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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8390EDCE it is the complementary color #7C6F12CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8390EDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8390EDCE shade: #8890E8CE, #99A2FBCE, #AAB4FFCE, #BBC6FFCE and #CCD8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8390EDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8390EDCE shade: #8390EDCE, #727EDACE, #616CC7CE, #505AB4CE and #3F48A1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8390EDCE shade: #828FED, #9282ED, #AF82ED, #CC82ED and #E882ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8390EDCE shade: #828FED and #8282ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8390EDCE shade matches the following richer shades: #828FED and #7686F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8390EDCE shade: #828FED, #8E98E2, #99A1D6, #A5A9CA and #B0B2BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8390EDCE shade: #82C9ED, #82ADED, #8290ED, #9082ED and #AD82ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8390EDCE shade: #3A4FE3, #5E6FE8, #828FED, #A6AFF2 and #CAD0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8390EDCE shade: #8390ED, #ED82E6 and #BBED82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8390EDCE shade: #8390ED, #ED8290 and #90ED82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8390EDCE shade: #8390ED, #ED82E6, #EDDF82 and #82ED89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8390EDCE shade: #8390ED, #ED82C6, #EDDF82 and #82EDA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 32 / 0 / 6

HEX #8390EDCE

RGBA 131 144 237 0.81

HSLA 232.64, 0.75%, 0.72%, 0.81

LABA 62.41, 19.1, -48.42, 0.81

 

Complementary color

CMYK 0 / 8 / 69 / 42

HEX #7C6F12CE

RGBA 124 111 18 0.81

HSLA 52.64, 0.75%, 0.28%, 0.81

LABA 46.58, -5, 48.45, 0.81

 

CMYK 34 / 31 / 0 / 7

HEX #8890E8CE

RGBA 136 144 232 0.81

HSLA 235, 0.68%, 0.72%, 0.81

LABA 62.51, 18.91, -45.48, 0.81

 

CMYK 32 / 29 / 0 / 1

HEX #99A2FBCE

RGBA 153 162 251 0.81

HSLA 234.49, 0.92%, 0.79%, 0.81

LABA 69.17, 18.13, -45.35, 0.81

 

CMYK 27 / 24 / 0 / 0

HEX #AAB4FFCE

RGBA 170 180 255 0.81

HSLA 232.94, 1%, 0.83%, 0.81

LABA 75.08, 13.57, -38.19, 0.81

 

CMYK 22 / 18 / 0 / 0

HEX #BBC6FFCE

RGBA 187 198 255 0.81

HSLA 230.29, 1%, 0.87%, 0.81

LABA 80.83, 8.5, -29.21, 0.81

 

CMYK 16 / 12 / 0 / 0

HEX #CCD8FFCE

RGBA 204 216 255 0.81

HSLA 225.88, 1%, 0.9%, 0.81

LABA 86.59, 3.92, -20.34, 0.81

 

CMYK 36 / 32 / 0 / 6

HEX #8390EDCE

RGBA 131 144 237 0.81

HSLA 232.64, 0.75%, 0.72%, 0.81

LABA 62.41, 19.1, -48.42, 0.81

 

CMYK 39 / 34 / 0 / 12

HEX #727EDACE

RGBA 114 126 218 0.81

HSLA 233.08, 0.58%, 0.65%, 0.81

LABA 55.65, 20.09, -48.63, 0.81

 

CMYK 42 / 37 / 0 / 18

HEX #616CC7CE

RGBA 97 108 199 0.81

HSLA 233.53, 0.48%, 0.58%, 0.81

LABA 48.75, 21.26, -48.9, 0.81

 

CMYK 45 / 41 / 0 / 24

HEX #505AB4CE

RGBA 80 90 180 0.81

HSLA 234, 0.4%, 0.51%, 0.81

LABA 41.71, 22.67, -49.21, 0.81

 

CMYK 49 / 45 / 0 / 30

HEX #3F48A1CE

RGBA 63 72 161 0.81

HSLA 234.49, 0.44%, 0.44%, 0.81

LABA 34.53, 24.38, -49.55, 0.81

 

CMYK 45 / 40 / 0 / 7

HEX #828FED

RGB 130 143 237

HSL 232.71, 0.75%, 0.72%

LAB 62.09, 19.44, -48.94

 

CMYK 38 / 45 / 0 / 7

HEX #9282ED

RGB 146 130 237

HSL 248.97, 0.75%, 0.72%

LAB 60.06, 30.95, -52.08

 

CMYK 26 / 45 / 0 / 7

HEX #AF82ED

RGB 175 130 237

HSL 265.23, 0.75%, 0.72%

LAB 62.67, 38.53, -47.78

 

CMYK 14 / 45 / 0 / 7

HEX #CC82ED

RGB 204 130 237

HSL 281.5, 0.75%, 0.72%

LAB 65.68, 46.56, -42.83

 

CMYK 2 / 45 / 0 / 7

HEX #E882ED

RGB 232 130 237

HSL 297.2, 0.75%, 0.72%

LAB 68.92, 54.49, -37.53

 

CMYK 45 / 40 / 0 / 7

HEX #828FED

RGB 130 143 237

HSL 232.71, 0.75%, 0.72%

LAB 62.09, 19.44, -48.94

 

CMYK 45 / 45 / 0 / 7

HEX #8282ED

RGB 130 130 237

HSL 240, 0.75%, 0.72%

LAB 58.81, 27.08, -54.14

 

CMYK 45 / 40 / 0 / 7

HEX #828FED

RGB 130 143 237

HSL 232.71, 0.75%, 0.72%

LAB 62.09, 19.44, -48.94

 

CMYK 53 / 46 / 0 / 2

HEX #7686F9

RGB 118 134 249

HSL 232.67, 0.92%, 0.72%

LAB 59.65, 25.66, -59.48

 

CMYK 45 / 40 / 0 / 7

HEX #828FED

RGB 130 143 237

HSL 232.71, 0.75%, 0.72%

LAB 62.09, 19.44, -48.94

 

CMYK 37 / 33 / 0 / 11

HEX #8E98E2

RGB 142 152 226

HSL 232.86, 0.59%, 0.72%

LAB 64.72, 14.19, -38.66

 

CMYK 29 / 25 / 0 / 16

HEX #99A1D6

RGB 153 161 214

HSL 232.13, 0.43%, 0.72%

LAB 67.36, 9.07, -27.87

 

CMYK 18 / 16 / 0 / 21

HEX #A5A9CA

RGB 165 169 202

HSL 233.51, 0.26%, 0.72%

LAB 69.92, 5.48, -17.27

 

CMYK 8 / 7 / 0 / 25

HEX #B0B2BF

RGB 176 178 191

HSL 232, 0.1%, 0.72%

LAB 72.78, 1.84, -6.85

 

CMYK 45 / 15 / 0 / 7

HEX #82C9ED

RGB 130 201 237

HSL 200.19, 0.75%, 0.72%

LAB 77.66, -12.91, -24.74

 

CMYK 45 / 27 / 0 / 7

HEX #82ADED

RGB 130 173 237

HSL 215.89, 0.75%, 0.72%

LAB 70, 2.24, -36.53

 

CMYK 45 / 39 / 0 / 7

HEX #8290ED

RGB 130 144 237

HSL 232.15, 0.75%, 0.72%

LAB 62.34, 18.86, -48.54

 

CMYK 39 / 45 / 0 / 7

HEX #9082ED

RGB 144 130 237

HSL 247.85, 0.75%, 0.72%

LAB 59.9, 30.45, -52.35

 

CMYK 27 / 45 / 0 / 7

HEX #AD82ED

RGB 173 130 237

HSL 264.11, 0.75%, 0.72%

LAB 62.48, 37.99, -48.1

 

CMYK 74 / 65 / 0 / 11

HEX #3A4FE3

RGB 58 79 227

HSL 232.54, 0.75%, 0.56%

LAB 41.28, 42.4, -77.11

 

CMYK 59 / 52 / 0 / 9

HEX #5E6FE8

RGB 94 111 232

HSL 232.61, 0.75%, 0.64%

LAB 51.35, 29.47, -63.45

 

CMYK 45 / 40 / 0 / 7

HEX #828FED

RGB 130 143 237

HSL 232.71, 0.75%, 0.72%

LAB 62.09, 19.44, -48.94

 

CMYK 31 / 28 / 0 / 5

HEX #A6AFF2

RGB 166 175 242

HSL 232.89, 0.75%, 0.8%

LAB 73.01, 11.96, -34.4

 

CMYK 18 / 16 / 0 / 3

HEX #CAD0F7

RGB 202 208 247

HSL 232, 0.74%, 0.88%

LAB 84.17, 5.82, -19.79

 

CMYK 45 / 39 / 0 / 7

HEX #8390ED

RGB 131 144 237

HSL 232.64, 0.75%, 0.72%

LAB 62.41, 19.1, -48.42

 

CMYK 0 / 45 / 3 / 7

HEX #ED82E6

RGB 237 130 230

HSL 303.93, 0.75%, 0.72%

LAB 69.24, 54.69, -33.13

 

CMYK 21 / 0 / 45 / 7

HEX #BBED82

RGB 187 237 130

HSL 88.04, 0.75%, 0.72%

LAB 88.33, -33.51, 46.53

 

CMYK 45 / 39 / 0 / 7

HEX #8390ED

RGB 131 144 237

HSL 232.64, 0.75%, 0.72%

LAB 62.41, 19.1, -48.42

 

CMYK 0 / 45 / 39 / 7

HEX #ED8290

RGB 237 130 144

HSL 352.15, 0.75%, 0.72%

LAB 66.51, 42.38, 10.96

 

CMYK 39 / 0 / 45 / 7

HEX #90ED82

RGB 144 237 130

HSL 112.15, 0.75%, 0.72%

LAB 86.06, -47.88, 43.2

 

CMYK 45 / 39 / 0 / 7

HEX #8390ED

RGB 131 144 237

HSL 232.64, 0.75%, 0.72%

LAB 62.41, 19.1, -48.42

 

CMYK 0 / 45 / 3 / 7

HEX #ED82E6

RGB 237 130 230

HSL 303.93, 0.75%, 0.72%

LAB 69.24, 54.69, -33.13

 

CMYK 0 / 6 / 45 / 7

HEX #EDDF82

RGB 237 223 130

HSL 52.15, 0.75%, 0.72%

LAB 88.16, -7.66, 47.1

 

CMYK 45 / 0 / 42 / 7

HEX #82ED89

RGB 130 237 137

HSL 123.93, 0.75%, 0.72%

LAB 85.56, -50.97, 39.02

 

CMYK 45 / 39 / 0 / 7

HEX #8390ED

RGB 131 144 237

HSL 232.64, 0.75%, 0.72%

LAB 62.41, 19.1, -48.42

 

CMYK 0 / 45 / 16 / 7

HEX #ED82C6

RGB 237 130 198

HSL 321.87, 0.75%, 0.72%

LAB 68.06, 49.5, -17.18

 

CMYK 0 / 6 / 45 / 7

HEX #EDDF82

RGB 237 223 130

HSL 52.15, 0.75%, 0.72%

LAB 88.16, -7.66, 47.1

 

CMYK 45 / 0 / 29 / 7

HEX #82EDA9

RGB 130 237 169

HSL 141.87, 0.75%, 0.72%

LAB 86.1, -45.66, 23.56

 

Description

Color code: HEX #8390EDCE | qconv.com Color code: HEX #8390EDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 144 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 144 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 32 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 32% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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