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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #836CC64C it is the complementary color #7C93394C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #836CC64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #836CC64C shade: #886CC14C, #997ED44C, #AA90E74C, #BBA2FA4C and #CCB4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #836CC64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #836CC64C shade: #836CC64C, #725AB34C, #6148A04C, #50368D4C and #3F247A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #836CC64C shade: #836CC6, #9B6CC6, #B36CC6, #C66CC0 and #C66CA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #836CC64C shade: #836CC6 and #6C6CC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #836CC64C shade matches the following richer shades: #836CC6, #7B5CD6, #734BE7 and #6B3BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #836CC64C shade: #836CC6, #8B7DB5, #938DA5, #9B9E94 and #A3AE84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #836CC64C shade: #6C86C6, #6C6EC6, #836CC6, #9A6CC6 and #B26CC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #836CC64C shade: #583FA1, #6A4EBA, #836CC6, #9C8AD1 and #B5A8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #836CC64C shade: #836CC6, #C66C9D and #7AC66C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #836CC64C shade: #836CC6, #C6836C and #6CC683

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #836CC64C shade: #836CC6, #C66C9D, #AFC66C and #6CC695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #836CC64C shade: #836CC6, #C66C83, #AFC66C and #6CC6AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 14 / 0 / 7

HEX #836CC64C

RGBA 131 108 198 0.3

HSLA 255.33, 0.44%, 0.6%, 0.3

LABA 51.41, 29.42, -43.92, 0.3

 

Complementary color

CMYK 5 / 0 / 18 / 13

HEX #7C93394C

RGBA 124 147 57 0.3

HSLA 75.33, 0.44%, 0.4%, 0.3

LABA 57.51, -22.03, 43.83, 0.3

 

CMYK 9 / 13 / 0 / 7

HEX #886CC14C

RGBA 136 108 193 0.3

HSLA 259.76, 0.41%, 0.59%, 0.3

LABA 51.62, 29.49, -40.69, 0.3

 

CMYK 8 / 12 / 0 / 5

HEX #997ED44C

RGBA 153 126 212 0.3

HSLA 258.84, 0.5%, 0.66%, 0.3

LABA 58.46, 28.63, -40.61, 0.3

 

CMYK 8 / 11 / 0 / 3

HEX #AA90E74C

RGBA 170 144 231 0.3

HSLA 257.93, 0.64%, 0.74%, 0.3

LABA 65.17, 27.84, -40.56, 0.3

 

CMYK 8 / 11 / 0 / 1

HEX #BBA2FA4C

RGBA 187 162 250 0.3

HSLA 257.05, 0.9%, 0.81%, 0.3

LABA 71.76, 27.13, -40.55, 0.3

 

CMYK 6 / 9 / 0 / 0

HEX #CCB4FF4C

RGBA 204 180 255 0.3

HSLA 259.2, 1%, 0.85%, 0.3

LABA 77.7, 23.31, -33.93, 0.3

 

CMYK 10 / 14 / 0 / 7

HEX #836CC64C

RGBA 131 108 198 0.3

HSLA 255.33, 0.44%, 0.6%, 0.3

LABA 51.41, 29.42, -43.92, 0.3

 

CMYK 11 / 15 / 0 / 9

HEX #725AB34C

RGBA 114 90 179 0.3

HSLA 256.18, 0.37%, 0.53%, 0.3

LABA 44.44, 30.46, -44.09, 0.3

 

CMYK 12 / 17 / 0 / 11

HEX #6148A04C

RGBA 97 72 160 0.3

HSLA 257.05, 0.38%, 0.45%, 0.3

LABA 37.32, 31.62, -44.3, 0.3

 

CMYK 13 / 19 / 0 / 13

HEX #50368D4C

RGBA 80 54 141 0.3

HSLA 257.93, 0.45%, 0.38%, 0.3

LABA 30.08, 32.91, -44.5, 0.3

 

CMYK 15 / 21 / 0 / 16

HEX #3F247A4C

RGBA 63 36 122 0.3

HSLA 258.84, 0.54%, 0.31%, 0.3

LABA 22.74, 34.24, -44.59, 0.3

 

CMYK 34 / 45 / 0 / 22

HEX #836CC6

RGB 131 108 198

HSL 255.33, 0.44%, 0.6%

LAB 51.41, 29.42, -43.92

 

CMYK 22 / 45 / 0 / 22

HEX #9B6CC6

RGB 155 108 198

HSL 271.33, 0.44%, 0.6%

LAB 53.78, 36.1, -40.02

 

CMYK 10 / 45 / 0 / 22

HEX #B36CC6

RGB 179 108 198

HSL 287.33, 0.44%, 0.6%

LAB 56.47, 43.06, -35.61

 

CMYK 0 / 45 / 3 / 22

HEX #C66CC0

RGB 198 108 192

HSL 304, 0.44%, 0.6%

LAB 58.54, 47.57, -28.78

 

CMYK 0 / 45 / 15 / 22

HEX #C66CA8

RGB 198 108 168

HSL 320, 0.44%, 0.6%

LAB 57.62, 43.51, -16.43

 

CMYK 34 / 45 / 0 / 22

HEX #836CC6

RGB 131 108 198

HSL 255.33, 0.44%, 0.6%

LAB 51.41, 29.42, -43.92

 

CMYK 45 / 45 / 0 / 22

HEX #6C6CC6

RGB 108 108 198

HSL 240, 0.44%, 0.6%

LAB 49.48, 23.52, -47.1

 

CMYK 34 / 45 / 0 / 22

HEX #836CC6

RGB 131 108 198

HSL 255.33, 0.44%, 0.6%

LAB 51.41, 29.42, -43.92

 

CMYK 43 / 57 / 0 / 16

HEX #7B5CD6

RGB 123 92 214

HSL 255.25, 0.6%, 0.6%

LAB 47.91, 41.16, -58.71

 

CMYK 50 / 68 / 0 / 9

HEX #734BE7

RGB 115 75 231

HSL 255.38, 0.76%, 0.6%

LAB 44.87, 53.72, -73.34

 

CMYK 57 / 76 / 0 / 3

HEX #6B3BF7

RGB 107 59 247

HSL 255.32, 0.92%, 0.6%

LAB 42.72, 64.76, -85.91

 

CMYK 34 / 45 / 0 / 22

HEX #836CC6

RGB 131 108 198

HSL 255.33, 0.44%, 0.6%

LAB 51.41, 29.42, -43.92

 

CMYK 23 / 31 / 0 / 29

HEX #8B7DB5

RGB 139 125 181

HSL 255, 0.27%, 0.6%

LAB 55.58, 17.39, -27.6

 

CMYK 11 / 15 / 0 / 35

HEX #938DA5

RGB 147 141 165

HSL 255, 0.12%, 0.6%

LAB 59.86, 7.08, -11.85

 

CMYK 2 / 0 / 6 / 38

HEX #9B9E94

RGB 155 158 148

HSL 78, 0.05%, 0.6%

LAB 64.61, -2.96, 4.84

 

CMYK 6 / 0 / 24 / 32

HEX #A3AE84

RGB 163 174 132

HSL 75.71, 0.21%, 0.6%

LAB 69.27, -11.22, 20.32

 

CMYK 45 / 32 / 0 / 22

HEX #6C86C6

RGB 108 134 198

HSL 222.67, 0.44%, 0.6%

LAB 56.4, 7.86, -36.17

 

CMYK 45 / 44 / 0 / 22

HEX #6C6EC6

RGB 108 110 198

HSL 238.67, 0.44%, 0.6%

LAB 50, 22.3, -46.28

 

CMYK 34 / 45 / 0 / 22

HEX #836CC6

RGB 131 108 198

HSL 255.33, 0.44%, 0.6%

LAB 51.41, 29.42, -43.92

 

CMYK 22 / 45 / 0 / 22

HEX #9A6CC6

RGB 154 108 198

HSL 270.67, 0.44%, 0.6%

LAB 53.68, 35.82, -40.19

 

CMYK 10 / 45 / 0 / 22

HEX #B26CC6

RGB 178 108 198

HSL 286.67, 0.44%, 0.6%

LAB 56.35, 42.77, -35.8

 

CMYK 45 / 61 / 0 / 37

HEX #583FA1

RGB 88 63 161

HSL 255.31, 0.44%, 0.44%

LAB 34.4, 35.21, -49.65

 

CMYK 43 / 58 / 0 / 27

HEX #6A4EBA

RGB 106 78 186

HSL 255.56, 0.44%, 0.52%

LAB 41.31, 37.6, -53.26

 

CMYK 34 / 45 / 0 / 22

HEX #836CC6

RGB 131 108 198

HSL 255.33, 0.44%, 0.6%

LAB 51.41, 29.42, -43.92

 

CMYK 25 / 34 / 0 / 18

HEX #9C8AD1

RGB 156 138 209

HSL 255.21, 0.44%, 0.68%

LAB 61.52, 21.85, -34.11

 

CMYK 18 / 24 / 0 / 13

HEX #B5A8DD

RGB 181 168 221

HSL 254.72, 0.44%, 0.76%

LAB 71.59, 15.34, -25.05

 

CMYK 34 / 45 / 0 / 22

HEX #836CC6

RGB 131 108 198

HSL 255.33, 0.44%, 0.6%

LAB 51.41, 29.42, -43.92

 

CMYK 0 / 45 / 21 / 22

HEX #C66C9D

RGB 198 108 157

HSL 327.33, 0.44%, 0.6%

LAB 57.24, 41.81, -10.64

 

CMYK 38 / 0 / 45 / 22

HEX #7AC66C

RGB 122 198 108

HSL 110.67, 0.44%, 0.6%

LAB 73.29, -40.97, 37.74

 

CMYK 34 / 45 / 0 / 22

HEX #836CC6

RGB 131 108 198

HSL 255.33, 0.44%, 0.6%

LAB 51.41, 29.42, -43.92

 

CMYK 0 / 34 / 45 / 22

HEX #C6836C

RGB 198 131 108

HSL 15.33, 0.44%, 0.6%

LAB 61.06, 23.15, 23

 

CMYK 45 / 0 / 34 / 22

HEX #6CC683

RGB 108 198 131

HSL 135.33, 0.44%, 0.6%

LAB 73.03, -41.54, 25.43

 

CMYK 34 / 45 / 0 / 22

HEX #836CC6

RGB 131 108 198

HSL 255.33, 0.44%, 0.6%

LAB 51.41, 29.42, -43.92

 

CMYK 0 / 45 / 21 / 22

HEX #C66C9D

RGB 198 108 157

HSL 327.33, 0.44%, 0.6%

LAB 57.24, 41.81, -10.64

 

CMYK 12 / 0 / 45 / 22

HEX #AFC66C

RGB 175 198 108

HSL 75.33, 0.44%, 0.6%

LAB 76.43, -21.89, 42.33

 

CMYK 45 / 0 / 25 / 22

HEX #6CC695

RGB 108 198 149

HSL 147.33, 0.44%, 0.6%

LAB 73.38, -38.14, 16.34

 

CMYK 34 / 45 / 0 / 22

HEX #836CC6

RGB 131 108 198

HSL 255.33, 0.44%, 0.6%

LAB 51.41, 29.42, -43.92

 

CMYK 0 / 45 / 34 / 22

HEX #C66C83

RGB 198 108 131

HSL 344.67, 0.44%, 0.6%

LAB 56.46, 38.21, 3.36

 

CMYK 12 / 0 / 45 / 22

HEX #AFC66C

RGB 175 198 108

HSL 75.33, 0.44%, 0.6%

LAB 76.43, -21.89, 42.33

 

CMYK 45 / 0 / 12 / 22

HEX #6CC6AF

RGB 108 198 175

HSL 164.67, 0.44%, 0.6%

LAB 73.98, -32.5, 3.17

 

Description

Color code: HEX #836CC64C | qconv.com Color code: HEX #836CC64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 108 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 108 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 14 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 14% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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