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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #838AE5 it is the complementary color #7C751A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #838AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #838AE5 shade: #888AE0, #999CF3, #AAAEFF, #BBC0FF and #CCD2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #838AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #838AE5 shade: #838AE5, #7278D2, #6166BF, #5054AC and #3F4299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #838AE5 shade: #858CE5, #9885E5, #B285E5, #CC85E5 and #E585E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #838AE5 shade: #858CE5 and #8585E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #838AE5 shade matches the following richer shades: #858CE5, #7982F1 and #6D77FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #838AE5 shade: #858CE5, #9196D9, #9DA0CD, #A9ABC1 and #B5B5B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #838AE5 shade: #85C0E5, #85A7E5, #858DE5, #9785E5 and #B085E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #838AE5 shade: #414CD7, #636CDE, #858CE5, #A7ACEC and #C9CCF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #838AE5 shade: #838AE5, #E585DA and #B3E585

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #838AE5 shade: #838AE5, #E5858D and #8DE585

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #838AE5 shade: #838AE5, #E585DA, #E5DD85 and #85E590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #838AE5 shade: #838AE5, #E585BD, #E5DD85 and #85E5AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 40 / 0 / 10

HEX #838AE5

RGB 131 138 229

HSL 235.71, 0.65%, 0.71%

LAB 60.48, 20.31, -47.05

 

Complementary color

CMYK 0 / 6 / 79 / 51

HEX #7C751A

RGB 124 117 26

HSL 55.71, 0.65%, 0.29%

LAB 48.36, -8.07, 47.43

 

CMYK 39 / 38 / 0 / 12

HEX #888AE0

RGB 136 138 224

HSL 238.64, 0.59%, 0.71%

LAB 60.6, 20.17, -44.06

 

CMYK 37 / 36 / 0 / 5

HEX #999CF3

RGB 153 156 243

HSL 238, 0.79%, 0.78%

LAB 67.29, 19.4, -43.93

 

CMYK 33 / 32 / 0 / 0

HEX #AAAEFF

RGB 170 174 255

HSL 237.18, 1%, 0.83%

LAB 73.57, 16.91, -40.54

 

CMYK 27 / 25 / 0 / 0

HEX #BBC0FF

RGB 187 192 255

HSL 235.59, 1%, 0.87%

LAB 79.32, 11.76, -31.54

 

CMYK 20 / 18 / 0 / 0

HEX #CCD2FF

RGB 204 210 255

HSL 232.94, 1%, 0.9%

LAB 85.07, 7.1, -22.64

 

CMYK 43 / 40 / 0 / 10

HEX #838AE5

RGB 131 138 229

HSL 235.71, 0.65%, 0.71%

LAB 60.48, 20.31, -47.05

 

CMYK 46 / 43 / 0 / 18

HEX #7278D2

RGB 114 120 210

HSL 236.25, 0.52%, 0.64%

LAB 53.67, 21.29, -47.26

 

CMYK 49 / 47 / 0 / 25

HEX #6166BF

RGB 97 102 191

HSL 236.81, 0.42%, 0.56%

LAB 46.72, 22.45, -47.53

 

CMYK 53 / 51 / 0 / 33

HEX #5054AC

RGB 80 84 172

HSL 237.39, 0.37%, 0.49%

LAB 39.62, 23.84, -47.84

 

CMYK 59 / 57 / 0 / 40

HEX #3F4299

RGB 63 66 153

HSL 238, 0.42%, 0.42%

LAB 32.38, 25.52, -48.2

 

CMYK 42 / 39 / 0 / 10

HEX #858CE5

RGB 133 140 229

HSL 235.63, 0.65%, 0.71%

LAB 61.13, 19.64, -46.01

 

CMYK 34 / 42 / 0 / 10

HEX #9885E5

RGB 152 133 229

HSL 251.88, 0.65%, 0.71%

LAB 60.88, 28.65, -46.31

 

CMYK 22 / 42 / 0 / 10

HEX #B285E5

RGB 178 133 229

HSL 268.13, 0.65%, 0.71%

LAB 63.26, 35.83, -42.4

 

CMYK 11 / 42 / 0 / 10

HEX #CC85E5

RGB 204 133 229

HSL 284.38, 0.65%, 0.71%

LAB 65.96, 43.33, -37.98

 

CMYK 0 / 42 / 0 / 10

HEX #E585E4

RGB 229 133 228

HSL 300.63, 0.65%, 0.71%

LAB 68.78, 50.49, -32.83

 

CMYK 42 / 39 / 0 / 10

HEX #858CE5

RGB 133 140 229

HSL 235.63, 0.65%, 0.71%

LAB 61.13, 19.64, -46.01

 

CMYK 42 / 42 / 0 / 10

HEX #8585E5

RGB 133 133 229

HSL 240, 0.65%, 0.71%

LAB 59.36, 23.74, -48.81

 

CMYK 42 / 39 / 0 / 10

HEX #858CE5

RGB 133 140 229

HSL 235.63, 0.65%, 0.71%

LAB 61.13, 19.64, -46.01

 

CMYK 50 / 46 / 0 / 5

HEX #7982F1

RGB 121 130 241

HSL 235.5, 0.81%, 0.71%

LAB 58.4, 26.23, -57.06

 

CMYK 57 / 53 / 0 / 1

HEX #6D77FD

RGB 109 119 253

HSL 235.83, 0.97%, 0.71%

LAB 55.62, 34.1, -68.2

 

CMYK 42 / 39 / 0 / 10

HEX #858CE5

RGB 133 140 229

HSL 235.63, 0.65%, 0.71%

LAB 61.13, 19.64, -46.01

 

CMYK 33 / 31 / 0 / 15

HEX #9196D9

RGB 145 150 217

HSL 235.83, 0.49%, 0.71%

LAB 64.03, 13.78, -34.74

 

CMYK 23 / 22 / 0 / 20

HEX #9DA0CD

RGB 157 160 205

HSL 236.25, 0.32%, 0.71%

LAB 67.06, 8.67, -23.33

 

CMYK 12 / 11 / 0 / 24

HEX #A9ABC1

RGB 169 171 193

HSL 235, 0.16%, 0.71%

LAB 70.46, 3.72, -11.46

 

CMYK 0 / 0 / 0 / 29

HEX #B5B5B5

RGB 181 181 181

HSL 0, 0%, 0.71%

LAB 73.68, 0, -0.01

 

CMYK 42 / 16 / 0 / 10

HEX #85C0E5

RGB 133 192 229

HSL 203.13, 0.65%, 0.71%

LAB 75.04, -9.58, -24.41

 

CMYK 42 / 27 / 0 / 10

HEX #85A7E5

RGB 133 167 229

HSL 218.75, 0.65%, 0.71%

LAB 68.23, 4.11, -34.9

 

CMYK 42 / 38 / 0 / 10

HEX #858DE5

RGB 133 141 229

HSL 235, 0.65%, 0.71%

LAB 61.39, 19.05, -45.6

 

CMYK 34 / 42 / 0 / 10

HEX #9785E5

RGB 151 133 229

HSL 251.25, 0.65%, 0.71%

LAB 60.79, 28.38, -46.45

 

CMYK 23 / 42 / 0 / 10

HEX #B085E5

RGB 176 133 229

HSL 266.88, 0.65%, 0.71%

LAB 63.06, 35.26, -42.72

 

CMYK 70 / 65 / 0 / 16

HEX #414CD7

RGB 65 76 215

HSL 235.6, 0.65%, 0.55%

LAB 39.91, 40.87, -72.48

 

CMYK 55 / 51 / 0 / 13

HEX #636CDE

RGB 99 108 222

HSL 235.61, 0.65%, 0.63%

LAB 50.28, 29, -59.53

 

CMYK 42 / 39 / 0 / 10

HEX #858CE5

RGB 133 140 229

HSL 235.63, 0.65%, 0.71%

LAB 61.13, 19.64, -46.01

 

CMYK 29 / 27 / 0 / 7

HEX #A7ACEC

RGB 167 172 236

HSL 235.65, 0.64%, 0.79%

LAB 72.08, 12.43, -32.58

 

CMYK 18 / 16 / 0 / 4

HEX #C9CCF4

RGB 201 204 244

HSL 235.81, 0.66%, 0.87%

LAB 82.99, 6.99, -19.98

 

CMYK 43 / 40 / 0 / 10

HEX #838AE5

RGB 131 138 229

HSL 235.71, 0.65%, 0.71%

LAB 60.48, 20.31, -47.05

 

CMYK 0 / 42 / 5 / 10

HEX #E585DA

RGB 229 133 218

HSL 306.88, 0.65%, 0.71%

LAB 68.38, 48.74, -27.9

 

CMYK 22 / 0 / 42 / 10

HEX #B3E585

RGB 179 229 133

HSL 91.25, 0.65%, 0.71%

LAB 85.66, -32.32, 41.62

 

CMYK 43 / 40 / 0 / 10

HEX #838AE5

RGB 131 138 229

HSL 235.71, 0.65%, 0.71%

LAB 60.48, 20.31, -47.05

 

CMYK 0 / 42 / 38 / 10

HEX #E5858D

RGB 229 133 141

HSL 355, 0.65%, 0.71%

LAB 66.03, 37.6, 11.82

 

CMYK 38 / 0 / 42 / 10

HEX #8DE585

RGB 141 229 133

HSL 115, 0.65%, 0.71%

LAB 83.65, -44.98, 38.63

 

CMYK 43 / 40 / 0 / 10

HEX #838AE5

RGB 131 138 229

HSL 235.71, 0.65%, 0.71%

LAB 60.48, 20.31, -47.05

 

CMYK 0 / 42 / 5 / 10

HEX #E585DA

RGB 229 133 218

HSL 306.88, 0.65%, 0.71%

LAB 68.38, 48.74, -27.9

 

CMYK 0 / 3 / 42 / 10

HEX #E5DD85

RGB 229 221 133

HSL 55, 0.65%, 0.71%

LAB 87.03, -9.52, 44.08

 

CMYK 42 / 0 / 37 / 10

HEX #85E590

RGB 133 229 144

HSL 126.88, 0.65%, 0.71%

LAB 83.46, -45.7, 32.81

 

CMYK 43 / 40 / 0 / 10

HEX #838AE5

RGB 131 138 229

HSL 235.71, 0.65%, 0.71%

LAB 60.48, 20.31, -47.05

 

CMYK 0 / 42 / 17 / 10

HEX #E585BD

RGB 229 133 189

HSL 325, 0.65%, 0.71%

LAB 67.36, 44.02, -13.29

 

CMYK 0 / 3 / 42 / 10

HEX #E5DD85

RGB 229 221 133

HSL 55, 0.65%, 0.71%

LAB 87.03, -9.52, 44.08

 

CMYK 42 / 0 / 24 / 10

HEX #85E5AD

RGB 133 229 173

HSL 145, 0.65%, 0.71%

LAB 83.99, -40.61, 18.6

 

Description

Color code: HEX #838AE5 | qconv.com Color code: HEX #838AE5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 138 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 138 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 40 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 40% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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