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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8367FB it is the complementary color #7C9804. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8367FB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8367FB shade: #8867F6, #9979FF, #AA8BFF, #BB9DFF and #CCAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8367FB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8367FB shade: #8367FB, #7255E8, #6143D5, #5031C2 and #3F1FAF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8367FB shade: #8165FB, #AA65FB, #D265FB, #FB65FB and #FB65D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8367FB shade: #8165FB and #6565FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8367FB shade matches the following richer shades: #8165FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8367FB shade: #8165FB, #8972EE, #917EE1, #998BD5 and #A198C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8367FB shade: #6599FB, #6571FB, #8065FB, #A865FB and #D065FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8367FB shade: #4014F9, #603DFA, #8165FB, #A28DFC and #C3B5FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8367FB shade: #8367FB, #FB65C1 and #85FB65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8367FB shade: #8367FB, #FB8065 and #65FB80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8367FB shade: #8367FB, #FB65C1, #E0FB65 and #65FB9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8367FB shade: #8367FB, #FB6594, #E0FB65 and #65FBCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 59 / 0 / 2

HEX #8367FB

RGB 131 103 251

HSL 251.35, 0.95%, 0.69%

LAB 53.48, 46.97, -70.47

 

Complementary color

CMYK 18 / 0 / 97 / 40

HEX #7C9804

RGB 124 152 4

HSL 71.35, 0.95%, 0.31%

LAB 58.74, -26.96, 61.04

 

CMYK 45 / 58 / 0 / 4

HEX #8867F6

RGB 136 103 246

HSL 253.85, 0.89%, 0.68%

LAB 53.59, 46.57, -67.5

 

CMYK 40 / 53 / 0 / 0

HEX #9979FF

RGB 153 121 255

HSL 254.33, 1%, 0.74%

LAB 59.59, 42.62, -62.74

 

CMYK 33 / 45 / 0 / 0

HEX #AA8BFF

RGB 170 139 255

HSL 256.03, 1%, 0.77%

LAB 65.15, 36.61, -53.79

 

CMYK 27 / 38 / 0 / 0

HEX #BB9DFF

RGB 187 157 255

HSL 258.37, 1%, 0.81%

LAB 70.8, 31.09, -44.77

 

CMYK 20 / 31 / 0 / 0

HEX #CCAFFF

RGB 204 175 255

HSL 261.75, 1%, 0.84%

LAB 76.51, 26.05, -35.77

 

CMYK 48 / 59 / 0 / 2

HEX #8367FB

RGB 131 103 251

HSL 251.35, 0.95%, 0.69%

LAB 53.48, 46.97, -70.47

 

CMYK 51 / 63 / 0 / 9

HEX #7255E8

RGB 114 85 232

HSL 251.84, 0.76%, 0.62%

LAB 46.84, 48.42, -70.69

 

CMYK 54 / 69 / 0 / 16

HEX #6143D5

RGB 97 67 213

HSL 252.33, 0.63%, 0.55%

LAB 40.18, 49.93, -70.8

 

CMYK 59 / 75 / 0 / 24

HEX #5031C2

RGB 80 49 194

HSL 252.83, 0.6%, 0.48%

LAB 33.56, 51.35, -70.69

 

CMYK 64 / 82 / 0 / 31

HEX #3F1FAF

RGB 63 31 175

HSL 253.33, 0.7%, 0.4%

LAB 27.11, 52.4, -70.11

 

CMYK 49 / 60 / 0 / 2

HEX #8165FB

RGB 129 101 251

HSL 251.2, 0.95%, 0.69%

LAB 52.88, 47.71, -71.45

 

CMYK 32 / 60 / 0 / 2

HEX #AA65FB

RGB 170 101 251

HSL 267.6, 0.95%, 0.69%

LAB 56.9, 56.2, -64.77

 

CMYK 16 / 60 / 0 / 2

HEX #D265FB

RGB 210 101 251

HSL 283.6, 0.95%, 0.69%

LAB 61.63, 65.33, -56.92

 

CMYK 0 / 60 / 0 / 2

HEX #FB65FB

RGB 251 101 251

HSL 300, 0.95%, 0.69%

LAB 67.11, 75.04, -47.88

 

CMYK 0 / 60 / 16 / 2

HEX #FB65D3

RGB 251 101 211

HSL 316, 0.95%, 0.69%

LAB 65.37, 68.91, -28.39

 

CMYK 49 / 60 / 0 / 2

HEX #8165FB

RGB 129 101 251

HSL 251.2, 0.95%, 0.69%

LAB 52.88, 47.71, -71.45

 

CMYK 60 / 60 / 0 / 2

HEX #6565FB

RGB 101 101 251

HSL 240, 0.95%, 0.69%

LAB 50.73, 42.79, -75.04

 

CMYK 49 / 60 / 0 / 2

HEX #8165FB

RGB 129 101 251

HSL 251.2, 0.95%, 0.69%

LAB 52.88, 47.71, -71.45

 

CMYK 49 / 60 / 0 / 2

HEX #8165FB

RGB 129 101 251

HSL 251.2, 0.95%, 0.69%

LAB 52.88, 47.71, -71.45

 

CMYK 42 / 52 / 0 / 7

HEX #8972EE

RGB 137 114 238

HSL 251.13, 0.78%, 0.69%

LAB 55.61, 38.32, -59.79

 

CMYK 36 / 44 / 0 / 12

HEX #917EE1

RGB 145 126 225

HSL 251.52, 0.62%, 0.69%

LAB 58.39, 29.79, -48.05

 

CMYK 28 / 35 / 0 / 16

HEX #998BD5

RGB 153 139 213

HSL 251.35, 0.47%, 0.69%

LAB 61.69, 21.38, -36.11

 

CMYK 20 / 24 / 0 / 22

HEX #A198C8

RGB 161 152 200

HSL 251.25, 0.3%, 0.69%

LAB 65.12, 13.27, -23.49

 

CMYK 60 / 39 / 0 / 2

HEX #6599FB

RGB 101 153 251

HSL 219.2, 0.95%, 0.69%

LAB 63.77, 11.71, -54.08

 

CMYK 60 / 55 / 0 / 2

HEX #6571FB

RGB 101 113 251

HSL 235.2, 0.95%, 0.69%

LAB 53.54, 35.65, -70.49

 

CMYK 49 / 60 / 0 / 2

HEX #8065FB

RGB 128 101 251

HSL 250.8, 0.95%, 0.69%

LAB 52.8, 47.51, -71.59

 

CMYK 33 / 60 / 0 / 2

HEX #A865FB

RGB 168 101 251

HSL 266.8, 0.95%, 0.69%

LAB 56.68, 55.76, -65.13

 

CMYK 17 / 60 / 0 / 2

HEX #D065FB

RGB 208 101 251

HSL 282.8, 0.95%, 0.69%

LAB 61.38, 64.86, -57.34

 

CMYK 74 / 92 / 0 / 2

HEX #4014F9

RGB 64 20 249

HSL 251.53, 0.95%, 0.53%

LAB 34.86, 75.48, -100.16

 

CMYK 62 / 76 / 0 / 2

HEX #603DFA

RGB 96 61 250

HSL 251.11, 0.95%, 0.61%

LAB 42.35, 63.42, -88.24

 

CMYK 49 / 60 / 0 / 2

HEX #8165FB

RGB 129 101 251

HSL 251.2, 0.95%, 0.69%

LAB 52.88, 47.71, -71.45

 

CMYK 36 / 44 / 0 / 1

HEX #A28DFC

RGB 162 141 252

HSL 251.35, 0.95%, 0.77%

LAB 64.77, 32.67, -52.78

 

CMYK 23 / 28 / 0 / 1

HEX #C3B5FD

RGB 195 181 253

HSL 251.67, 0.95%, 0.85%

LAB 77.13, 19.65, -33.79

 

CMYK 48 / 59 / 0 / 2

HEX #8367FB

RGB 131 103 251

HSL 251.35, 0.95%, 0.69%

LAB 53.48, 46.97, -70.47

 

CMYK 0 / 60 / 23 / 2

HEX #FB65C1

RGB 251 101 193

HSL 323.2, 0.95%, 0.69%

LAB 64.7, 66.44, -19.28

 

CMYK 47 / 0 / 60 / 2

HEX #85FB65

RGB 133 251 101

HSL 107.2, 0.95%, 0.69%

LAB 89.36, -60.09, 60.3

 

CMYK 48 / 59 / 0 / 2

HEX #8367FB

RGB 131 103 251

HSL 251.35, 0.95%, 0.69%

LAB 53.48, 46.97, -70.47

 

CMYK 0 / 49 / 60 / 2

HEX #FB8065

RGB 251 128 101

HSL 10.8, 0.95%, 0.69%

LAB 67.19, 44.64, 36.16

 

CMYK 60 / 0 / 49 / 2

HEX #65FB80

RGB 101 251 128

HSL 130.8, 0.95%, 0.69%

LAB 88.6, -64.78, 47

 

CMYK 48 / 59 / 0 / 2

HEX #8367FB

RGB 131 103 251

HSL 251.35, 0.95%, 0.69%

LAB 53.48, 46.97, -70.47

 

CMYK 0 / 60 / 23 / 2

HEX #FB65C1

RGB 251 101 193

HSL 323.2, 0.95%, 0.69%

LAB 64.7, 66.44, -19.28

 

CMYK 11 / 0 / 60 / 2

HEX #E0FB65

RGB 224 251 101

HSL 70.8, 0.95%, 0.69%

LAB 94.22, -28.8, 67.06

 

CMYK 60 / 0 / 37 / 2

HEX #65FB9E

RGB 101 251 158

HSL 142.8, 0.95%, 0.69%

LAB 89.03, -60.05, 32.95

 

CMYK 48 / 59 / 0 / 2

HEX #8367FB

RGB 131 103 251

HSL 251.35, 0.95%, 0.69%

LAB 53.48, 46.97, -70.47

 

CMYK 0 / 60 / 41 / 2

HEX #FB6594

RGB 251 101 148

HSL 341.2, 0.95%, 0.69%

LAB 63.31, 61.21, 4.37

 

CMYK 11 / 0 / 60 / 2

HEX #E0FB65

RGB 224 251 101

HSL 70.8, 0.95%, 0.69%

LAB 94.22, -28.8, 67.06

 

CMYK 60 / 0 / 19 / 2

HEX #65FBCB

RGB 101 251 203

HSL 160.8, 0.95%, 0.69%

LAB 89.89, -51.08, 11.19

 

Description

Color code: HEX #8367FB | qconv.com Color code: HEX #8367FB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 103 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 103 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 59 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 59% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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