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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83CE5C it is the complementary color #7C31A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83CE5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83CE5C shade: #88CE57, #99E06A, #AAF27D, #BBFF90 and #CCFFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83CE5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83CE5C shade: #83CE5C, #72BC49, #61AA36, #509823 and #3F8610

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83CE5C shade: #82CE5A, #A1CE5A, #C0CE5A, #CEBC5A and #CE9D5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83CE5C shade: #82CE5A, #62CE5A, #5ACE71, #5ACE90 and #5ACEAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83CE5C shade matches the following richer shades: #82CE5A, #7CDF49 and #77F037

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83CE5C shade: #82CE5A, #87BC6B, #8DAB7D, #929A8E and #98889F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83CE5C shade: #C0CE5A, #A1CE5A, #83CE5A, #64CE5A and #5ACE6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83CE5C shade: #58A431, #6AC43B, #82CE5A, #9AD77A and #B2E19A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83CE5C shade: #83CE5C, #5ACEBC and #CE5AB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83CE5C shade: #83CE5C, #5A83CE and #CE5A83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83CE5C shade: #83CE5C, #5ACEBC, #A55ACE and #CE5A6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83CE5C shade: #83CE5C, #5ABCCE, #A55ACE and #CE6B5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 55 / 19

HEX #83CE5C

RGB 131 206 92

HSL 99.47, 0.54%, 0.58%

LAB 75.91, -43.46, 48.76

 

Complementary color

CMYK 24 / 70 / 0 / 36

HEX #7C31A3

RGB 124 49 163

HSL 279.47, 0.54%, 0.42%

LAB 36.23, 51.09, -47.7

 

CMYK 34 / 0 / 58 / 19

HEX #88CE57

RGB 136 206 87

HSL 95.29, 0.55%, 0.57%

LAB 76.11, -42.28, 51.34

 

CMYK 32 / 0 / 53 / 12

HEX #99E06A

RGB 153 224 106

HSL 96.1, 0.66%, 0.65%

LAB 82.45, -42.31, 50.28

 

CMYK 30 / 0 / 48 / 5

HEX #AAF27D

RGB 170 242 125

HSL 96.92, 0.82%, 0.72%

LAB 88.7, -42.27, 49.15

 

CMYK 27 / 0 / 44 / 0

HEX #BBFF90

RGB 187 255 144

HSL 96.76, 1%, 0.78%

LAB 93.49, -39.99, 46.28

 

CMYK 20 / 0 / 36 / 0

HEX #CCFFA3

RGB 204 255 163

HSL 93.26, 1%, 0.82%

LAB 94.74, -31.73, 38.82

 

CMYK 36 / 0 / 55 / 19

HEX #83CE5C

RGB 131 206 92

HSL 99.47, 0.54%, 0.58%

LAB 75.91, -43.46, 48.76

 

CMYK 39 / 0 / 61 / 26

HEX #72BC49

RGB 114 188 73

HSL 98.61, 0.46%, 0.51%

LAB 69.49, -43.38, 49.8

 

CMYK 43 / 0 / 68 / 33

HEX #61AA36

RGB 97 170 54

HSL 97.76, 0.52%, 0.44%

LAB 62.98, -43.16, 50.59

 

CMYK 47 / 0 / 77 / 40

HEX #509823

RGB 80 152 35

HSL 96.92, 0.63%, 0.37%

LAB 56.37, -42.7, 50.87

 

CMYK 53 / 0 / 88 / 47

HEX #3F8610

RGB 63 134 16

HSL 96.1, 0.79%, 0.29%

LAB 49.67, -41.87, 50.06

 

CMYK 37 / 0 / 56 / 19

HEX #82CE5A

RGB 130 206 90

HSL 99.31, 0.54%, 0.58%

LAB 75.84, -44, 49.59

 

CMYK 22 / 0 / 56 / 19

HEX #A1CE5A

RGB 161 206 90

HSL 83.28, 0.54%, 0.58%

LAB 77.55, -32.93, 52.02

 

CMYK 7 / 0 / 56 / 19

HEX #C0CE5A

RGB 192 206 90

HSL 67.24, 0.54%, 0.58%

LAB 79.66, -20.76, 54.98

 

CMYK 0 / 9 / 56 / 19

HEX #CEBC5A

RGB 206 188 90

HSL 50.69, 0.54%, 0.58%

LAB 75.96, -5.88, 51.07

 

CMYK 0 / 24 / 56 / 19

HEX #CE9D5A

RGB 206 157 90

HSL 34.66, 0.54%, 0.58%

LAB 68, 10.6, 41.7

 

CMYK 37 / 0 / 56 / 19

HEX #82CE5A

RGB 130 206 90

HSL 99.31, 0.54%, 0.58%

LAB 75.84, -44, 49.59

 

CMYK 52 / 0 / 56 / 19

HEX #62CE5A

RGB 98 206 90

HSL 115.86, 0.54%, 0.58%

LAB 74.49, -53.63, 47.68

 

CMYK 56 / 0 / 45 / 19

HEX #5ACE71

RGB 90 206 113

HSL 131.9, 0.54%, 0.58%

LAB 74.51, -52.5, 36.52

 

CMYK 56 / 0 / 30 / 19

HEX #5ACE90

RGB 90 206 144

HSL 147.93, 0.54%, 0.58%

LAB 75.03, -47.02, 21.18

 

CMYK 56 / 0 / 15 / 19

HEX #5ACEAF

RGB 90 206 175

HSL 163.97, 0.54%, 0.58%

LAB 75.71, -40.26, 5.58

 

CMYK 37 / 0 / 56 / 19

HEX #82CE5A

RGB 130 206 90

HSL 99.31, 0.54%, 0.58%

LAB 75.84, -44, 49.59

 

CMYK 44 / 0 / 67 / 13

HEX #7CDF49

RGB 124 223 73

HSL 99.6, 0.7%, 0.58%

LAB 80.48, -54.44, 61.88

 

CMYK 50 / 0 / 77 / 6

HEX #77F037

RGB 119 240 55

HSL 99.24, 0.86%, 0.58%

LAB 85.26, -63.47, 72.75

 

CMYK 37 / 0 / 56 / 19

HEX #82CE5A

RGB 130 206 90

HSL 99.31, 0.54%, 0.58%

LAB 75.84, -44, 49.59

 

CMYK 28 / 0 / 43 / 26

HEX #87BC6B

RGB 135 188 107

HSL 99.26, 0.38%, 0.58%

LAB 70.99, -32.18, 35.48

 

CMYK 18 / 0 / 27 / 33

HEX #8DAB7D

RGB 141 171 125

HSL 99.13, 0.21%, 0.58%

LAB 66.73, -19.01, 20.39

 

CMYK 5 / 0 / 8 / 40

HEX #929A8E

RGB 146 154 142

HSL 100, 0.06%, 0.58%

LAB 62.66, -5.19, 5.3

 

CMYK 4 / 14 / 0 / 38

HEX #98889F

RGB 152 136 159

HSL 281.74, 0.11%, 0.58%

LAB 58.78, 10.42, -10

 

CMYK 7 / 0 / 56 / 19

HEX #C0CE5A

RGB 192 206 90

HSL 67.24, 0.54%, 0.58%

LAB 79.66, -20.76, 54.98

 

CMYK 22 / 0 / 56 / 19

HEX #A1CE5A

RGB 161 206 90

HSL 83.28, 0.54%, 0.58%

LAB 77.55, -32.93, 52.02

 

CMYK 36 / 0 / 56 / 19

HEX #83CE5A

RGB 131 206 90

HSL 98.79, 0.54%, 0.58%

LAB 75.89, -43.67, 49.66

 

CMYK 51 / 0 / 56 / 19

HEX #64CE5A

RGB 100 206 90

HSL 114.83, 0.54%, 0.58%

LAB 74.57, -53.1, 47.78

 

CMYK 56 / 0 / 46 / 19

HEX #5ACE6F

RGB 90 206 111

HSL 130.86, 0.54%, 0.58%

LAB 74.49, -52.81, 37.48

 

CMYK 46 / 0 / 70 / 36

HEX #58A431

RGB 88 164 49

HSL 99.65, 0.54%, 0.42%

LAB 60.65, -44.02, 50.05

 

CMYK 46 / 0 / 70 / 23

HEX #6AC43B

RGB 106 196 59

HSL 99.42, 0.54%, 0.5%

LAB 71.46, -50.45, 57.6

 

CMYK 37 / 0 / 56 / 19

HEX #82CE5A

RGB 130 206 90

HSL 99.31, 0.54%, 0.58%

LAB 75.84, -44, 49.59

 

CMYK 28 / 0 / 43 / 16

HEX #9AD77A

RGB 154 215 122

HSL 99.35, 0.54%, 0.66%

LAB 80.11, -36.05, 39.71

 

CMYK 21 / 0 / 32 / 12

HEX #B2E19A

RGB 178 225 154

HSL 99.72, 0.54%, 0.74%

LAB 84.82, -27.94, 29.93

 

CMYK 36 / 0 / 55 / 19

HEX #83CE5C

RGB 131 206 92

HSL 99.47, 0.54%, 0.58%

LAB 75.91, -43.46, 48.76

 

CMYK 56 / 0 / 9 / 19

HEX #5ACEBC

RGB 90 206 188

HSL 170.69, 0.54%, 0.58%

LAB 76.04, -37.09, -0.94

 

CMYK 0 / 56 / 14 / 19

HEX #CE5AB1

RGB 206 90 177

HSL 315, 0.54%, 0.58%

LAB 55.69, 56.21, -24.48

 

CMYK 36 / 0 / 55 / 19

HEX #83CE5C

RGB 131 206 92

HSL 99.47, 0.54%, 0.58%

LAB 75.91, -43.46, 48.76

 

CMYK 56 / 36 / 0 / 19

HEX #5A83CE

RGB 90 131 206

HSL 218.79, 0.54%, 0.58%

LAB 54.93, 7.97, -43.09

 

CMYK 0 / 56 / 36 / 19

HEX #CE5A83

RGB 206 90 131

HSL 338.79, 0.54%, 0.58%

LAB 54.1, 49.98, 0.08

 

CMYK 36 / 0 / 55 / 19

HEX #83CE5C

RGB 131 206 92

HSL 99.47, 0.54%, 0.58%

LAB 75.91, -43.46, 48.76

 

CMYK 56 / 0 / 9 / 19

HEX #5ACEBC

RGB 90 206 188

HSL 170.69, 0.54%, 0.58%

LAB 76.04, -37.09, -0.94

 

CMYK 20 / 56 / 0 / 19

HEX #A55ACE

RGB 165 90 206

HSL 278.79, 0.54%, 0.58%

LAB 51.57, 50.35, -48.02

 

CMYK 0 / 56 / 48 / 19

HEX #CE5A6B

RGB 206 90 107

HSL 351.21, 0.54%, 0.58%

LAB 53.49, 47.46, 13.43

 

CMYK 36 / 0 / 55 / 19

HEX #83CE5C

RGB 131 206 92

HSL 99.47, 0.54%, 0.58%

LAB 75.91, -43.46, 48.76

 

CMYK 56 / 9 / 0 / 19

HEX #5ABCCE

RGB 90 188 206

HSL 189.31, 0.54%, 0.58%

LAB 71.28, -23.58, -17.8

 

CMYK 20 / 56 / 0 / 19

HEX #A55ACE

RGB 165 90 206

HSL 278.79, 0.54%, 0.58%

LAB 51.57, 50.35, -48.02

 

CMYK 0 / 48 / 56 / 19

HEX #CE6B5A

RGB 206 107 90

HSL 8.79, 0.54%, 0.58%

LAB 56.46, 37.51, 27.31

 

Description

Color code: HEX #83CE5C | qconv.com Color code: HEX #83CE5C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 206 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 206 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 55 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 55% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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