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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #837721 it is the complementary color #7C88DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #837721. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #837721 shade: #88771C, #99892F, #AA9B42, #BBAD55 and #CCBF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #837721. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #837721 shade: #837721, #72650E, #615300, #504100 and #3F2F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #837721 shade: #837721, #835C21, #834221, #832721 and #832121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #837721 shade: #837721, #748321, #5A8321, #3F8321 and #258321

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #837721 shade matches the following richer shades: #837721, #908113 and #9D8B06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #837721 shade: #837721, #756D2E, #68633B, #5B5948 and #4E4F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #837721 shade: #834121, #835B21, #837621, #768321 and #5B8321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #837721 shade: #413B10, #625918, #837721, #A49529 and #C5B331

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #837721 shade: #837721, #218327 and #4E2183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #837721 shade: #837721, #218376 and #762183

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #837721 shade: #837721, #218327, #212E83 and #83217C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #837721 shade: #837721, #218345, #212E83 and #83215F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 75 / 49

HEX #837721

RGB 131 119 33

HSL 52.65, 0.6%, 0.32%

LAB 49.65, -5.58, 46.25

 

Complementary color

CMYK 44 / 39 / 0 / 13

HEX #7C88DE

RGB 124 136 222

HSL 232.65, 0.6%, 0.68%

LAB 59.13, 17.74, -45.32

 

CMYK 0 / 13 / 79 / 47

HEX #88771C

RGB 136 119 28

HSL 50.56, 0.66%, 0.32%

LAB 50.11, -3.47, 48.75

 

CMYK 0 / 10 / 69 / 40

HEX #99892F

RGB 153 137 47

HSL 50.94, 0.53%, 0.39%

LAB 56.95, -4.69, 48.42

 

CMYK 0 / 9 / 61 / 33

HEX #AA9B42

RGB 170 155 66

HSL 51.35, 0.44%, 0.46%

LAB 63.66, -5.66, 47.52

 

CMYK 0 / 7 / 55 / 27

HEX #BBAD55

RGB 187 173 85

HSL 51.76, 0.43%, 0.53%

LAB 70.25, -6.44, 46.4

 

CMYK 0 / 6 / 49 / 20

HEX #CCBF68

RGB 204 191 104

HSL 52.2, 0.5%, 0.6%

LAB 76.74, -7.08, 45.2

 

CMYK 0 / 9 / 75 / 49

HEX #837721

RGB 131 119 33

HSL 52.65, 0.6%, 0.32%

LAB 49.65, -5.58, 46.25

 

CMYK 0 / 11 / 88 / 55

HEX #72650E

RGB 114 101 14

HSL 52.2, 0.78%, 0.25%

LAB 42.64, -4.22, 45.86

 

CMYK 0 / 14 / 100 / 62

HEX #615300

RGB 97 83 0

HSL 51.34, 1%, 0.19%

LAB 35.46, -2.46, 43.46

 

CMYK 0 / 19 / 100 / 69

HEX #504100

RGB 80 65 0

HSL 48.75, 1%, 0.16%

LAB 28.08, -0.19, 37.18

 

CMYK 0 / 25 / 100 / 75

HEX #3F2F00

RGB 63 47 0

HSL 44.76, 1%, 0.12%

LAB 20.4, 2.28, 28.95

 

CMYK 0 / 9 / 75 / 49

HEX #837721

RGB 131 119 33

HSL 52.65, 0.6%, 0.32%

LAB 49.65, -5.58, 46.25

 

CMYK 0 / 30 / 75 / 49

HEX #835C21

RGB 131 92 33

HSL 36.12, 0.6%, 0.32%

LAB 42.14, 10.04, 38.78

 

CMYK 0 / 50 / 75 / 49

HEX #834221

RGB 131 66 33

HSL 20.2, 0.6%, 0.32%

LAB 35.66, 25.23, 31.97

 

CMYK 0 / 70 / 75 / 49

HEX #832721

RGB 131 39 33

HSL 3.67, 0.6%, 0.32%

LAB 30.37, 38.99, 26.09

 

CMYK 0 / 75 / 75 / 49

HEX #832121

RGB 131 33 33

HSL 0, 0.6%, 0.32%

LAB 29.47, 41.45, 25.06

 

CMYK 0 / 9 / 75 / 49

HEX #837721

RGB 131 119 33

HSL 52.65, 0.6%, 0.32%

LAB 49.65, -5.58, 46.25

 

CMYK 11 / 0 / 75 / 49

HEX #748321

RGB 116 131 33

HSL 69.18, 0.6%, 0.32%

LAB 51.9, -18.95, 47.98

 

CMYK 31 / 0 / 75 / 49

HEX #5A8321

RGB 90 131 33

HSL 85.1, 0.6%, 0.32%

LAB 50.12, -29.99, 45.63

 

CMYK 52 / 0 / 75 / 49

HEX #3F8321

RGB 63 131 33

HSL 101.63, 0.6%, 0.32%

LAB 48.76, -39.67, 43.83

 

CMYK 72 / 0 / 75 / 49

HEX #258321

RGB 37 131 33

HSL 117.55, 0.6%, 0.32%

LAB 47.93, -46.35, 42.71

 

CMYK 0 / 9 / 75 / 49

HEX #837721

RGB 131 119 33

HSL 52.65, 0.6%, 0.32%

LAB 49.65, -5.58, 46.25

 

CMYK 0 / 10 / 87 / 44

HEX #908113

RGB 144 129 19

HSL 52.8, 0.77%, 0.32%

LAB 53.68, -5.61, 54.93

 

CMYK 0 / 11 / 96 / 38

HEX #9D8B06

RGB 157 139 6

HSL 52.85, 0.93%, 0.32%

LAB 57.7, -5.33, 61.13

 

CMYK 0 / 9 / 75 / 49

HEX #837721

RGB 131 119 33

HSL 52.65, 0.6%, 0.32%

LAB 49.65, -5.58, 46.25

 

CMYK 0 / 7 / 61 / 54

HEX #756D2E

RGB 117 109 46

HSL 53.24, 0.44%, 0.32%

LAB 45.52, -5.6, 35.6

 

CMYK 0 / 5 / 43 / 59

HEX #68633B

RGB 104 99 59

HSL 53.33, 0.28%, 0.32%

LAB 41.5, -4.5, 23.41

 

CMYK 0 / 2 / 21 / 64

HEX #5B5948

RGB 91 89 72

HSL 53.68, 0.12%, 0.32%

LAB 37.55, -2.44, 10.15

 

CMYK 8 / 7 / 0 / 67

HEX #4E4F55

RGB 78 79 85

HSL 231.43, 0.04%, 0.32%

LAB 33.71, 0.95, -3.67

 

CMYK 0 / 50 / 75 / 49

HEX #834121

RGB 131 65 33

HSL 19.59, 0.6%, 0.32%

LAB 35.43, 25.79, 31.73

 

CMYK 0 / 31 / 75 / 49

HEX #835B21

RGB 131 91 33

HSL 35.51, 0.6%, 0.32%

LAB 41.87, 10.63, 38.51

 

CMYK 0 / 10 / 75 / 49

HEX #837621

RGB 131 118 33

HSL 52.04, 0.6%, 0.32%

LAB 49.36, -5.02, 45.97

 

CMYK 10 / 0 / 75 / 49

HEX #768321

RGB 118 131 33

HSL 67.96, 0.6%, 0.32%

LAB 52.06, -18.06, 48.19

 

CMYK 31 / 0 / 75 / 49

HEX #5B8321

RGB 91 131 33

HSL 84.49, 0.6%, 0.32%

LAB 50.18, -29.59, 45.71

 

CMYK 0 / 9 / 75 / 75

HEX #413B10

RGB 65 59 16

HSL 52.65, 0.6%, 0.16%

LAB 24.61, -3.49, 26.57

 

CMYK 0 / 9 / 76 / 62

HEX #625918

RGB 98 89 24

HSL 52.7, 0.61%, 0.24%

LAB 37.49, -4.6, 36.99

 

CMYK 0 / 9 / 75 / 49

HEX #837721

RGB 131 119 33

HSL 52.65, 0.6%, 0.32%

LAB 49.65, -5.58, 46.25

 

CMYK 0 / 9 / 75 / 36

HEX #A49529

RGB 164 149 41

HSL 52.68, 0.6%, 0.4%

LAB 61.26, -6.56, 55.42

 

CMYK 0 / 9 / 75 / 23

HEX #C5B331

RGB 197 179 49

HSL 52.7, 0.6%, 0.48%

LAB 72.45, -7.49, 64.2

 

CMYK 0 / 9 / 75 / 49

HEX #837721

RGB 131 119 33

HSL 52.65, 0.6%, 0.32%

LAB 49.65, -5.58, 46.25

 

CMYK 75 / 0 / 70 / 49

HEX #218327

RGB 33 131 39

HSL 123.67, 0.6%, 0.32%

LAB 47.88, -46.54, 40.17

 

CMYK 40 / 75 / 0 / 49

HEX #4E2183

RGB 78 33 131

HSL 267.55, 0.6%, 0.32%

LAB 24.78, 41.32, -46.87

 

CMYK 0 / 9 / 75 / 49

HEX #837721

RGB 131 119 33

HSL 52.65, 0.6%, 0.32%

LAB 49.65, -5.58, 46.25

 

CMYK 75 / 0 / 10 / 49

HEX #218376

RGB 33 131 118

HSL 172.04, 0.6%, 0.32%

LAB 49.33, -30.67, -0.96

 

CMYK 10 / 75 / 0 / 49

HEX #762183

RGB 118 33 131

HSL 292.04, 0.6%, 0.32%

LAB 30.83, 49.77, -36.81

 

CMYK 0 / 9 / 75 / 49

HEX #837721

RGB 131 119 33

HSL 52.65, 0.6%, 0.32%

LAB 49.65, -5.58, 46.25

 

CMYK 75 / 0 / 70 / 49

HEX #218327

RGB 33 131 39

HSL 123.67, 0.6%, 0.32%

LAB 47.88, -46.54, 40.17

 

CMYK 75 / 65 / 0 / 49

HEX #212E83

RGB 33 46 131

HSL 232.04, 0.6%, 0.32%

LAB 23.39, 25.93, -49.31

 

CMYK 0 / 75 / 5 / 49

HEX #83217C

RGB 131 33 124

HSL 304.29, 0.6%, 0.32%

LAB 32.63, 51.53, -29.42

 

CMYK 0 / 9 / 75 / 49

HEX #837721

RGB 131 119 33

HSL 52.65, 0.6%, 0.32%

LAB 49.65, -5.58, 46.25

 

CMYK 75 / 0 / 47 / 49

HEX #218345

RGB 33 131 69

HSL 142.04, 0.6%, 0.32%

LAB 48.24, -42.31, 25.65

 

CMYK 75 / 65 / 0 / 49

HEX #212E83

RGB 33 46 131

HSL 232.04, 0.6%, 0.32%

LAB 23.39, 25.93, -49.31

 

CMYK 0 / 75 / 27 / 49

HEX #83215F

RGB 131 33 95

HSL 322.04, 0.6%, 0.32%

LAB 31.21, 47.15, -13.14

 

Description

Color code: HEX #837721 | qconv.com Color code: HEX #837721 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 119 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 119 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 75 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 75% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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