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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83A829 it is the complementary color #7C57D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83A829. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83A829 shade: #88A824, #99BA37, #AACC4A, #BBDE5D and #CCF070

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83A829. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83A829 shade: #83A829, #729616, #618403, #507200 and #3F6000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83A829 shade: #83A828, #A5A828, #A88828, #A86628 and #A84328

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83A829 shade: #83A828, #60A828, #3EA828, #28A835 and #28A857

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83A829 shade matches the following richer shades: #83A828, #8AB917 and #91CA06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83A829 shade: #83A828, #7C9739, #75864A, #6D755B and #66646C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83A829 shade: #A88828, #A6A828, #84A828, #62A828 and #40A828

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83A829 shade: #4F6518, #698720, #83A828, #9DC930 and #ADD44F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83A829 shade: #83A829, #28A866 and #9928A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83A829 shade: #83A829, #2884A8 and #A82884

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83A829 shade: #83A829, #28A866, #4C28A8 and #A8286A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83A829 shade: #83A829, #28A88C, #4C28A8 and #A82844

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 76 / 34

HEX #83A829

RGB 131 168 41

HSL 77.48, 0.61%, 0.41%

LAB 64.15, -30.5, 57.27

 

Complementary color

CMYK 42 / 59 / 0 / 16

HEX #7C57D6

RGB 124 87 214

HSL 257.48, 0.61%, 0.59%

LAB 46.92, 44.21, -60.3

 

CMYK 19 / 0 / 79 / 34

HEX #88A824

RGB 136 168 36

HSL 74.55, 0.65%, 0.4%

LAB 64.46, -28.7, 59.29

 

CMYK 18 / 0 / 70 / 27

HEX #99BA37

RGB 153 186 55

HSL 75.11, 0.54%, 0.47%

LAB 70.99, -29.34, 59.44

 

CMYK 17 / 0 / 64 / 20

HEX #AACC4A

RGB 170 204 74

HSL 75.69, 0.56%, 0.55%

LAB 77.42, -29.82, 58.97

 

CMYK 16 / 0 / 58 / 13

HEX #BBDE5D

RGB 187 222 93

HSL 76.28, 0.66%, 0.62%

LAB 83.76, -30.18, 58.17

 

CMYK 15 / 0 / 53 / 6

HEX #CCF070

RGB 204 240 112

HSL 76.88, 0.81%, 0.69%

LAB 90.01, -30.46, 57.2

 

CMYK 22 / 0 / 76 / 34

HEX #83A829

RGB 131 168 41

HSL 77.48, 0.61%, 0.41%

LAB 64.15, -30.5, 57.27

 

CMYK 24 / 0 / 85 / 41

HEX #729616

RGB 114 150 22

HSL 76.88, 0.74%, 0.34%

LAB 57.51, -29.77, 56.47

 

CMYK 27 / 0 / 98 / 48

HEX #618403

RGB 97 132 3

HSL 76.28, 0.96%, 0.26%

LAB 50.75, -28.79, 54.22

 

CMYK 30 / 0 / 100 / 55

HEX #507200

RGB 80 114 0

HSL 77.89, 1%, 0.22%

LAB 43.86, -27.4, 49.06

 

CMYK 34 / 0 / 100 / 62

HEX #3F6000

RGB 63 96 0

HSL 80.63, 1%, 0.19%

LAB 36.79, -25.9, 43.17

 

CMYK 22 / 0 / 76 / 34

HEX #83A828

RGB 131 168 40

HSL 77.34, 0.62%, 0.41%

LAB 64.15, -30.56, 57.6

 

CMYK 2 / 0 / 76 / 34

HEX #A5A828

RGB 165 168 40

HSL 61.41, 0.62%, 0.41%

LAB 66.64, -16.14, 60.83

 

CMYK 0 / 19 / 76 / 34

HEX #A88828

RGB 168 136 40

HSL 45, 0.62%, 0.41%

LAB 58.12, 2.31, 52.94

 

CMYK 0 / 39 / 76 / 34

HEX #A86628

RGB 168 102 40

HSL 29.06, 0.62%, 0.41%

LAB 49.47, 21.41, 44.48

 

CMYK 0 / 60 / 76 / 34

HEX #A84328

RGB 168 67 40

HSL 12.66, 0.62%, 0.41%

LAB 41.99, 40.02, 36.74

 

CMYK 22 / 0 / 76 / 34

HEX #83A828

RGB 131 168 40

HSL 77.34, 0.62%, 0.41%

LAB 64.15, -30.56, 57.6

 

CMYK 43 / 0 / 76 / 34

HEX #60A828

RGB 96 168 40

HSL 93.75, 0.62%, 0.41%

LAB 62.21, -43.68, 55.06

 

CMYK 63 / 0 / 76 / 34

HEX #3EA828

RGB 62 168 40

HSL 109.69, 0.62%, 0.41%

LAB 60.94, -53.45, 53.4

 

CMYK 76 / 0 / 68 / 34

HEX #28A835

RGB 40 168 53

HSL 126.09, 0.62%, 0.41%

LAB 60.53, -56.57, 47.86

 

CMYK 76 / 0 / 48 / 34

HEX #28A857

RGB 40 168 87

HSL 142.03, 0.62%, 0.41%

LAB 60.91, -52.03, 32.22

 

CMYK 22 / 0 / 76 / 34

HEX #83A828

RGB 131 168 40

HSL 77.34, 0.62%, 0.41%

LAB 64.15, -30.56, 57.6

 

CMYK 25 / 0 / 88 / 27

HEX #8AB917

RGB 138 185 23

HSL 77.41, 0.78%, 0.41%

LAB 69.59, -36.27, 67.11

 

CMYK 28 / 0 / 97 / 21

HEX #91CA06

RGB 145 202 6

HSL 77.45, 0.94%, 0.41%

LAB 75, -41.41, 73.97

 

CMYK 22 / 0 / 76 / 34

HEX #83A828

RGB 131 168 40

HSL 77.34, 0.62%, 0.41%

LAB 64.15, -30.56, 57.6

 

CMYK 18 / 0 / 62 / 41

HEX #7C9739

RGB 124 151 57

HSL 77.23, 0.45%, 0.41%

LAB 58.71, -24.04, 45.16

 

CMYK 13 / 0 / 45 / 47

HEX #75864A

RGB 117 134 74

HSL 77, 0.29%, 0.41%

LAB 53.31, -16.48, 30.19

 

CMYK 7 / 0 / 22 / 54

HEX #6D755B

RGB 109 117 91

HSL 78.46, 0.13%, 0.41%

LAB 47.92, -7.99, 13.36

 

CMYK 6 / 7 / 0 / 58

HEX #66646C

RGB 102 100 108

HSL 255, 0.04%, 0.41%

LAB 42.8, 2.48, -4.23

 

CMYK 0 / 19 / 76 / 34

HEX #A88828

RGB 168 136 40

HSL 45, 0.62%, 0.41%

LAB 58.12, 2.31, 52.94

 

CMYK 1 / 0 / 76 / 34

HEX #A6A828

RGB 166 168 40

HSL 60.94, 0.62%, 0.41%

LAB 66.72, -15.71, 60.93

 

CMYK 21 / 0 / 76 / 34

HEX #84A828

RGB 132 168 40

HSL 76.88, 0.62%, 0.41%

LAB 64.21, -30.15, 57.69

 

CMYK 42 / 0 / 76 / 34

HEX #62A828

RGB 98 168 40

HSL 92.81, 0.62%, 0.41%

LAB 62.3, -43, 55.19

 

CMYK 62 / 0 / 76 / 34

HEX #40A828

RGB 64 168 40

HSL 108.75, 0.62%, 0.41%

LAB 61, -52.97, 53.47

 

CMYK 22 / 0 / 76 / 60

HEX #4F6518

RGB 79 101 24

HSL 77.14, 0.62%, 0.25%

LAB 39.64, -20.31, 38.56

 

CMYK 22 / 0 / 76 / 47

HEX #698720

RGB 105 135 32

HSL 77.48, 0.62%, 0.33%

LAB 52.33, -25.81, 48.48

 

CMYK 22 / 0 / 76 / 34

HEX #83A828

RGB 131 168 40

HSL 77.34, 0.62%, 0.41%

LAB 64.15, -30.56, 57.6

 

CMYK 22 / 0 / 76 / 21

HEX #9DC930

RGB 157 201 48

HSL 77.25, 0.61%, 0.49%

LAB 75.55, -35.11, 66.35

 

CMYK 18 / 0 / 63 / 17

HEX #ADD44F

RGB 173 212 79

HSL 77.59, 0.61%, 0.57%

LAB 79.92, -32.03, 59.65

 

CMYK 22 / 0 / 76 / 34

HEX #83A829

RGB 131 168 41

HSL 77.48, 0.61%, 0.41%

LAB 64.15, -30.5, 57.27

 

CMYK 76 / 0 / 39 / 34

HEX #28A866

RGB 40 168 102

HSL 149.06, 0.62%, 0.41%

LAB 61.15, -49.3, 24.61

 

CMYK 9 / 76 / 0 / 34

HEX #9928A8

RGB 153 40 168

HSL 292.97, 0.62%, 0.41%

LAB 39.78, 61.68, -44.75

 

CMYK 22 / 0 / 76 / 34

HEX #83A829

RGB 131 168 41

HSL 77.48, 0.61%, 0.41%

LAB 64.15, -30.5, 57.27

 

CMYK 76 / 21 / 0 / 34

HEX #2884A8

RGB 40 132 168

HSL 196.88, 0.62%, 0.41%

LAB 51.59, -14.14, -26.72

 

CMYK 0 / 76 / 21 / 34

HEX #A82884

RGB 168 40 132

HSL 316.88, 0.62%, 0.41%

LAB 40.42, 59.41, -21.73

 

CMYK 22 / 0 / 76 / 34

HEX #83A829

RGB 131 168 41

HSL 77.48, 0.61%, 0.41%

LAB 64.15, -30.5, 57.27

 

CMYK 76 / 0 / 39 / 34

HEX #28A866

RGB 40 168 102

HSL 149.06, 0.62%, 0.41%

LAB 61.15, -49.3, 24.61

 

CMYK 55 / 76 / 0 / 34

HEX #4C28A8

RGB 76 40 168

HSL 256.88, 0.62%, 0.41%

LAB 29.11, 47.79, -62.55

 

CMYK 0 / 76 / 37 / 34

HEX #A8286A

RGB 168 40 106

HSL 329.06, 0.62%, 0.41%

LAB 39.38, 56.22, -7.13

 

CMYK 22 / 0 / 76 / 34

HEX #83A829

RGB 131 168 41

HSL 77.48, 0.61%, 0.41%

LAB 64.15, -30.5, 57.27

 

CMYK 76 / 0 / 17 / 34

HEX #28A88C

RGB 40 168 140

HSL 166.88, 0.62%, 0.41%

LAB 61.95, -40.56, 4.79

 

CMYK 55 / 76 / 0 / 34

HEX #4C28A8

RGB 76 40 168

HSL 256.88, 0.62%, 0.41%

LAB 29.11, 47.79, -62.55

 

CMYK 0 / 76 / 60 / 34

HEX #A82844

RGB 168 40 68

HSL 346.88, 0.62%, 0.41%

LAB 38.3, 52.8, 15.45

 

Description

Color code: HEX #83A829 | qconv.com Color code: HEX #83A829 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 168 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 168 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 76 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 76% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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