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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #836541 it is the complementary color #7C9ABE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #836541. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #836541 shade: #88653C, #99774F, #AA8962, #BB9B75 and #CCAD88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #836541. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #836541 shade: #836541, #72532E, #61411B, #502F08 and #3F1D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #836541 shade: #826440, #825240 and #824040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #836541 shade: #826440, #827640, #7C8240, #6A8240 and #598240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #836541 shade matches the following richer shades: #826440, #926530, #A16721, #B16811 and #C16A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #836541 shade: #826440, #726250, #62615F, #53606F and #435E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #836541 shade: #824040, #825240, #826340, #827540 and #7D8240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #836541 shade: #4B3925, #664F32, #826440, #9D794E and #B28E62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #836541 shade: #836541, #528240 and #494082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #836541 shade: #836541, #408263 and #634082

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #836541 shade: #836541, #528240, #405F82 and #704082

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #836541 shade: #836541, #408242, #405F82 and #824080

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 50 / 49

HEX #836541

RGB 131 101 65

HSL 32.73, 0.34%, 0.38%

LAB 44.96, 7.24, 24.93

 

Complementary color

CMYK 35 / 19 / 0 / 25

HEX #7C9ABE

RGB 124 154 190

HSL 212.73, 0.34%, 0.62%

LAB 62.6, -1.58, -21.98

 

CMYK 0 / 26 / 56 / 47

HEX #88653C

RGB 136 101 60

HSL 32.37, 0.39%, 0.38%

LAB 45.45, 9.01, 28.51

 

CMYK 0 / 22 / 48 / 40

HEX #99774F

RGB 153 119 79

HSL 32.43, 0.32%, 0.45%

LAB 52.43, 8, 27.02

 

CMYK 0 / 19 / 42 / 33

HEX #AA8962

RGB 170 137 98

HSL 32.5, 0.3%, 0.53%

LAB 59.27, 7.18, 25.64

 

CMYK 0 / 17 / 37 / 27

HEX #BB9B75

RGB 187 155 117

HSL 32.57, 0.34%, 0.6%

LAB 65.98, 6.49, 24.38

 

CMYK 0 / 15 / 33 / 20

HEX #CCAD88

RGB 204 173 136

HSL 32.65, 0.4%, 0.67%

LAB 72.56, 5.9, 23.21

 

CMYK 0 / 23 / 50 / 49

HEX #836541

RGB 131 101 65

HSL 32.73, 0.34%, 0.38%

LAB 44.96, 7.24, 24.93

 

CMYK 0 / 27 / 60 / 55

HEX #72532E

RGB 114 83 46

HSL 32.65, 0.43%, 0.31%

LAB 37.77, 8.33, 26.49

 

CMYK 0 / 33 / 72 / 62

HEX #61411B

RGB 97 65 27

HSL 32.57, 0.56%, 0.24%

LAB 30.4, 9.75, 28.11

 

CMYK 0 / 41 / 90 / 69

HEX #502F08

RGB 80 47 8

HSL 32.5, 0.82%, 0.17%

LAB 22.85, 11.66, 29.03

 

CMYK 0 / 54 / 100 / 75

HEX #3F1D00

RGB 63 29 0

HSL 27.62, 1%, 0.12%

LAB 15.15, 14.24, 22.65

 

CMYK 0 / 23 / 51 / 49

HEX #826440

RGB 130 100 64

HSL 32.73, 0.34%, 0.38%

LAB 44.56, 7.28, 24.98

 

CMYK 0 / 37 / 51 / 49

HEX #825240

RGB 130 82 64

HSL 16.36, 0.34%, 0.38%

LAB 39.83, 17.93, 18.87

 

CMYK 0 / 51 / 51 / 49

HEX #824040

RGB 130 64 64

HSL 0, 0.34%, 0.38%

LAB 35.56, 28.33, 13.15

 

CMYK 0 / 23 / 51 / 49

HEX #826440

RGB 130 100 64

HSL 32.73, 0.34%, 0.38%

LAB 44.56, 7.28, 24.98

 

CMYK 0 / 9 / 51 / 49

HEX #827640

RGB 130 118 64

HSL 49.09, 0.34%, 0.38%

LAB 49.58, -3.15, 31.23

 

CMYK 5 / 0 / 51 / 49

HEX #7C8240

RGB 124 130 64

HSL 65.45, 0.34%, 0.38%

LAB 52.53, -12.47, 34.66

 

CMYK 18 / 0 / 51 / 49

HEX #6A8240

RGB 106 130 64

HSL 81.82, 0.34%, 0.38%

LAB 51.15, -20.14, 32.67

 

CMYK 32 / 0 / 51 / 49

HEX #598240

RGB 89 130 64

HSL 97.27, 0.34%, 0.38%

LAB 50.05, -26.89, 31.07

 

CMYK 0 / 23 / 51 / 49

HEX #826440

RGB 130 100 64

HSL 32.73, 0.34%, 0.38%

LAB 44.56, 7.28, 24.98

 

CMYK 0 / 31 / 67 / 43

HEX #926530

RGB 146 101 48

HSL 32.45, 0.51%, 0.38%

LAB 46.49, 12.6, 36.52

 

CMYK 0 / 36 / 80 / 37

HEX #A16721

RGB 161 103 33

HSL 32.81, 0.66%, 0.38%

LAB 48.74, 17.44, 46.56

 

CMYK 0 / 41 / 90 / 31

HEX #B16811

RGB 177 104 17

HSL 32.63, 0.82%, 0.38%

LAB 51.02, 23.51, 54.94

 

CMYK 0 / 45 / 99 / 24

HEX #C16A01

RGB 193 106 1

HSL 32.81, 0.99%, 0.38%

LAB 53.65, 29.08, 61.22

 

CMYK 0 / 23 / 51 / 49

HEX #826440

RGB 130 100 64

HSL 32.73, 0.34%, 0.38%

LAB 44.56, 7.28, 24.98

 

CMYK 0 / 14 / 30 / 55

HEX #726250

RGB 114 98 80

HSL 31.76, 0.18%, 0.38%

LAB 42.6, 3.4, 12.62

 

CMYK 0 / 1 / 3 / 62

HEX #62615F

RGB 98 97 95

HSL 40, 0.02%, 0.38%

LAB 41.17, -0.01, 1.27

 

CMYK 25 / 14 / 0 / 56

HEX #53606F

RGB 83 96 111

HSL 212.14, 0.14%, 0.38%

LAB 40.17, -1.28, -10.15

 

CMYK 47 / 26 / 0 / 50

HEX #435E7F

RGB 67 94 127

HSL 213, 0.31%, 0.38%

LAB 39.12, -0.4, -21.63

 

CMYK 0 / 51 / 51 / 49

HEX #824040

RGB 130 64 64

HSL 0, 0.34%, 0.38%

LAB 35.56, 28.33, 13.15

 

CMYK 0 / 37 / 51 / 49

HEX #825240

RGB 130 82 64

HSL 16.36, 0.34%, 0.38%

LAB 39.83, 17.93, 18.87

 

CMYK 0 / 24 / 51 / 49

HEX #826340

RGB 130 99 64

HSL 31.82, 0.34%, 0.38%

LAB 44.29, 7.87, 24.63

 

CMYK 0 / 10 / 51 / 49

HEX #827540

RGB 130 117 64

HSL 48.18, 0.34%, 0.38%

LAB 49.3, -2.58, 30.88

 

CMYK 4 / 0 / 51 / 49

HEX #7D8240

RGB 125 130 64

HSL 64.55, 0.34%, 0.38%

LAB 52.61, -12.03, 34.78

 

CMYK 0 / 24 / 51 / 71

HEX #4B3925

RGB 75 57 37

HSL 31.58, 0.34%, 0.22%

LAB 25.43, 4.93, 15.49

 

CMYK 0 / 23 / 51 / 60

HEX #664F32

RGB 102 79 50

HSL 33.46, 0.34%, 0.3%

LAB 35.3, 5.53, 20.76

 

CMYK 0 / 23 / 51 / 49

HEX #826440

RGB 130 100 64

HSL 32.73, 0.34%, 0.38%

LAB 44.56, 7.28, 24.98

 

CMYK 0 / 23 / 50 / 38

HEX #9D794E

RGB 157 121 78

HSL 32.66, 0.34%, 0.46%

LAB 53.38, 8.5, 28.87

 

CMYK 0 / 20 / 45 / 30

HEX #B28E62

RGB 178 142 98

HSL 33, 0.34%, 0.54%

LAB 61.39, 7.76, 28.57

 

CMYK 0 / 23 / 50 / 49

HEX #836541

RGB 131 101 65

HSL 32.73, 0.34%, 0.38%

LAB 44.96, 7.24, 24.93

 

CMYK 37 / 0 / 51 / 49

HEX #528240

RGB 82 130 64

HSL 103.64, 0.34%, 0.38%

LAB 49.65, -29.48, 30.5

 

CMYK 44 / 51 / 0 / 49

HEX #494082

RGB 73 64 130

HSL 248.18, 0.34%, 0.38%

LAB 31.1, 21.53, -36.07

 

CMYK 0 / 23 / 50 / 49

HEX #836541

RGB 131 101 65

HSL 32.73, 0.34%, 0.38%

LAB 44.96, 7.24, 24.93

 

CMYK 51 / 0 / 24 / 49

HEX #408263

RGB 64 130 99

HSL 151.82, 0.34%, 0.38%

LAB 49.44, -28.84, 10.42

 

CMYK 24 / 51 / 0 / 49

HEX #634082

RGB 99 64 130

HSL 271.82, 0.34%, 0.38%

LAB 33.84, 28.9, -31.55

 

CMYK 0 / 23 / 50 / 49

HEX #836541

RGB 131 101 65

HSL 32.73, 0.34%, 0.38%

LAB 44.96, 7.24, 24.93

 

CMYK 37 / 0 / 51 / 49

HEX #528240

RGB 82 130 64

HSL 103.64, 0.34%, 0.38%

LAB 49.65, -29.48, 30.5

 

CMYK 51 / 27 / 0 / 49

HEX #405F82

RGB 64 95 130

HSL 211.82, 0.34%, 0.38%

LAB 39.39, -0.86, -23.06

 

CMYK 14 / 51 / 0 / 49

HEX #704082

RGB 112 64 130

HSL 283.64, 0.34%, 0.38%

LAB 35.45, 32.82, -28.91

 

CMYK 0 / 23 / 50 / 49

HEX #836541

RGB 131 101 65

HSL 32.73, 0.34%, 0.38%

LAB 44.96, 7.24, 24.93

 

CMYK 51 / 0 / 49 / 49

HEX #408242

RGB 64 130 66

HSL 121.82, 0.34%, 0.38%

LAB 48.82, -35.14, 28.21

 

CMYK 51 / 27 / 0 / 49

HEX #405F82

RGB 64 95 130

HSL 211.82, 0.34%, 0.38%

LAB 39.39, -0.86, -23.06

 

CMYK 0 / 51 / 2 / 49

HEX #824080

RGB 130 64 128

HSL 301.82, 0.34%, 0.38%

LAB 37.79, 37.96, -23.83

 

Description

Color code: HEX #836541 | qconv.com Color code: HEX #836541 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 101 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 101 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 50 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 50% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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