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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #839CC9 it is the complementary color #7C6336. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #839CC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #839CC9 shade: #889CC4, #99AED7, #AAC0EA, #BBD2FD and #CCE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #839CC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #839CC9 shade: #839CC9, #728AB6, #6178A3, #506690 and #3F547D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #839CC9 shade: #839CC9, #8389C9, #9083C9, #A283C9 and #B583C9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #839CC9 shade: #839CC9, #8389C9 and #8383C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #839CC9 shade matches the following richer shades: #839CC9, #7598D7, #6694E5 and #588FF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #839CC9 shade: #839CC9, #91A0BA, #A0A4AC, #AEA89D and #BDAC8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #839CC9 shade: #83C2C9, #83AFC9, #839CC9, #838AC9 and #8F83C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #839CC9 shade: #4C6FAD, #6685BC, #839CC9, #A0B3D5 and #BCCAE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #839CC9 shade: #839CC9, #BD83C9 and #B8C983

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #839CC9 shade: #839CC9, #C9839C and #9CC983

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #839CC9 shade: #839CC9, #BD83C9, #C9AF83 and #8FC983

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #839CC9 shade: #839CC9, #C983BF, #C9AF83 and #83C98C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

Complementary color

CMYK 0 / 20 / 56 / 51

HEX #7C6336

RGB 124 99 54

HSL 38.57, 0.39%, 0.35%

LAB 43.47, 4.15, 29.13

 

CMYK 31 / 20 / 0 / 23

HEX #889CC4

RGB 136 156 196

HSL 220, 0.34%, 0.65%

LAB 64.16, 2.35, -22.9

 

CMYK 29 / 19 / 0 / 16

HEX #99AED7

RGB 153 174 215

HSL 219.68, 0.44%, 0.72%

LAB 70.84, 2.07, -23.1

 

CMYK 27 / 18 / 0 / 8

HEX #AAC0EA

RGB 170 192 234

HSL 219.38, 0.6%, 0.79%

LAB 77.39, 1.82, -23.33

 

CMYK 26 / 17 / 0 / 1

HEX #BBD2FD

RGB 187 210 253

HSL 219.09, 0.94%, 0.86%

LAB 83.84, 1.6, -23.57

 

CMYK 20 / 11 / 0 / 0

HEX #CCE4FF

RGB 204 228 255

HSL 211.76, 1%, 0.9%

LAB 89.65, -2.35, -15.73

 

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

CMYK 37 / 24 / 0 / 29

HEX #728AB6

RGB 114 138 182

HSL 218.82, 0.32%, 0.58%

LAB 57.2, 2.55, -25.81

 

CMYK 40 / 26 / 0 / 36

HEX #6178A3

RGB 97 120 163

HSL 219.09, 0.26%, 0.51%

LAB 50.24, 2.98, -25.72

 

CMYK 44 / 29 / 0 / 44

HEX #506690

RGB 80 102 144

HSL 219.38, 0.29%, 0.44%

LAB 43.1, 3.51, -25.67

 

CMYK 50 / 33 / 0 / 51

HEX #3F547D

RGB 63 84 125

HSL 219.68, 0.33%, 0.37%

LAB 35.75, 4.18, -25.68

 

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

CMYK 35 / 32 / 0 / 21

HEX #8389C9

RGB 131 137 201

HSL 234.86, 0.39%, 0.65%

LAB 58.91, 13.12, -33.83

 

CMYK 28 / 35 / 0 / 21

HEX #9083C9

RGB 144 131 201

HSL 251.14, 0.39%, 0.65%

LAB 58.4, 20.37, -34.56

 

CMYK 19 / 35 / 0 / 21

HEX #A283C9

RGB 162 131 201

HSL 266.57, 0.39%, 0.65%

LAB 60.01, 25.78, -31.93

 

CMYK 10 / 35 / 0 / 21

HEX #B583C9

RGB 181 131 201

HSL 282.86, 0.39%, 0.65%

LAB 61.89, 31.69, -28.87

 

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

CMYK 35 / 32 / 0 / 21

HEX #8389C9

RGB 131 137 201

HSL 234.86, 0.39%, 0.65%

LAB 58.91, 13.12, -33.83

 

CMYK 35 / 35 / 0 / 21

HEX #8383C9

RGB 131 131 201

HSL 240, 0.39%, 0.65%

LAB 57.34, 16.64, -36.29

 

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

CMYK 46 / 29 / 0 / 16

HEX #7598D7

RGB 117 152 215

HSL 218.57, 0.55%, 0.65%

LAB 62.63, 4.62, -35.95

 

CMYK 55 / 35 / 0 / 10

HEX #6694E5

RGB 102 148 229

HSL 218.27, 0.71%, 0.65%

LAB 61.36, 7.78, -45.77

 

CMYK 64 / 41 / 0 / 4

HEX #588FF4

RGB 88 143 244

HSL 218.85, 0.88%, 0.65%

LAB 60.12, 13.02, -56.08

 

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

CMYK 22 / 14 / 0 / 27

HEX #91A0BA

RGB 145 160 186

HSL 218.05, 0.23%, 0.65%

LAB 65.52, 0.44, -15.18

 

CMYK 7 / 5 / 0 / 33

HEX #A0A4AC

RGB 160 164 172

HSL 220, 0.07%, 0.65%

LAB 67.28, 0.17, -4.63

 

CMYK 0 / 3 / 10 / 32

HEX #AEA89D

RGB 174 168 157

HSL 38.82, 0.09%, 0.65%

LAB 69.07, 0.19, 6.44

 

CMYK 0 / 9 / 24 / 26

HEX #BDAC8F

RGB 189 172 143

HSL 37.83, 0.26%, 0.65%

LAB 71.08, 1.5, 17.16

 

CMYK 35 / 3 / 0 / 21

HEX #83C2C9

RGB 131 194 201

HSL 186, 0.39%, 0.65%

LAB 74.59, -18.3, -9.93

 

CMYK 35 / 13 / 0 / 21

HEX #83AFC9

RGB 131 175 201

HSL 202.29, 0.39%, 0.65%

LAB 69.26, -8.31, -17.94

 

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

CMYK 35 / 31 / 0 / 21

HEX #838AC9

RGB 131 138 201

HSL 234, 0.39%, 0.65%

LAB 59.18, 12.54, -33.42

 

CMYK 29 / 35 / 0 / 21

HEX #8F83C9

RGB 143 131 201

HSL 250.29, 0.39%, 0.65%

LAB 58.31, 20.08, -34.7

 

CMYK 56 / 36 / 0 / 32

HEX #4C6FAD

RGB 76 111 173

HSL 218.35, 0.39%, 0.49%

LAB 46.87, 6.26, -36.9

 

CMYK 46 / 29 / 0 / 26

HEX #6685BC

RGB 102 133 188

HSL 218.37, 0.39%, 0.57%

LAB 55.31, 3.96, -32.22

 

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

CMYK 25 / 16 / 0 / 16

HEX #A0B3D5

RGB 160 179 213

HSL 218.49, 0.39%, 0.73%

LAB 72.57, 0.94, -19.32

 

CMYK 17 / 11 / 0 / 11

HEX #BCCAE2

RGB 188 202 226

HSL 217.89, 0.4%, 0.81%

LAB 80.97, 0.14, -13.5

 

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

CMYK 6 / 35 / 0 / 21

HEX #BD83C9

RGB 189 131 201

HSL 289.71, 0.39%, 0.65%

LAB 62.73, 34.21, -27.49

 

CMYK 8 / 0 / 35 / 21

HEX #B8C983

RGB 184 201 131

HSL 74.57, 0.39%, 0.65%

LAB 78.23, -17.18, 33.11

 

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

CMYK 0 / 35 / 22 / 21

HEX #C9839C

RGB 201 131 156

HSL 338.57, 0.39%, 0.65%

LAB 62.55, 30.42, -2.13

 

CMYK 22 / 0 / 35 / 21

HEX #9CC983

RGB 156 201 131

HSL 98.57, 0.39%, 0.65%

LAB 76.36, -27.55, 30.31

 

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

CMYK 6 / 35 / 0 / 21

HEX #BD83C9

RGB 189 131 201

HSL 289.71, 0.39%, 0.65%

LAB 62.73, 34.21, -27.49

 

CMYK 0 / 13 / 35 / 21

HEX #C9AF83

RGB 201 175 131

HSL 37.71, 0.39%, 0.65%

LAB 72.7, 3.01, 26.04

 

CMYK 29 / 0 / 35 / 21

HEX #8FC983

RGB 143 201 131

HSL 109.71, 0.39%, 0.65%

LAB 75.61, -32.06, 29.17

 

CMYK 35 / 22 / 0 / 21

HEX #839CC9

RGB 131 156 201

HSL 218.57, 0.39%, 0.65%

LAB 64.01, 2.19, -25.94

 

CMYK 0 / 35 / 5 / 21

HEX #C983BF

RGB 201 131 191

HSL 308.57, 0.39%, 0.65%

LAB 63.68, 36.19, -20.29

 

CMYK 0 / 13 / 35 / 21

HEX #C9AF83

RGB 201 175 131

HSL 37.71, 0.39%, 0.65%

LAB 72.7, 3.01, 26.04

 

CMYK 35 / 0 / 30 / 21

HEX #83C98C

RGB 131 201 140

HSL 127.71, 0.39%, 0.65%

LAB 75.13, -34.5, 23.7

 

Description

Color code: HEX #839CC9 | qconv.com Color code: HEX #839CC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 156 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 156 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 22 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 22% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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