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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83634D it is the complementary color #7C9CB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83634D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83634D shade: #886348, #99755B, #AA876E, #BB9981 and #CCAB94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83634D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83634D shade: #83634D, #72513A, #613F27, #502D14 and #3F1B01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83634D shade: #84644D, #84554D and #844D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83634D shade: #84644D, #84724D, #84814D, #78844D and #69844D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83634D shade matches the following richer shades: #84644D, #95603C, #A65D2C, #B65A1B and #C7570A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83634D shade: #84644D, #73675E, #626A6F, #516D80 and #407091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83634D shade: #844D55, #84554D, #84634D, #84724D and #84804D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83634D shade: #503C2F, #6A503E, #84644D, #9E775D and #AE8D75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83634D shade: #83634D, #63844D and #4D4D84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83634D shade: #83634D, #4D8463 and #634D84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83634D shade: #83634D, #63844D, #4D6E84 and #6E4D84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83634D shade: #83634D, #53844D, #4D6E84 and #7E4D84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 41 / 49

HEX #83634D

RGB 131 99 77

HSL 24.44, 0.26%, 0.41%

LAB 44.64, 9.79, 17.49

 

Complementary color

CMYK 30 / 12 / 0 / 30

HEX #7C9CB2

RGB 124 156 178

HSL 204.44, 0.26%, 0.59%

LAB 62.74, -5.77, -15.03

 

CMYK 0 / 27 / 47 / 47

HEX #886348

RGB 136 99 72

HSL 25.31, 0.31%, 0.41%

LAB 45.12, 11.4, 21.18

 

CMYK 0 / 24 / 41 / 40

HEX #99755B

RGB 153 117 91

HSL 25.16, 0.25%, 0.48%

LAB 52.12, 10.5, 19.78

 

CMYK 0 / 21 / 35 / 33

HEX #AA876E

RGB 170 135 110

HSL 25, 0.26%, 0.55%

LAB 58.97, 9.75, 18.52

 

CMYK 0 / 18 / 31 / 27

HEX #BB9981

RGB 187 153 129

HSL 24.83, 0.3%, 0.62%

LAB 65.7, 9.11, 17.38

 

CMYK 0 / 16 / 27 / 20

HEX #CCAB94

RGB 204 171 148

HSL 24.64, 0.35%, 0.69%

LAB 72.3, 8.56, 16.33

 

CMYK 0 / 24 / 41 / 49

HEX #83634D

RGB 131 99 77

HSL 24.44, 0.26%, 0.41%

LAB 44.64, 9.79, 17.49

 

CMYK 0 / 29 / 49 / 55

HEX #72513A

RGB 114 81 58

HSL 24.64, 0.33%, 0.34%

LAB 37.42, 10.75, 18.96

 

CMYK 0 / 35 / 60 / 62

HEX #613F27

RGB 97 63 39

HSL 24.83, 0.43%, 0.27%

LAB 30.02, 11.96, 20.65

 

CMYK 0 / 44 / 75 / 69

HEX #502D14

RGB 80 45 20

HSL 25, 0.6%, 0.2%

LAB 22.42, 13.57, 22.58

 

CMYK 0 / 57 / 98 / 75

HEX #3F1B01

RGB 63 27 1

HSL 25.16, 0.97%, 0.13%

LAB 14.64, 15.58, 21.59

 

CMYK 0 / 24 / 42 / 48

HEX #84644D

RGB 132 100 77

HSL 25.09, 0.26%, 0.41%

LAB 45.02, 9.64, 18.03

 

CMYK 0 / 36 / 42 / 48

HEX #84554D

RGB 132 85 77

HSL 8.73, 0.26%, 0.41%

LAB 41.12, 18.51, 12.73

 

CMYK 0 / 42 / 42 / 48

HEX #844D4D

RGB 132 77 77

HSL 0, 0.26%, 0.41%

LAB 39.15, 23.2, 10.01

 

CMYK 0 / 24 / 42 / 48

HEX #84644D

RGB 132 100 77

HSL 25.09, 0.26%, 0.41%

LAB 45.02, 9.64, 18.03

 

CMYK 0 / 14 / 42 / 48

HEX #84724D

RGB 132 114 77

HSL 40.36, 0.26%, 0.41%

LAB 48.85, 1.46, 23.1

 

CMYK 0 / 2 / 42 / 48

HEX #84814D

RGB 132 129 77

HSL 56.73, 0.26%, 0.41%

LAB 53.1, -7.03, 28.56

 

CMYK 9 / 0 / 42 / 48

HEX #78844D

RGB 120 132 77

HSL 73.09, 0.26%, 0.41%

LAB 52.98, -13.78, 28.2

 

CMYK 20 / 0 / 42 / 48

HEX #69844D

RGB 105 132 77

HSL 89.45, 0.26%, 0.41%

LAB 51.88, -19.92, 26.58

 

CMYK 0 / 24 / 42 / 48

HEX #84644D

RGB 132 100 77

HSL 25.09, 0.26%, 0.41%

LAB 45.02, 9.64, 18.03

 

CMYK 0 / 36 / 60 / 42

HEX #95603C

RGB 149 96 60

HSL 24.27, 0.43%, 0.41%

LAB 45.75, 17.72, 29.23

 

CMYK 0 / 44 / 73 / 35

HEX #A65D2C

RGB 166 93 44

HSL 24.1, 0.58%, 0.41%

LAB 47.13, 25.76, 40.03

 

CMYK 0 / 51 / 85 / 29

HEX #B65A1B

RGB 182 90 27

HSL 24.39, 0.74%, 0.41%

LAB 48.68, 33.43, 50.04

 

CMYK 0 / 56 / 95 / 22

HEX #C7570A

RGB 199 87 10

HSL 24.44, 0.9%, 0.41%

LAB 50.66, 41.4, 57.89

 

CMYK 0 / 24 / 42 / 48

HEX #84644D

RGB 132 100 77

HSL 25.09, 0.26%, 0.41%

LAB 45.02, 9.64, 18.03

 

CMYK 0 / 10 / 18 / 55

HEX #73675E

RGB 115 103 94

HSL 25.71, 0.1%, 0.41%

LAB 44.45, 3.12, 6.8

 

CMYK 12 / 5 / 0 / 56

HEX #626A6F

RGB 98 106 111

HSL 203.08, 0.06%, 0.41%

LAB 44.31, -1.94, -3.85

 

CMYK 37 / 15 / 0 / 50

HEX #516D80

RGB 81 109 128

HSL 204.26, 0.22%, 0.41%

LAB 44.58, -5.12, -13.79

 

CMYK 56 / 23 / 0 / 43

HEX #407091

RGB 64 112 145

HSL 204.44, 0.39%, 0.41%

LAB 45.25, -6.27, -22.99

 

CMYK 0 / 42 / 36 / 48

HEX #844D55

RGB 132 77 85

HSL 351.27, 0.26%, 0.41%

LAB 39.36, 24.24, 5.32

 

CMYK 0 / 36 / 42 / 48

HEX #84554D

RGB 132 85 77

HSL 8.73, 0.26%, 0.41%

LAB 41.12, 18.51, 12.73

 

CMYK 0 / 25 / 42 / 48

HEX #84634D

RGB 132 99 77

HSL 24, 0.26%, 0.41%

LAB 44.75, 10.23, 17.67

 

CMYK 0 / 14 / 42 / 48

HEX #84724D

RGB 132 114 77

HSL 40.36, 0.26%, 0.41%

LAB 48.85, 1.46, 23.1

 

CMYK 0 / 3 / 42 / 48

HEX #84804D

RGB 132 128 77

HSL 55.64, 0.26%, 0.41%

LAB 52.82, -6.47, 28.2

 

CMYK 0 / 25 / 41 / 69

HEX #503C2F

RGB 80 60 47

HSL 23.64, 0.26%, 0.25%

LAB 27.14, 6.72, 11.42

 

CMYK 0 / 25 / 42 / 58

HEX #6A503E

RGB 106 80 62

HSL 24.55, 0.26%, 0.33%

LAB 36.27, 8.21, 14.81

 

CMYK 0 / 24 / 42 / 48

HEX #84644D

RGB 132 100 77

HSL 25.09, 0.26%, 0.41%

LAB 45.02, 9.64, 18.03

 

CMYK 0 / 25 / 41 / 38

HEX #9E775D

RGB 158 119 93

HSL 24, 0.26%, 0.49%

LAB 53.23, 11.71, 20.21

 

CMYK 0 / 19 / 33 / 32

HEX #AE8D75

RGB 174 141 117

HSL 25.26, 0.26%, 0.57%

LAB 61.07, 8.94, 17.52

 

CMYK 0 / 24 / 41 / 49

HEX #83634D

RGB 131 99 77

HSL 24.44, 0.26%, 0.41%

LAB 44.64, 9.79, 17.49

 

CMYK 25 / 0 / 42 / 48

HEX #63844D

RGB 99 132 77

HSL 96, 0.26%, 0.41%

LAB 51.49, -22.28, 25.98

 

CMYK 42 / 42 / 0 / 48

HEX #4D4D84

RGB 77 77 132

HSL 240, 0.26%, 0.41%

LAB 35.11, 14.8, -30.93

 

CMYK 0 / 24 / 41 / 49

HEX #83634D

RGB 131 99 77

HSL 24.44, 0.26%, 0.41%

LAB 44.64, 9.79, 17.49

 

CMYK 42 / 0 / 25 / 48

HEX #4D8463

RGB 77 132 99

HSL 144, 0.26%, 0.41%

LAB 50.67, -26.06, 12.22

 

CMYK 25 / 42 / 0 / 48

HEX #634D84

RGB 99 77 132

HSL 264, 0.26%, 0.41%

LAB 37.16, 21.43, -27.55

 

CMYK 0 / 24 / 41 / 49

HEX #83634D

RGB 131 99 77

HSL 24.44, 0.26%, 0.41%

LAB 44.64, 9.79, 17.49

 

CMYK 25 / 0 / 42 / 48

HEX #63844D

RGB 99 132 77

HSL 96, 0.26%, 0.41%

LAB 51.49, -22.28, 25.98

 

CMYK 42 / 17 / 0 / 48

HEX #4D6E84

RGB 77 110 132

HSL 204, 0.26%, 0.41%

LAB 44.79, -5.75, -15.88

 

CMYK 17 / 42 / 0 / 48

HEX #6E4D84

RGB 110 77 132

HSL 276, 0.26%, 0.41%

LAB 38.36, 24.96, -25.6

 

CMYK 0 / 24 / 41 / 49

HEX #83634D

RGB 131 99 77

HSL 24.44, 0.26%, 0.41%

LAB 44.64, 9.79, 17.49

 

CMYK 37 / 0 / 42 / 48

HEX #53844D

RGB 83 132 77

HSL 113.45, 0.26%, 0.41%

LAB 50.54, -28.17, 24.58

 

CMYK 42 / 17 / 0 / 48

HEX #4D6E84

RGB 77 110 132

HSL 204, 0.26%, 0.41%

LAB 44.79, -5.75, -15.88

 

CMYK 5 / 42 / 0 / 48

HEX #7E4D84

RGB 126 77 132

HSL 293.45, 0.26%, 0.41%

LAB 40.26, 30.21, -22.49

 

Description

Color code: HEX #83634D | qconv.com Color code: HEX #83634D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 99 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 99 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 41 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 41% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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