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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8383F8 it is the complementary color #7C7C07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8383F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8383F8: #8883F3, #9995FF, #AAA7FF, #BBB9FF and #CCCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8383F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8383F8: #8383F8, #7271E5, #615FD2, #504DBF and #3F3BAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 47 / 0 / 3

HEX #8383F8

RGB 131 131 248

HSL 240, 0.89%, 0.74%

LAB 59.74, 29.93, -58.74

 

Complementary color

CMYK 0 / 0 / 94 / 51

HEX #7C7C07

RGB 124 124 7

HSL 60, 0.89%, 0.26%

LAB 50.35, -12.49, 54.04

 

CMYK 44 / 46 / 0 / 5

HEX #8883F3

RGB 136 131 243

HSL 242.68, 0.82%, 0.73%

LAB 59.83, 29.62, -55.81

 

CMYK 40 / 42 / 0 / 0

HEX #9995FF

RGB 153 149 255

HSL 242.26, 1%, 0.79%

LAB 66.13, 26.65, -52.32

 

CMYK 33 / 35 / 0 / 0

HEX #AAA7FF

RGB 170 167 255

HSL 242.05, 1%, 0.83%

LAB 71.83, 20.83, -43.26

 

CMYK 27 / 27 / 0 / 0

HEX #BBB9FF

RGB 187 185 255

HSL 241.71, 1%, 0.86%

LAB 77.57, 15.59, -34.24

 

CMYK 20 / 20 / 0 / 0

HEX #CCCBFF

RGB 204 203 255

HSL 241.15, 1%, 0.9%

LAB 83.32, 10.84, -25.3

 

CMYK 47 / 47 / 0 / 3

HEX #8383F8

RGB 131 131 248

HSL 240, 0.89%, 0.74%

LAB 59.74, 29.93, -58.74

 

CMYK 50 / 51 / 0 / 10

HEX #7271E5

RGB 114 113 229

HSL 240.52, 0.69%, 0.67%

LAB 53, 31.23, -59.04

 

CMYK 54 / 55 / 0 / 18

HEX #615FD2

RGB 97 95 210

HSL 241.04, 0.56%, 0.6%

LAB 46.15, 32.72, -59.37

 

CMYK 58 / 60 / 0 / 25

HEX #504DBF

RGB 80 77 191

HSL 241.58, 0.47%, 0.53%

LAB 39.2, 34.46, -59.7

 

CMYK 63 / 66 / 0 / 33

HEX #3F3BAC

RGB 63 59 172

HSL 242.12, 0.49%, 0.45%

LAB 32.18, 36.45, -59.97

 

CMYK 47 / 47 / 0 / 3

HEX #8383F8

RGB 131 131 248

HSL 240, 0.89%, 0.74%

LAB 59.74, 29.93, -58.74

 

CMYK 40 / 48 / 0 / 3

HEX #9581F7

RGB 149 129 247

HSL 250.17, 0.88%, 0.74%

LAB 60.61, 34.98, -56.72

 

CMYK 32 / 48 / 0 / 3

HEX #A981F7

RGB 169 129 247

HSL 260.34, 0.88%, 0.74%

LAB 62.38, 39.94, -53.79

 

CMYK 24 / 48 / 0 / 3

HEX #BC81F7

RGB 188 129 247

HSL 270, 0.88%, 0.74%

LAB 64.25, 44.89, -50.72

 

CMYK 16 / 48 / 0 / 3

HEX #D081F7

RGB 208 129 247

HSL 280.17, 0.88%, 0.74%

LAB 66.39, 50.26, -47.2

 

CMYK 47 / 47 / 0 / 3

HEX #8383F8

RGB 131 131 248

HSL 240, 0.89%, 0.74%

LAB 59.74, 29.93, -58.74

 

CMYK 48 / 48 / 0 / 83

HEX #17172C

RGB 23 23 44

HSL 240, 0.31%, 0.13%

LAB 8.8, 6.71, -14.19

 

CMYK 47 / 47 / 0 / 63

HEX #32325F

RGB 50 50 95

HSL 240, 0.31%, 0.28%

LAB 22.95, 13.28, -26.89

 

CMYK 47 / 47 / 0 / 43

HEX #4D4D92

RGB 77 77 146

HSL 240, 0.31%, 0.44%

LAB 35.91, 19.2, -38.21

 

CMYK 47 / 47 / 0 / 23

HEX #6868C5

RGB 104 104 197

HSL 240, 0.44%, 0.59%

LAB 48.1, 24.7, -48.75

 

CMYK 47 / 47 / 0 / 3

HEX #8383F8

RGB 131 131 248

HSL 240, 0.89%, 0.74%

LAB 59.74, 29.93, -58.74

 

CMYK 0 / 48 / 9 / 3

HEX #F781E0

RGB 247 129 224

HSL 311.69, 0.88%, 0.74%

LAB 70.08, 57.1, -28.43

 

CMYK 29 / 0 / 48 / 3

HEX #B0F781

RGB 176 247 129

HSL 96.1, 0.88%, 0.74%

LAB 90.48, -41.97, 49.52

 

CMYK 47 / 47 / 0 / 3

HEX #8383F8

RGB 131 131 248

HSL 240, 0.89%, 0.74%

LAB 59.74, 29.93, -58.74

 

CMYK 0 / 48 / 48 / 3

HEX #F78181

RGB 247 129 129

HSL 0, 0.88%, 0.74%

LAB 67.32, 44.94, 20.74

 

CMYK 48 / 0 / 48 / 3

HEX #81F781

RGB 129 247 129

HSL 120, 0.88%, 0.74%

LAB 88.34, -56.39, 46.4

 

CMYK 47 / 47 / 0 / 3

HEX #8383F8

RGB 131 131 248

HSL 240, 0.89%, 0.74%

LAB 59.74, 29.93, -58.74

 

CMYK 0 / 48 / 9 / 3

HEX #F781E0

RGB 247 129 224

HSL 311.69, 0.88%, 0.74%

LAB 70.08, 57.1, -28.43

 

CMYK 0 / 0 / 48 / 3

HEX #F7F781

RGB 247 247 129

HSL 60, 0.88%, 0.74%

LAB 95.11, -15.7, 56.22

 

CMYK 48 / 0 / 38 / 3

HEX #81F799

RGB 129 247 153

HSL 132.2, 0.88%, 0.74%

LAB 88.68, -52.86, 35.14

 

CMYK 47 / 47 / 0 / 3

HEX #8383F8

RGB 131 131 248

HSL 240, 0.89%, 0.74%

LAB 59.74, 29.93, -58.74

 

CMYK 0 / 48 / 24 / 3

HEX #F781BC

RGB 247 129 188

HSL 330, 0.88%, 0.74%

LAB 68.83, 51.74, -10.29

 

CMYK 0 / 0 / 48 / 3

HEX #F7F781

RGB 247 247 129

HSL 60, 0.88%, 0.74%

LAB 95.11, -15.7, 56.22

 

CMYK 48 / 0 / 24 / 3

HEX #81F7BC

RGB 129 247 188

HSL 150, 0.88%, 0.74%

LAB 89.31, -46.58, 18.23

 

Description

Color code: HEX #8383F8 | qconv.com Color code: HEX #8383F8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 131 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 131 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 47 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 47% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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