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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83B010 it is the complementary color #7C4FEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83B010. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83B010 shade: #88B00B, #99C21E, #AAD431, #BBE644 and #CCF857

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83B010. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83B010 shade: #83B010, #729E00, #618C00, #507A00 and #3F6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83B010 shade: #84B110, #AFB110, #B18810, #B15C10 and #B13110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83B010 shade: #84B110, #59B110, #2DB110, #10B11F and #10B14A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83B010 shade matches the following richer shades: #84B110 and #8BC101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83B010 shade: #84B110, #7DA220, #769230, #708240 and #69734F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83B010 shade: #B18610, #B1B110, #86B110, #5CB110 and #31B110

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83B010 shade: #4C6609, #688C0D, #84B110, #A0D714 and #B5EB29

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83B010 shade: #83B010, #10B15C and #9C10B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83B010 shade: #83B010, #1086B1 and #B11086

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83B010 shade: #83B010, #10B15C, #3B10B1 and #B11066

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83B010 shade: #83B010, #10B18C, #3B10B1 and #B11036

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 91 / 31

HEX #83B010

RGB 131 176 16

HSL 76.88, 0.83%, 0.38%

LAB 66.45, -35.13, 65.61

 

Complementary color

CMYK 48 / 67 / 0 / 6

HEX #7C4FEF

RGB 124 79 239

HSL 256.88, 0.83%, 0.62%

LAB 47.12, 55.36, -74.14

 

CMYK 23 / 0 / 94 / 31

HEX #88B00B

RGB 136 176 11

HSL 74.55, 0.88%, 0.37%

LAB 66.76, -33.22, 66.71

 

CMYK 21 / 0 / 85 / 24

HEX #99C21E

RGB 153 194 30

HSL 75, 0.73%, 0.44%

LAB 73.19, -34.21, 69.04

 

CMYK 20 / 0 / 77 / 17

HEX #AAD431

RGB 170 212 49

HSL 75.46, 0.65%, 0.51%

LAB 79.53, -34.98, 70.05

 

CMYK 19 / 0 / 70 / 10

HEX #BBE644

RGB 187 230 68

HSL 75.93, 0.76%, 0.58%

LAB 85.79, -35.59, 70.22

 

CMYK 18 / 0 / 65 / 3

HEX #CCF857

RGB 204 248 87

HSL 76.4, 0.92%, 0.66%

LAB 91.98, -36.06, 69.87

 

CMYK 26 / 0 / 91 / 31

HEX #83B010

RGB 131 176 16

HSL 76.88, 0.83%, 0.38%

LAB 66.45, -35.13, 65.61

 

CMYK 28 / 0 / 100 / 38

HEX #729E00

RGB 114 158 0

HSL 76.71, 1%, 0.31%

LAB 59.92, -34.02, 62.26

 

CMYK 31 / 0 / 100 / 45

HEX #618C00

RGB 97 140 0

HSL 78.43, 1%, 0.27%

LAB 53.27, -32.61, 56.73

 

CMYK 34 / 0 / 100 / 52

HEX #507A00

RGB 80 122 0

HSL 80.66, 1%, 0.24%

LAB 46.48, -31.17, 51.07

 

CMYK 39 / 0 / 100 / 59

HEX #3F6800

RGB 63 104 0

HSL 83.65, 1%, 0.2%

LAB 39.51, -29.68, 45.27

 

CMYK 25 / 0 / 91 / 31

HEX #84B110

RGB 132 177 16

HSL 76.77, 0.83%, 0.38%

LAB 66.81, -35.19, 65.93

 

CMYK 1 / 0 / 91 / 31

HEX #AFB110

RGB 175 177 16

HSL 60.75, 0.83%, 0.38%

LAB 69.89, -17.05, 69.68

 

CMYK 0 / 23 / 91 / 31

HEX #B18810

RGB 177 136 16

HSL 44.72, 0.83%, 0.38%

LAB 58.97, 5.67, 61.27

 

CMYK 0 / 48 / 91 / 31

HEX #B15C10

RGB 177 92 16

HSL 28.32, 0.83%, 0.38%

LAB 48.31, 30.04, 53.16

 

CMYK 0 / 72 / 91 / 31

HEX #B13110

RGB 177 49 16

HSL 12.3, 0.83%, 0.38%

LAB 40.54, 50.28, 47.43

 

CMYK 25 / 0 / 91 / 31

HEX #84B110

RGB 132 177 16

HSL 76.77, 0.83%, 0.38%

LAB 66.81, -35.19, 65.93

 

CMYK 50 / 0 / 91 / 31

HEX #59B110

RGB 89 177 16

HSL 92.8, 0.83%, 0.38%

LAB 64.65, -50.55, 63.26

 

CMYK 75 / 0 / 91 / 31

HEX #2DB110

RGB 45 177 16

HSL 109.19, 0.83%, 0.38%

LAB 63.38, -60.99, 61.67

 

CMYK 91 / 0 / 82 / 31

HEX #10B11F

RGB 16 177 31

HSL 125.59, 0.83%, 0.38%

LAB 63.06, -63.63, 57.92

 

CMYK 91 / 0 / 58 / 31

HEX #10B14A

RGB 16 177 74

HSL 141.61, 0.83%, 0.38%

LAB 63.38, -59.51, 41.62

 

CMYK 25 / 0 / 91 / 31

HEX #84B110

RGB 132 177 16

HSL 76.77, 0.83%, 0.38%

LAB 66.81, -35.19, 65.93

 

CMYK 28 / 0 / 99 / 24

HEX #8BC101

RGB 139 193 1

HSL 76.88, 0.99%, 0.38%

LAB 71.98, -39.85, 72.02

 

CMYK 25 / 0 / 91 / 31

HEX #84B110

RGB 132 177 16

HSL 76.77, 0.83%, 0.38%

LAB 66.81, -35.19, 65.93

 

CMYK 23 / 0 / 80 / 36

HEX #7DA220

RGB 125 162 32

HSL 77.08, 0.67%, 0.38%

LAB 61.92, -30.54, 57.91

 

CMYK 19 / 0 / 67 / 43

HEX #769230

RGB 118 146 48

HSL 77.14, 0.51%, 0.38%

LAB 56.71, -24.76, 46.85

 

CMYK 14 / 0 / 51 / 49

HEX #708240

RGB 112 130 64

HSL 76.36, 0.34%, 0.38%

LAB 51.59, -17.63, 33.3

 

CMYK 9 / 0 / 31 / 55

HEX #69734F

RGB 105 115 79

HSL 76.67, 0.19%, 0.38%

LAB 46.75, -10.45, 18.72

 

CMYK 0 / 24 / 91 / 31

HEX #B18610

RGB 177 134 16

HSL 43.98, 0.83%, 0.38%

LAB 58.45, 6.77, 60.87

 

CMYK 0 / 0 / 91 / 31

HEX #B1B110

RGB 177 177 16

HSL 60, 0.83%, 0.38%

LAB 70.06, -16.18, 69.88

 

CMYK 24 / 0 / 91 / 31

HEX #86B110

RGB 134 177 16

HSL 76.02, 0.83%, 0.38%

LAB 66.94, -34.39, 66.08

 

CMYK 48 / 0 / 91 / 31

HEX #5CB110

RGB 92 177 16

HSL 91.68, 0.83%, 0.38%

LAB 64.77, -49.62, 63.41

 

CMYK 72 / 0 / 91 / 31

HEX #31B110

RGB 49 177 16

HSL 107.7, 0.83%, 0.38%

LAB 63.45, -60.31, 61.77

 

CMYK 25 / 0 / 91 / 60

HEX #4C6609

RGB 76 102 9

HSL 76.77, 0.84%, 0.22%

LAB 39.68, -22.89, 43.38

 

CMYK 26 / 0 / 91 / 45

HEX #688C0D

RGB 104 140 13

HSL 77.01, 0.83%, 0.3%

LAB 53.74, -29.44, 55.02

 

CMYK 25 / 0 / 91 / 31

HEX #84B110

RGB 132 177 16

HSL 76.77, 0.83%, 0.38%

LAB 66.81, -35.19, 65.93

 

CMYK 26 / 0 / 91 / 16

HEX #A0D714

RGB 160 215 20

HSL 76.92, 0.83%, 0.46%

LAB 79.68, -41.13, 76.44

 

CMYK 23 / 0 / 83 / 8

HEX #B5EB29

RGB 181 235 41

HSL 76.7, 0.83%, 0.54%

LAB 86.7, -41.31, 78.84

 

CMYK 26 / 0 / 91 / 31

HEX #83B010

RGB 131 176 16

HSL 76.88, 0.83%, 0.38%

LAB 66.45, -35.13, 65.61

 

CMYK 91 / 0 / 48 / 31

HEX #10B15C

RGB 16 177 92

HSL 148.32, 0.83%, 0.38%

LAB 63.61, -56.73, 33.01

 

CMYK 12 / 91 / 0 / 31

HEX #9C10B1

RGB 156 16 177

HSL 292.17, 0.83%, 0.38%

LAB 38.92, 69.48, -51.46

 

CMYK 26 / 0 / 91 / 31

HEX #83B010

RGB 131 176 16

HSL 76.88, 0.83%, 0.38%

LAB 66.45, -35.13, 65.61

 

CMYK 91 / 24 / 0 / 31

HEX #1086B1

RGB 16 134 177

HSL 196.02, 0.83%, 0.38%

LAB 52.21, -14.12, -30.97

 

CMYK 0 / 91 / 24 / 31

HEX #B11086

RGB 177 16 134

HSL 316.02, 0.83%, 0.38%

LAB 40.31, 67.14, -23

 

CMYK 26 / 0 / 91 / 31

HEX #83B010

RGB 131 176 16

HSL 76.88, 0.83%, 0.38%

LAB 66.45, -35.13, 65.61

 

CMYK 91 / 0 / 48 / 31

HEX #10B15C

RGB 16 177 92

HSL 148.32, 0.83%, 0.38%

LAB 63.61, -56.73, 33.01

 

CMYK 67 / 91 / 0 / 31

HEX #3B10B1

RGB 59 16 177

HSL 256.02, 0.83%, 0.38%

LAB 25.18, 57.94, -74.51

 

CMYK 0 / 91 / 42 / 31

HEX #B11066

RGB 177 16 102

HSL 327.95, 0.83%, 0.38%

LAB 39.03, 63.7, -4.94

 

CMYK 26 / 0 / 91 / 31

HEX #83B010

RGB 131 176 16

HSL 76.88, 0.83%, 0.38%

LAB 66.45, -35.13, 65.61

 

CMYK 91 / 0 / 21 / 31

HEX #10B18C

RGB 16 177 140

HSL 166.21, 0.83%, 0.38%

LAB 64.52, -46.4, 8.43

 

CMYK 67 / 91 / 0 / 31

HEX #3B10B1

RGB 59 16 177

HSL 256.02, 0.83%, 0.38%

LAB 25.18, 57.94, -74.51

 

CMYK 0 / 91 / 69 / 31

HEX #B11036

RGB 177 16 54

HSL 345.84, 0.83%, 0.38%

LAB 37.81, 60.31, 24.06

 

Description

Color code: HEX #83B010 | qconv.com Color code: HEX #83B010 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 176 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 176 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 91 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 91% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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