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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83CD35 it is the complementary color #7C32CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83CD35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83CD35 shade: #88CD30, #99DF43, #AAF156, #BBFF69 and #CCFF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83CD35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83CD35 shade: #83CD35, #72BB22, #61A90F, #509700 and #3F8500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83CD35 shade: #84CD37, #ACCD37, #CDC537, #CD9D37 and #CD7437

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83CD35 shade: #84CD37, #5CCD37, #37CD3B, #37CD63 and #37CD8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83CD35 shade matches the following richer shades: #84CD37, #85E123 and #85F50F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83CD35 shade: #84CD37, #83B94B, #83A560, #829074 and #827C88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83CD35 shade: #CDC637, #ADCD37, #85CD37, #5DCD37 and #37CD3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83CD35 shade: #5A8E24, #6FAF2C, #84CD37, #98D558 and #ADDE79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83CD35 shade: #83CD35, #37CD9E and #CD37C1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83CD35 shade: #83CD35, #3785CD and #CD3785

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83CD35 shade: #83CD35, #37CD9E, #8037CD and #CD3767

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83CD35 shade: #83CD35, #37CDCB, #8037CD and #CD373A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 74 / 20

HEX #83CD35

RGB 131 205 53

HSL 89.21, 0.6%, 0.51%

LAB 75.29, -46.27, 63.97

 

Complementary color

CMYK 39 / 75 / 0 / 21

HEX #7C32CA

RGB 124 50 202

HSL 269.21, 0.6%, 0.49%

LAB 39.29, 59.62, -65.77

 

CMYK 34 / 0 / 77 / 20

HEX #88CD30

RGB 136 205 48

HSL 86.37, 0.62%, 0.5%

LAB 75.52, -44.78, 65.9

 

CMYK 31 / 0 / 70 / 13

HEX #99DF43

RGB 153 223 67

HSL 86.92, 0.71%, 0.57%

LAB 81.81, -45.24, 65.94

 

CMYK 29 / 0 / 64 / 5

HEX #AAF156

RGB 170 241 86

HSL 87.48, 0.85%, 0.64%

LAB 88.03, -45.55, 65.47

 

CMYK 27 / 0 / 59 / 0

HEX #BBFF69

RGB 187 255 105

HSL 87.2, 1%, 0.71%

LAB 93.06, -44.04, 63.47

 

CMYK 20 / 0 / 51 / 0

HEX #CCFF7C

RGB 204 255 124

HSL 83.36, 1%, 0.74%

LAB 94.23, -36.21, 56.75

 

CMYK 36 / 0 / 74 / 20

HEX #83CD35

RGB 131 205 53

HSL 89.21, 0.6%, 0.51%

LAB 75.29, -46.27, 63.97

 

CMYK 39 / 0 / 82 / 27

HEX #72BB22

RGB 114 187 34

HSL 88.63, 0.69%, 0.43%

LAB 68.92, -45.68, 63.46

 

CMYK 43 / 0 / 91 / 34

HEX #61A90F

RGB 97 169 15

HSL 88.05, 0.84%, 0.36%

LAB 62.47, -44.82, 61.74

 

CMYK 47 / 0 / 100 / 41

HEX #509700

RGB 80 151 0

HSL 88.21, 1%, 0.3%

LAB 55.93, -43.63, 58.4

 

CMYK 53 / 0 / 100 / 48

HEX #3F8500

RGB 63 133 0

HSL 91.58, 1%, 0.26%

LAB 49.29, -41.99, 52.9

 

CMYK 36 / 0 / 73 / 20

HEX #84CD37

RGB 132 205 55

HSL 89.2, 0.6%, 0.51%

LAB 75.35, -45.8, 63.37

 

CMYK 16 / 0 / 73 / 20

HEX #ACCD37

RGB 172 205 55

HSL 73.2, 0.6%, 0.51%

LAB 77.7, -30.66, 66.46

 

CMYK 0 / 4 / 73 / 20

HEX #CDC537

RGB 205 197 55

HSL 56.8, 0.6%, 0.51%

LAB 77.99, -13.02, 67.6

 

CMYK 0 / 23 / 73 / 20

HEX #CD9D37

RGB 205 157 55

HSL 40.8, 0.6%, 0.51%

LAB 67.55, 7.95, 57.49

 

CMYK 0 / 43 / 73 / 20

HEX #CD7437

RGB 205 116 55

HSL 24.4, 0.6%, 0.51%

LAB 57.79, 30.16, 47.53

 

CMYK 36 / 0 / 73 / 20

HEX #84CD37

RGB 132 205 55

HSL 89.2, 0.6%, 0.51%

LAB 75.35, -45.8, 63.37

 

CMYK 55 / 0 / 73 / 20

HEX #5CCD37

RGB 92 205 55

HSL 105.2, 0.6%, 0.51%

LAB 73.68, -58.15, 61.16

 

CMYK 73 / 0 / 71 / 20

HEX #37CD3B

RGB 55 205 59

HSL 121.6, 0.6%, 0.51%

LAB 72.75, -65.67, 58.46

 

CMYK 73 / 0 / 52 / 20

HEX #37CD63

RGB 55 205 99

HSL 137.6, 0.6%, 0.51%

LAB 73.14, -61.07, 41.51

 

CMYK 73 / 0 / 32 / 20

HEX #37CD8C

RGB 55 205 140

HSL 154, 0.6%, 0.51%

LAB 73.78, -53.75, 21.44

 

CMYK 36 / 0 / 73 / 20

HEX #84CD37

RGB 132 205 55

HSL 89.2, 0.6%, 0.51%

LAB 75.35, -45.8, 63.37

 

CMYK 41 / 0 / 84 / 12

HEX #85E123

RGB 133 225 35

HSL 89.05, 0.76%, 0.51%

LAB 81.27, -54.5, 74.49

 

CMYK 46 / 0 / 94 / 4

HEX #85F50F

RGB 133 245 15

HSL 89.22, 0.92%, 0.51%

LAB 87.16, -62.56, 82.53

 

CMYK 36 / 0 / 73 / 20

HEX #84CD37

RGB 132 205 55

HSL 89.2, 0.6%, 0.51%

LAB 75.35, -45.8, 63.37

 

CMYK 29 / 0 / 59 / 27

HEX #83B94B

RGB 131 185 75

HSL 89.45, 0.44%, 0.51%

LAB 69.49, -35.89, 49.15

 

CMYK 21 / 0 / 42 / 35

HEX #83A560

RGB 131 165 96

HSL 89.57, 0.28%, 0.51%

LAB 63.82, -24, 31.99

 

CMYK 10 / 0 / 19 / 44

HEX #829074

RGB 130 144 116

HSL 90, 0.11%, 0.51%

LAB 57.99, -10.4, 13.21

 

CMYK 4 / 9 / 0 / 47

HEX #827C88

RGB 130 124 136

HSL 270, 0.05%, 0.51%

LAB 52.88, 4.68, -5.69

 

CMYK 0 / 3 / 73 / 20

HEX #CDC637

RGB 205 198 55

HSL 57.2, 0.6%, 0.51%

LAB 78.25, -13.53, 67.85

 

CMYK 16 / 0 / 73 / 20

HEX #ADCD37

RGB 173 205 55

HSL 72.8, 0.6%, 0.51%

LAB 77.77, -30.26, 66.55

 

CMYK 35 / 0 / 73 / 20

HEX #85CD37

RGB 133 205 55

HSL 88.8, 0.6%, 0.51%

LAB 75.4, -45.45, 63.44

 

CMYK 55 / 0 / 73 / 20

HEX #5DCD37

RGB 93 205 55

HSL 104.8, 0.6%, 0.51%

LAB 73.72, -57.89, 61.2

 

CMYK 73 / 0 / 72 / 20

HEX #37CD3A

RGB 55 205 58

HSL 121.2, 0.6%, 0.51%

LAB 72.75, -65.75, 58.82

 

CMYK 37 / 0 / 75 / 44

HEX #5A8E24

RGB 90 142 36

HSL 89.43, 0.6%, 0.35%

LAB 53.65, -34.86, 48

 

CMYK 37 / 0 / 75 / 31

HEX #6FAF2C

RGB 111 175 44

HSL 89.31, 0.6%, 0.43%

LAB 65.14, -41.16, 56.79

 

CMYK 36 / 0 / 73 / 20

HEX #84CD37

RGB 132 205 55

HSL 89.2, 0.6%, 0.51%

LAB 75.35, -45.8, 63.37

 

CMYK 29 / 0 / 59 / 16

HEX #98D558

RGB 152 213 88

HSL 89.28, 0.6%, 0.59%

LAB 79.02, -39.62, 54.45

 

CMYK 22 / 0 / 45 / 13

HEX #ADDE79

RGB 173 222 121

HSL 89.11, 0.6%, 0.67%

LAB 83.18, -32.67, 44.3

 

CMYK 36 / 0 / 74 / 20

HEX #83CD35

RGB 131 205 53

HSL 89.21, 0.6%, 0.51%

LAB 75.29, -46.27, 63.97

 

CMYK 73 / 0 / 23 / 20

HEX #37CD9E

RGB 55 205 158

HSL 161.2, 0.6%, 0.51%

LAB 74.15, -49.76, 12.38

 

CMYK 0 / 73 / 6 / 20

HEX #CD37C1

RGB 205 55 193

HSL 304.8, 0.6%, 0.51%

LAB 51.34, 72.08, -40.55

 

CMYK 36 / 0 / 74 / 20

HEX #83CD35

RGB 131 205 53

HSL 89.21, 0.6%, 0.51%

LAB 75.29, -46.27, 63.97

 

CMYK 73 / 35 / 0 / 20

HEX #3785CD

RGB 55 133 205

HSL 208.8, 0.6%, 0.51%

LAB 54.02, 0.37, -44.05

 

CMYK 0 / 73 / 35 / 20

HEX #CD3785

RGB 205 55 133

HSL 328.8, 0.6%, 0.51%

LAB 48.77, 64.18, -9.03

 

CMYK 36 / 0 / 74 / 20

HEX #83CD35

RGB 131 205 53

HSL 89.21, 0.6%, 0.51%

LAB 75.29, -46.27, 63.97

 

CMYK 73 / 0 / 23 / 20

HEX #37CD9E

RGB 55 205 158

HSL 161.2, 0.6%, 0.51%

LAB 74.15, -49.76, 12.38

 

CMYK 38 / 73 / 0 / 20

HEX #8037CD

RGB 128 55 205

HSL 269.2, 0.6%, 0.51%

LAB 40.78, 58.89, -65.06

 

CMYK 0 / 73 / 50 / 20

HEX #CD3767

RGB 205 55 103

HSL 340.8, 0.6%, 0.51%

LAB 47.87, 61.28, 7.92

 

CMYK 36 / 0 / 74 / 20

HEX #83CD35

RGB 131 205 53

HSL 89.21, 0.6%, 0.51%

LAB 75.29, -46.27, 63.97

 

CMYK 73 / 0 / 1 / 20

HEX #37CDCB

RGB 55 205 203

HSL 179.2, 0.6%, 0.51%

LAB 75.32, -38.03, -10.19

 

CMYK 38 / 73 / 0 / 20

HEX #8037CD

RGB 128 55 205

HSL 269.2, 0.6%, 0.51%

LAB 40.78, 58.89, -65.06

 

CMYK 0 / 73 / 72 / 20

HEX #CD373A

RGB 205 55 58

HSL 358.8, 0.6%, 0.51%

LAB 47, 58.39, 33.99

 

Description

Color code: HEX #83CD35 | qconv.com Color code: HEX #83CD35 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 205 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 205 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 74 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 74% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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