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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #838CBE it is the complementary color #7C7341. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #838CBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #838CBE shade: #888CB9, #999ECC, #AAB0DF, #BBC2F2 and #CCD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #838CBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #838CBE shade: #838CBE, #727AAB, #616898, #505685 and #3F4472

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #838CBE shade: #838CBE, #8A83BE, #9A83BE, #AA83BE and #BA83BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #838CBE shade: #838CBE and #8383BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #838CBE shade matches the following richer shades: #838CBE, #7482CD, #6577DC, #566CEC and #4662FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #838CBE shade: #838CBE, #9397AF, #A2A29F, #B1AC90 and #C0B781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #838CBE shade: #83ACBE, #839DBE, #838DBE, #8983BE and #9983BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #838CBE shade: #525E9C, #6873B0, #838CBE, #9EA5CC and #B9BEDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #838CBE shade: #838CBE, #BE83BC and #A5BE83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #838CBE shade: #838CBE, #BE838D and #8DBE83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #838CBE shade: #838CBE, #BE83BC, #BEB483 and #83BE85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #838CBE shade: #838CBE, #BE83AA, #BEB483 and #83BE97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 26 / 0 / 25

HEX #838CBE

RGB 131 140 190

HSL 230.85, 0.31%, 0.63%

LAB 59.25, 8.47, -27.1

 

Complementary color

CMYK 0 / 7 / 48 / 51

HEX #7C7341

RGB 124 115 65

HSL 50.85, 0.31%, 0.37%

LAB 48.17, -4.03, 28.81

 

CMYK 26 / 24 / 0 / 27

HEX #888CB9

RGB 136 140 185

HSL 235.1, 0.26%, 0.63%

LAB 59.43, 8.71, -23.96

 

CMYK 25 / 23 / 0 / 20

HEX #999ECC

RGB 153 158 204

HSL 234.12, 0.33%, 0.7%

LAB 66.2, 8.32, -24.12

 

CMYK 24 / 21 / 0 / 13

HEX #AAB0DF

RGB 170 176 223

HSL 233.21, 0.45%, 0.77%

LAB 72.84, 7.97, -24.3

 

CMYK 23 / 20 / 0 / 5

HEX #BBC2F2

RGB 187 194 242

HSL 232.36, 0.68%, 0.84%

LAB 79.36, 7.65, -24.51

 

CMYK 20 / 17 / 0 / 0

HEX #CCD4FF

RGB 204 212 255

HSL 230.59, 1%, 0.9%

LAB 85.58, 6.04, -21.87

 

CMYK 31 / 26 / 0 / 25

HEX #838CBE

RGB 131 140 190

HSL 230.85, 0.31%, 0.63%

LAB 59.25, 8.47, -27.1

 

CMYK 33 / 29 / 0 / 33

HEX #727AAB

RGB 114 122 171

HSL 231.58, 0.25%, 0.56%

LAB 52.33, 8.95, -27.03

 

CMYK 36 / 32 / 0 / 40

HEX #616898

RGB 97 104 152

HSL 232.36, 0.22%, 0.49%

LAB 45.23, 9.51, -27.02

 

CMYK 40 / 35 / 0 / 48

HEX #505685

RGB 80 86 133

HSL 233.21, 0.25%, 0.42%

LAB 37.94, 10.2, -27.07

 

CMYK 45 / 40 / 0 / 55

HEX #3F4472

RGB 63 68 114

HSL 234.12, 0.29%, 0.35%

LAB 30.41, 11.05, -27.2

 

CMYK 31 / 26 / 0 / 25

HEX #838CBE

RGB 131 140 190

HSL 230.85, 0.31%, 0.63%

LAB 59.25, 8.47, -27.1

 

CMYK 27 / 31 / 0 / 25

HEX #8A83BE

RGB 138 131 190

HSL 247.12, 0.31%, 0.63%

LAB 57.42, 15.81, -29.89

 

CMYK 19 / 31 / 0 / 25

HEX #9A83BE

RGB 154 131 190

HSL 263.39, 0.31%, 0.63%

LAB 58.81, 20.75, -27.62

 

CMYK 11 / 31 / 0 / 25

HEX #AA83BE

RGB 170 131 190

HSL 279.66, 0.31%, 0.63%

LAB 60.33, 25.87, -25.14

 

CMYK 2 / 31 / 0 / 25

HEX #BA83BE

RGB 186 131 190

HSL 295.93, 0.31%, 0.63%

LAB 61.99, 31.08, -22.46

 

CMYK 31 / 26 / 0 / 25

HEX #838CBE

RGB 131 140 190

HSL 230.85, 0.31%, 0.63%

LAB 59.25, 8.47, -27.1

 

CMYK 31 / 31 / 0 / 25

HEX #8383BE

RGB 131 131 190

HSL 240, 0.31%, 0.63%

LAB 56.86, 13.72, -30.8

 

CMYK 31 / 26 / 0 / 25

HEX #838CBE

RGB 131 140 190

HSL 230.85, 0.31%, 0.63%

LAB 59.25, 8.47, -27.1

 

CMYK 43 / 37 / 0 / 20

HEX #7482CD

RGB 116 130 205

HSL 230.56, 0.47%, 0.63%

LAB 56.17, 14.33, -40.46

 

CMYK 54 / 46 / 0 / 14

HEX #6577DC

RGB 101 119 220

HSL 230.92, 0.63%, 0.63%

LAB 53.09, 22.06, -53.89

 

CMYK 64 / 54 / 0 / 7

HEX #566CEC

RGB 86 108 236

HSL 231.2, 0.8%, 0.63%

LAB 50.4, 31.29, -67.25

 

CMYK 72 / 61 / 0 / 2

HEX #4662FB

RGB 70 98 251

HSL 230.72, 0.96%, 0.63%

LAB 48.26, 40.37, -79.14

 

CMYK 31 / 26 / 0 / 25

HEX #838CBE

RGB 131 140 190

HSL 230.85, 0.31%, 0.63%

LAB 59.25, 8.47, -27.1

 

CMYK 16 / 14 / 0 / 31

HEX #9397AF

RGB 147 151 175

HSL 231.43, 0.15%, 0.63%

LAB 62.87, 3.61, -12.99

 

CMYK 0 / 0 / 2 / 36

HEX #A2A29F

RGB 162 162 159

HSL 60, 0.02%, 0.63%

LAB 66.54, -0.56, 1.55

 

CMYK 0 / 3 / 19 / 31

HEX #B1AC90

RGB 177 172 144

HSL 50.91, 0.17%, 0.63%

LAB 70.08, -2.96, 15.07

 

CMYK 0 / 5 / 33 / 25

HEX #C0B781

RGB 192 183 129

HSL 51.43, 0.33%, 0.63%

LAB 73.97, -5.06, 28.66

 

CMYK 31 / 9 / 0 / 25

HEX #83ACBE

RGB 131 172 190

HSL 198.31, 0.31%, 0.63%

LAB 68.06, -9.45, -13.68

 

CMYK 31 / 17 / 0 / 25

HEX #839DBE

RGB 131 157 190

HSL 213.56, 0.31%, 0.63%

LAB 63.88, -1.22, -19.99

 

CMYK 31 / 26 / 0 / 25

HEX #838DBE

RGB 131 141 190

HSL 229.83, 0.31%, 0.63%

LAB 59.52, 7.89, -26.68

 

CMYK 28 / 31 / 0 / 25

HEX #8983BE

RGB 137 131 190

HSL 246.1, 0.31%, 0.63%

LAB 57.34, 15.5, -30.02

 

CMYK 19 / 31 / 0 / 25

HEX #9983BE

RGB 153 131 190

HSL 262.37, 0.31%, 0.63%

LAB 58.72, 20.44, -27.77

 

CMYK 47 / 40 / 0 / 39

HEX #525E9C

RGB 82 94 156

HSL 230.27, 0.31%, 0.47%

LAB 41.53, 12.79, -35.28

 

CMYK 41 / 35 / 0 / 31

HEX #6873B0

RGB 104 115 176

HSL 230.83, 0.31%, 0.55%

LAB 49.9, 11.71, -33.76

 

CMYK 31 / 26 / 0 / 25

HEX #838CBE

RGB 131 140 190

HSL 230.85, 0.31%, 0.63%

LAB 59.25, 8.47, -27.1

 

CMYK 23 / 19 / 0 / 20

HEX #9EA5CC

RGB 158 165 204

HSL 230.87, 0.31%, 0.71%

LAB 68.42, 5.94, -20.7

 

CMYK 15 / 13 / 0 / 15

HEX #B9BEDA

RGB 185 190 218

HSL 230.91, 0.31%, 0.79%

LAB 77.4, 3.91, -14.58

 

CMYK 31 / 26 / 0 / 25

HEX #838CBE

RGB 131 140 190

HSL 230.85, 0.31%, 0.63%

LAB 59.25, 8.47, -27.1

 

CMYK 0 / 31 / 1 / 25

HEX #BE83BC

RGB 190 131 188

HSL 302.03, 0.31%, 0.63%

LAB 62.35, 32.02, -20.74

 

CMYK 13 / 0 / 31 / 25

HEX #A5BE83

RGB 165 190 131

HSL 85.42, 0.31%, 0.63%

LAB 73.85, -18.84, 27.07

 

CMYK 31 / 26 / 0 / 25

HEX #838CBE

RGB 131 140 190

HSL 230.85, 0.31%, 0.63%

LAB 59.25, 8.47, -27.1

 

CMYK 0 / 31 / 26 / 25

HEX #BE838D

RGB 190 131 141

HSL 349.83, 0.31%, 0.63%

LAB 60.87, 24.14, 3.83

 

CMYK 26 / 0 / 31 / 25

HEX #8DBE83

RGB 141 190 131

HSL 109.83, 0.31%, 0.63%

LAB 72.31, -27.5, 24.74

 

CMYK 31 / 26 / 0 / 25

HEX #838CBE

RGB 131 140 190

HSL 230.85, 0.31%, 0.63%

LAB 59.25, 8.47, -27.1

 

CMYK 0 / 31 / 1 / 25

HEX #BE83BC

RGB 190 131 188

HSL 302.03, 0.31%, 0.63%

LAB 62.35, 32.02, -20.74

 

CMYK 0 / 5 / 31 / 25

HEX #BEB483

RGB 190 180 131

HSL 49.83, 0.31%, 0.63%

LAB 73.04, -4.01, 26.33

 

CMYK 31 / 0 / 30 / 25

HEX #83BE85

RGB 131 190 133

HSL 122.03, 0.31%, 0.63%

LAB 71.79, -30.54, 22.87

 

CMYK 31 / 26 / 0 / 25

HEX #838CBE

RGB 131 140 190

HSL 230.85, 0.31%, 0.63%

LAB 59.25, 8.47, -27.1

 

CMYK 0 / 31 / 11 / 25

HEX #BE83AA

RGB 190 131 170

HSL 320.34, 0.31%, 0.63%

LAB 61.72, 28.76, -11.47

 

CMYK 0 / 5 / 31 / 25

HEX #BEB483

RGB 190 180 131

HSL 49.83, 0.31%, 0.63%

LAB 73.04, -4.01, 26.33

 

CMYK 31 / 0 / 21 / 25

HEX #83BE97

RGB 131 190 151

HSL 140.34, 0.31%, 0.63%

LAB 72.15, -27.28, 13.7

 

Description

Color code: HEX #838CBE | qconv.com Color code: HEX #838CBE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 140 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 140 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 26 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 26% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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