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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8395F44C it is the complementary color #7C6A0B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8395F44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8395F44C shade: #8895EF4C, #99A7FF4C, #AAB9FF4C, #BBCBFF4C and #CCDDFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8395F44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8395F44C shade: #8395F44C, #7283E14C, #6171CE4C, #505FBB4C and #3F4DA84C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8395F44C shade: #8597F4, #9185F4, #AF85F4, #CD85F4 and #EB85F4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8395F44C shade: #8597F4 and #8585F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8395F44C shade matches the following richer shades: #8597F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8395F44C shade: #8597F4, #909EEA, #9AA5DF, #A5ADD4 and #B0B4C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8395F44C shade: #85D3F4, #85B5F4, #8598F4, #9085F4 and #AE85F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8395F44C shade: #3956EE, #5F76F1, #8597F4, #ABB7F8 and #D1D8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8395F44C shade: #8395F4, #F485F1 and #C4F485

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8395F44C shade: #8395F4, #F48598 and #98F485

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8395F44C shade: #8395F4, #F485F1, #F4E285 and #85F489

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8395F44C shade: #8395F4, #F485CF, #F4E285 and #85F4AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 12 / 0 / 1

HEX #8395F44C

RGBA 131 149 244 0.3

HSLA 230.44, 0.84%, 0.74%, 0.3

LABA 64.04, 18.22, -49.7, 0.3

 

Complementary color

CMYK 0 / 4 / 27 / 15

HEX #7C6A0B4C

RGBA 124 106 11 0.3

HSLA 50.44, 0.84%, 0.26%, 0.3

LABA 45.11, -2.34, 49.08, 0.3

 

CMYK 13 / 11 / 0 / 2

HEX #8895EF4C

RGBA 136 149 239 0.3

HSLA 232.43, 0.76%, 0.74%, 0.3

LABA 64.13, 17.98, -46.79, 0.3

 

CMYK 12 / 10 / 0 / 0

HEX #99A7FF4C

RGBA 153 167 255 0.3

HSLA 231.76, 1%, 0.8%, 0.3

LABA 70.61, 16.37, -45.25, 0.3

 

CMYK 10 / 8 / 0 / 0

HEX #AAB9FF4C

RGBA 170 185 255 0.3

HSLA 229.41, 1%, 0.83%, 0.3

LABA 76.35, 10.8, -36.21, 0.3

 

CMYK 8 / 6 / 0 / 0

HEX #BBCBFF4C

RGBA 187 203 255 0.3

HSLA 225.88, 1%, 0.87%, 0.3

LABA 82.11, 5.8, -27.26, 0.3

 

CMYK 6 / 4 / 0 / 0

HEX #CCDDFF4C

RGBA 204 221 255 0.3

HSLA 220, 1%, 0.9%, 0.3

LABA 87.86, 1.29, -18.42, 0.3

 

CMYK 14 / 12 / 0 / 1

HEX #8395F44C

RGBA 131 149 244 0.3

HSLA 230.44, 0.84%, 0.74%, 0.3

LABA 64.04, 18.22, -49.7, 0.3

 

CMYK 15 / 13 / 0 / 4

HEX #7283E14C

RGBA 114 131 225 0.3

HSLA 230.81, 0.65%, 0.66%, 0.3

LABA 57.31, 19.22, -49.91, 0.3

 

CMYK 16 / 14 / 0 / 6

HEX #6171CE4C

RGBA 97 113 206 0.3

HSLA 231.19, 0.53%, 0.59%, 0.3

LABA 50.46, 20.41, -50.16, 0.3

 

CMYK 17 / 15 / 0 / 8

HEX #505FBB4C

RGBA 80 95 187 0.3

HSLA 231.59, 0.44%, 0.52%, 0.3

LABA 43.47, 21.83, -50.46, 0.3

 

CMYK 19 / 16 / 0 / 10

HEX #3F4DA84C

RGBA 63 77 168 0.3

HSLA 232, 0.45%, 0.45%, 0.3

LABA 36.35, 23.58, -50.8, 0.3

 

CMYK 45 / 38 / 0 / 4

HEX #8597F4

RGB 133 151 244

HSL 230.27, 0.83%, 0.74%

LAB 64.68, 17.53, -48.68

 

CMYK 41 / 45 / 0 / 4

HEX #9185F4

RGB 145 133 244

HSL 246.49, 0.83%, 0.74%

LAB 61.07, 30.88, -54.35

 

CMYK 28 / 45 / 0 / 4

HEX #AF85F4

RGB 175 133 244

HSL 262.7, 0.83%, 0.74%

LAB 63.69, 38.54, -50.03

 

CMYK 16 / 45 / 0 / 4

HEX #CD85F4

RGB 205 133 244

HSL 278.92, 0.83%, 0.74%

LAB 66.74, 46.71, -45.02

 

CMYK 4 / 45 / 0 / 4

HEX #EB85F4

RGB 235 133 244

HSL 295.14, 0.83%, 0.74%

LAB 70.15, 55.11, -39.42

 

CMYK 45 / 38 / 0 / 4

HEX #8597F4

RGB 133 151 244

HSL 230.27, 0.83%, 0.74%

LAB 64.68, 17.53, -48.68

 

CMYK 45 / 45 / 0 / 4

HEX #8585F4

RGB 133 133 244

HSL 240, 0.83%, 0.74%

LAB 60.15, 28.04, -55.87

 

CMYK 45 / 38 / 0 / 4

HEX #8597F4

RGB 133 151 244

HSL 230.27, 0.83%, 0.74%

LAB 64.68, 17.53, -48.68

 

CMYK 45 / 38 / 0 / 4

HEX #8597F4

RGB 133 151 244

HSL 230.27, 0.83%, 0.74%

LAB 64.68, 17.53, -48.68

 

CMYK 38 / 32 / 0 / 8

HEX #909EEA

RGB 144 158 234

HSL 230.67, 0.68%, 0.74%

LAB 66.77, 13.45, -39.87

 

CMYK 31 / 26 / 0 / 13

HEX #9AA5DF

RGB 154 165 223

HSL 230.43, 0.52%, 0.74%

LAB 68.83, 9.36, -30.57

 

CMYK 22 / 18 / 0 / 17

HEX #A5ADD4

RGB 165 173 212

HSL 229.79, 0.35%, 0.74%

LAB 71.31, 5.54, -20.66

 

CMYK 12 / 10 / 0 / 21

HEX #B0B4C9

RGB 176 180 201

HSL 230.4, 0.19%, 0.74%

LAB 73.6, 2.81, -11.1

 

CMYK 45 / 14 / 0 / 4

HEX #85D3F4

RGB 133 211 244

HSL 197.84, 0.83%, 0.74%

LAB 80.8, -15.51, -23.68

 

CMYK 45 / 26 / 0 / 4

HEX #85B5F4

RGB 133 181 244

HSL 214.05, 0.83%, 0.74%

LAB 72.61, 0.5, -36.27

 

CMYK 45 / 38 / 0 / 4

HEX #8598F4

RGB 133 152 244

HSL 229.73, 0.83%, 0.74%

LAB 64.94, 16.95, -48.27

 

CMYK 41 / 45 / 0 / 4

HEX #9085F4

RGB 144 133 244

HSL 245.95, 0.83%, 0.74%

LAB 60.99, 30.64, -54.48

 

CMYK 29 / 45 / 0 / 4

HEX #AE85F4

RGB 174 133 244

HSL 262.16, 0.83%, 0.74%

LAB 63.59, 38.28, -50.19

 

CMYK 76 / 64 / 0 / 7

HEX #3956EE

RGB 57 86 238

HSL 230.39, 0.84%, 0.58%

LAB 43.8, 41.85, -79.2

 

CMYK 61 / 51 / 0 / 5

HEX #5F76F1

RGB 95 118 241

HSL 230.55, 0.84%, 0.66%

LAB 53.75, 28.34, -64.61

 

CMYK 45 / 38 / 0 / 4

HEX #8597F4

RGB 133 151 244

HSL 230.27, 0.83%, 0.74%

LAB 64.68, 17.53, -48.68

 

CMYK 31 / 26 / 0 / 3

HEX #ABB7F8

RGB 171 183 248

HSL 230.65, 0.85%, 0.82%

LAB 75.64, 10.43, -33.55

 

CMYK 17 / 14 / 0 / 2

HEX #D1D8FB

RGB 209 216 251

HSL 230, 0.84%, 0.9%

LAB 86.82, 4.59, -17.85

 

CMYK 46 / 39 / 0 / 4

HEX #8395F4

RGB 131 149 244

HSL 230.44, 0.84%, 0.74%

LAB 64.04, 18.22, -49.7

 

CMYK 0 / 45 / 1 / 4

HEX #F485F1

RGB 244 133 241

HSL 301.62, 0.83%, 0.74%

LAB 71.12, 57.13, -36.2

 

CMYK 20 / 0 / 45 / 4

HEX #C4F485

RGB 196 244 133

HSL 85.95, 0.83%, 0.74%

LAB 90.84, -33.15, 48.33

 

CMYK 46 / 39 / 0 / 4

HEX #8395F4

RGB 131 149 244

HSL 230.44, 0.84%, 0.74%

LAB 64.04, 18.22, -49.7

 

CMYK 0 / 45 / 38 / 4

HEX #F48598

RGB 244 133 152

HSL 349.73, 0.83%, 0.74%

LAB 68.22, 44.23, 9.01

 

CMYK 38 / 0 / 45 / 4

HEX #98F485

RGB 152 244 133

HSL 109.73, 0.83%, 0.74%

LAB 88.48, -47.98, 44.88

 

CMYK 46 / 39 / 0 / 4

HEX #8395F4

RGB 131 149 244

HSL 230.44, 0.84%, 0.74%

LAB 64.04, 18.22, -49.7

 

CMYK 0 / 45 / 1 / 4

HEX #F485F1

RGB 244 133 241

HSL 301.62, 0.83%, 0.74%

LAB 71.12, 57.13, -36.2

 

CMYK 0 / 7 / 45 / 4

HEX #F4E285

RGB 244 226 133

HSL 50.27, 0.83%, 0.74%

LAB 89.54, -6.12, 47.48

 

CMYK 45 / 0 / 44 / 4

HEX #85F489

RGB 133 244 137

HSL 122.16, 0.83%, 0.74%

LAB 87.72, -53, 41.81

 

CMYK 46 / 39 / 0 / 4

HEX #8395F4

RGB 131 149 244

HSL 230.44, 0.84%, 0.74%

LAB 64.04, 18.22, -49.7

 

CMYK 0 / 45 / 15 / 4

HEX #F485CF

RGB 244 133 207

HSL 320, 0.83%, 0.74%

LAB 69.83, 51.57, -19.41

 

CMYK 0 / 7 / 45 / 4

HEX #F4E285

RGB 244 226 133

HSL 50.27, 0.83%, 0.74%

LAB 89.54, -6.12, 47.48

 

CMYK 45 / 0 / 30 / 4

HEX #85F4AA

RGB 133 244 170

HSL 140, 0.83%, 0.74%

LAB 88.25, -47.68, 26.02

 

Description

Color code: HEX #8395F44C | qconv.com Color code: HEX #8395F44C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 149 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 149 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 12 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 12% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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