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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #835BBC it is the complementary color #7CA443. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #835BBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #835BBC shade: #885BB7, #996DCA, #AA7FDD, #BB91F0 and #CCA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #835BBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #835BBC shade: #835BBC, #7249A9, #613796, #502583 and #3F1370

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #835BBC shade: #845CBC, #9E5CBC, #B85CBC, #BC5CA7 and #BC5C8D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #835BBC shade: #845CBC, #6A5CBC and #5C5CBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #835BBC shade matches the following richer shades: #845CBC, #8149CF, #7D37E2 and #7A24F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #835BBC shade: #845CBC, #876FAA, #8A8197, #8E9485 and #91A672

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #835BBC shade: #5C69BC, #695CBC, #835CBC, #9C5CBC and #B65CBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #835BBC shade: #5C398D, #6F45AA, #845CBC, #9A79C8 and #B097D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #835BBC shade: #835BBC, #BC5C83 and #5CBC5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #835BBC shade: #835BBC, #BC835C and #5CBC83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #835BBC shade: #835BBC, #BC5C83, #96BC5C and #5CBC96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #835BBC shade: #835BBC, #BC5C66, #96BC5C and #5CBCB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 52 / 0 / 26

HEX #835BBC

RGB 131 91 188

HSL 264.74, 0.42%, 0.55%

LAB 46.89, 36.73, -45.33

 

Complementary color

CMYK 24 / 0 / 59 / 36

HEX #7CA443

RGB 124 164 67

HSL 84.74, 0.42%, 0.45%

LAB 62.71, -29.51, 45.03

 

CMYK 26 / 50 / 0 / 28

HEX #885BB7

RGB 136 91 183

HSL 269.35, 0.39%, 0.54%

LAB 47.15, 36.83, -41.98

 

CMYK 24 / 46 / 0 / 21

HEX #996DCA

RGB 153 109 202

HSL 268.39, 0.47%, 0.61%

LAB 54, 35.91, -41.97

 

CMYK 23 / 43 / 0 / 13

HEX #AA7FDD

RGB 170 127 221

HSL 267.45, 0.58%, 0.68%

LAB 60.73, 35.05, -41.97

 

CMYK 22 / 40 / 0 / 6

HEX #BB91F0

RGB 187 145 240

HSL 266.53, 0.76%, 0.75%

LAB 67.36, 34.25, -41.98

 

CMYK 20 / 36 / 0 / 0

HEX #CCA3FF

RGB 204 163 255

HSL 266.74, 1%, 0.82%

LAB 73.71, 32.61, -40.11

 

CMYK 30 / 52 / 0 / 26

HEX #835BBC

RGB 131 91 188

HSL 264.74, 0.42%, 0.55%

LAB 46.89, 36.73, -45.33

 

CMYK 33 / 57 / 0 / 34

HEX #7249A9

RGB 114 73 169

HSL 265.63, 0.4%, 0.47%

LAB 39.93, 37.77, -45.4

 

CMYK 35 / 63 / 0 / 41

HEX #613796

RGB 97 55 150

HSL 266.53, 0.46%, 0.4%

LAB 32.87, 38.81, -45.42

 

CMYK 39 / 72 / 0 / 49

HEX #502583

RGB 80 37 131

HSL 267.45, 0.56%, 0.33%

LAB 25.77, 39.71, -45.26

 

CMYK 44 / 83 / 0 / 56

HEX #3F1370

RGB 63 19 112

HSL 268.39, 0.71%, 0.26%

LAB 18.77, 40.04, -44.65

 

CMYK 30 / 51 / 0 / 26

HEX #845CBC

RGB 132 92 188

HSL 265, 0.42%, 0.55%

LAB 47.22, 36.42, -44.8

 

CMYK 16 / 51 / 0 / 26

HEX #9E5CBC

RGB 158 92 188

HSL 281.25, 0.42%, 0.55%

LAB 50.16, 43.52, -39.96

 

CMYK 2 / 51 / 0 / 26

HEX #B85CBC

RGB 184 92 188

HSL 297.5, 0.42%, 0.55%

LAB 53.47, 50.83, -34.53

 

CMYK 0 / 51 / 11 / 26

HEX #BC5CA7

RGB 188 92 167

HSL 313.13, 0.42%, 0.55%

LAB 53.1, 48.33, -22.87

 

CMYK 0 / 51 / 25 / 26

HEX #BC5C8D

RGB 188 92 141

HSL 329.38, 0.42%, 0.55%

LAB 52.14, 44.34, -9.04

 

CMYK 30 / 51 / 0 / 26

HEX #845CBC

RGB 132 92 188

HSL 265, 0.42%, 0.55%

LAB 47.22, 36.42, -44.8

 

CMYK 44 / 51 / 0 / 26

HEX #6A5CBC

RGB 106 92 188

HSL 248.75, 0.42%, 0.55%

LAB 44.73, 29.81, -48.93

 

CMYK 51 / 51 / 0 / 26

HEX #5C5CBC

RGB 92 92 188

HSL 240, 0.42%, 0.55%

LAB 43.6, 26.58, -50.81

 

CMYK 30 / 51 / 0 / 26

HEX #845CBC

RGB 132 92 188

HSL 265, 0.42%, 0.55%

LAB 47.22, 36.42, -44.8

 

CMYK 38 / 65 / 0 / 19

HEX #8149CF

RGB 129 73 207

HSL 265.07, 0.58%, 0.55%

LAB 44.14, 50.97, -60.75

 

CMYK 45 / 76 / 0 / 11

HEX #7D37E2

RGB 125 55 226

HSL 264.56, 0.75%, 0.55%

LAB 42.13, 63.49, -74.93

 

CMYK 50 / 85 / 0 / 4

HEX #7A24F4

RGB 122 36 244

HSL 264.81, 0.9%, 0.55%

LAB 41.11, 74.15, -86.83

 

CMYK 30 / 51 / 0 / 26

HEX #845CBC

RGB 132 92 188

HSL 265, 0.42%, 0.55%

LAB 47.22, 36.42, -44.8

 

CMYK 21 / 35 / 0 / 33

HEX #876FAA

RGB 135 111 170

HSL 264.41, 0.26%, 0.55%

LAB 51.18, 21.71, -28.09

 

CMYK 9 / 15 / 0 / 41

HEX #8A8197

RGB 138 129 151

HSL 264.55, 0.1%, 0.55%

LAB 55.42, 7.83, -10.56

 

CMYK 4 / 0 / 10 / 42

HEX #8E9485

RGB 142 148 133

HSL 84, 0.07%, 0.55%

LAB 60.45, -5.03, 7.18

 

CMYK 13 / 0 / 31 / 35

HEX #91A672

RGB 145 166 114

HSL 84.23, 0.23%, 0.55%

LAB 65.36, -16.63, 24.57

 

CMYK 51 / 44 / 0 / 26

HEX #5C69BC

RGB 92 105 188

HSL 231.88, 0.42%, 0.55%

LAB 46.99, 18.49, -45.38

 

CMYK 44 / 51 / 0 / 26

HEX #695CBC

RGB 105 92 188

HSL 248.13, 0.42%, 0.55%

LAB 44.64, 29.57, -49.07

 

CMYK 30 / 51 / 0 / 26

HEX #835CBC

RGB 131 92 188

HSL 264.38, 0.42%, 0.55%

LAB 47.12, 36.15, -44.97

 

CMYK 17 / 51 / 0 / 26

HEX #9C5CBC

RGB 156 92 188

HSL 280, 0.42%, 0.55%

LAB 49.92, 42.97, -40.35

 

CMYK 3 / 51 / 0 / 26

HEX #B65CBC

RGB 182 92 188

HSL 296.25, 0.42%, 0.55%

LAB 53.2, 50.26, -34.97

 

CMYK 35 / 60 / 0 / 45

HEX #5C398D

RGB 92 57 141

HSL 265, 0.42%, 0.39%

LAB 32.09, 34.03, -41.19

 

CMYK 35 / 59 / 0 / 33

HEX #6F45AA

RGB 111 69 170

HSL 264.95, 0.42%, 0.47%

LAB 38.79, 39.56, -47.84

 

CMYK 30 / 51 / 0 / 26

HEX #845CBC

RGB 132 92 188

HSL 265, 0.42%, 0.55%

LAB 47.22, 36.42, -44.8

 

CMYK 23 / 40 / 0 / 22

HEX #9A79C8

RGB 154 121 200

HSL 265.06, 0.42%, 0.63%

LAB 56.8, 28.87, -36.43

 

CMYK 17 / 29 / 0 / 17

HEX #B097D4

RGB 176 151 212

HSL 264.59, 0.41%, 0.71%

LAB 66.61, 21.27, -27.77

 

CMYK 30 / 52 / 0 / 26

HEX #835BBC

RGB 131 91 188

HSL 264.74, 0.42%, 0.55%

LAB 46.89, 36.73, -45.33

 

CMYK 0 / 51 / 30 / 26

HEX #BC5C83

RGB 188 92 131

HSL 335.63, 0.42%, 0.55%

LAB 51.82, 42.97, -3.58

 

CMYK 51 / 0 / 51 / 26

HEX #5CBC5C

RGB 92 188 92

HSL 120, 0.42%, 0.55%

LAB 68.76, -47.89, 39.79

 

CMYK 30 / 52 / 0 / 26

HEX #835BBC

RGB 131 91 188

HSL 264.74, 0.42%, 0.55%

LAB 46.89, 36.73, -45.33

 

CMYK 0 / 30 / 51 / 26

HEX #BC835C

RGB 188 131 92

HSL 24.38, 0.42%, 0.55%

LAB 59.61, 17.46, 29.79

 

CMYK 51 / 0 / 30 / 26

HEX #5CBC83

RGB 92 188 131

HSL 144.38, 0.42%, 0.55%

LAB 69.38, -41.42, 20.37

 

CMYK 30 / 52 / 0 / 26

HEX #835BBC

RGB 131 91 188

HSL 264.74, 0.42%, 0.55%

LAB 46.89, 36.73, -45.33

 

CMYK 0 / 51 / 30 / 26

HEX #BC5C83

RGB 188 92 131

HSL 335.63, 0.42%, 0.55%

LAB 51.82, 42.97, -3.58

 

CMYK 20 / 0 / 51 / 26

HEX #96BC5C

RGB 150 188 92

HSL 83.75, 0.42%, 0.55%

LAB 71.71, -28.43, 44.04

 

CMYK 51 / 0 / 20 / 26

HEX #5CBC96

RGB 92 188 150

HSL 156.25, 0.42%, 0.55%

LAB 69.78, -37.46, 10.65

 

CMYK 30 / 52 / 0 / 26

HEX #835BBC

RGB 131 91 188

HSL 264.74, 0.42%, 0.55%

LAB 46.89, 36.73, -45.33

 

CMYK 0 / 51 / 46 / 26

HEX #BC5C66

RGB 188 92 102

HSL 353.75, 0.42%, 0.55%

LAB 51.04, 39.57, 12.58

 

CMYK 20 / 0 / 51 / 26

HEX #96BC5C

RGB 150 188 92

HSL 83.75, 0.42%, 0.55%

LAB 71.71, -28.43, 44.04

 

CMYK 51 / 0 / 5 / 26

HEX #5CBCB3

RGB 92 188 179

HSL 174.38, 0.42%, 0.55%

LAB 70.52, -30.5, -4.14

 

Description

Color code: HEX #835BBC | qconv.com Color code: HEX #835BBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 91 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 91 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 52 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 52% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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