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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #839422 it is the complementary color #7C6BDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #839422. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #839422 shade: #88941D, #99A630, #AAB843, #BBCA56 and #CCDC69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #839422. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #839422 shade: #839422, #72820F, #617000, #505E00 and #3F4C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #839422 shade: #849622, #968822, #966922, #964922 and #962A22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #839422 shade: #849622, #659622, #469622, #279622 and #22963C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #839422 shade matches the following richer shades: #849622, #8FA413 and #99B304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #839422 shade: #849622, #7A8731, #707840, #65694F and #5B5A5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #839422 shade: #966722, #968622, #869622, #679622 and #499622

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #839422 shade: #495213, #67741A, #849622, #A2B72A and #BBD238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #839422 shade: #839422, #229649 and #772296

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #839422 shade: #839422, #228696 and #962286

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #839422 shade: #839422, #229649, #312296 and #96226F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #839422 shade: #839422, #22966B, #312296 and #96224C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 77 / 42

HEX #839422

RGB 131 148 34

HSL 68.95, 0.63%, 0.36%

LAB 58.15, -21.04, 53.97

 

Complementary color

CMYK 44 / 52 / 0 / 13

HEX #7C6BDD

RGB 124 107 221

HSL 248.95, 0.63%, 0.64%

LAB 51.86, 34.64, -56.32

 

CMYK 8 / 0 / 80 / 42

HEX #88941D

RGB 136 148 29

HSL 66.05, 0.67%, 0.35%

LAB 58.51, -19.07, 56.03

 

CMYK 8 / 0 / 71 / 35

HEX #99A630

RGB 153 166 48

HSL 66.61, 0.55%, 0.42%

LAB 65.17, -19.93, 56.28

 

CMYK 8 / 0 / 64 / 28

HEX #AAB843

RGB 170 184 67

HSL 67.18, 0.47%, 0.49%

LAB 71.71, -20.61, 55.81

 

CMYK 7 / 0 / 57 / 21

HEX #BBCA56

RGB 187 202 86

HSL 67.76, 0.52%, 0.56%

LAB 78.16, -21.14, 54.97

 

CMYK 7 / 0 / 52 / 14

HEX #CCDC69

RGB 204 220 105

HSL 68.35, 0.62%, 0.64%

LAB 84.51, -21.56, 53.96

 

CMYK 11 / 0 / 77 / 42

HEX #839422

RGB 131 148 34

HSL 68.95, 0.63%, 0.36%

LAB 58.15, -21.04, 53.97

 

CMYK 12 / 0 / 88 / 49

HEX #72820F

RGB 114 130 15

HSL 68.35, 0.79%, 0.28%

LAB 51.36, -20.08, 52.91

 

CMYK 13 / 0 / 100 / 56

HEX #617000

RGB 97 112 0

HSL 68.04, 1%, 0.22%

LAB 44.42, -18.82, 50.01

 

CMYK 15 / 0 / 100 / 63

HEX #505E00

RGB 80 94 0

HSL 68.94, 1%, 0.18%

LAB 37.32, -17.18, 44.1

 

CMYK 17 / 0 / 100 / 70

HEX #3F4C00

RGB 63 76 0

HSL 70.26, 1%, 0.15%

LAB 29.97, -15.5, 37.99

 

CMYK 12 / 0 / 77 / 41

HEX #849622

RGB 132 150 34

HSL 69.31, 0.63%, 0.36%

LAB 58.82, -21.62, 54.62

 

CMYK 0 / 9 / 77 / 41

HEX #968822

RGB 150 136 34

HSL 52.76, 0.63%, 0.36%

LAB 56.3, -6.16, 52.82

 

CMYK 0 / 30 / 77 / 41

HEX #966922

RGB 150 105 34

HSL 36.72, 0.63%, 0.36%

LAB 47.88, 11.34, 44.83

 

CMYK 0 / 51 / 77 / 41

HEX #964922

RGB 150 73 34

HSL 20.17, 0.63%, 0.36%

LAB 40.19, 29.5, 37.13

 

CMYK 0 / 72 / 77 / 41

HEX #962A22

RGB 150 42 34

HSL 4.14, 0.63%, 0.36%

LAB 34.51, 44.41, 31.13

 

CMYK 12 / 0 / 77 / 41

HEX #849622

RGB 132 150 34

HSL 69.31, 0.63%, 0.36%

LAB 58.82, -21.62, 54.62

 

CMYK 33 / 0 / 77 / 41

HEX #659622

RGB 101 150 34

HSL 85.34, 0.63%, 0.36%

LAB 56.78, -34.42, 51.96

 

CMYK 53 / 0 / 77 / 41

HEX #469622

RGB 70 150 34

HSL 101.38, 0.63%, 0.36%

LAB 55.31, -45.07, 50.04

 

CMYK 74 / 0 / 77 / 41

HEX #279622

RGB 39 150 34

HSL 117.41, 0.63%, 0.36%

LAB 54.41, -52.42, 48.85

 

CMYK 77 / 0 / 60 / 41

HEX #22963C

RGB 34 150 60

HSL 133.45, 0.63%, 0.36%

LAB 54.53, -50.55, 37.97

 

CMYK 12 / 0 / 77 / 41

HEX #849622

RGB 132 150 34

HSL 69.31, 0.63%, 0.36%

LAB 58.82, -21.62, 54.62

 

CMYK 13 / 0 / 88 / 36

HEX #8FA413

RGB 143 164 19

HSL 68.69, 0.79%, 0.36%

LAB 63.7, -24.39, 63.16

 

CMYK 15 / 0 / 98 / 30

HEX #99B304

RGB 153 179 4

HSL 68.91, 0.96%, 0.36%

LAB 68.77, -27.69, 69.61

 

CMYK 12 / 0 / 77 / 41

HEX #849622

RGB 132 150 34

HSL 69.31, 0.63%, 0.36%

LAB 58.82, -21.62, 54.62

 

CMYK 10 / 0 / 64 / 47

HEX #7A8731

RGB 122 135 49

HSL 69.07, 0.47%, 0.36%

LAB 53.69, -17.35, 43.29

 

CMYK 7 / 0 / 47 / 53

HEX #707840

RGB 112 120 64

HSL 68.57, 0.3%, 0.36%

LAB 48.57, -12.24, 29.62

 

CMYK 4 / 0 / 25 / 59

HEX #65694F

RGB 101 105 79

HSL 69.23, 0.14%, 0.36%

LAB 43.41, -6.44, 14.14

 

CMYK 2 / 3 / 0 / 64

HEX #5B5A5D

RGB 91 90 93

HSL 260, 0.02%, 0.36%

LAB 38.42, 1.04, -1.59

 

CMYK 0 / 31 / 77 / 41

HEX #966722

RGB 150 103 34

HSL 35.69, 0.63%, 0.36%

LAB 47.37, 12.49, 44.32

 

CMYK 0 / 11 / 77 / 41

HEX #968622

RGB 150 134 34

HSL 51.72, 0.63%, 0.36%

LAB 55.74, -5.07, 52.3

 

CMYK 11 / 0 / 77 / 41

HEX #869622

RGB 134 150 34

HSL 68.28, 0.63%, 0.36%

LAB 58.97, -20.75, 54.81

 

CMYK 31 / 0 / 77 / 41

HEX #679622

RGB 103 150 34

HSL 84.31, 0.63%, 0.36%

LAB 56.89, -33.65, 52.11

 

CMYK 51 / 0 / 77 / 41

HEX #499622

RGB 73 150 34

HSL 99.83, 0.63%, 0.36%

LAB 55.43, -44.17, 50.19

 

CMYK 11 / 0 / 77 / 68

HEX #495213

RGB 73 82 19

HSL 68.57, 0.62%, 0.2%

LAB 32.91, -13.06, 33.83

 

CMYK 11 / 0 / 78 / 55

HEX #67741A

RGB 103 116 26

HSL 68.67, 0.63%, 0.28%

LAB 46.24, -17.28, 44.8

 

CMYK 12 / 0 / 77 / 41

HEX #849622

RGB 132 150 34

HSL 69.31, 0.63%, 0.36%

LAB 58.82, -21.62, 54.62

 

CMYK 11 / 0 / 77 / 28

HEX #A2B72A

RGB 162 183 42

HSL 68.94, 0.63%, 0.44%

LAB 70.67, -24.85, 63.82

 

CMYK 11 / 0 / 73 / 18

HEX #BBD238

RGB 187 210 56

HSL 68.96, 0.63%, 0.52%

LAB 80.15, -26.9, 68.83

 

CMYK 11 / 0 / 77 / 42

HEX #839422

RGB 131 148 34

HSL 68.95, 0.63%, 0.36%

LAB 58.15, -21.04, 53.97

 

CMYK 77 / 0 / 51 / 41

HEX #229649

RGB 34 150 73

HSL 140.17, 0.63%, 0.36%

LAB 54.69, -48.63, 31.65

 

CMYK 21 / 77 / 0 / 41

HEX #772296

RGB 119 34 150

HSL 283.97, 0.63%, 0.36%

LAB 32.41, 53.4, -46

 

CMYK 11 / 0 / 77 / 42

HEX #839422

RGB 131 148 34

HSL 68.95, 0.63%, 0.36%

LAB 58.15, -21.04, 53.97

 

CMYK 77 / 11 / 0 / 41

HEX #228696

RGB 34 134 150

HSL 188.28, 0.63%, 0.36%

LAB 51.37, -22.08, -16.62

 

CMYK 0 / 77 / 11 / 41

HEX #962286

RGB 150 34 134

HSL 308.28, 0.63%, 0.36%

LAB 36.65, 57.26, -29.09

 

CMYK 11 / 0 / 77 / 42

HEX #839422

RGB 131 148 34

HSL 68.95, 0.63%, 0.36%

LAB 58.15, -21.04, 53.97

 

CMYK 77 / 0 / 51 / 41

HEX #229649

RGB 34 150 73

HSL 140.17, 0.63%, 0.36%

LAB 54.69, -48.63, 31.65

 

CMYK 67 / 77 / 0 / 41

HEX #312296

RGB 49 34 150

HSL 247.76, 0.63%, 0.36%

LAB 23.67, 41.97, -60.64

 

CMYK 0 / 77 / 26 / 41

HEX #96226F

RGB 150 34 111

HSL 320.17, 0.63%, 0.36%

LAB 35.55, 53.99, -16.42

 

CMYK 11 / 0 / 77 / 42

HEX #839422

RGB 131 148 34

HSL 68.95, 0.63%, 0.36%

LAB 58.15, -21.04, 53.97

 

CMYK 77 / 0 / 29 / 41

HEX #22966B

RGB 34 150 107

HSL 157.76, 0.63%, 0.36%

LAB 55.29, -41.86, 13.89

 

CMYK 67 / 77 / 0 / 41

HEX #312296

RGB 49 34 150

HSL 247.76, 0.63%, 0.36%

LAB 23.67, 41.97, -60.64

 

CMYK 0 / 77 / 49 / 41

HEX #96224C

RGB 150 34 76

HSL 338.28, 0.63%, 0.36%

LAB 34.29, 50.1, 4.19

 

Description

Color code: HEX #839422 | qconv.com Color code: HEX #839422 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 148 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 148 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 77 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 77% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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