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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #838408 it is the complementary color #7C7BF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #838408. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #838408 shade: #888403, #999616, #AAA829, #BBBA3C and #CCCC4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #838408. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #838408 shade: #838408, #727200, #616000, #504E00 and #3F3C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #838408 shade: #818208, #826208, #824108, #822008 and #820808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #838408 shade: #818208, #608208, #3F8208, #1E8208 and #088212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #838408 shade matches the following richer shades: #818208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #838408 shade: #818208, #767713, #6B6C1E, #606129 and #555634

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #838408 shade: #824108, #826108, #828208, #618208 and #418208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #838408 shade: #343403, #5A5B05, #818208, #A8A90A and #CFD00C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #838408 shade: #838408, #088220 and #510882

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #838408 shade: #838408, #088282 and #820882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #838408 shade: #838408, #088220, #080882 and #82086A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #838408 shade: #838408, #088245, #080882 and #820845

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 94 / 48

HEX #838408

RGB 131 132 8

HSL 60.48, 0.89%, 0.27%

LAB 53.33, -13.53, 56.43

 

Complementary color

CMYK 50 / 50 / 0 / 3

HEX #7C7BF7

RGB 124 123 247

HSL 240.48, 0.89%, 0.73%

LAB 57.24, 32.82, -62.23

 

CMYK 0 / 3 / 98 / 47

HEX #888403

RGB 136 132 3

HSL 58.2, 0.96%, 0.27%

LAB 53.75, -11.31, 57.83

 

CMYK 0 / 2 / 86 / 40

HEX #999616

RGB 153 150 22

HSL 58.63, 0.75%, 0.34%

LAB 60.47, -12.74, 60.16

 

CMYK 0 / 1 / 76 / 33

HEX #AAA829

RGB 170 168 41

HSL 59.07, 0.61%, 0.41%

LAB 67.06, -13.92, 61.04

 

CMYK 0 / 1 / 68 / 27

HEX #BBBA3C

RGB 187 186 60

HSL 59.53, 0.51%, 0.48%

LAB 73.55, -14.87, 60.95

 

CMYK 0 / 0 / 61 / 20

HEX #CCCC4F

RGB 204 204 79

HSL 60, 0.55%, 0.55%

LAB 79.95, -15.65, 60.34

 

CMYK 1 / 0 / 94 / 48

HEX #838408

RGB 131 132 8

HSL 60.48, 0.89%, 0.27%

LAB 53.33, -13.53, 56.43

 

CMYK 0 / 0 / 100 / 55

HEX #727200

RGB 114 114 0

HSL 60, 1%, 0.22%

LAB 46.46, -11.9, 52.16

 

CMYK 0 / 1 / 100 / 62

HEX #616000

RGB 97 96 0

HSL 59.38, 1%, 0.19%

LAB 39.42, -10.05, 46.32

 

CMYK 0 / 2 / 100 / 69

HEX #504E00

RGB 80 78 0

HSL 58.5, 1%, 0.16%

LAB 32.16, -8.12, 40.28

 

CMYK 0 / 5 / 100 / 75

HEX #3F3C00

RGB 63 60 0

HSL 57.14, 1%, 0.12%

LAB 24.6, -6.08, 33.34

 

CMYK 1 / 0 / 94 / 49

HEX #818208

RGB 129 130 8

HSL 60.49, 0.88%, 0.27%

LAB 52.56, -13.38, 55.76

 

CMYK 0 / 25 / 94 / 49

HEX #826208

RGB 130 98 8

HSL 44.26, 0.88%, 0.27%

LAB 43.51, 5.14, 48.81

 

CMYK 0 / 50 / 94 / 49

HEX #824108

RGB 130 65 8

HSL 28.03, 0.88%, 0.27%

LAB 35.09, 24.47, 42.47

 

CMYK 0 / 75 / 94 / 49

HEX #822008

RGB 130 32 8

HSL 11.8, 0.88%, 0.27%

LAB 28.89, 40.69, 37.89

 

CMYK 0 / 94 / 94 / 49

HEX #820808

RGB 130 8 8

HSL 0, 0.88%, 0.27%

LAB 26.55, 47.28, 35.91

 

CMYK 1 / 0 / 94 / 49

HEX #818208

RGB 129 130 8

HSL 60.49, 0.88%, 0.27%

LAB 52.56, -13.38, 55.76

 

CMYK 26 / 0 / 94 / 49

HEX #608208

RGB 96 130 8

HSL 76.72, 0.88%, 0.27%

LAB 50.06, -28.12, 52.71

 

CMYK 52 / 0 / 94 / 49

HEX #3F8208

RGB 63 130 8

HSL 92.95, 0.88%, 0.27%

LAB 48.31, -40.56, 50.56

 

CMYK 77 / 0 / 94 / 49

HEX #1E8208

RGB 30 130 8

HSL 109.18, 0.88%, 0.27%

LAB 47.31, -48.76, 49.32

 

CMYK 94 / 0 / 86 / 49

HEX #088212

RGB 8 130 18

HSL 124.92, 0.88%, 0.27%

LAB 47.05, -50.92, 46.73

 

CMYK 1 / 0 / 94 / 49

HEX #818208

RGB 129 130 8

HSL 60.49, 0.88%, 0.27%

LAB 52.56, -13.38, 55.76

 

CMYK 1 / 0 / 94 / 49

HEX #818208

RGB 129 130 8

HSL 60.49, 0.88%, 0.27%

LAB 52.56, -13.38, 55.76

 

CMYK 1 / 0 / 84 / 53

HEX #767713

RGB 118 119 19

HSL 60.6, 0.72%, 0.27%

LAB 48.38, -12.26, 49.48

 

CMYK 1 / 0 / 72 / 58

HEX #6B6C1E

RGB 107 108 30

HSL 60.77, 0.57%, 0.27%

LAB 44.15, -10.84, 41.32

 

CMYK 1 / 0 / 58 / 62

HEX #606129

RGB 96 97 41

HSL 61.07, 0.41%, 0.27%

LAB 39.91, -8.96, 31.28

 

CMYK 1 / 0 / 40 / 66

HEX #555634

RGB 85 86 52

HSL 61.76, 0.25%, 0.27%

LAB 35.66, -6.4, 19.68

 

CMYK 0 / 50 / 94 / 49

HEX #824108

RGB 130 65 8

HSL 28.03, 0.88%, 0.27%

LAB 35.09, 24.47, 42.47

 

CMYK 0 / 25 / 94 / 49

HEX #826108

RGB 130 97 8

HSL 43.77, 0.88%, 0.27%

LAB 43.23, 5.73, 48.6

 

CMYK 0 / 0 / 94 / 49

HEX #828208

RGB 130 130 8

HSL 60, 0.88%, 0.27%

LAB 52.65, -12.92, 55.87

 

CMYK 25 / 0 / 94 / 49

HEX #618208

RGB 97 130 8

HSL 76.23, 0.88%, 0.27%

LAB 50.13, -27.7, 52.79

 

CMYK 50 / 0 / 94 / 49

HEX #418208

RGB 65 130 8

HSL 91.97, 0.88%, 0.27%

LAB 48.39, -39.9, 50.66

 

CMYK 0 / 0 / 94 / 80

HEX #343403

RGB 52 52 3

HSL 60, 0.89%, 0.11%

LAB 20.8, -6.8, 27.82

 

CMYK 1 / 0 / 95 / 64

HEX #5A5B05

RGB 90 91 5

HSL 60.7, 0.9%, 0.19%

LAB 37.24, -10.49, 42.92

 

CMYK 1 / 0 / 94 / 49

HEX #818208

RGB 129 130 8

HSL 60.49, 0.88%, 0.27%

LAB 52.56, -13.38, 55.76

 

CMYK 1 / 0 / 94 / 34

HEX #A8A90A

RGB 168 169 10

HSL 60.38, 0.89%, 0.35%

LAB 67.07, -16.15, 68.08

 

CMYK 0 / 0 / 94 / 18

HEX #CFD00C

RGB 207 208 12

HSL 60.31, 0.89%, 0.43%

LAB 80.96, -18.79, 79.82

 

CMYK 1 / 0 / 94 / 48

HEX #838408

RGB 131 132 8

HSL 60.48, 0.89%, 0.27%

LAB 53.33, -13.53, 56.43

 

CMYK 94 / 0 / 75 / 49

HEX #088220

RGB 8 130 32

HSL 131.8, 0.88%, 0.27%

LAB 47.13, -49.91, 42.15

 

CMYK 38 / 94 / 0 / 49

HEX #510882

RGB 81 8 130

HSL 275.9, 0.88%, 0.27%

LAB 22.07, 50.46, -50.66

 

CMYK 1 / 0 / 94 / 48

HEX #838408

RGB 131 132 8

HSL 60.48, 0.89%, 0.27%

LAB 53.33, -13.53, 56.43

 

CMYK 94 / 0 / 0 / 49

HEX #088282

RGB 8 130 130

HSL 180, 0.88%, 0.27%

LAB 49.04, -28.74, -8.47

 

CMYK 0 / 94 / 0 / 49

HEX #820882

RGB 130 8 130

HSL 300, 0.88%, 0.27%

LAB 30.71, 58.37, -36.24

 

CMYK 1 / 0 / 94 / 48

HEX #838408

RGB 131 132 8

HSL 60.48, 0.89%, 0.27%

LAB 53.33, -13.53, 56.43

 

CMYK 94 / 0 / 75 / 49

HEX #088220

RGB 8 130 32

HSL 131.8, 0.88%, 0.27%

LAB 47.13, -49.91, 42.15

 

CMYK 94 / 94 / 0 / 49

HEX #080882

RGB 8 8 130

HSL 240, 0.88%, 0.27%

LAB 14.61, 45.07, -63.24

 

CMYK 0 / 94 / 18 / 49

HEX #82086A

RGB 130 8 106

HSL 311.8, 0.88%, 0.27%

LAB 29.31, 54.79, -23.2

 

CMYK 1 / 0 / 94 / 48

HEX #838408

RGB 131 132 8

HSL 60.48, 0.89%, 0.27%

LAB 53.33, -13.53, 56.43

 

CMYK 94 / 0 / 47 / 49

HEX #088245

RGB 8 130 69

HSL 150, 0.88%, 0.27%

LAB 47.55, -44.73, 24.7

 

CMYK 94 / 94 / 0 / 49

HEX #080882

RGB 8 8 130

HSL 240, 0.88%, 0.27%

LAB 14.61, 45.07, -63.24

 

CMYK 0 / 94 / 47 / 49

HEX #820845

RGB 130 8 69

HSL 330, 0.88%, 0.27%

LAB 27.71, 50.5, -1.24

 

Description

Color code: HEX #838408 | qconv.com Color code: HEX #838408 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 132 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 132 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 94 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 94% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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