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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #838DCB it is the complementary color #7C7234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #838DCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #838DCB shade: #888DC6, #999FD9, #AAB1EC, #BBC3FF and #CCD5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #838DCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #838DCB shade: #838DCB, #727BB8, #6169A5, #505792 and #3F457F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #838DCB shade: #818BCA, #8B81CA, #9E81CA, #B281CA and #C681CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #838DCB shade: #818BCA and #8181CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #838DCB shade matches the following richer shades: #818BCA, #7381D9, #6476E7 and #566CF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #838DCB shade: #818BCA, #9096BC, #9EA0AD, #ACAB9F and #BBB591

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #838DCB shade: #81B3CA, #81A0CA, #818CCA, #8A81CA and #9D81CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #838DCB shade: #4958B0, #6471BE, #818BCA, #9EA6D7 and #BBC1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #838DCB shade: #838DCB, #CA81C7 and #A9CA81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #838DCB shade: #838DCB, #CA818C and #8CCA81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #838DCB shade: #838DCB, #CA81C7, #CABF81 and #81CA85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #838DCB shade: #838DCB, #CA81B1, #CABF81 and #81CA9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 31 / 0 / 20

HEX #838DCB

RGB 131 141 203

HSL 231.67, 0.41%, 0.65%

LAB 60.06, 11.33, -33.18

 

Complementary color

CMYK 0 / 8 / 58 / 51

HEX #7C7234

RGB 124 114 52

HSL 51.67, 0.41%, 0.35%

LAB 47.71, -4.72, 35.21

 

CMYK 31 / 29 / 0 / 22

HEX #888DC6

RGB 136 141 198

HSL 235.16, 0.35%, 0.65%

LAB 60.21, 11.44, -30.09

 

CMYK 29 / 27 / 0 / 15

HEX #999FD9

RGB 153 159 217

HSL 234.38, 0.46%, 0.73%

LAB 66.96, 10.95, -30.15

 

CMYK 28 / 25 / 0 / 7

HEX #AAB1EC

RGB 170 177 236

HSL 233.64, 0.63%, 0.8%

LAB 73.58, 10.52, -30.25

 

CMYK 27 / 24 / 0 / 0

HEX #BBC3FF

RGB 187 195 255

HSL 232.94, 1%, 0.87%

LAB 80.08, 10.12, -30.37

 

CMYK 20 / 16 / 0 / 0

HEX #CCD5FF

RGB 204 213 255

HSL 229.41, 1%, 0.9%

LAB 85.83, 5.51, -21.49

 

CMYK 35 / 31 / 0 / 20

HEX #838DCB

RGB 131 141 203

HSL 231.67, 0.41%, 0.65%

LAB 60.06, 11.33, -33.18

 

CMYK 38 / 33 / 0 / 28

HEX #727BB8

RGB 114 123 184

HSL 232.29, 0.33%, 0.58%

LAB 53.17, 11.94, -33.21

 

CMYK 41 / 36 / 0 / 35

HEX #6169A5

RGB 97 105 165

HSL 232.94, 0.27%, 0.51%

LAB 46.12, 12.67, -33.3

 

CMYK 45 / 40 / 0 / 43

HEX #505792

RGB 80 87 146

HSL 233.64, 0.29%, 0.44%

LAB 38.89, 13.56, -33.46

 

CMYK 50 / 46 / 0 / 50

HEX #3F457F

RGB 63 69 127

HSL 234.38, 0.34%, 0.37%

LAB 31.45, 14.67, -33.7

 

CMYK 36 / 31 / 0 / 21

HEX #818BCA

RGB 129 139 202

HSL 231.78, 0.41%, 0.65%

LAB 59.34, 11.66, -33.74

 

CMYK 31 / 36 / 0 / 21

HEX #8B81CA

RGB 139 129 202

HSL 248.22, 0.41%, 0.65%

LAB 57.51, 20.34, -36.54

 

CMYK 22 / 36 / 0 / 21

HEX #9E81CA

RGB 158 129 202

HSL 263.84, 0.41%, 0.65%

LAB 59.19, 25.94, -33.8

 

CMYK 12 / 36 / 0 / 21

HEX #B281CA

RGB 178 129 202

HSL 280.27, 0.41%, 0.65%

LAB 61.16, 32.08, -30.58

 

CMYK 2 / 36 / 0 / 21

HEX #C681CA

RGB 198 129 202

HSL 296.71, 0.41%, 0.65%

LAB 63.32, 38.34, -27.07

 

CMYK 36 / 31 / 0 / 21

HEX #818BCA

RGB 129 139 202

HSL 231.78, 0.41%, 0.65%

LAB 59.34, 11.66, -33.74

 

CMYK 36 / 36 / 0 / 21

HEX #8181CA

RGB 129 129 202

HSL 240, 0.41%, 0.65%

LAB 56.72, 17.53, -37.85

 

CMYK 36 / 31 / 0 / 21

HEX #818BCA

RGB 129 139 202

HSL 231.78, 0.41%, 0.65%

LAB 59.34, 11.66, -33.74

 

CMYK 47 / 41 / 0 / 15

HEX #7381D9

RGB 115 129 217

HSL 231.76, 0.57%, 0.65%

LAB 56.44, 18.23, -46.81

 

CMYK 57 / 49 / 0 / 9

HEX #6476E7

RGB 100 118 231

HSL 231.76, 0.73%, 0.65%

LAB 53.42, 25.99, -59.53

 

CMYK 65 / 56 / 0 / 4

HEX #566CF6

RGB 86 108 246

HSL 231.75, 0.9%, 0.65%

LAB 51.1, 34.65, -71.7

 

CMYK 36 / 31 / 0 / 21

HEX #818BCA

RGB 129 139 202

HSL 231.78, 0.41%, 0.65%

LAB 59.34, 11.66, -33.74

 

CMYK 23 / 20 / 0 / 26

HEX #9096BC

RGB 144 150 188

HSL 231.82, 0.25%, 0.65%

LAB 62.82, 6.21, -20.41

 

CMYK 9 / 8 / 0 / 32

HEX #9EA0AD

RGB 158 160 173

HSL 232, 0.08%, 0.65%

LAB 66.08, 1.88, -6.98

 

CMYK 0 / 1 / 8 / 33

HEX #ACAB9F

RGB 172 171 159

HSL 55.38, 0.07%, 0.65%

LAB 69.75, -1.82, 6.3

 

CMYK 0 / 3 / 22 / 27

HEX #BBB591

RGB 187 181 145

HSL 51.43, 0.24%, 0.65%

LAB 73.32, -3.78, 19.15

 

CMYK 36 / 11 / 0 / 21

HEX #81B3CA

RGB 129 179 202

HSL 198.9, 0.41%, 0.65%

LAB 70.3, -10.76, -16.93

 

CMYK 36 / 21 / 0 / 21

HEX #81A0CA

RGB 129 160 202

HSL 214.52, 0.41%, 0.65%

LAB 65.02, -0.36, -24.96

 

CMYK 36 / 31 / 0 / 21

HEX #818CCA

RGB 129 140 202

HSL 230.96, 0.41%, 0.65%

LAB 59.61, 11.08, -33.33

 

CMYK 32 / 36 / 0 / 21

HEX #8A81CA

RGB 138 129 202

HSL 247.4, 0.41%, 0.65%

LAB 57.43, 20.06, -36.67

 

CMYK 22 / 36 / 0 / 21

HEX #9D81CA

RGB 157 129 202

HSL 263.01, 0.41%, 0.65%

LAB 59.1, 25.64, -33.95

 

CMYK 59 / 50 / 0 / 31

HEX #4958B0

RGB 73 88 176

HSL 231.26, 0.41%, 0.49%

LAB 40.46, 21.16, -48.89

 

CMYK 47 / 41 / 0 / 25

HEX #6471BE

RGB 100 113 190

HSL 231.33, 0.41%, 0.57%

LAB 49.78, 16.09, -42.06

 

CMYK 36 / 31 / 0 / 21

HEX #818BCA

RGB 129 139 202

HSL 231.78, 0.41%, 0.65%

LAB 59.34, 11.66, -33.74

 

CMYK 27 / 23 / 0 / 16

HEX #9EA6D7

RGB 158 166 215

HSL 231.58, 0.42%, 0.73%

LAB 69.07, 8, -25.77

 

CMYK 18 / 15 / 0 / 11

HEX #BBC1E3

RGB 187 193 227

HSL 231, 0.42%, 0.81%

LAB 78.61, 4.86, -17.6

 

CMYK 35 / 31 / 0 / 20

HEX #838DCB

RGB 131 141 203

HSL 231.67, 0.41%, 0.65%

LAB 60.06, 11.33, -33.18

 

CMYK 0 / 36 / 1 / 21

HEX #CA81C7

RGB 202 129 199

HSL 302.47, 0.41%, 0.65%

LAB 63.66, 39.05, -24.83

 

CMYK 16 / 0 / 36 / 21

HEX #A9CA81

RGB 169 202 129

HSL 87.12, 0.41%, 0.65%

LAB 77.44, -23.59, 32.91

 

CMYK 35 / 31 / 0 / 20

HEX #838DCB

RGB 131 141 203

HSL 231.67, 0.41%, 0.65%

LAB 60.06, 11.33, -33.18

 

CMYK 0 / 36 / 31 / 21

HEX #CA818C

RGB 202 129 140

HSL 350.96, 0.41%, 0.65%

LAB 61.78, 29.61, 5.9

 

CMYK 31 / 0 / 36 / 21

HEX #8CCA81

RGB 140 202 129

HSL 110.96, 0.41%, 0.65%

LAB 75.7, -33.84, 30.3

 

CMYK 35 / 31 / 0 / 20

HEX #838DCB

RGB 131 141 203

HSL 231.67, 0.41%, 0.65%

LAB 60.06, 11.33, -33.18

 

CMYK 0 / 36 / 1 / 21

HEX #CA81C7

RGB 202 129 199

HSL 302.47, 0.41%, 0.65%

LAB 63.66, 39.05, -24.83

 

CMYK 0 / 5 / 36 / 21

HEX #CABF81

RGB 202 191 129

HSL 50.96, 0.41%, 0.65%

LAB 76.92, -5.28, 32.7

 

CMYK 36 / 0 / 34 / 21

HEX #81CA85

RGB 129 202 133

HSL 123.29, 0.41%, 0.65%

LAB 75.2, -36.77, 27.46

 

CMYK 35 / 31 / 0 / 20

HEX #838DCB

RGB 131 141 203

HSL 231.67, 0.41%, 0.65%

LAB 60.06, 11.33, -33.18

 

CMYK 0 / 36 / 12 / 21

HEX #CA81B1

RGB 202 129 177

HSL 320.55, 0.41%, 0.65%

LAB 62.87, 35.18, -13.59

 

CMYK 0 / 5 / 36 / 21

HEX #CABF81

RGB 202 191 129

HSL 50.96, 0.41%, 0.65%

LAB 76.92, -5.28, 32.7

 

CMYK 36 / 0 / 23 / 21

HEX #81CA9B

RGB 129 202 155

HSL 141.37, 0.41%, 0.65%

LAB 75.62, -32.86, 16.4

 

Description

Color code: HEX #838DCB | qconv.com Color code: HEX #838DCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 141 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 141 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 31 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 31% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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