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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8395D34C it is the complementary color #7C6A2C4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8395D34C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8395D34C shade: #8895CE4C, #99A7E14C, #AAB9F44C, #BBCBFF4C and #CCDDFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8395D34C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8395D34C shade: #8395D34C, #7283C04C, #6171AD4C, #505F9A4C and #3F4D874C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8395D34C shade: #8295D3, #8682D3, #9C82D3, #B282D3 and #C782D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8395D34C shade: #8295D3 and #8282D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8395D34C shade matches the following richer shades: #8295D3, #758DE1, #6786EE and #5A7EFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8395D34C shade: #8295D3, #909CC6, #9EA4B8, #ABABAA and #B9B39D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8395D34C shade: #82C0D3, #82ABD3, #8295D3, #8582D3 and #9B82D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8395D34C shade: #4560BE, #647BC9, #8295D3, #A1AFDE and #C0C9E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8395D34C shade: #8395D3, #D182D3 and #B6D382

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8395D34C shade: #8395D3, #D38295 and #95D382

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8395D34C shade: #8395D3, #D182D3, #D3C082 and #85D382

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8395D34C shade: #8395D3, #D382BE, #D3C082 and #82D398

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 9 / 0 / 5

HEX #8395D34C

RGBA 131 149 211 0.3

HSLA 226.5, 0.48%, 0.67%, 0.3

LABA 62.53, 8.87, -33.82, 0.3

 

Complementary color

CMYK 0 / 4 / 19 / 15

HEX #7C6A2C4C

RGBA 124 106 44 0.3

HSLA 46.5, 0.48%, 0.33%, 0.3

LABA 45.32, -0.77, 36.58, 0.3

 

CMYK 10 / 8 / 0 / 6

HEX #8895CE4C

RGBA 136 149 206 0.3

HSLA 228.86, 0.42%, 0.67%, 0.3

LABA 62.66, 8.92, -30.79, 0.3

 

CMYK 10 / 8 / 0 / 4

HEX #99A7E14C

RGBA 153 167 225 0.3

HSLA 228.33, 0.55%, 0.74%, 0.3

LABA 69.36, 8.46, -30.85, 0.3

 

CMYK 9 / 7 / 0 / 1

HEX #AAB9F44C

RGBA 170 185 244 0.3

HSLA 227.84, 0.77%, 0.81%, 0.3

LABA 75.93, 8.06, -30.95, 0.3

 

CMYK 8 / 6 / 0 / 0

HEX #BBCBFF4C

RGBA 187 203 255 0.3

HSLA 225.88, 1%, 0.87%, 0.3

LABA 82.11, 5.8, -27.26, 0.3

 

CMYK 6 / 4 / 0 / 0

HEX #CCDDFF4C

RGBA 204 221 255 0.3

HSLA 220, 1%, 0.9%, 0.3

LABA 87.86, 1.29, -18.42, 0.3

 

CMYK 11 / 9 / 0 / 5

HEX #8395D34C

RGBA 131 149 211 0.3

HSLA 226.5, 0.48%, 0.67%, 0.3

LABA 62.53, 8.87, -33.82, 0.3

 

CMYK 12 / 10 / 0 / 7

HEX #7283C04C

RGBA 114 131 192 0.3

HSLA 226.92, 0.38%, 0.6%, 0.3

LABA 55.7, 9.46, -33.84, 0.3

 

CMYK 13 / 10 / 0 / 10

HEX #6171AD4C

RGBA 97 113 173 0.3

HSLA 227.37, 0.32%, 0.53%, 0.3

LABA 48.72, 10.15, -33.91, 0.3

 

CMYK 14 / 11 / 0 / 12

HEX #505F9A4C

RGBA 80 95 154 0.3

HSLA 227.84, 0.32%, 0.46%, 0.3

LABA 41.57, 11.01, -34.04, 0.3

 

CMYK 16 / 13 / 0 / 14

HEX #3F4D874C

RGBA 63 77 135 0.3

HSLA 228.33, 0.36%, 0.39%, 0.3

LABA 34.22, 12.08, -34.24, 0.3

 

CMYK 38 / 29 / 0 / 17

HEX #8295D3

RGB 130 149 211

HSL 225.93, 0.48%, 0.67%

LAB 62.46, 8.6, -33.92

 

CMYK 36 / 38 / 0 / 17

HEX #8682D3

RGB 134 130 211

HSL 242.96, 0.48%, 0.67%

LAB 57.79, 20.76, -41.22

 

CMYK 26 / 38 / 0 / 17

HEX #9C82D3

RGB 156 130 211

HSL 259.26, 0.48%, 0.67%

LAB 59.65, 26.94, -38.16

 

CMYK 16 / 38 / 0 / 17

HEX #B282D3

RGB 178 130 211

HSL 275.56, 0.48%, 0.67%

LAB 61.77, 33.46, -34.69

 

CMYK 6 / 38 / 0 / 17

HEX #C782D3

RGB 199 130 211

HSL 291.11, 0.48%, 0.67%

LAB 64.01, 39.85, -31.04

 

CMYK 38 / 29 / 0 / 17

HEX #8295D3

RGB 130 149 211

HSL 225.93, 0.48%, 0.67%

LAB 62.46, 8.6, -33.92

 

CMYK 38 / 38 / 0 / 17

HEX #8282D3

RGB 130 130 211

HSL 240, 0.48%, 0.67%

LAB 57.48, 19.69, -41.72

 

CMYK 38 / 29 / 0 / 17

HEX #8295D3

RGB 130 149 211

HSL 225.93, 0.48%, 0.67%

LAB 62.46, 8.6, -33.92

 

CMYK 48 / 37 / 0 / 12

HEX #758DE1

RGB 117 141 225

HSL 226.67, 0.64%, 0.67%

LAB 60.13, 13.99, -45.44

 

CMYK 57 / 44 / 0 / 7

HEX #6786EE

RGB 103 134 238

HSL 226.22, 0.8%, 0.67%

LAB 58.14, 19.16, -55.87

 

CMYK 64 / 50 / 0 / 1

HEX #5A7EFC

RGB 90 126 252

HSL 226.67, 0.96%, 0.67%

LAB 56.21, 26.31, -66.75

 

CMYK 38 / 29 / 0 / 17

HEX #8295D3

RGB 130 149 211

HSL 225.93, 0.48%, 0.67%

LAB 62.46, 8.6, -33.92

 

CMYK 27 / 21 / 0 / 22

HEX #909CC6

RGB 144 156 198

HSL 226.67, 0.32%, 0.67%

LAB 64.79, 5.25, -23

 

CMYK 14 / 11 / 0 / 28

HEX #9EA4B8

RGB 158 164 184

HSL 226.15, 0.15%, 0.67%

LAB 67.49, 2, -11.02

 

CMYK 0 / 0 / 1 / 33

HEX #ABABAA

RGB 171 171 170

HSL 60, 0.01%, 0.67%

LAB 69.96, -0.18, 0.51

 

CMYK 0 / 3 / 15 / 27

HEX #B9B39D

RGB 185 179 157

HSL 47.14, 0.17%, 0.67%

LAB 72.88, -1.64, 12

 

CMYK 38 / 9 / 0 / 17

HEX #82C0D3

RGB 130 192 211

HSL 194.07, 0.48%, 0.67%

LAB 74.28, -15.05, -15.82

 

CMYK 38 / 19 / 0 / 17

HEX #82ABD3

RGB 130 171 211

HSL 209.63, 0.48%, 0.67%

LAB 68.44, -3.8, -24.69

 

CMYK 38 / 29 / 0 / 17

HEX #8295D3

RGB 130 149 211

HSL 225.93, 0.48%, 0.67%

LAB 62.46, 8.6, -33.92

 

CMYK 37 / 38 / 0 / 17

HEX #8582D3

RGB 133 130 211

HSL 242.22, 0.48%, 0.67%

LAB 57.71, 20.49, -41.34

 

CMYK 27 / 38 / 0 / 17

HEX #9B82D3

RGB 155 130 211

HSL 258.52, 0.48%, 0.67%

LAB 59.56, 26.65, -38.31

 

CMYK 64 / 49 / 0 / 25

HEX #4560BE

RGB 69 96 190

HSL 226.61, 0.48%, 0.51%

LAB 43.28, 20.15, -52.55

 

CMYK 50 / 39 / 0 / 21

HEX #647BC9

RGB 100 123 201

HSL 226.34, 0.48%, 0.59%

LAB 53.05, 13.41, -43.19

 

CMYK 38 / 29 / 0 / 17

HEX #8295D3

RGB 130 149 211

HSL 225.93, 0.48%, 0.67%

LAB 62.46, 8.6, -33.92

 

CMYK 27 / 21 / 0 / 13

HEX #A1AFDE

RGB 161 175 222

HSL 226.23, 0.48%, 0.75%

LAB 71.9, 5.59, -25.26

 

CMYK 18 / 14 / 0 / 9

HEX #C0C9E9

RGB 192 201 233

HSL 226.83, 0.48%, 0.83%

LAB 81.22, 3.43, -16.85

 

CMYK 38 / 29 / 0 / 17

HEX #8395D3

RGB 131 149 211

HSL 226.5, 0.48%, 0.67%

LAB 62.53, 8.87, -33.82

 

CMYK 1 / 38 / 0 / 17

HEX #D182D3

RGB 209 130 211

HSL 298.52, 0.48%, 0.67%

LAB 65.14, 42.92, -29.2

 

CMYK 14 / 0 / 38 / 17

HEX #B6D382

RGB 182 211 130

HSL 81.48, 0.48%, 0.67%

LAB 80.82, -23.02, 36.95

 

CMYK 38 / 29 / 0 / 17

HEX #8395D3

RGB 131 149 211

HSL 226.5, 0.48%, 0.67%

LAB 62.53, 8.87, -33.82

 

CMYK 0 / 38 / 29 / 17

HEX #D38295

RGB 211 130 149

HSL 345.93, 0.48%, 0.67%

LAB 63.33, 33.6, 3.14

 

CMYK 29 / 0 / 38 / 17

HEX #95D382

RGB 149 211 130

HSL 105.93, 0.48%, 0.67%

LAB 78.8, -34.83, 33.95

 

CMYK 38 / 29 / 0 / 17

HEX #8395D3

RGB 131 149 211

HSL 226.5, 0.48%, 0.67%

LAB 62.53, 8.87, -33.82

 

CMYK 1 / 38 / 0 / 17

HEX #D182D3

RGB 209 130 211

HSL 298.52, 0.48%, 0.67%

LAB 65.14, 42.92, -29.2

 

CMYK 0 / 9 / 38 / 17

HEX #D3C082

RGB 211 192 130

HSL 45.93, 0.48%, 0.67%

LAB 77.97, -2.11, 33.7

 

CMYK 37 / 0 / 38 / 17

HEX #85D382

RGB 133 211 130

HSL 117.78, 0.48%, 0.67%

LAB 77.99, -40.04, 32.72

 

CMYK 38 / 29 / 0 / 17

HEX #8395D3

RGB 131 149 211

HSL 226.5, 0.48%, 0.67%

LAB 62.53, 8.87, -33.82

 

CMYK 0 / 38 / 10 / 17

HEX #D382BE

RGB 211 130 190

HSL 315.56, 0.48%, 0.67%

LAB 64.59, 39.83, -18.24

 

CMYK 0 / 9 / 38 / 17

HEX #D3C082

RGB 211 192 130

HSL 45.93, 0.48%, 0.67%

LAB 77.97, -2.11, 33.7

 

CMYK 38 / 0 / 28 / 17

HEX #82D398

RGB 130 211 152

HSL 136.3, 0.48%, 0.67%

LAB 78.23, -37.27, 21.6

 

Description

Color code: HEX #8395D34C | qconv.com Color code: HEX #8395D34C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 149 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 149 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 9 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 9% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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