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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #838C2F it is the complementary color #7C73D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #838C2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #838C2F shade: #888C2A, #999E3D, #AAB050, #BBC263 and #CCD476

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #838C2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #838C2F shade: #838C2F, #727A1C, #616809, #505600 and #3F4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #838C2F shade: #848E2F, #8E7D2F, #8E642F, #8E4A2F and #8E312F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #838C2F shade: #848E2F, #6B8E2F, #528E2F, #388E2F and #2F8E40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #838C2F shade matches the following richer shades: #848E2F, #919D20, #9DAC11 and #A9BB01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #838C2F shade: #848E2F, #787E3E, #6C6F4E, #5F605D and #53506C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #838C2F shade: #8E632F, #8E7C2F, #868E2F, #6D8E2F and #538E2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #838C2F shade: #4A501B, #676F25, #848E2F, #A1AC39 and #B8C34C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #838C2F shade: #838C2F, #2F8E4A and #702F8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #838C2F shade: #838C2F, #2F868E and #8E2F86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #838C2F shade: #838C2F, #2F8E4A, #372F8E and #8E2F73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #838C2F shade: #838C2F, #2F8E66, #372F8E and #8E2F56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 66 / 45

HEX #838C2F

RGB 131 140 47

HSL 65.81, 0.5%, 0.37%

LAB 55.87, -16.16, 46.7

 

Complementary color

CMYK 40 / 45 / 0 / 18

HEX #7C73D0

RGB 124 115 208

HSL 245.81, 0.5%, 0.63%

LAB 53.06, 26.19, -47.05

 

CMYK 3 / 0 / 70 / 45

HEX #888C2A

RGB 136 140 42

HSL 62.45, 0.54%, 0.36%

LAB 56.25, -14.26, 49.3

 

CMYK 3 / 0 / 61 / 38

HEX #999E3D

RGB 153 158 61

HSL 63.09, 0.44%, 0.43%

LAB 62.98, -15, 48.65

 

CMYK 3 / 0 / 55 / 31

HEX #AAB050

RGB 170 176 80

HSL 63.75, 0.38%, 0.5%

LAB 69.59, -15.58, 47.66

 

CMYK 4 / 0 / 49 / 24

HEX #BBC263

RGB 187 194 99

HSL 64.42, 0.44%, 0.57%

LAB 76.1, -16.03, 46.54

 

CMYK 4 / 0 / 44 / 17

HEX #CCD476

RGB 204 212 118

HSL 65.11, 0.52%, 0.65%

LAB 82.5, -16.39, 45.38

 

CMYK 6 / 0 / 66 / 45

HEX #838C2F

RGB 131 140 47

HSL 65.81, 0.5%, 0.37%

LAB 55.87, -16.16, 46.7

 

CMYK 7 / 0 / 77 / 52

HEX #727A1C

RGB 114 122 28

HSL 65.11, 0.63%, 0.29%

LAB 48.98, -15.36, 46.98

 

CMYK 7 / 0 / 91 / 59

HEX #616809

RGB 97 104 9

HSL 64.42, 0.84%, 0.22%

LAB 41.94, -14.26, 45.92

 

CMYK 7 / 0 / 100 / 66

HEX #505600

RGB 80 86 0

HSL 64.19, 1%, 0.17%

LAB 34.72, -12.75, 42.17

 

CMYK 7 / 0 / 100 / 73

HEX #3F4400

RGB 63 68 0

HSL 64.41, 1%, 0.13%

LAB 27.27, -10.92, 35.79

 

CMYK 7 / 0 / 67 / 44

HEX #848E2F

RGB 132 142 47

HSL 66.32, 0.5%, 0.37%

LAB 56.54, -16.77, 47.43

 

CMYK 0 / 12 / 67 / 44

HEX #8E7D2F

RGB 142 125 47

HSL 49.26, 0.5%, 0.37%

LAB 52.53, -3.04, 43.48

 

CMYK 0 / 30 / 67 / 44

HEX #8E642F

RGB 142 100 47

HSL 33.47, 0.5%, 0.37%

LAB 45.73, 11.29, 36.06

 

CMYK 0 / 48 / 67 / 44

HEX #8E4A2F

RGB 142 74 47

HSL 17.05, 0.5%, 0.37%

LAB 39.33, 26.29, 28.69

 

CMYK 0 / 65 / 67 / 44

HEX #8E312F

RGB 142 49 47

HSL 1.26, 0.5%, 0.37%

LAB 34.3, 39.26, 22.59

 

CMYK 7 / 0 / 67 / 44

HEX #848E2F

RGB 132 142 47

HSL 66.32, 0.5%, 0.37%

LAB 56.54, -16.77, 47.43

 

CMYK 25 / 0 / 67 / 44

HEX #6B8E2F

RGB 107 142 47

HSL 82.11, 0.5%, 0.37%

LAB 54.74, -27.4, 44.98

 

CMYK 42 / 0 / 67 / 44

HEX #528E2F

RGB 82 142 47

HSL 97.89, 0.5%, 0.37%

LAB 53.33, -36.88, 43.04

 

CMYK 61 / 0 / 67 / 44

HEX #388E2F

RGB 56 142 47

HSL 114.32, 0.5%, 0.37%

LAB 52.28, -44.75, 41.6

 

CMYK 67 / 0 / 55 / 44

HEX #2F8E40

RGB 47 142 64

HSL 130.74, 0.5%, 0.37%

LAB 52.2, -44.73, 33.29

 

CMYK 7 / 0 / 67 / 44

HEX #848E2F

RGB 132 142 47

HSL 66.32, 0.5%, 0.37%

LAB 56.54, -16.77, 47.43

 

CMYK 8 / 0 / 80 / 38

HEX #919D20

RGB 145 157 32

HSL 65.76, 0.66%, 0.37%

LAB 61.86, -19.59, 58.39

 

CMYK 9 / 0 / 90 / 33

HEX #9DAC11

RGB 157 172 17

HSL 65.81, 0.82%, 0.37%

LAB 67.06, -22.35, 66.68

 

CMYK 10 / 0 / 99 / 27

HEX #A9BB01

RGB 169 187 1

HSL 65.81, 0.99%, 0.37%

LAB 72.21, -24.82, 73.06

 

CMYK 7 / 0 / 67 / 44

HEX #848E2F

RGB 132 142 47

HSL 66.32, 0.5%, 0.37%

LAB 56.54, -16.77, 47.43

 

CMYK 5 / 0 / 51 / 51

HEX #787E3E

RGB 120 126 62

HSL 65.63, 0.34%, 0.37%

LAB 50.99, -12.25, 33.78

 

CMYK 3 / 0 / 30 / 56

HEX #6C6F4E

RGB 108 111 78

HSL 65.45, 0.17%, 0.37%

LAB 45.78, -7.08, 18.04

 

CMYK 1 / 0 / 3 / 62

HEX #5F605D

RGB 95 96 93

HSL 80, 0.02%, 0.37%

LAB 40.56, -1.01, 1.57

 

CMYK 23 / 26 / 0 / 58

HEX #53506C

RGB 83 80 108

HSL 246.43, 0.15%, 0.37%

LAB 35.32, 7.89, -15.67

 

CMYK 0 / 30 / 67 / 44

HEX #8E632F

RGB 142 99 47

HSL 32.84, 0.5%, 0.37%

LAB 45.47, 11.87, 35.77

 

CMYK 0 / 13 / 67 / 44

HEX #8E7C2F

RGB 142 124 47

HSL 48.63, 0.5%, 0.37%

LAB 52.25, -2.48, 43.19

 

CMYK 6 / 0 / 67 / 44

HEX #868E2F

RGB 134 142 47

HSL 65.05, 0.5%, 0.37%

LAB 56.7, -15.89, 47.64

 

CMYK 23 / 0 / 67 / 44

HEX #6D8E2F

RGB 109 142 47

HSL 80.84, 0.5%, 0.37%

LAB 54.87, -26.58, 45.15

 

CMYK 42 / 0 / 67 / 44

HEX #538E2F

RGB 83 142 47

HSL 97.26, 0.5%, 0.37%

LAB 53.37, -36.53, 43.11

 

CMYK 7 / 0 / 66 / 69

HEX #4A501B

RGB 74 80 27

HSL 66.79, 0.5%, 0.21%

LAB 32.42, -10.83, 29.59

 

CMYK 7 / 0 / 67 / 56

HEX #676F25

RGB 103 111 37

HSL 66.49, 0.5%, 0.29%

LAB 44.78, -13.89, 38.78

 

CMYK 7 / 0 / 67 / 44

HEX #848E2F

RGB 132 142 47

HSL 66.32, 0.5%, 0.37%

LAB 56.54, -16.77, 47.43

 

CMYK 6 / 0 / 67 / 33

HEX #A1AC39

RGB 161 172 57

HSL 65.74, 0.5%, 0.45%

LAB 67.56, -19.02, 55.38

 

CMYK 6 / 0 / 61 / 24

HEX #B8C34C

RGB 184 195 76

HSL 65.55, 0.5%, 0.53%

LAB 75.91, -19.65, 56.81

 

CMYK 6 / 0 / 66 / 45

HEX #838C2F

RGB 131 140 47

HSL 65.81, 0.5%, 0.37%

LAB 55.87, -16.16, 46.7

 

CMYK 67 / 0 / 48 / 44

HEX #2F8E4A

RGB 47 142 74

HSL 137.05, 0.5%, 0.37%

LAB 52.34, -43.16, 28.23

 

CMYK 21 / 67 / 0 / 44

HEX #702F8E

RGB 112 47 142

HSL 281.05, 0.5%, 0.37%

LAB 32.77, 44.61, -40.57

 

CMYK 6 / 0 / 66 / 45

HEX #838C2F

RGB 131 140 47

HSL 65.81, 0.5%, 0.37%

LAB 55.87, -16.16, 46.7

 

CMYK 67 / 6 / 0 / 44

HEX #2F868E

RGB 47 134 142

HSL 185.05, 0.5%, 0.37%

LAB 51.39, -22.82, -11.91

 

CMYK 0 / 67 / 6 / 44

HEX #8E2F86

RGB 142 47 134

HSL 305.05, 0.5%, 0.37%

LAB 36.94, 50.6, -28.73

 

CMYK 6 / 0 / 66 / 45

HEX #838C2F

RGB 131 140 47

HSL 65.81, 0.5%, 0.37%

LAB 55.87, -16.16, 46.7

 

CMYK 67 / 0 / 48 / 44

HEX #2F8E4A

RGB 47 142 74

HSL 137.05, 0.5%, 0.37%

LAB 52.34, -43.16, 28.23

 

CMYK 61 / 67 / 0 / 44

HEX #372F8E

RGB 55 47 142

HSL 245.05, 0.5%, 0.37%

LAB 26.15, 32.53, -51.6

 

CMYK 0 / 67 / 19 / 44

HEX #8E2F73

RGB 142 47 115

HSL 317.05, 0.5%, 0.37%

LAB 36.03, 47.54, -18.32

 

CMYK 6 / 0 / 66 / 45

HEX #838C2F

RGB 131 140 47

HSL 65.81, 0.5%, 0.37%

LAB 55.87, -16.16, 46.7

 

CMYK 67 / 0 / 28 / 44

HEX #2F8E66

RGB 47 142 102

HSL 154.74, 0.5%, 0.37%

LAB 52.85, -37.56, 13.37

 

CMYK 61 / 67 / 0 / 44

HEX #372F8E

RGB 55 47 142

HSL 245.05, 0.5%, 0.37%

LAB 26.15, 32.53, -51.6

 

CMYK 0 / 67 / 39 / 44

HEX #8E2F56

RGB 142 47 86

HSL 335.37, 0.5%, 0.37%

LAB 34.91, 43.66, -1.56

 

Description

Color code: HEX #838C2F | qconv.com Color code: HEX #838C2F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 140 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 140 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 66 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 66% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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