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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #838C18 it is the complementary color #7C73E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #838C18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #838C18 shade: #888C13, #999E26, #AAB039, #BBC24C and #CCD45F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #838C18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #838C18 shade: #838C18, #727A05, #616800, #505600 and #3F4400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #838C18 shade: #838C18, #8C7518, #8C5618, #8C3718 and #8C1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #838C18 shade: #838C18, #638C18, #448C18, #258C18 and #188C2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #838C18 shade matches the following richer shades: #838C18 and #8E990A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #838C18 shade: #838C18, #777E25, #6C7132, #61643F and #56574C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #838C18 shade: #8C5518, #8C7418, #848C18, #658C18 and #468C18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #838C18 shade: #41450C, #626812, #838C18, #A4AF1E and #C5D224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #838C18 shade: #838C18, #188C37 and #65188C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #838C18 shade: #838C18, #18848C and #8C1884

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #838C18 shade: #838C18, #188C37, #1F188C and #8C186D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #838C18 shade: #838C18, #188C59, #1F188C and #8C184A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 83 / 45

HEX #838C18

RGB 131 140 24

HSL 64.66, 0.71%, 0.32%

LAB 55.73, -17.34, 54.88

 

Complementary color

CMYK 46 / 50 / 0 / 9

HEX #7C73E7

RGB 124 115 231

HSL 244.66, 0.71%, 0.68%

LAB 54.36, 32.81, -57.94

 

CMYK 3 / 0 / 86 / 45

HEX #888C13

RGB 136 140 19

HSL 61.98, 0.76%, 0.31%

LAB 56.13, -15.24, 56.67

 

CMYK 3 / 0 / 76 / 38

HEX #999E26

RGB 153 158 38

HSL 62.5, 0.61%, 0.38%

LAB 62.82, -16.34, 57.59

 

CMYK 3 / 0 / 68 / 31

HEX #AAB039

RGB 170 176 57

HSL 63.03, 0.51%, 0.46%

LAB 69.39, -17.21, 57.48

 

CMYK 4 / 0 / 61 / 24

HEX #BBC24C

RGB 187 194 76

HSL 63.56, 0.49%, 0.53%

LAB 75.87, -17.91, 56.83

 

CMYK 4 / 0 / 55 / 17

HEX #CCD45F

RGB 204 212 95

HSL 64.1, 0.58%, 0.6%

LAB 82.24, -18.47, 55.91

 

CMYK 6 / 0 / 83 / 45

HEX #838C18

RGB 131 140 24

HSL 64.66, 0.71%, 0.32%

LAB 55.73, -17.34, 54.88

 

CMYK 7 / 0 / 96 / 52

HEX #727A05

RGB 114 122 5

HSL 64.1, 0.92%, 0.25%

LAB 48.89, -16.12, 52.93

 

CMYK 7 / 0 / 100 / 59

HEX #616800

RGB 97 104 0

HSL 64.04, 1%, 0.2%

LAB 41.91, -14.52, 48.14

 

CMYK 7 / 0 / 100 / 66

HEX #505600

RGB 80 86 0

HSL 64.19, 1%, 0.17%

LAB 34.72, -12.75, 42.17

 

CMYK 7 / 0 / 100 / 73

HEX #3F4400

RGB 63 68 0

HSL 64.41, 1%, 0.13%

LAB 27.27, -10.92, 35.79

 

CMYK 6 / 0 / 83 / 45

HEX #838C18

RGB 131 140 24

HSL 64.66, 0.71%, 0.32%

LAB 55.73, -17.34, 54.88

 

CMYK 0 / 16 / 83 / 45

HEX #8C7518

RGB 140 117 24

HSL 48.1, 0.71%, 0.32%

LAB 49.93, -0.61, 50.12

 

CMYK 0 / 39 / 83 / 45

HEX #8C5618

RGB 140 86 24

HSL 32.07, 0.71%, 0.32%

LAB 41.68, 17.34, 42.74

 

CMYK 0 / 61 / 83 / 45

HEX #8C3718

RGB 140 55 24

HSL 16.03, 0.71%, 0.32%

LAB 34.75, 34.47, 36.27

 

CMYK 0 / 83 / 83 / 45

HEX #8C1818

RGB 140 24 24

HSL 0, 0.71%, 0.32%

LAB 30.14, 47.01, 31.79

 

CMYK 6 / 0 / 83 / 45

HEX #838C18

RGB 131 140 24

HSL 64.66, 0.71%, 0.32%

LAB 55.73, -17.34, 54.88

 

CMYK 29 / 0 / 83 / 45

HEX #638C18

RGB 99 140 24

HSL 81.21, 0.71%, 0.32%

LAB 53.47, -31.1, 52

 

CMYK 51 / 0 / 83 / 45

HEX #448C18

RGB 68 140 24

HSL 97.24, 0.71%, 0.32%

LAB 51.89, -42.33, 49.99

 

CMYK 74 / 0 / 83 / 45

HEX #258C18

RGB 37 140 24

HSL 113.28, 0.71%, 0.32%

LAB 50.94, -50.1, 48.76

 

CMYK 83 / 0 / 70 / 45

HEX #188C2A

RGB 24 140 42

HSL 129.31, 0.71%, 0.32%

LAB 50.82, -50.64, 41.99

 

CMYK 6 / 0 / 83 / 45

HEX #838C18

RGB 131 140 24

HSL 64.66, 0.71%, 0.32%

LAB 55.73, -17.34, 54.88

 

CMYK 7 / 0 / 93 / 40

HEX #8E990A

RGB 142 153 10

HSL 64.62, 0.88%, 0.32%

LAB 60.39, -19.49, 62.01

 

CMYK 6 / 0 / 83 / 45

HEX #838C18

RGB 131 140 24

HSL 64.66, 0.71%, 0.32%

LAB 55.73, -17.34, 54.88

 

CMYK 6 / 0 / 71 / 51

HEX #777E25

RGB 119 126 37

HSL 64.72, 0.55%, 0.32%

LAB 50.66, -14.73, 45.27

 

CMYK 4 / 0 / 56 / 56

HEX #6C7132

RGB 108 113 50

HSL 64.76, 0.39%, 0.32%

LAB 45.95, -11.62, 33.83

 

CMYK 3 / 0 / 37 / 61

HEX #61643F

RGB 97 100 63

HSL 64.86, 0.23%, 0.32%

LAB 41.24, -7.69, 20.63

 

CMYK 1 / 0 / 13 / 66

HEX #56574C

RGB 86 87 76

HSL 65.45, 0.07%, 0.32%

LAB 36.59, -2.63, 6.26

 

CMYK 0 / 39 / 83 / 45

HEX #8C5518

RGB 140 85 24

HSL 31.55, 0.71%, 0.32%

LAB 41.44, 17.92, 42.51

 

CMYK 0 / 17 / 83 / 45

HEX #8C7418

RGB 140 116 24

HSL 47.59, 0.71%, 0.32%

LAB 49.66, -0.05, 49.88

 

CMYK 6 / 0 / 83 / 45

HEX #848C18

RGB 132 140 24

HSL 64.14, 0.71%, 0.32%

LAB 55.81, -16.89, 54.98

 

CMYK 28 / 0 / 83 / 45

HEX #658C18

RGB 101 140 24

HSL 80.17, 0.71%, 0.32%

LAB 53.59, -30.29, 52.16

 

CMYK 50 / 0 / 83 / 45

HEX #468C18

RGB 70 140 24

HSL 96.21, 0.71%, 0.32%

LAB 51.98, -41.7, 50.1

 

CMYK 6 / 0 / 83 / 73

HEX #41450C

RGB 65 69 12

HSL 64.21, 0.7%, 0.16%

LAB 27.86, -9.88, 31.61

 

CMYK 6 / 0 / 83 / 59

HEX #626812

RGB 98 104 18

HSL 64.19, 0.7%, 0.24%

LAB 42.06, -13.47, 43.56

 

CMYK 6 / 0 / 83 / 45

HEX #838C18

RGB 131 140 24

HSL 64.66, 0.71%, 0.32%

LAB 55.73, -17.34, 54.88

 

CMYK 6 / 0 / 83 / 31

HEX #A4AF1E

RGB 164 175 30

HSL 64.55, 0.71%, 0.4%

LAB 68.49, -20.49, 65.33

 

CMYK 6 / 0 / 83 / 18

HEX #C5D224

RGB 197 210 36

HSL 64.48, 0.71%, 0.48%

LAB 80.79, -23.52, 75.35

 

CMYK 6 / 0 / 83 / 45

HEX #838C18

RGB 131 140 24

HSL 64.66, 0.71%, 0.32%

LAB 55.73, -17.34, 54.88

 

CMYK 83 / 0 / 61 / 45

HEX #188C37

RGB 24 140 55

HSL 136.03, 0.71%, 0.32%

LAB 50.95, -49.09, 36.18

 

CMYK 28 / 83 / 0 / 45

HEX #65188C

RGB 101 24 140

HSL 279.83, 0.71%, 0.32%

LAB 27.61, 51.38, -47.75

 

CMYK 6 / 0 / 83 / 45

HEX #838C18

RGB 131 140 24

HSL 64.66, 0.71%, 0.32%

LAB 55.73, -17.34, 54.88

 

CMYK 83 / 6 / 0 / 45

HEX #18848C

RGB 24 132 140

HSL 184.14, 0.71%, 0.32%

LAB 50.2, -25.38, -12.57

 

CMYK 0 / 83 / 6 / 45

HEX #8C1884

RGB 140 24 132

HSL 304.14, 0.71%, 0.32%

LAB 33.76, 57.54, -32.53

 

CMYK 6 / 0 / 83 / 45

HEX #838C18

RGB 131 140 24

HSL 64.66, 0.71%, 0.32%

LAB 55.73, -17.34, 54.88

 

CMYK 83 / 0 / 61 / 45

HEX #188C37

RGB 24 140 55

HSL 136.03, 0.71%, 0.32%

LAB 50.95, -49.09, 36.18

 

CMYK 78 / 83 / 0 / 45

HEX #1F188C

RGB 31 24 140

HSL 243.62, 0.71%, 0.32%

LAB 19.38, 42.34, -61.56

 

CMYK 0 / 83 / 22 / 45

HEX #8C186D

RGB 140 24 109

HSL 316.03, 0.71%, 0.32%

LAB 32.55, 54.16, -19.93

 

CMYK 6 / 0 / 83 / 45

HEX #838C18

RGB 131 140 24

HSL 64.66, 0.71%, 0.32%

LAB 55.73, -17.34, 54.88

 

CMYK 83 / 0 / 36 / 45

HEX #188C59

RGB 24 140 89

HSL 153.62, 0.71%, 0.32%

LAB 51.46, -43.08, 18.75

 

CMYK 78 / 83 / 0 / 45

HEX #1F188C

RGB 31 24 140

HSL 243.62, 0.71%, 0.32%

LAB 19.38, 42.34, -61.56

 

CMYK 0 / 83 / 47 / 45

HEX #8C184A

RGB 140 24 74

HSL 334.14, 0.71%, 0.32%

LAB 31.17, 50.13, 0.73

 

Description

Color code: HEX #838C18 | qconv.com Color code: HEX #838C18 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 140 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 140 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 83 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 83% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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