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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #833B42 it is the complementary color #7CC4BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #833B42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #833B42 shade: #883B3D, #994D50, #AA5F63, #BB7176 and #CC8389

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #833B42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #833B42 shade: #833B42, #72292F, #61171C, #500509 and #3F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #833B42 shade: #823A41 and #823A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #833B42 shade: #823A41, #823A55, #823A68, #823A7B and #763A82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #833B42 shade matches the following richer shades: #823A41, #912B35, #A11C29 and #B00D1D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #833B42 shade: #823A41, #734A4E, #64595A, #546866 and #457873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #833B42 shade: #823A68, #823A55, #823A42, #82463A and #825A3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #833B42 shade: #492125, #662E33, #823A41, #9F4750 and #B55A63

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #833B42 shade: #833B42, #7B823A and #3A5E82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #833B42 shade: #833B42, #42823A and #3A4282

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #833B42 shade: #833B42, #7B823A, #3A827B and #423A82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #833B42 shade: #833B42, #66823A, #3A827B and #573A82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 50 / 49

HEX #833B42

RGB 131 59 66

HSL 354.17, 0.38%, 0.37%

LAB 34.69, 31.68, 10.72

 

Complementary color

CMYK 37 / 0 / 4 / 23

HEX #7CC4BD

RGB 124 196 189

HSL 174.17, 0.38%, 0.63%

LAB 74.47, -24.09, -3.62

 

CMYK 0 / 57 / 55 / 47

HEX #883B3D

RGB 136 59 61

HSL 358.44, 0.39%, 0.38%

LAB 35.4, 33.13, 14.99

 

CMYK 0 / 50 / 48 / 40

HEX #994D50

RGB 153 77 80

HSL 357.63, 0.33%, 0.45%

LAB 42.25, 31.97, 12.9

 

CMYK 0 / 44 / 42 / 33

HEX #AA5F63

RGB 170 95 99

HSL 356.8, 0.31%, 0.52%

LAB 49.05, 30.85, 11.2

 

CMYK 0 / 40 / 37 / 27

HEX #BB7176

RGB 187 113 118

HSL 355.95, 0.35%, 0.59%

LAB 55.77, 29.83, 9.77

 

CMYK 0 / 36 / 33 / 20

HEX #CC8389

RGB 204 131 137

HSL 355.07, 0.42%, 0.66%

LAB 62.4, 28.89, 8.53

 

CMYK 0 / 55 / 50 / 49

HEX #833B42

RGB 131 59 66

HSL 354.17, 0.38%, 0.37%

LAB 34.69, 31.68, 10.72

 

CMYK 0 / 64 / 59 / 55

HEX #72292F

RGB 114 41 47

HSL 355.07, 0.47%, 0.3%

LAB 27.76, 32.72, 13.15

 

CMYK 0 / 76 / 71 / 62

HEX #61171C

RGB 97 23 28

HSL 355.95, 0.62%, 0.24%

LAB 20.97, 33.39, 16.49

 

CMYK 0 / 94 / 89 / 69

HEX #500509

RGB 80 5 9

HSL 356.8, 0.88%, 0.17%

LAB 14.59, 33.09, 18.97

 

CMYK 0 / 100 / 100 / 75

HEX #3F0000

RGB 63 0 0

HSL 0, 1%, 0.12%

LAB 9.46, 29.45, 14.93

 

CMYK 0 / 55 / 50 / 49

HEX #823A41

RGB 130 58 65

HSL 354.17, 0.38%, 0.37%

LAB 34.3, 31.72, 10.79

 

CMYK 0 / 55 / 55 / 49

HEX #823A3A

RGB 130 58 58

HSL 0, 0.38%, 0.37%

LAB 34.14, 31.04, 15.04

 

CMYK 0 / 55 / 50 / 49

HEX #823A41

RGB 130 58 65

HSL 354.17, 0.38%, 0.37%

LAB 34.3, 31.72, 10.79

 

CMYK 0 / 55 / 35 / 49

HEX #823A55

RGB 130 58 85

HSL 337.5, 0.38%, 0.37%

LAB 34.86, 34.09, -1.24

 

CMYK 0 / 55 / 20 / 49

HEX #823A68

RGB 130 58 104

HSL 321.67, 0.38%, 0.37%

LAB 35.54, 36.89, -12.31

 

CMYK 0 / 55 / 5 / 49

HEX #823A7B

RGB 130 58 123

HSL 305.83, 0.38%, 0.37%

LAB 36.37, 40.16, -22.94

 

CMYK 9 / 55 / 0 / 49

HEX #763A82

RGB 118 58 130

HSL 290, 0.38%, 0.37%

LAB 34.98, 37.95, -29.59

 

CMYK 0 / 55 / 50 / 49

HEX #823A41

RGB 130 58 65

HSL 354.17, 0.38%, 0.37%

LAB 34.3, 31.72, 10.79

 

CMYK 0 / 70 / 63 / 43

HEX #912B35

RGB 145 43 53

HSL 354.12, 0.54%, 0.37%

LAB 33.99, 43.34, 18.52

 

CMYK 0 / 83 / 75 / 37

HEX #A11C29

RGB 161 28 41

HSL 354.14, 0.7%, 0.37%

LAB 35.14, 52.83, 28.21

 

CMYK 0 / 93 / 84 / 31

HEX #B00D1D

RGB 176 13 29

HSL 354.11, 0.86%, 0.37%

LAB 37.13, 59.57, 38.36

 

CMYK 0 / 55 / 50 / 49

HEX #823A41

RGB 130 58 65

HSL 354.17, 0.38%, 0.37%

LAB 34.3, 31.72, 10.79

 

CMYK 0 / 36 / 32 / 55

HEX #734A4E

RGB 115 74 78

HSL 354.15, 0.22%, 0.37%

LAB 36.16, 18.04, 4.83

 

CMYK 0 / 11 / 10 / 61

HEX #64595A

RGB 100 89 90

HSL 354.55, 0.06%, 0.37%

LAB 38.89, 4.65, 1.05

 

CMYK 19 / 0 / 2 / 59

HEX #546866

RGB 84 104 102

HSL 174, 0.11%, 0.37%

LAB 42.38, -7.92, -1.37

 

CMYK 43 / 0 / 4 / 53

HEX #457873

RGB 69 120 115

HSL 174.12, 0.27%, 0.37%

LAB 46.89, -18.41, -2.64

 

CMYK 0 / 55 / 20 / 49

HEX #823A68

RGB 130 58 104

HSL 321.67, 0.38%, 0.37%

LAB 35.54, 36.89, -12.31

 

CMYK 0 / 55 / 35 / 49

HEX #823A55

RGB 130 58 85

HSL 337.5, 0.38%, 0.37%

LAB 34.86, 34.09, -1.24

 

CMYK 0 / 55 / 49 / 49

HEX #823A42

RGB 130 58 66

HSL 353.33, 0.38%, 0.37%

LAB 34.32, 31.82, 10.18

 

CMYK 0 / 46 / 55 / 49

HEX #82463A

RGB 130 70 58

HSL 10, 0.38%, 0.37%

LAB 36.8, 24.34, 18.56

 

CMYK 0 / 31 / 55 / 49

HEX #825A3A

RGB 130 90 58

HSL 26.67, 0.38%, 0.37%

LAB 41.79, 12.6, 24.94

 

CMYK 0 / 55 / 49 / 71

HEX #492125

RGB 73 33 37

HSL 354, 0.38%, 0.21%

LAB 18.53, 19.47, 6.17

 

CMYK 0 / 55 / 50 / 60

HEX #662E33

RGB 102 46 51

HSL 354.64, 0.38%, 0.29%

LAB 26.79, 25.7, 8.82

 

CMYK 0 / 55 / 50 / 49

HEX #823A41

RGB 130 58 65

HSL 354.17, 0.38%, 0.37%

LAB 34.3, 31.72, 10.79

 

CMYK 0 / 55 / 50 / 38

HEX #9F4750

RGB 159 71 80

HSL 353.86, 0.38%, 0.45%

LAB 41.93, 37.42, 12.62

 

CMYK 0 / 50 / 45 / 29

HEX #B55A63

RGB 181 90 99

HSL 354.07, 0.38%, 0.53%

LAB 49.54, 37.7, 12.13

 

CMYK 0 / 55 / 50 / 49

HEX #833B42

RGB 131 59 66

HSL 354.17, 0.38%, 0.37%

LAB 34.69, 31.68, 10.72

 

CMYK 5 / 0 / 55 / 49

HEX #7B823A

RGB 123 130 58

HSL 65.83, 0.38%, 0.37%

LAB 52.38, -13.49, 37.53

 

CMYK 55 / 28 / 0 / 49

HEX #3A5E82

RGB 58 94 130

HSL 210, 0.38%, 0.37%

LAB 38.75, -1.74, -24.07

 

CMYK 0 / 55 / 50 / 49

HEX #833B42

RGB 131 59 66

HSL 354.17, 0.38%, 0.37%

LAB 34.69, 31.68, 10.72

 

CMYK 49 / 0 / 55 / 49

HEX #42823A

RGB 66 130 58

HSL 113.33, 0.38%, 0.37%

LAB 48.8, -35.68, 32.42

 

CMYK 55 / 49 / 0 / 49

HEX #3A4282

RGB 58 66 130

HSL 233.33, 0.38%, 0.37%

LAB 30.42, 16.48, -37.24

 

CMYK 0 / 55 / 50 / 49

HEX #833B42

RGB 131 59 66

HSL 354.17, 0.38%, 0.37%

LAB 34.69, 31.68, 10.72

 

CMYK 5 / 0 / 55 / 49

HEX #7B823A

RGB 123 130 58

HSL 65.83, 0.38%, 0.37%

LAB 52.38, -13.49, 37.53

 

CMYK 55 / 0 / 5 / 49

HEX #3A827B

RGB 58 130 123

HSL 174.17, 0.38%, 0.37%

LAB 49.85, -24.24, -3.05

 

CMYK 49 / 55 / 0 / 49

HEX #423A82

RGB 66 58 130

HSL 246.67, 0.38%, 0.37%

LAB 28.89, 23.68, -39.65

 

CMYK 0 / 55 / 50 / 49

HEX #833B42

RGB 131 59 66

HSL 354.17, 0.38%, 0.37%

LAB 34.69, 31.68, 10.72

 

CMYK 22 / 0 / 55 / 49

HEX #66823A

RGB 102 130 58

HSL 83.33, 0.38%, 0.37%

LAB 50.8, -22.46, 35.28

 

CMYK 55 / 0 / 5 / 49

HEX #3A827B

RGB 58 130 123

HSL 174.17, 0.38%, 0.37%

LAB 49.85, -24.24, -3.05

 

CMYK 33 / 55 / 0 / 49

HEX #573A82

RGB 87 58 130

HSL 264.17, 0.38%, 0.37%

LAB 31.03, 29.11, -36.11

 

Description

Color code: HEX #833B42 | qconv.com Color code: HEX #833B42 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 59 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 59 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 50 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 50% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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