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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8381FECE it is the complementary color #7C7E01CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8381FECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8381FECE shade: #8881F9CE, #9993FFCE, #AAA5FFCE, #BBB7FFCE and #CCC9FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8381FECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8381FECE shade: #8381FECE, #726FEBCE, #615DD8CE, #504BC5CE and #3F39B2CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8381FECE shade: #8381FE, #A481FE, #C681FE, #E881FE and #FE81F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8381FECE shade: #8381FE and #8181FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8381FECE shade matches the following richer shades: #8381FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8381FECE shade: #8381FE, #8D8BF3, #9795E9, #A1A0DF and #ABAAD4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8381FECE shade: #81C3FE, #81A2FE, #8181FE, #A281FE and #C381FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8381FECE shade: #322FFD, #5B58FD, #8381FE, #ABAAFE and #D3D2FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8381FECE shade: #8381FE, #FE81E5 and #B3FE81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8381FECE shade: #8381FE, #FE8181 and #81FE81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8381FECE shade: #8381FE, #FE81E5, #FEFE81 and #81FE9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8381FECE shade: #8381FE, #FE81BF, #FEFE81 and #81FEBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 40 / 0 / 0

HEX #8381FECE

RGBA 131 129 254 0.81

HSLA 240.96, 0.98%, 0.75%, 0.81

LABA 59.6, 32.86, -62.27, 0.81

 

Complementary color

CMYK 1 / 0 / 80 / 41

HEX #7C7E01CE

RGBA 124 126 1 0.81

HSLA 60.96, 0.98%, 0.25%, 0.81

LABA 50.93, -13.7, 55.64, 0.81

 

CMYK 37 / 39 / 0 / 2

HEX #8881F9CE

RGBA 136 129 249 0.81

HSLA 243.5, 0.91%, 0.74%, 0.81

LABA 59.68, 32.51, -59.36, 0.81

 

CMYK 32 / 34 / 0 / 0

HEX #9993FFCE

RGBA 153 147 255 0.81

HSLA 243.33, 1%, 0.79%, 0.81

LABA 65.64, 27.79, -53.09, 0.81

 

CMYK 27 / 29 / 0 / 0

HEX #AAA5FFCE

RGBA 170 165 255 0.81

HSLA 243.33, 1%, 0.82%, 0.81

LABA 71.33, 21.96, -44.03, 0.81

 

CMYK 22 / 23 / 0 / 0

HEX #BBB7FFCE

RGBA 187 183 255 0.81

HSLA 243.33, 1%, 0.86%, 0.81

LABA 77.07, 16.68, -35, 0.81

 

CMYK 16 / 17 / 0 / 0

HEX #CCC9FFCE

RGBA 204 201 255 0.81

HSLA 243.33, 1%, 0.89%, 0.81

LABA 82.82, 11.91, -26.06, 0.81

 

CMYK 39 / 40 / 0 / 0

HEX #8381FECE

RGBA 131 129 254 0.81

HSLA 240.96, 0.98%, 0.75%, 0.81

LABA 59.6, 32.86, -62.27, 0.81

 

CMYK 42 / 43 / 0 / 6

HEX #726FEBCE

RGBA 114 111 235 0.81

HSLA 241.45, 0.76%, 0.68%, 0.81

LABA 52.89, 34.24, -62.58, 0.81

 

CMYK 45 / 46 / 0 / 12

HEX #615DD8CE

RGBA 97 93 216 0.81

HSLA 241.95, 0.61%, 0.61%, 0.81

LABA 46.08, 35.83, -62.91, 0.81

 

CMYK 48 / 50 / 0 / 18

HEX #504BC5CE

RGBA 80 75 197 0.81

HSLA 242.46, 0.51%, 0.53%, 0.81

LABA 39.19, 37.63, -63.22, 0.81

 

CMYK 52 / 55 / 0 / 24

HEX #3F39B2CE

RGBA 63 57 178 0.81

HSLA 242.98, 0.51%, 0.46%, 0.81

LABA 32.25, 39.67, -63.43, 0.81

 

CMYK 48 / 49 / 0 / 0

HEX #8381FE

RGB 131 129 254

HSL 240.96, 0.98%, 0.75%

LAB 59.6, 32.86, -62.27

 

CMYK 35 / 49 / 0 / 0

HEX #A481FE

RGB 164 129 254

HSL 256.8, 0.98%, 0.75%

LAB 62.29, 40.46, -57.81

 

CMYK 22 / 49 / 0 / 0

HEX #C681FE

RGB 198 129 254

HSL 273.12, 0.98%, 0.75%

LAB 65.64, 49.09, -52.28

 

CMYK 9 / 49 / 0 / 0

HEX #E881FE

RGB 232 129 254

HSL 289.44, 0.98%, 0.75%

LAB 69.48, 58.13, -45.97

 

CMYK 0 / 49 / 5 / 0

HEX #FE81F2

RGB 254 129 242

HSL 305.76, 0.98%, 0.75%

LAB 71.68, 62.03, -35.78

 

CMYK 48 / 49 / 0 / 0

HEX #8381FE

RGB 131 129 254

HSL 240.96, 0.98%, 0.75%

LAB 59.6, 32.86, -62.27

 

CMYK 49 / 49 / 0 / 0

HEX #8181FE

RGB 129 129 254

HSL 240, 0.98%, 0.75%

LAB 59.46, 32.43, -62.51

 

CMYK 48 / 49 / 0 / 0

HEX #8381FE

RGB 131 129 254

HSL 240.96, 0.98%, 0.75%

LAB 59.6, 32.86, -62.27

 

CMYK 48 / 49 / 0 / 0

HEX #8381FE

RGB 131 129 254

HSL 240.96, 0.98%, 0.75%

LAB 59.6, 32.86, -62.27

 

CMYK 42 / 43 / 0 / 5

HEX #8D8BF3

RGB 141 139 243

HSL 241.15, 0.81%, 0.75%

LAB 62.17, 26.15, -52.07

 

CMYK 35 / 36 / 0 / 9

HEX #9795E9

RGB 151 149 233

HSL 241.43, 0.66%, 0.75%

LAB 64.93, 20.21, -42.16

 

CMYK 28 / 28 / 0 / 13

HEX #A1A0DF

RGB 161 160 223

HSL 240.95, 0.5%, 0.75%

LAB 68.05, 14.22, -31.72

 

CMYK 19 / 20 / 0 / 17

HEX #ABAAD4

RGB 171 170 212

HSL 241.43, 0.33%, 0.75%

LAB 70.98, 9.07, -21.12

 

CMYK 49 / 23 / 0 / 0

HEX #81C3FE

RGB 129 195 254

HSL 208.32, 0.98%, 0.75%

LAB 76.59, -5.23, -35.5

 

CMYK 49 / 36 / 0 / 0

HEX #81A2FE

RGB 129 162 254

HSL 224.16, 0.98%, 0.75%

LAB 67.77, 13.18, -49.28

 

CMYK 49 / 49 / 0 / 0

HEX #8181FE

RGB 129 129 254

HSL 240, 0.98%, 0.75%

LAB 59.46, 32.43, -62.51

 

CMYK 36 / 49 / 0 / 0

HEX #A281FE

RGB 162 129 254

HSL 255.84, 0.98%, 0.75%

LAB 62.12, 39.98, -58.1

 

CMYK 23 / 49 / 0 / 0

HEX #C381FE

RGB 195 129 254

HSL 271.68, 0.98%, 0.75%

LAB 65.32, 48.31, -52.8

 

CMYK 80 / 81 / 0 / 1

HEX #322FFD

RGB 50 47 253

HSL 240.87, 0.98%, 0.59%

LAB 37.49, 67.15, -98.06

 

CMYK 64 / 65 / 0 / 1

HEX #5B58FD

RGB 91 88 253

HSL 241.09, 0.98%, 0.67%

LAB 47.36, 49.52, -81.69

 

CMYK 48 / 49 / 0 / 0

HEX #8381FE

RGB 131 129 254

HSL 240.96, 0.98%, 0.75%

LAB 59.6, 32.86, -62.27

 

CMYK 33 / 33 / 0 / 0

HEX #ABAAFE

RGB 171 170 254

HSL 240.71, 0.98%, 0.83%

LAB 72.6, 19.17, -41.5

 

CMYK 17 / 18 / 0 / 0

HEX #D3D2FF

RGB 211 210 255

HSL 241.33, 1%, 0.91%

LAB 85.59, 9.24, -21.81

 

CMYK 48 / 49 / 0 / 0

HEX #8381FE

RGB 131 129 254

HSL 240.96, 0.98%, 0.75%

LAB 59.6, 32.86, -62.27

 

CMYK 0 / 49 / 10 / 0

HEX #FE81E5

RGB 254 129 229

HSL 312, 0.98%, 0.75%

LAB 71.17, 59.93, -29.43

 

CMYK 30 / 0 / 49 / 0

HEX #B3FE81

RGB 179 254 129

HSL 96, 0.98%, 0.75%

LAB 92.6, -44.01, 52.15

 

CMYK 48 / 49 / 0 / 0

HEX #8381FE

RGB 131 129 254

HSL 240.96, 0.98%, 0.75%

LAB 59.6, 32.86, -62.27

 

CMYK 0 / 49 / 49 / 0

HEX #FE8181

RGB 254 129 129

HSL 0, 0.98%, 0.75%

LAB 68.28, 47.44, 22.2

 

CMYK 49 / 0 / 49 / 0

HEX #81FE81

RGB 129 254 129

HSL 120, 0.98%, 0.75%

LAB 90.38, -59.12, 48.94

 

CMYK 48 / 49 / 0 / 0

HEX #8381FE

RGB 131 129 254

HSL 240.96, 0.98%, 0.75%

LAB 59.6, 32.86, -62.27

 

CMYK 0 / 49 / 10 / 0

HEX #FE81E5

RGB 254 129 229

HSL 312, 0.98%, 0.75%

LAB 71.17, 59.93, -29.43

 

CMYK 0 / 0 / 49 / 0

HEX #FEFE81

RGB 254 254 129

HSL 60, 0.98%, 0.75%

LAB 97.45, -16.36, 59.13

 

CMYK 49 / 0 / 39 / 0

HEX #81FE9A

RGB 129 254 154

HSL 132, 0.98%, 0.75%

LAB 90.73, -55.52, 37.33

 

CMYK 48 / 49 / 0 / 0

HEX #8381FE

RGB 131 129 254

HSL 240.96, 0.98%, 0.75%

LAB 59.6, 32.86, -62.27

 

CMYK 0 / 49 / 25 / 0

HEX #FE81BF

RGB 254 129 191

HSL 330.24, 0.98%, 0.75%

LAB 69.85, 54.38, -10.35

 

CMYK 0 / 0 / 49 / 0

HEX #FEFE81

RGB 254 254 129

HSL 60, 0.98%, 0.75%

LAB 97.45, -16.36, 59.13

 

CMYK 49 / 0 / 25 / 0

HEX #81FEBF

RGB 129 254 191

HSL 149.76, 0.98%, 0.75%

LAB 91.38, -48.97, 19.58

 

Description

Color code: HEX #8381FECE | qconv.com Color code: HEX #8381FECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 129 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 129 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 40 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 40% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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