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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83B104 it is the complementary color #7C4EFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83B104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83B104 shade: #88B100, #99C312, #AAD525, #BBE738 and #CCF94B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83B104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83B104 shade: #83B104, #729F00, #618D00, #507B00 and #3F6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83B104 shade: #81AF04, #AFAE04, #AF8004, #AF5204 and #AF2404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83B104 shade: #81AF04, #53AF04, #25AF04, #04AF10 and #04AF3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83B104 shade matches the following richer shades: #81AF04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83B104 shade: #81AF04, #7BA012, #749220, #6D842F and #66753D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83B104 shade: #AF7E04, #AFAC04, #84AF04, #56AF04 and #29AF04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83B104 shade: #465E02, #638603, #81AF04, #9FD704 and #BAFA0B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83B104 shade: #83B104, #04AF51 and #9504AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83B104 shade: #83B104, #0484AF and #AF0484

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83B104 shade: #83B104, #04AF51, #2E04AF and #AF0462

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83B104 shade: #83B104, #04AF84, #2E04AF and #AF042E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 98 / 31

HEX #83B104

RGB 131 177 4

HSL 75.95, 0.96%, 0.35%

LAB 66.73, -35.8, 67.41

 

Complementary color

CMYK 51 / 69 / 0 / 2

HEX #7C4EFB

RGB 124 78 251

HSL 255.95, 0.96%, 0.65%

LAB 47.88, 59.12, -79.62

 

CMYK 23 / 0 / 100 / 31

HEX #88B100

RGB 136 177 0

HSL 73.9, 1%, 0.35%

LAB 67.04, -33.85, 68.28

 

CMYK 22 / 0 / 91 / 24

HEX #99C312

RGB 153 195 18

HSL 74.24, 0.83%, 0.42%

LAB 73.45, -34.97, 71.53

 

CMYK 20 / 0 / 83 / 16

HEX #AAD525

RGB 170 213 37

HSL 74.66, 0.7%, 0.49%

LAB 79.77, -35.9, 73.5

 

CMYK 19 / 0 / 76 / 9

HEX #BBE738

RGB 187 231 56

HSL 75.09, 0.78%, 0.56%

LAB 86.01, -36.64, 74.35

 

CMYK 18 / 0 / 70 / 2

HEX #CCF94B

RGB 204 249 75

HSL 75.52, 0.94%, 0.64%

LAB 92.17, -37.24, 74.46

 

CMYK 26 / 0 / 98 / 31

HEX #83B104

RGB 131 177 4

HSL 75.95, 0.96%, 0.35%

LAB 66.73, -35.8, 67.41

 

CMYK 28 / 0 / 100 / 38

HEX #729F00

RGB 114 159 0

HSL 76.98, 1%, 0.31%

LAB 60.22, -34.48, 62.49

 

CMYK 31 / 0 / 100 / 45

HEX #618D00

RGB 97 141 0

HSL 78.72, 1%, 0.28%

LAB 53.59, -33.07, 56.97

 

CMYK 35 / 0 / 100 / 52

HEX #507B00

RGB 80 123 0

HSL 80.98, 1%, 0.24%

LAB 46.81, -31.63, 51.32

 

CMYK 40 / 0 / 100 / 59

HEX #3F6900

RGB 63 105 0

HSL 84, 1%, 0.21%

LAB 39.85, -30.14, 45.53

 

CMYK 26 / 0 / 98 / 31

HEX #81AF04

RGB 129 175 4

HSL 76.14, 0.96%, 0.35%

LAB 66.01, -35.69, 66.8

 

CMYK 0 / 1 / 98 / 31

HEX #AFAE04

RGB 175 174 4

HSL 59.65, 0.96%, 0.35%

LAB 69.04, -15.69, 70.56

 

CMYK 0 / 27 / 98 / 31

HEX #AF8004

RGB 175 128 4

HSL 43.51, 0.96%, 0.35%

LAB 56.65, 9.02, 61.56

 

CMYK 0 / 53 / 98 / 31

HEX #AF5204

RGB 175 82 4

HSL 27.37, 0.96%, 0.35%

LAB 45.85, 34.32, 54.32

 

CMYK 0 / 79 / 98 / 31

HEX #AF2404

RGB 175 36 4

HSL 11.23, 0.96%, 0.35%

LAB 38.52, 53.87, 50.09

 

CMYK 26 / 0 / 98 / 31

HEX #81AF04

RGB 129 175 4

HSL 76.14, 0.96%, 0.35%

LAB 66.01, -35.69, 66.8

 

CMYK 53 / 0 / 98 / 31

HEX #53AF04

RGB 83 175 4

HSL 92.28, 0.96%, 0.35%

LAB 63.76, -51.86, 64.07

 

CMYK 79 / 0 / 98 / 31

HEX #25AF04

RGB 37 175 4

HSL 108.42, 0.96%, 0.35%

LAB 62.56, -61.88, 62.6

 

CMYK 98 / 0 / 91 / 31

HEX #04AF10

RGB 4 175 16

HSL 124.21, 0.96%, 0.35%

LAB 62.27, -64.37, 60.56

 

CMYK 98 / 0 / 64 / 31

HEX #04AF3F

RGB 4 175 63

HSL 140.7, 0.96%, 0.35%

LAB 62.55, -60.89, 45.68

 

CMYK 26 / 0 / 98 / 31

HEX #81AF04

RGB 129 175 4

HSL 76.14, 0.96%, 0.35%

LAB 66.01, -35.69, 66.8

 

CMYK 26 / 0 / 98 / 31

HEX #81AF04

RGB 129 175 4

HSL 76.14, 0.96%, 0.35%

LAB 66.01, -35.69, 66.8

 

CMYK 23 / 0 / 89 / 37

HEX #7BA012

RGB 123 160 18

HSL 75.63, 0.8%, 0.35%

LAB 61.13, -30.91, 60.67

 

CMYK 21 / 0 / 78 / 43

HEX #749220

RGB 116 146 32

HSL 75.79, 0.64%, 0.35%

LAB 56.46, -26.58, 52.67

 

CMYK 17 / 0 / 64 / 48

HEX #6D842F

RGB 109 132 47

HSL 76.24, 0.47%, 0.35%

LAB 51.79, -21.57, 41.86

 

CMYK 13 / 0 / 48 / 54

HEX #66753D

RGB 102 117 61

HSL 76.07, 0.31%, 0.35%

LAB 46.82, -15.28, 28.92

 

CMYK 0 / 28 / 98 / 31

HEX #AF7E04

RGB 175 126 4

HSL 42.81, 0.96%, 0.35%

LAB 56.13, 10.13, 61.2

 

CMYK 0 / 2 / 98 / 31

HEX #AFAC04

RGB 175 172 4

HSL 58.95, 0.96%, 0.35%

LAB 68.48, -14.67, 70.14

 

CMYK 25 / 0 / 98 / 31

HEX #84AF04

RGB 132 175 4

HSL 75.09, 0.96%, 0.35%

LAB 66.19, -34.49, 67.02

 

CMYK 51 / 0 / 98 / 31

HEX #56AF04

RGB 86 175 4

HSL 91.23, 0.96%, 0.35%

LAB 63.87, -50.96, 64.21

 

CMYK 77 / 0 / 98 / 31

HEX #29AF04

RGB 41 175 4

HSL 107.02, 0.96%, 0.35%

LAB 62.63, -61.3, 62.68

 

CMYK 26 / 0 / 98 / 63

HEX #465E02

RGB 70 94 2

HSL 75.65, 0.96%, 0.19%

LAB 36.58, -21.75, 42.6

 

CMYK 26 / 0 / 98 / 47

HEX #638603

RGB 99 134 3

HSL 76.03, 0.96%, 0.27%

LAB 51.51, -28.9, 54.87

 

CMYK 26 / 0 / 98 / 31

HEX #81AF04

RGB 129 175 4

HSL 76.14, 0.96%, 0.35%

LAB 66.01, -35.69, 66.8

 

CMYK 26 / 0 / 98 / 16

HEX #9FD704

RGB 159 215 4

HSL 75.92, 0.96%, 0.43%

LAB 79.6, -41.74, 78.08

 

CMYK 26 / 0 / 96 / 2

HEX #BAFA0B

RGB 186 250 11

HSL 76.07, 0.96%, 0.51%

LAB 91.16, -46.51, 87.14

 

CMYK 26 / 0 / 98 / 31

HEX #83B104

RGB 131 177 4

HSL 75.95, 0.96%, 0.35%

LAB 66.73, -35.8, 67.41

 

CMYK 98 / 0 / 54 / 31

HEX #04AF51

RGB 4 175 81

HSL 147.02, 0.96%, 0.35%

LAB 62.74, -58.44, 37.45

 

CMYK 15 / 98 / 0 / 31

HEX #9504AF

RGB 149 4 175

HSL 290.88, 0.96%, 0.35%

LAB 37.06, 69.55, -53.34

 

CMYK 26 / 0 / 98 / 31

HEX #83B104

RGB 131 177 4

HSL 75.95, 0.96%, 0.35%

LAB 66.73, -35.8, 67.41

 

CMYK 98 / 25 / 0 / 31

HEX #0484AF

RGB 4 132 175

HSL 195.09, 0.96%, 0.35%

LAB 51.41, -14.25, -31.08

 

CMYK 0 / 98 / 25 / 31

HEX #AF0484

RGB 175 4 132

HSL 315.09, 0.96%, 0.35%

LAB 39.36, 67.87, -23.28

 

CMYK 26 / 0 / 98 / 31

HEX #83B104

RGB 131 177 4

HSL 75.95, 0.96%, 0.35%

LAB 66.73, -35.8, 67.41

 

CMYK 98 / 0 / 54 / 31

HEX #04AF51

RGB 4 175 81

HSL 147.02, 0.96%, 0.35%

LAB 62.74, -58.44, 37.45

 

CMYK 74 / 98 / 0 / 31

HEX #2E04AF

RGB 46 4 175

HSL 254.74, 0.96%, 0.35%

LAB 22.87, 59.57, -77.19

 

CMYK 0 / 98 / 44 / 31

HEX #AF0462

RGB 175 4 98

HSL 327.02, 0.96%, 0.35%

LAB 37.99, 64.32, -3.99

 

CMYK 26 / 0 / 98 / 31

HEX #83B104

RGB 131 177 4

HSL 75.95, 0.96%, 0.35%

LAB 66.73, -35.8, 67.41

 

CMYK 98 / 0 / 25 / 31

HEX #04AF84

RGB 4 175 132

HSL 164.91, 0.96%, 0.35%

LAB 63.63, -48.12, 11.58

 

CMYK 74 / 98 / 0 / 31

HEX #2E04AF

RGB 46 4 175

HSL 254.74, 0.96%, 0.35%

LAB 22.87, 59.57, -77.19

 

CMYK 0 / 98 / 74 / 31

HEX #AF042E

RGB 175 4 46

HSL 345.26, 0.96%, 0.35%

LAB 36.74, 60.95, 27.71

 

Description

Color code: HEX #83B104 | qconv.com Color code: HEX #83B104 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 177 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 177 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 98 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 98% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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