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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83339D it is the complementary color #7CCC62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83339D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83339D shade: #883398, #9945AB, #AA57BE, #BB69D1 and #CC7BE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83339D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83339D shade: #83339D, #72218A, #610F77, #500064 and #3F0051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83339D shade: #84339E, #9E339B, #9E337F, #9E3362 and #9E3345

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83339D shade: #84339E, #67339E, #4A339E and #33339E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83339D shade matches the following richer shades: #84339E, #8C22AF, #9511C0 and #9E00D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83339D shade: #84339E, #7B448D, #72557C, #6A666B and #61775A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83339D shade: #4A339E, #67339E, #83339E, #9E339C and #9E3380

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83339D shade: #501F60, #6A297F, #84339E, #9E3DBD and #AE5AC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83339D shade: #83339D, #9E3339 and #339E59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83339D shade: #83339D, #9E8333 and #339E83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83339D shade: #83339D, #9E3339, #4E9E33 and #339E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83339D shade: #83339D, #9E4E33, #4E9E33 and #33839E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 68 / 0 / 38

HEX #83339D

RGB 131 51 157

HSL 285.28, 0.51%, 0.41%

LAB 37.16, 50.49, -42.52

 

Complementary color

CMYK 39 / 0 / 52 / 20

HEX #7CCC62

RGB 124 204 98

HSL 105.28, 0.51%, 0.59%

LAB 75.05, -44.21, 44.83

 

CMYK 11 / 66 / 0 / 40

HEX #883398

RGB 136 51 152

HSL 290.5, 0.5%, 0.4%

LAB 37.61, 50.68, -38.74

 

CMYK 11 / 60 / 0 / 33

HEX #9945AB

RGB 153 69 171

HSL 289.41, 0.43%, 0.47%

LAB 44.19, 50.4, -39.51

 

CMYK 11 / 54 / 0 / 25

HEX #AA57BE

RGB 170 87 190

HSL 288.35, 0.44%, 0.54%

LAB 50.78, 49.84, -40.04

 

CMYK 11 / 50 / 0 / 18

HEX #BB69D1

RGB 187 105 209

HSL 287.31, 0.53%, 0.62%

LAB 57.34, 49.14, -40.43

 

CMYK 11 / 46 / 0 / 11

HEX #CC7BE4

RGB 204 123 228

HSL 286.29, 0.66%, 0.69%

LAB 63.84, 48.39, -40.74

 

CMYK 17 / 68 / 0 / 38

HEX #83339D

RGB 131 51 157

HSL 285.28, 0.51%, 0.41%

LAB 37.16, 50.49, -42.52

 

CMYK 17 / 76 / 0 / 46

HEX #72218A

RGB 114 33 138

HSL 286.29, 0.61%, 0.34%

LAB 30.64, 50.29, -41.5

 

CMYK 18 / 87 / 0 / 53

HEX #610F77

RGB 97 15 119

HSL 287.31, 0.78%, 0.26%

LAB 24.37, 48.98, -39.8

 

CMYK 20 / 100 / 0 / 61

HEX #500064

RGB 80 0 100

HSL 288, 1%, 0.2%

LAB 18.48, 46.05, -37.15

 

CMYK 22 / 100 / 0 / 68

HEX #3F0051

RGB 63 0 81

HSL 286.67, 1%, 0.16%

LAB 13.54, 39.59, -32.55

 

CMYK 16 / 68 / 0 / 38

HEX #84339E

RGB 132 51 158

HSL 285.42, 0.51%, 0.41%

LAB 37.37, 50.93, -42.78

 

CMYK 0 / 68 / 2 / 38

HEX #9E339B

RGB 158 51 155

HSL 301.68, 0.51%, 0.41%

LAB 41.22, 56.59, -34.6

 

CMYK 0 / 68 / 20 / 38

HEX #9E337F

RGB 158 51 127

HSL 317.38, 0.51%, 0.41%

LAB 39.86, 52.15, -19.65

 

CMYK 0 / 68 / 38 / 38

HEX #9E3362

RGB 158 51 98

HSL 333.64, 0.51%, 0.41%

LAB 38.76, 48.36, -3.22

 

CMYK 0 / 68 / 56 / 38

HEX #9E3345

RGB 158 51 69

HSL 349.91, 0.51%, 0.41%

LAB 37.96, 45.53, 14.03

 

CMYK 16 / 68 / 0 / 38

HEX #84339E

RGB 132 51 158

HSL 285.42, 0.51%, 0.41%

LAB 37.37, 50.93, -42.78

 

CMYK 35 / 68 / 0 / 38

HEX #67339E

RGB 103 51 158

HSL 269.16, 0.51%, 0.41%

LAB 33.39, 44.38, -49.39

 

CMYK 53 / 68 / 0 / 38

HEX #4A339E

RGB 74 51 158

HSL 252.9, 0.51%, 0.41%

LAB 30.14, 38.58, -54.83

 

CMYK 68 / 68 / 0 / 38

HEX #33339E

RGB 51 51 158

HSL 240, 0.51%, 0.41%

LAB 28.22, 34.91, -58.04

 

CMYK 16 / 68 / 0 / 38

HEX #84339E

RGB 132 51 158

HSL 285.42, 0.51%, 0.41%

LAB 37.37, 50.93, -42.78

 

CMYK 20 / 81 / 0 / 31

HEX #8C22AF

RGB 140 34 175

HSL 285.11, 0.67%, 0.41%

LAB 37.51, 62.36, -52.69

 

CMYK 22 / 91 / 0 / 25

HEX #9511C0

RGB 149 17 192

HSL 285.26, 0.84%, 0.41%

LAB 38.89, 70.9, -60.43

 

CMYK 24 / 100 / 0 / 18

HEX #9E00D1

RGB 158 0 209

HSL 285.36, 1%, 0.41%

LAB 41.01, 77.2, -66.81

 

CMYK 16 / 68 / 0 / 38

HEX #84339E

RGB 132 51 158

HSL 285.42, 0.51%, 0.41%

LAB 37.37, 50.93, -42.78

 

CMYK 13 / 52 / 0 / 45

HEX #7B448D

RGB 123 68 141

HSL 285.21, 0.35%, 0.41%

LAB 38.32, 36.32, -31.04

 

CMYK 8 / 31 / 0 / 51

HEX #72557C

RGB 114 85 124

HSL 284.62, 0.19%, 0.41%

LAB 40.46, 19.6, -17.41

 

CMYK 1 / 5 / 0 / 58

HEX #6A666B

RGB 106 102 107

HSL 288, 0.02%, 0.41%

LAB 43.7, 2.59, -2.26

 

CMYK 18 / 0 / 24 / 53

HEX #61775A

RGB 97 119 90

HSL 105.52, 0.14%, 0.41%

LAB 47.59, -14.04, 13.36

 

CMYK 53 / 68 / 0 / 38

HEX #4A339E

RGB 74 51 158

HSL 252.9, 0.51%, 0.41%

LAB 30.14, 38.58, -54.83

 

CMYK 35 / 68 / 0 / 38

HEX #67339E

RGB 103 51 158

HSL 269.16, 0.51%, 0.41%

LAB 33.39, 44.38, -49.39

 

CMYK 17 / 68 / 0 / 38

HEX #83339E

RGB 131 51 158

HSL 284.86, 0.51%, 0.41%

LAB 37.23, 50.7, -43.02

 

CMYK 0 / 68 / 1 / 38

HEX #9E339C

RGB 158 51 156

HSL 301.12, 0.51%, 0.41%

LAB 41.27, 56.76, -35.12

 

CMYK 0 / 68 / 19 / 38

HEX #9E3380

RGB 158 51 128

HSL 316.82, 0.51%, 0.41%

LAB 39.91, 52.3, -20.2

 

CMYK 17 / 68 / 0 / 62

HEX #501F60

RGB 80 31 96

HSL 285.23, 0.51%, 0.25%

LAB 22.05, 34.06, -28.76

 

CMYK 17 / 68 / 0 / 50

HEX #6A297F

RGB 106 41 127

HSL 285.35, 0.51%, 0.33%

LAB 29.87, 42.72, -35.95

 

CMYK 16 / 68 / 0 / 38

HEX #84339E

RGB 132 51 158

HSL 285.42, 0.51%, 0.41%

LAB 37.37, 50.93, -42.78

 

CMYK 16 / 68 / 0 / 26

HEX #9E3DBD

RGB 158 61 189

HSL 285.47, 0.51%, 0.49%

LAB 44.63, 58.82, -49.33

 

CMYK 13 / 55 / 0 / 21

HEX #AE5AC9

RGB 174 90 201

HSL 285.41, 0.51%, 0.57%

LAB 52.43, 51.63, -43.73

 

CMYK 17 / 68 / 0 / 38

HEX #83339D

RGB 131 51 157

HSL 285.28, 0.51%, 0.41%

LAB 37.16, 50.49, -42.52

 

CMYK 0 / 68 / 64 / 38

HEX #9E3339

RGB 158 51 57

HSL 356.64, 0.51%, 0.41%

LAB 37.72, 44.66, 21.27

 

CMYK 68 / 0 / 44 / 38

HEX #339E59

RGB 51 158 89

HSL 141.31, 0.51%, 0.41%

LAB 57.92, -46.07, 27.39

 

CMYK 17 / 68 / 0 / 38

HEX #83339D

RGB 131 51 157

HSL 285.28, 0.51%, 0.41%

LAB 37.16, 50.49, -42.52

 

CMYK 0 / 17 / 68 / 38

HEX #9E8333

RGB 158 131 51

HSL 44.86, 0.51%, 0.41%

LAB 55.83, 1.14, 45.63

 

CMYK 68 / 0 / 17 / 38

HEX #339E83

RGB 51 158 131

HSL 164.86, 0.51%, 0.41%

LAB 58.79, -36.88, 5.32

 

CMYK 17 / 68 / 0 / 38

HEX #83339D

RGB 131 51 157

HSL 285.28, 0.51%, 0.41%

LAB 37.16, 50.49, -42.52

 

CMYK 0 / 68 / 64 / 38

HEX #9E3339

RGB 158 51 57

HSL 356.64, 0.51%, 0.41%

LAB 37.72, 44.66, 21.27

 

CMYK 51 / 0 / 68 / 38

HEX #4E9E33

RGB 78 158 51

HSL 104.86, 0.51%, 0.41%

LAB 58.33, -44.52, 46.65

 

CMYK 68 / 0 / 3 / 38

HEX #339E99

RGB 51 158 153

HSL 177.2, 0.51%, 0.41%

LAB 59.4, -30.88, -6.25

 

CMYK 17 / 68 / 0 / 38

HEX #83339D

RGB 131 51 157

HSL 285.28, 0.51%, 0.41%

LAB 37.16, 50.49, -42.52

 

CMYK 0 / 51 / 68 / 38

HEX #9E4E33

RGB 158 78 51

HSL 15.14, 0.51%, 0.41%

LAB 42.7, 31.02, 30.97

 

CMYK 51 / 0 / 68 / 38

HEX #4E9E33

RGB 78 158 51

HSL 104.86, 0.51%, 0.41%

LAB 58.33, -44.52, 46.65

 

CMYK 68 / 17 / 0 / 38

HEX #33839E

RGB 51 131 158

HSL 195.14, 0.51%, 0.41%

LAB 51.16, -15.41, -21.56

 

Description

Color code: HEX #83339D | qconv.com Color code: HEX #83339D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 51 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 51 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 68 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 68% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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