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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #835558 it is the complementary color #7CAAA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #835558. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #835558 shade: #885553, #996766, #AA7979, #BB8B8C and #CC9D9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #835558. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #835558 shade: #835558, #724345, #613132, #501F1F and #3F0D0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #835558 shade: #825558 and #825555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #835558 shade: #825558, #825564, #825570, #82557C and #7B5582

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #835558 shade matches the following richer shades: #825558, #934348, #A43239, #B6212A and #C70F1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #835558 shade: #825558, #706667, #5F7776, #4E8985 and #3C9A94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #835558 shade: #825570, #825564, #825558, #825E55 and #826A55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #835558 shade: #503436, #694447, #825558, #9A6568 and #AB7E81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #835558 shade: #835558, #7C8255 and #556A82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #835558 shade: #835558, #588255 and #555882

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #835558 shade: #835558, #7C8255, #55827F and #5B5582

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #835558 shade: #835558, #6E8255, #55827F and #685582

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 33 / 49

HEX #835558

RGB 131 85 88

HSL 356.09, 0.21%, 0.42%

LAB 41.26, 19.56, 6.15

 

Complementary color

CMYK 27 / 0 / 2 / 33

HEX #7CAAA7

RGB 124 170 167

HSL 176.09, 0.21%, 0.58%

LAB 66.39, -15.96, -3.44

 

CMYK 0 / 38 / 39 / 47

HEX #885553

RGB 136 85 83

HSL 2.26, 0.24%, 0.43%

LAB 41.78, 20.95, 10.05

 

CMYK 0 / 33 / 33 / 40

HEX #996766

RGB 153 103 102

HSL 1.18, 0.2%, 0.5%

LAB 48.8, 19.98, 8.75

 

CMYK 0 / 29 / 29 / 33

HEX #AA7979

RGB 170 121 121

HSL 0, 0.22%, 0.57%

LAB 55.69, 19.15, 7.63

 

CMYK 0 / 26 / 25 / 27

HEX #BB8B8C

RGB 187 139 140

HSL 358.75, 0.26%, 0.64%

LAB 62.44, 18.41, 6.62

 

CMYK 0 / 23 / 22 / 20

HEX #CC9D9F

RGB 204 157 159

HSL 357.45, 0.32%, 0.71%

LAB 69.08, 17.76, 5.71

 

CMYK 0 / 35 / 33 / 49

HEX #835558

RGB 131 85 88

HSL 356.09, 0.21%, 0.42%

LAB 41.26, 19.56, 6.15

 

CMYK 0 / 41 / 39 / 55

HEX #724345

RGB 114 67 69

HSL 357.45, 0.26%, 0.35%

LAB 34.03, 20.57, 7.49

 

CMYK 0 / 49 / 48 / 62

HEX #613132

RGB 97 49 50

HSL 358.75, 0.33%, 0.29%

LAB 26.64, 21.74, 9.16

 

CMYK 0 / 61 / 61 / 69

HEX #501F1F

RGB 80 31 31

HSL 0, 0.44%, 0.22%

LAB 19.16, 23.03, 11.42

 

CMYK 0 / 79 / 81 / 75

HEX #3F0D0C

RGB 63 13 12

HSL 1.18, 0.68%, 0.15%

LAB 11.76, 24.11, 13.23

 

CMYK 0 / 35 / 32 / 49

HEX #825558

RGB 130 85 88

HSL 356, 0.21%, 0.42%

LAB 41.13, 19.15, 5.95

 

CMYK 0 / 35 / 35 / 49

HEX #825555

RGB 130 85 85

HSL 0, 0.21%, 0.42%

LAB 41.05, 18.72, 7.69

 

CMYK 0 / 35 / 32 / 49

HEX #825558

RGB 130 85 88

HSL 356, 0.21%, 0.42%

LAB 41.13, 19.15, 5.95

 

CMYK 0 / 35 / 23 / 49

HEX #825564

RGB 130 85 100

HSL 340, 0.21%, 0.42%

LAB 41.47, 20.99, -0.95

 

CMYK 0 / 35 / 14 / 49

HEX #825570

RGB 130 85 112

HSL 324, 0.21%, 0.42%

LAB 41.86, 23.04, -7.75

 

CMYK 0 / 35 / 5 / 49

HEX #82557C

RGB 130 85 124

HSL 308, 0.21%, 0.42%

LAB 42.3, 25.29, -14.42

 

CMYK 5 / 35 / 0 / 49

HEX #7B5582

RGB 123 85 130

HSL 290.67, 0.21%, 0.42%

LAB 41.72, 24.06, -19.04

 

CMYK 0 / 35 / 32 / 49

HEX #825558

RGB 130 85 88

HSL 356, 0.21%, 0.42%

LAB 41.13, 19.15, 5.95

 

CMYK 0 / 54 / 51 / 42

HEX #934348

RGB 147 67 72

HSL 356.25, 0.37%, 0.42%

LAB 39.05, 34.19, 13.32

 

CMYK 0 / 70 / 65 / 36

HEX #A43239

RGB 164 50 57

HSL 356.32, 0.53%, 0.42%

LAB 38.67, 47.1, 22.71

 

CMYK 0 / 82 / 77 / 29

HEX #B6212A

RGB 182 33 42

HSL 356.38, 0.69%, 0.42%

LAB 39.92, 57.63, 34.14

 

CMYK 0 / 92 / 86 / 22

HEX #C70F1B

RGB 199 15 27

HSL 356.09, 0.86%, 0.42%

LAB 42.1, 65.27, 45.69

 

CMYK 0 / 35 / 32 / 49

HEX #825558

RGB 130 85 88

HSL 356, 0.21%, 0.42%

LAB 41.13, 19.15, 5.95

 

CMYK 0 / 9 / 8 / 56

HEX #706667

RGB 112 102 103

HSL 354, 0.05%, 0.42%

LAB 44.13, 4.14, 0.86

 

CMYK 20 / 0 / 1 / 53

HEX #5F7776

RGB 95 119 118

HSL 177.5, 0.11%, 0.42%

LAB 48.18, -8.93, -2.35

 

CMYK 43 / 0 / 3 / 46

HEX #4E8985

RGB 78 137 133

HSL 175.93, 0.27%, 0.42%

LAB 53.17, -20.25, -3.89

 

CMYK 61 / 0 / 4 / 40

HEX #3C9A94

RGB 60 154 148

HSL 176.17, 0.44%, 0.42%

LAB 58.24, -28.84, -5.1

 

CMYK 0 / 35 / 14 / 49

HEX #825570

RGB 130 85 112

HSL 324, 0.21%, 0.42%

LAB 41.86, 23.04, -7.75

 

CMYK 0 / 35 / 23 / 49

HEX #825564

RGB 130 85 100

HSL 340, 0.21%, 0.42%

LAB 41.47, 20.99, -0.95

 

CMYK 0 / 35 / 32 / 49

HEX #825558

RGB 130 85 88

HSL 356, 0.21%, 0.42%

LAB 41.13, 19.15, 5.95

 

CMYK 0 / 28 / 35 / 49

HEX #825E55

RGB 130 94 85

HSL 12, 0.21%, 0.42%

LAB 43.37, 13.38, 10.94

 

CMYK 0 / 18 / 35 / 49

HEX #826A55

RGB 130 106 85

HSL 28, 0.21%, 0.42%

LAB 46.59, 6.28, 15.38

 

CMYK 0 / 35 / 33 / 69

HEX #503436

RGB 80 52 54

HSL 355.71, 0.21%, 0.26%

LAB 25.04, 12.95, 3.88

 

CMYK 0 / 35 / 32 / 59

HEX #694447

RGB 105 68 71

HSL 355.14, 0.21%, 0.34%

LAB 33.12, 16.43, 4.76

 

CMYK 0 / 35 / 32 / 49

HEX #825558

RGB 130 85 88

HSL 356, 0.21%, 0.42%

LAB 41.13, 19.15, 5.95

 

CMYK 0 / 34 / 32 / 40

HEX #9A6568

RGB 154 101 104

HSL 356.6, 0.21%, 0.5%

LAB 48.48, 21.81, 7.12

 

CMYK 0 / 26 / 25 / 33

HEX #AB7E81

RGB 171 126 129

HSL 356, 0.21%, 0.58%

LAB 57.24, 17.88, 5.22

 

CMYK 0 / 35 / 33 / 49

HEX #835558

RGB 131 85 88

HSL 356.09, 0.21%, 0.42%

LAB 41.26, 19.56, 6.15

 

CMYK 5 / 0 / 35 / 49

HEX #7C8255

RGB 124 130 85

HSL 68, 0.21%, 0.42%

LAB 52.85, -9.97, 23.66

 

CMYK 35 / 18 / 0 / 49

HEX #556A82

RGB 85 106 130

HSL 212, 0.21%, 0.42%

LAB 44.02, -1.55, -15.82

 

CMYK 0 / 35 / 33 / 49

HEX #835558

RGB 131 85 88

HSL 356.09, 0.21%, 0.42%

LAB 41.26, 19.56, 6.15

 

CMYK 32 / 0 / 35 / 49

HEX #588255

RGB 88 130 85

HSL 116, 0.21%, 0.42%

LAB 50.33, -24.08, 19.87

 

CMYK 35 / 32 / 0 / 49

HEX #555882

RGB 85 88 130

HSL 236, 0.21%, 0.42%

LAB 38.76, 9.55, -23.92

 

CMYK 0 / 35 / 33 / 49

HEX #835558

RGB 131 85 88

HSL 356.09, 0.21%, 0.42%

LAB 41.26, 19.56, 6.15

 

CMYK 5 / 0 / 35 / 49

HEX #7C8255

RGB 124 130 85

HSL 68, 0.21%, 0.42%

LAB 52.85, -9.97, 23.66

 

CMYK 35 / 0 / 2 / 49

HEX #55827F

RGB 85 130 127

HSL 176, 0.21%, 0.42%

LAB 51.19, -16.07, -3.29

 

CMYK 30 / 35 / 0 / 49

HEX #5B5582

RGB 91 85 130

HSL 248, 0.21%, 0.42%

LAB 38.43, 13.33, -24.4

 

CMYK 0 / 35 / 33 / 49

HEX #835558

RGB 131 85 88

HSL 356.09, 0.21%, 0.42%

LAB 41.26, 19.56, 6.15

 

CMYK 15 / 0 / 35 / 49

HEX #6E8255

RGB 110 130 85

HSL 86.67, 0.21%, 0.42%

LAB 51.76, -15.71, 22.03

 

CMYK 35 / 0 / 2 / 49

HEX #55827F

RGB 85 130 127

HSL 176, 0.21%, 0.42%

LAB 51.19, -16.07, -3.29

 

CMYK 20 / 35 / 0 / 49

HEX #685582

RGB 104 85 130

HSL 265.33, 0.21%, 0.42%

LAB 39.67, 17.58, -22.38

 

Description

Color code: HEX #835558 | qconv.com Color code: HEX #835558 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 85 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 85 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 33 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 33% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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