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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #836217 it is the complementary color #7C9DE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #836217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #836217 shade: #886212, #997425, #AA8638, #BB984B and #CCAA5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #836217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #836217 shade: #836217, #725004, #613E00, #502C00 and #3F1A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #836217 shade: #826117, #824417, #822817 and #821717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #836217 shade: #826117, #827E17, #698217, #4C8217 and #2F8217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #836217 shade matches the following richer shades: #826117 and #8E660B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #836217 shade: #826117, #765D23, #695830, #5D533C and #514E48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #836217 shade: #822717, #824417, #826017, #827D17 and #6B8217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #836217 shade: #3C2D0B, #5F4711, #826117, #A57C1D and #C89623

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #836217 shade: #836217, #238217 and #351782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #836217 shade: #836217, #178260 and #601782

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #836217 shade: #836217, #238217, #173982 and #761782

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #836217 shade: #836217, #17822B, #173982 and #82176E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 82 / 49

HEX #836217

RGB 131 98 23

HSL 41.67, 0.7%, 0.3%

LAB 43.69, 6.05, 44.53

 

Complementary color

CMYK 47 / 32 / 0 / 9

HEX #7C9DE8

RGB 124 157 232

HSL 221.67, 0.7%, 0.7%

LAB 65.14, 8.41, -41.4

 

CMYK 0 / 28 / 87 / 47

HEX #886212

RGB 136 98 18

HSL 40.68, 0.77%, 0.3%

LAB 44.25, 8.26, 46.99

 

CMYK 0 / 24 / 76 / 40

HEX #997425

RGB 153 116 37

HSL 40.86, 0.61%, 0.37%

LAB 51.15, 6.55, 46.86

 

CMYK 0 / 21 / 67 / 33

HEX #AA8638

RGB 170 134 56

HSL 41.05, 0.5%, 0.44%

LAB 57.92, 5.17, 45.92

 

CMYK 0 / 19 / 60 / 27

HEX #BB984B

RGB 187 152 75

HSL 41.25, 0.45%, 0.51%

LAB 64.59, 4.03, 44.71

 

CMYK 0 / 17 / 54 / 20

HEX #CCAA5E

RGB 204 170 94

HSL 41.45, 0.52%, 0.58%

LAB 71.14, 3.09, 43.41

 

CMYK 0 / 25 / 82 / 49

HEX #836217

RGB 131 98 23

HSL 41.67, 0.7%, 0.3%

LAB 43.69, 6.05, 44.53

 

CMYK 0 / 30 / 96 / 55

HEX #725004

RGB 114 80 4

HSL 41.45, 0.93%, 0.23%

LAB 36.6, 7.97, 43.88

 

CMYK 0 / 36 / 100 / 62

HEX #613E00

RGB 97 62 0

HSL 38.35, 1%, 0.19%

LAB 29.38, 10.46, 39.14

 

CMYK 0 / 45 / 100 / 69

HEX #502C00

RGB 80 44 0

HSL 33, 1%, 0.16%

LAB 21.97, 13.24, 31.37

 

CMYK 0 / 59 / 100 / 75

HEX #3F1A00

RGB 63 26 0

HSL 24.76, 1%, 0.12%

LAB 14.38, 16.15, 21.65

 

CMYK 0 / 25 / 82 / 49

HEX #826117

RGB 130 97 23

HSL 41.5, 0.7%, 0.3%

LAB 43.3, 6.16, 44.13

 

CMYK 0 / 48 / 82 / 49

HEX #824417

RGB 130 68 23

HSL 25.23, 0.7%, 0.3%

LAB 35.87, 23.19, 37.25

 

CMYK 0 / 69 / 82 / 49

HEX #822817

RGB 130 40 23

HSL 9.53, 0.7%, 0.3%

LAB 30.22, 37.76, 31.76

 

CMYK 0 / 82 / 82 / 49

HEX #821717

RGB 130 23 23

HSL 0, 0.7%, 0.3%

LAB 27.9, 44.17, 29.43

 

CMYK 0 / 25 / 82 / 49

HEX #826117

RGB 130 97 23

HSL 41.5, 0.7%, 0.3%

LAB 43.3, 6.16, 44.13

 

CMYK 0 / 3 / 82 / 49

HEX #827E17

RGB 130 126 23

HSL 57.76, 0.7%, 0.3%

LAB 51.53, -10.35, 51.46

 

CMYK 19 / 0 / 82 / 49

HEX #698217

RGB 105 130 23

HSL 74.02, 0.7%, 0.3%

LAB 50.72, -23.77, 49.98

 

CMYK 42 / 0 / 82 / 49

HEX #4C8217

RGB 76 130 23

HSL 90.28, 0.7%, 0.3%

LAB 48.96, -35.48, 47.73

 

CMYK 64 / 0 / 82 / 49

HEX #2F8217

RGB 47 130 23

HSL 106.54, 0.7%, 0.3%

LAB 47.79, -44.49, 46.21

 

CMYK 0 / 25 / 82 / 49

HEX #826117

RGB 130 97 23

HSL 41.5, 0.7%, 0.3%

LAB 43.3, 6.16, 44.13

 

CMYK 0 / 28 / 92 / 44

HEX #8E660B

RGB 142 102 11

HSL 41.68, 0.86%, 0.3%

LAB 46.01, 8.59, 50.66

 

CMYK 0 / 25 / 82 / 49

HEX #826117

RGB 130 97 23

HSL 41.5, 0.7%, 0.3%

LAB 43.3, 6.16, 44.13

 

CMYK 0 / 21 / 70 / 54

HEX #765D23

RGB 118 93 35

HSL 41.93, 0.54%, 0.3%

LAB 40.9, 3.39, 36.05

 

CMYK 0 / 16 / 54 / 59

HEX #695830

RGB 105 88 48

HSL 42.11, 0.37%, 0.3%

LAB 38.19, 1.26, 25.62

 

CMYK 0 / 11 / 35 / 64

HEX #5D533C

RGB 93 83 60

HSL 41.82, 0.22%, 0.3%

LAB 35.67, 0.19, 15

 

CMYK 0 / 4 / 11 / 68

HEX #514E48

RGB 81 78 72

HSL 40, 0.06%, 0.3%

LAB 33.28, 0.01, 3.99

 

CMYK 0 / 70 / 82 / 49

HEX #822717

RGB 130 39 23

HSL 8.97, 0.7%, 0.3%

LAB 30.06, 38.2, 31.6

 

CMYK 0 / 48 / 82 / 49

HEX #824417

RGB 130 68 23

HSL 25.23, 0.7%, 0.3%

LAB 35.87, 23.19, 37.25

 

CMYK 0 / 26 / 82 / 49

HEX #826017

RGB 130 96 23

HSL 40.93, 0.7%, 0.3%

LAB 43.02, 6.74, 43.88

 

CMYK 0 / 4 / 82 / 49

HEX #827D17

RGB 130 125 23

HSL 57.2, 0.7%, 0.3%

LAB 51.24, -9.81, 51.21

 

CMYK 18 / 0 / 82 / 49

HEX #6B8217

RGB 107 130 23

HSL 72.9, 0.7%, 0.3%

LAB 50.87, -22.9, 50.16

 

CMYK 0 / 25 / 82 / 76

HEX #3C2D0B

RGB 60 45 11

HSL 41.63, 0.69%, 0.14%

LAB 19.48, 2.62, 23.32

 

CMYK 0 / 25 / 82 / 63

HEX #5F4711

RGB 95 71 17

HSL 41.54, 0.7%, 0.22%

LAB 31.76, 4.45, 34.35

 

CMYK 0 / 25 / 82 / 49

HEX #826117

RGB 130 97 23

HSL 41.5, 0.7%, 0.3%

LAB 43.3, 6.16, 44.13

 

CMYK 0 / 25 / 82 / 35

HEX #A57C1D

RGB 165 124 29

HSL 41.91, 0.7%, 0.38%

LAB 54.56, 7.21, 53.56

 

CMYK 0 / 25 / 83 / 22

HEX #C89623

RGB 200 150 35

HSL 41.82, 0.7%, 0.46%

LAB 65.13, 8.78, 62.33

 

CMYK 0 / 25 / 82 / 49

HEX #836217

RGB 131 98 23

HSL 41.67, 0.7%, 0.3%

LAB 43.69, 6.05, 44.53

 

CMYK 73 / 0 / 82 / 49

HEX #238217

RGB 35 130 23

HSL 113.27, 0.7%, 0.3%

LAB 47.47, -47.14, 45.8

 

CMYK 59 / 82 / 0 / 49

HEX #351782

RGB 53 23 130

HSL 256.82, 0.7%, 0.3%

LAB 19.97, 41.85, -54.25

 

CMYK 0 / 25 / 82 / 49

HEX #836217

RGB 131 98 23

HSL 41.67, 0.7%, 0.3%

LAB 43.69, 6.05, 44.53

 

CMYK 82 / 0 / 26 / 49

HEX #178260

RGB 23 130 96

HSL 160.93, 0.7%, 0.3%

LAB 48.25, -37.43, 10.32

 

CMYK 26 / 82 / 0 / 49

HEX #601782

RGB 96 23 130

HSL 280.93, 0.7%, 0.3%

LAB 25.9, 48.65, -44.31

 

CMYK 0 / 25 / 82 / 49

HEX #836217

RGB 131 98 23

HSL 41.67, 0.7%, 0.3%

LAB 43.69, 6.05, 44.53

 

CMYK 73 / 0 / 82 / 49

HEX #238217

RGB 35 130 23

HSL 113.27, 0.7%, 0.3%

LAB 47.47, -47.14, 45.8

 

CMYK 82 / 56 / 0 / 49

HEX #173982

RGB 23 57 130

HSL 220.93, 0.7%, 0.3%

LAB 25.92, 16.67, -44.58

 

CMYK 9 / 82 / 0 / 49

HEX #761782

RGB 118 23 130

HSL 293.27, 0.7%, 0.3%

LAB 29.6, 52.91, -38.14

 

CMYK 0 / 25 / 82 / 49

HEX #836217

RGB 131 98 23

HSL 41.67, 0.7%, 0.3%

LAB 43.69, 6.05, 44.53

 

CMYK 82 / 0 / 67 / 49

HEX #17822B

RGB 23 130 43

HSL 131.21, 0.7%, 0.3%

LAB 47.39, -47.29, 37.81

 

CMYK 82 / 56 / 0 / 49

HEX #173982

RGB 23 57 130

HSL 220.93, 0.7%, 0.3%

LAB 25.92, 16.67, -44.58

 

CMYK 0 / 82 / 15 / 49

HEX #82176E

RGB 130 23 110

HSL 311.21, 0.7%, 0.3%

LAB 30.6, 52.21, -23.75

 

Description

Color code: HEX #836217 | qconv.com Color code: HEX #836217 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 98 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 98 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 82 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 82% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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