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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83CDFE it is the complementary color #7C3201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83CDFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83CDFE shade: #88CDF9, #99DFFF, #AAF1FF, #BBFFFF and #CCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83CDFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83CDFE shade: #83CDFE, #72BBEB, #61A9D8, #5097C5 and #3F85B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83CDFE shade: #81CCFE, #81AAFE, #8189FE, #9B81FE and #BC81FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83CDFE shade: #81CCFE, #81AAFE, #8189FE and #8181FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83CDFE shade matches the following richer shades: #81CCFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83CDFE shade: #81CCFE, #8BCAF3, #95C8E9, #A0C6DF and #AAC4D4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83CDFE shade: #81FEEB, #81EFFE, #81CEFE, #81ADFE and #818BFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83CDFE shade: #2FABFD, #58BBFD, #81CCFE, #AADCFE and #D2EDFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83CDFE shade: #83CDFE, #CA81FE and #FEFC81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83CDFE shade: #83CDFE, #FE81CE and #CEFE81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83CDFE shade: #83CDFE, #CA81FE, #FEB181 and #B5FE81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83CDFE shade: #83CDFE, #EF81FE, #FEB181 and #8FFE81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 19 / 0 / 0

HEX #83CDFE

RGB 131 205 254

HSL 203.9, 0.98%, 0.75%

LAB 79.41, -10.11, -31.14

 

Complementary color

CMYK 0 / 60 / 99 / 51

HEX #7C3201

RGB 124 50 1

HSL 23.9, 0.98%, 0.25%

LAB 30.8, 29.96, 41.69

 

CMYK 45 / 18 / 0 / 2

HEX #88CDF9

RGB 136 205 249

HSL 203.36, 0.9%, 0.75%

LAB 79.46, -10.33, -28.37

 

CMYK 40 / 13 / 0 / 0

HEX #99DFFF

RGB 153 223 255

HSL 198.82, 1%, 0.8%

LAB 85.39, -13.95, -22.45

 

CMYK 33 / 5 / 0 / 0

HEX #AAF1FF

RGB 170 241 255

HSL 189.88, 1%, 0.83%

LAB 91.09, -18.64, -13.78

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 20 / 0 / 0 / 0

HEX #CCFFFF

RGB 204 255 255

HSL 180, 1%, 0.9%

LAB 96.65, -16.01, -5.32

 

CMYK 48 / 19 / 0 / 0

HEX #83CDFE

RGB 131 205 254

HSL 203.9, 0.98%, 0.75%

LAB 79.41, -10.11, -31.14

 

CMYK 51 / 20 / 0 / 8

HEX #72BBEB

RGB 114 187 235

HSL 203.8, 0.75%, 0.68%

LAB 72.97, -9.71, -30.91

 

CMYK 55 / 22 / 0 / 15

HEX #61A9D8

RGB 97 169 216

HSL 203.7, 0.6%, 0.61%

LAB 66.42, -9.22, -30.69

 

CMYK 59 / 23 / 0 / 23

HEX #5097C5

RGB 80 151 197

HSL 203.59, 0.5%, 0.54%

LAB 59.77, -8.59, -30.47

 

CMYK 65 / 25 / 0 / 30

HEX #3F85B2

RGB 63 133 178

HSL 203.48, 0.48%, 0.47%

LAB 53, -7.79, -30.24

 

CMYK 49 / 20 / 0 / 0

HEX #81CCFE

RGB 129 204 254

HSL 204, 0.98%, 0.75%

LAB 79.05, -10.03, -31.71

 

CMYK 49 / 33 / 0 / 0

HEX #81AAFE

RGB 129 170 254

HSL 220.32, 0.98%, 0.75%

LAB 69.88, 8.61, -45.97

 

CMYK 49 / 46 / 0 / 0

HEX #8189FE

RGB 129 137 254

HSL 236.16, 0.98%, 0.75%

LAB 61.41, 27.74, -59.38

 

CMYK 39 / 49 / 0 / 0

HEX #9B81FE

RGB 155 129 254

HSL 252.48, 0.98%, 0.75%

LAB 61.5, 38.3, -59.12

 

CMYK 26 / 49 / 0 / 0

HEX #BC81FE

RGB 188 129 254

HSL 268.32, 0.98%, 0.75%

LAB 64.6, 46.5, -54

 

CMYK 49 / 20 / 0 / 0

HEX #81CCFE

RGB 129 204 254

HSL 204, 0.98%, 0.75%

LAB 79.05, -10.03, -31.71

 

CMYK 49 / 33 / 0 / 0

HEX #81AAFE

RGB 129 170 254

HSL 220.32, 0.98%, 0.75%

LAB 69.88, 8.61, -45.97

 

CMYK 49 / 46 / 0 / 0

HEX #8189FE

RGB 129 137 254

HSL 236.16, 0.98%, 0.75%

LAB 61.41, 27.74, -59.38

 

CMYK 49 / 49 / 0 / 0

HEX #8181FE

RGB 129 129 254

HSL 240, 0.98%, 0.75%

LAB 59.46, 32.43, -62.51

 

CMYK 49 / 20 / 0 / 0

HEX #81CCFE

RGB 129 204 254

HSL 204, 0.98%, 0.75%

LAB 79.05, -10.03, -31.71

 

CMYK 49 / 20 / 0 / 0

HEX #81CCFE

RGB 129 204 254

HSL 204, 0.98%, 0.75%

LAB 79.05, -10.03, -31.71

 

CMYK 43 / 17 / 0 / 5

HEX #8BCAF3

RGB 139 202 243

HSL 203.65, 0.81%, 0.75%

LAB 78.58, -9.65, -26.51

 

CMYK 36 / 14 / 0 / 9

HEX #95C8E9

RGB 149 200 233

HSL 203.57, 0.66%, 0.75%

LAB 78.22, -8.61, -21.65

 

CMYK 28 / 11 / 0 / 13

HEX #A0C6DF

RGB 160 198 223

HSL 203.81, 0.5%, 0.75%

LAB 77.99, -6.91, -16.56

 

CMYK 20 / 8 / 0 / 17

HEX #AAC4D4

RGB 170 196 212

HSL 202.86, 0.33%, 0.75%

LAB 77.74, -5.34, -10.93

 

CMYK 49 / 0 / 7 / 0

HEX #81FEEB

RGB 129 254 235

HSL 170.88, 0.98%, 0.75%

LAB 92.38, -39.43, -1.68

 

CMYK 49 / 6 / 0 / 0

HEX #81EFFE

RGB 129 239 254

HSL 187.2, 0.98%, 0.75%

LAB 88.71, -27.71, -17

 

CMYK 49 / 19 / 0 / 0

HEX #81CEFE

RGB 129 206 254

HSL 203.04, 0.98%, 0.75%

LAB 79.59, -11.09, -30.87

 

CMYK 49 / 32 / 0 / 0

HEX #81ADFE

RGB 129 173 254

HSL 218.88, 0.98%, 0.75%

LAB 70.67, 6.91, -44.72

 

CMYK 49 / 45 / 0 / 0

HEX #818BFE

RGB 129 139 254

HSL 235.2, 0.98%, 0.75%

LAB 61.9, 26.57, -58.59

 

CMYK 81 / 32 / 0 / 1

HEX #2FABFD

RGB 47 171 253

HSL 203.88, 0.98%, 0.59%

LAB 67.14, -5.31, -49.93

 

CMYK 65 / 26 / 0 / 1

HEX #58BBFD

RGB 88 187 253

HSL 204, 0.98%, 0.67%

LAB 72.7, -9.12, -41.14

 

CMYK 49 / 20 / 0 / 0

HEX #81CCFE

RGB 129 204 254

HSL 204, 0.98%, 0.75%

LAB 79.05, -10.03, -31.71

 

CMYK 33 / 13 / 0 / 0

HEX #AADCFE

RGB 170 220 254

HSL 204.29, 0.98%, 0.83%

LAB 85.45, -8.21, -21.75

 

CMYK 18 / 7 / 0 / 0

HEX #D2EDFF

RGB 210 237 255

HSL 204, 1%, 0.91%

LAB 92.35, -5.16, -11.65

 

CMYK 48 / 19 / 0 / 0

HEX #83CDFE

RGB 131 205 254

HSL 203.9, 0.98%, 0.75%

LAB 79.41, -10.11, -31.14

 

CMYK 20 / 49 / 0 / 0

HEX #CA81FE

RGB 202 129 254

HSL 275.04, 0.98%, 0.75%

LAB 66.07, 50.14, -51.58

 

CMYK 0 / 1 / 49 / 0

HEX #FEFC81

RGB 254 252 129

HSL 59.04, 0.98%, 0.75%

LAB 96.93, -15.39, 58.52

 

CMYK 48 / 19 / 0 / 0

HEX #83CDFE

RGB 131 205 254

HSL 203.9, 0.98%, 0.75%

LAB 79.41, -10.11, -31.14

 

CMYK 0 / 49 / 19 / 0

HEX #FE81CE

RGB 254 129 206

HSL 323.04, 0.98%, 0.75%

LAB 70.34, 56.46, -17.98

 

CMYK 19 / 0 / 49 / 0

HEX #CEFE81

RGB 206 254 129

HSL 83.04, 0.98%, 0.75%

LAB 94.14, -34.53, 54.38

 

CMYK 48 / 19 / 0 / 0

HEX #83CDFE

RGB 131 205 254

HSL 203.9, 0.98%, 0.75%

LAB 79.41, -10.11, -31.14

 

CMYK 20 / 49 / 0 / 0

HEX #CA81FE

RGB 202 129 254

HSL 275.04, 0.98%, 0.75%

LAB 66.07, 50.14, -51.58

 

CMYK 0 / 30 / 49 / 0

HEX #FEB181

RGB 254 177 129

HSL 23.04, 0.98%, 0.75%

LAB 78.52, 22.83, 35.75

 

CMYK 29 / 0 / 49 / 0

HEX #B5FE81

RGB 181 254 129

HSL 95.04, 0.98%, 0.75%

LAB 92.7, -43.33, 52.31

 

CMYK 48 / 19 / 0 / 0

HEX #83CDFE

RGB 131 205 254

HSL 203.9, 0.98%, 0.75%

LAB 79.41, -10.11, -31.14

 

CMYK 6 / 49 / 0 / 0

HEX #EF81FE

RGB 239 129 254

HSL 292.8, 0.98%, 0.75%

LAB 70.32, 60.01, -44.59

 

CMYK 0 / 30 / 49 / 0

HEX #FEB181

RGB 254 177 129

HSL 23.04, 0.98%, 0.75%

LAB 78.52, 22.83, 35.75

 

CMYK 44 / 0 / 49 / 0

HEX #8FFE81

RGB 143 254 129

HSL 113.28, 0.98%, 0.75%

LAB 90.92, -55.28, 49.72

 

Description

Color code: HEX #83CDFE | qconv.com Color code: HEX #83CDFE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 205 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 205 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 19 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 19% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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