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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8348DACE it is the complementary color #7CB725CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8348DACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8348DACE shade: #8848D5CE, #995AE8CE, #AA6CFBCE, #BB7EFFCE and #CC90FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8348DACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8348DACE shade: #8348DACE, #7236C7CE, #6124B4CE, #5012A1CE and #3F008ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8348DACE shade: #8349DA, #AB49DA, #D249DA, #DA49BB and #DA4994

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8348DACE shade: #8349DA, #5C49DA and #4949DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8348DACE shade matches the following richer shades: #8349DA, #8037EB and #7D25FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8348DACE shade: #8349DA, #875BC8, #8A6CB6, #8E7EA4 and #919093

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8348DACE shade: #495CDA, #5C49DA, #8349DA, #A949DA and #D049DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8348DACE shade: #5B23AD, #6D2ACF, #8349DA, #9B6BE1 and #B28DE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8348DACE shade: #8348DA, #DA4983 and #49DA49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8348DACE shade: #8348DA, #DA8349 and #49DA83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8348DACE shade: #8348DA, #DA4983, #A0DA49 and #49DAA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8348DACE shade: #8348DA, #DA4957, #A0DA49 and #49DACB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 54 / 0 / 12

HEX #8348DACE

RGBA 131 72 218 0.81

HSLA 264.25, 0.66%, 0.57%, 0.81

LABA 44.97, 54.67, -65.7, 0.81

 

Complementary color

CMYK 26 / 0 / 65 / 23

HEX #7CB725CE

RGBA 124 183 37 0.81

HSLA 84.25, 0.66%, 0.43%, 0.81

LABA 68.23, -40.25, 62.19, 0.81

 

CMYK 29 / 54 / 0 / 13

HEX #8848D5CE

RGBA 136 72 213 0.81

HSLA 267.23, 0.63%, 0.56%, 0.81

LABA 45.18, 54.41, -62.47, 0.81

 

CMYK 28 / 50 / 0 / 7

HEX #995AE8CE

RGBA 153 90 232 0.81

HSLA 266.62, 0.76%, 0.63%, 0.81

LABA 51.74, 53.53, -62.58, 0.81

 

CMYK 26 / 46 / 0 / 1

HEX #AA6CFBCE

RGBA 170 108 251 0.81

HSLA 266.01, 0.95%, 0.7%, 0.81

LABA 58.26, 52.57, -62.58, 0.81

 

CMYK 22 / 41 / 0 / 0

HEX #BB7EFFCE

RGBA 187 126 255 0.81

HSLA 268.37, 1%, 0.75%, 0.81

LABA 63.92, 48.08, -55.63, 0.81

 

CMYK 16 / 35 / 0 / 0

HEX #CC90FFCE

RGBA 204 144 255 0.81

HSLA 272.43, 1%, 0.78%, 0.81

LABA 69.47, 42.93, -46.74, 0.81

 

CMYK 32 / 54 / 0 / 12

HEX #8348DACE

RGBA 131 72 218 0.81

HSLA 264.25, 0.66%, 0.57%, 0.81

LABA 44.97, 54.67, -65.7, 0.81

 

CMYK 35 / 59 / 0 / 18

HEX #7236C7CE

RGBA 114 54 199 0.81

HSLA 264.83, 0.57%, 0.5%, 0.81

LABA 38.44, 55.44, -65.46, 0.81

 

CMYK 37 / 65 / 0 / 24

HEX #6124B4CE

RGBA 97 36 180 0.81

HSLA 265.42, 0.67%, 0.42%, 0.81

LABA 32.03, 55.76, -64.85, 0.81

 

CMYK 41 / 72 / 0 / 30

HEX #5012A1CE

RGBA 80 18 161 0.81

HSLA 266.01, 0.8%, 0.35%, 0.81

LABA 25.9, 55.12, -63.59, 0.81

 

CMYK 45 / 81 / 0 / 36

HEX #3F008ECE

RGBA 63 0 142 0.81

HSLA 266.62, 1%, 0.28%, 0.81

LABA 20.08, 53.38, -61.56, 0.81

 

CMYK 40 / 67 / 0 / 15

HEX #8349DA

RGB 131 73 218

HSL 264, 0.66%, 0.57%

LAB 45.15, 54.17, -65.41

 

CMYK 22 / 67 / 0 / 15

HEX #AB49DA

RGB 171 73 218

HSL 280.55, 0.66%, 0.57%

LAB 50.08, 62.4, -57.21

 

CMYK 4 / 67 / 0 / 15

HEX #D249DA

RGB 210 73 218

HSL 296.69, 0.66%, 0.57%

LAB 55.61, 71, -48.05

 

CMYK 0 / 67 / 14 / 15

HEX #DA49BB

RGB 218 73 187

HSL 312.83, 0.66%, 0.57%

LAB 55.34, 68.03, -30.66

 

CMYK 0 / 67 / 32 / 15

HEX #DA4994

RGB 218 73 148

HSL 328.97, 0.66%, 0.57%

LAB 53.82, 62.94, -10.18

 

CMYK 40 / 67 / 0 / 15

HEX #8349DA

RGB 131 73 218

HSL 264, 0.66%, 0.57%

LAB 45.15, 54.17, -65.41

 

CMYK 58 / 67 / 0 / 15

HEX #5C49DA

RGB 92 73 218

HSL 247.86, 0.66%, 0.57%

LAB 41.38, 47.33, -71.72

 

CMYK 67 / 67 / 0 / 15

HEX #4949DA

RGB 73 73 218

HSL 240, 0.66%, 0.57%

LAB 39.99, 44.66, -74.06

 

CMYK 40 / 67 / 0 / 15

HEX #8349DA

RGB 131 73 218

HSL 264, 0.66%, 0.57%

LAB 45.15, 54.17, -65.41

 

CMYK 46 / 77 / 0 / 8

HEX #8037EB

RGB 128 55 235

HSL 264.33, 0.82%, 0.57%

LAB 43.24, 66.13, -78.21

 

CMYK 51 / 85 / 0 / 1

HEX #7D25FD

RGB 125 37 253

HSL 264.44, 0.98%, 0.57%

LAB 42.42, 76.25, -89.7

 

CMYK 40 / 67 / 0 / 15

HEX #8349DA

RGB 131 73 218

HSL 264, 0.66%, 0.57%

LAB 45.15, 54.17, -65.41

 

CMYK 33 / 55 / 0 / 22

HEX #875BC8

RGB 135 91 200

HSL 264.22, 0.5%, 0.57%

LAB 48.01, 40.81, -50.46

 

CMYK 24 / 41 / 0 / 29

HEX #8A6CB6

RGB 138 108 182

HSL 264.32, 0.34%, 0.57%

LAB 51.27, 27.31, -34.88

 

CMYK 13 / 23 / 0 / 36

HEX #8E7EA4

RGB 142 126 164

HSL 265.26, 0.17%, 0.57%

LAB 55.43, 13.8, -18.01

 

CMYK 1 / 2 / 0 / 42

HEX #919093

RGB 145 144 147

HSL 260, 0.01%, 0.57%

LAB 59.95, 0.96, -1.46

 

CMYK 67 / 58 / 0 / 15

HEX #495CDA

RGB 73 92 218

HSL 232.14, 0.66%, 0.57%

LAB 44.42, 33.08, -66.81

 

CMYK 58 / 67 / 0 / 15

HEX #5C49DA

RGB 92 73 218

HSL 247.86, 0.66%, 0.57%

LAB 41.38, 47.33, -71.72

 

CMYK 40 / 67 / 0 / 15

HEX #8349DA

RGB 131 73 218

HSL 264, 0.66%, 0.57%

LAB 45.15, 54.17, -65.41

 

CMYK 22 / 67 / 0 / 15

HEX #A949DA

RGB 169 73 218

HSL 279.72, 0.66%, 0.57%

LAB 49.81, 61.97, -57.65

 

CMYK 5 / 67 / 0 / 15

HEX #D049DA

RGB 208 73 218

HSL 295.86, 0.66%, 0.57%

LAB 55.32, 70.55, -48.54

 

CMYK 47 / 80 / 0 / 32

HEX #5B23AD

RGB 91 35 173

HSL 264.35, 0.66%, 0.41%

LAB 30.5, 53.54, -63.21

 

CMYK 47 / 80 / 0 / 19

HEX #6D2ACF

RGB 109 42 207

HSL 264.36, 0.66%, 0.49%

LAB 36.77, 61.79, -72.88

 

CMYK 40 / 67 / 0 / 15

HEX #8349DA

RGB 131 73 218

HSL 264, 0.66%, 0.57%

LAB 45.15, 54.17, -65.41

 

CMYK 31 / 52 / 0 / 12

HEX #9B6BE1

RGB 155 107 225

HSL 264.41, 0.66%, 0.65%

LAB 54.99, 43.16, -53.41

 

CMYK 23 / 39 / 0 / 9

HEX #B28DE8

RGB 178 141 232

HSL 264.4, 0.66%, 0.73%

LAB 65.23, 32.06, -40.97

 

CMYK 40 / 67 / 0 / 15

HEX #8348DA

RGB 131 72 218

HSL 264.25, 0.66%, 0.57%

LAB 44.97, 54.67, -65.7

 

CMYK 0 / 67 / 40 / 15

HEX #DA4983

RGB 218 73 131

HSL 336, 0.66%, 0.57%

LAB 53.29, 61.07, -0.88

 

CMYK 67 / 0 / 67 / 15

HEX #49DA49

RGB 73 218 73

HSL 120, 0.66%, 0.57%

LAB 77.3, -65.49, 58

 

CMYK 40 / 67 / 0 / 15

HEX #8348DA

RGB 131 72 218

HSL 264.25, 0.66%, 0.57%

LAB 44.97, 54.67, -65.7

 

CMYK 0 / 40 / 67 / 15

HEX #DA8349

RGB 218 131 73

HSL 24, 0.66%, 0.57%

LAB 63.03, 28.46, 44.86

 

CMYK 67 / 0 / 40 / 15

HEX #49DA83

RGB 73 218 131

HSL 144, 0.66%, 0.57%

LAB 77.99, -57.61, 31.83

 

CMYK 40 / 67 / 0 / 15

HEX #8348DA

RGB 131 72 218

HSL 264.25, 0.66%, 0.57%

LAB 44.97, 54.67, -65.7

 

CMYK 0 / 67 / 40 / 15

HEX #DA4983

RGB 218 73 131

HSL 336, 0.66%, 0.57%

LAB 53.29, 61.07, -0.88

 

CMYK 27 / 0 / 67 / 15

HEX #A0DA49

RGB 160 218 73

HSL 84, 0.66%, 0.57%

LAB 80.79, -40.12, 62.75

 

CMYK 67 / 0 / 27 / 15

HEX #49DAA0

RGB 73 218 160

HSL 156, 0.66%, 0.57%

LAB 78.52, -51.9, 17.49

 

CMYK 40 / 67 / 0 / 15

HEX #8348DA

RGB 131 72 218

HSL 264.25, 0.66%, 0.57%

LAB 44.97, 54.67, -65.7

 

CMYK 0 / 67 / 60 / 15

HEX #DA4957

RGB 218 73 87

HSL 354.21, 0.66%, 0.57%

LAB 52.24, 57.34, 23.93

 

CMYK 27 / 0 / 67 / 15

HEX #A0DA49

RGB 160 218 73

HSL 84, 0.66%, 0.57%

LAB 80.79, -40.12, 62.75

 

CMYK 67 / 0 / 7 / 15

HEX #49DACB

RGB 73 218 203

HSL 173.79, 0.66%, 0.57%

LAB 79.54, -41.55, -3.89

 

Description

Color code: HEX #8348DACE | qconv.com Color code: HEX #8348DACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 72 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 72 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 54 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 54% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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