D64A

RGB 131 214 74

HSL 95.57, 0.63%, 0.56%

LAB 78.12, -48.52, 59.07

 

CMYK 66 / 0 / 14 / 16

HEX #48D5B7

RGB 72 213 183

HSL 167.23, 0.63%, 0.56%

LAB 77.51, -44.63, 3.83

 

CMYK 27 / 66 / 0 / 16

HEX #9B48D5

RGB 155 72 213

HSL 275.32, 0.63%, 0.56%

LAB 47.5, 58.35, -58.61

 

CMYK 0 / 66 / 52 / 16

HEX #D54867

RGB 213 72 103

HSL 346.81, 0.63%, 0.56%

LAB 51.56, 57.35, 13.32

 

CMYK 39 / 0 / 65 / 16

HEX #83D64A

RGB 131 214 74

HSL 95.57, 0.63%, 0.56%

LAB 78.12, -48.52, 59.07

 

CMYK 66 / 5 / 0 / 16

HEX #48CAD5

RGB 72 202 213

HSL 184.68, 0.63%, 0.56%

LAB 75.09, -31.53, -15.9

 

CMYK 27 / 66 / 0 / 16

HEX #9B48D5

RGB 155 72 213

HSL 275.32, 0.63%, 0.56%

LAB 47.5, 58.35, -58.61

 

CMYK 0 / 61 / 66 / 16

HEX #D55448

RGB 213 84 72

HSL 5.11, 0.63%, 0.56%

LAB 52.9, 50.06, 33.31

 

Description

Color code: HEX #83D64A | qconv.com Color code: HEX #83D64A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 214 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 214 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 65 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 65% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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