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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #832C3E it is the complementary color #7CD3C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #832C3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #832C3E shade: #882C39, #993E4C, #AA505F, #BB6272 and #CC7485

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #832C3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #832C3E shade: #832C3E, #721A2B, #610818, #500005 and #3F0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #832C3E shade: #822B3D and #822B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #832C3E shade: #822B3D, #822B54, #822B6C, #802B82 and #692B82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #832C3E shade matches the following richer shades: #822B3D, #901D35, #9E0F2C and #AC0124

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #832C3E shade: #822B3D, #743945, #65474D, #575555 and #49635E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #832C3E shade: #822B6C, #822B55, #822B3E, #822F2B and #82462B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #832C3E shade: #441620, #63212E, #822B3D, #A0354B and #BF405A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #832C3E shade: #832C3E, #82802B and #2B6082

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #832C3E shade: #832C3E, #3E822B and #2B3E82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #832C3E shade: #832C3E, #82802B, #2B826F and #2B2C82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #832C3E shade: #832C3E, #69822B, #2B826F and #432B82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 53 / 49

HEX #832C3E

RGB 131 44 62

HSL 347.59, 0.5%, 0.34%

LAB 31.75, 38.81, 9.22

 

Complementary color

CMYK 41 / 0 / 9 / 17

HEX #7CD3C1

RGB 124 211 193

HSL 167.59, 0.5%, 0.66%

LAB 78.88, -30.47, 0.68

 

CMYK 0 / 68 / 58 / 47

HEX #882C39

RGB 136 44 57

HSL 351.52, 0.51%, 0.35%

LAB 32.55, 40.12, 13.72

 

CMYK 0 / 59 / 50 / 40

HEX #993E4C

RGB 153 62 76

HSL 350.77, 0.42%, 0.42%

LAB 39.14, 39.35, 11.09

 

CMYK 0 / 53 / 44 / 33

HEX #AA505F

RGB 170 80 95

HSL 350, 0.36%, 0.49%

LAB 45.78, 38.4, 9.04

 

CMYK 0 / 48 / 39 / 27

HEX #BB6272

RGB 187 98 114

HSL 349.21, 0.4%, 0.56%

LAB 52.41, 37.4, 7.37

 

CMYK 0 / 43 / 35 / 20

HEX #CC7485

RGB 204 116 133

HSL 348.41, 0.46%, 0.63%

LAB 58.99, 36.43, 5.95

 

CMYK 0 / 66 / 53 / 49

HEX #832C3E

RGB 131 44 62

HSL 347.59, 0.5%, 0.34%

LAB 31.75, 38.81, 9.22

 

CMYK 0 / 77 / 62 / 55

HEX #721A2B

RGB 114 26 43

HSL 348.41, 0.63%, 0.27%

LAB 25.23, 39.05, 12.45

 

CMYK 0 / 92 / 75 / 62

HEX #610818

RGB 97 8 24

HSL 349.21, 0.85%, 0.21%

LAB 19.14, 38.1, 17

 

CMYK 0 / 100 / 94 / 69

HEX #500005

RGB 80 0 5

HSL 356.25, 1%, 0.16%

LAB 13.92, 34.72, 19.73

 

CMYK 0 / 100 / 100 / 75

HEX #3F0000

RGB 63 0 0

HSL 0, 1%, 0.12%

LAB 9.46, 29.45, 14.93

 

CMYK 0 / 67 / 53 / 49

HEX #822B3D

RGB 130 43 61

HSL 347.59, 0.5%, 0.34%

LAB 31.37, 38.82, 9.33

 

CMYK 0 / 67 / 67 / 49

HEX #822B2B

RGB 130 43 43

HSL 0, 0.5%, 0.34%

LAB 30.99, 37.41, 20.51

 

CMYK 0 / 67 / 53 / 49

HEX #822B3D

RGB 130 43 61

HSL 347.59, 0.5%, 0.34%

LAB 31.37, 38.82, 9.33

 

CMYK 0 / 67 / 35 / 49

HEX #822B54

RGB 130 43 84

HSL 331.72, 0.5%, 0.34%

LAB 32.06, 41.34, -4.72

 

CMYK 0 / 67 / 17 / 49

HEX #822B6C

RGB 130 43 108

HSL 315.17, 0.5%, 0.34%

LAB 33.04, 44.75, -18.68

 

CMYK 2 / 67 / 0 / 49

HEX #802B82

RGB 128 43 130

HSL 298.62, 0.5%, 0.34%

LAB 33.83, 47.96, -31.3

 

CMYK 19 / 67 / 0 / 49

HEX #692B82

RGB 105 43 130

HSL 282.76, 0.5%, 0.34%

LAB 30.26, 42.17, -37.2

 

CMYK 0 / 67 / 53 / 49

HEX #822B3D

RGB 130 43 61

HSL 347.59, 0.5%, 0.34%

LAB 31.37, 38.82, 9.33

 

CMYK 0 / 80 / 63 / 44

HEX #901D35

RGB 144 29 53

HSL 347.48, 0.66%, 0.34%

LAB 31.95, 48.13, 15.82

 

CMYK 0 / 91 / 72 / 38

HEX #9E0F2C

RGB 158 15 44

HSL 347.83, 0.83%, 0.34%

LAB 33.55, 54.98, 24.28

 

CMYK 0 / 99 / 79 / 33

HEX #AC0124

RGB 172 1 36

HSL 347.72, 0.99%, 0.34%

LAB 35.83, 60.19, 32.69

 

CMYK 0 / 67 / 53 / 49

HEX #822B3D

RGB 130 43 61

HSL 347.59, 0.5%, 0.34%

LAB 31.37, 38.82, 9.33

 

CMYK 0 / 51 / 41 / 55

HEX #743945

RGB 116 57 69

HSL 347.8, 0.34%, 0.34%

LAB 31.96, 27.24, 4.6

 

CMYK 0 / 30 / 24 / 60

HEX #65474D

RGB 101 71 77

HSL 348, 0.17%, 0.34%

LAB 33.58, 13.84, 1.52

 

CMYK 0 / 2 / 2 / 66

HEX #575555

RGB 87 85 85

HSL 0, 0.01%, 0.34%

LAB 36.33, 0.81, 0.28

 

CMYK 26 / 0 / 5 / 61

HEX #49635E

RGB 73 99 94

HSL 168.46, 0.15%, 0.34%

LAB 39.83, -10.82, -0.31

 

CMYK 0 / 67 / 17 / 49

HEX #822B6C

RGB 130 43 108

HSL 315.17, 0.5%, 0.34%

LAB 33.04, 44.75, -18.68

 

CMYK 0 / 67 / 35 / 49

HEX #822B55

RGB 130 43 85

HSL 331.03, 0.5%, 0.34%

LAB 32.1, 41.47, -5.32

 

CMYK 0 / 67 / 52 / 49

HEX #822B3E

RGB 130 43 62

HSL 346.9, 0.5%, 0.34%

LAB 31.4, 38.92, 8.71

 

CMYK 0 / 64 / 67 / 49

HEX #822F2B

RGB 130 47 43

HSL 2.76, 0.5%, 0.34%

LAB 31.7, 35.51, 21.4

 

CMYK 0 / 46 / 67 / 49

HEX #82462B

RGB 130 70 43

HSL 18.62, 0.5%, 0.34%

LAB 36.56, 23.12, 27.28

 

CMYK 0 / 68 / 53 / 73

HEX #441620

RGB 68 22 32

HSL 346.96, 0.51%, 0.18%

LAB 14.99, 23.22, 4.65

 

CMYK 0 / 67 / 54 / 61

HEX #63212E

RGB 99 33 46

HSL 348.18, 0.5%, 0.26%

LAB 23.46, 30.98, 7.51

 

CMYK 0 / 67 / 53 / 49

HEX #822B3D

RGB 130 43 61

HSL 347.59, 0.5%, 0.34%

LAB 31.37, 38.82, 9.33

 

CMYK 0 / 67 / 53 / 37

HEX #A0354B

RGB 160 53 75

HSL 347.66, 0.5%, 0.42%

LAB 38.77, 45.84, 11.41

 

CMYK 0 / 66 / 53 / 25

HEX #BF405A

RGB 191 64 90

HSL 347.72, 0.5%, 0.5%

LAB 46.29, 52.58, 13.31

 

CMYK 0 / 66 / 53 / 49

HEX #832C3E

RGB 131 44 62

HSL 347.59, 0.5%, 0.34%

LAB 31.75, 38.81, 9.22

 

CMYK 0 / 2 / 67 / 49

HEX #82802B

RGB 130 128 43

HSL 58.62, 0.5%, 0.34%

LAB 52.24, -10.45, 44.63

 

CMYK 67 / 26 / 0 / 49

HEX #2B6082

RGB 43 96 130

HSL 203.45, 0.5%, 0.34%

LAB 38.71, -6.18, -24.19

 

CMYK 0 / 66 / 53 / 49

HEX #832C3E

RGB 131 44 62

HSL 347.59, 0.5%, 0.34%

LAB 31.75, 38.81, 9.22

 

CMYK 52 / 0 / 67 / 49

HEX #3E822B

RGB 62 130 43

HSL 106.9, 0.5%, 0.34%

LAB 48.47, -38.68, 39.29

 

CMYK 67 / 52 / 0 / 49

HEX #2B3E82

RGB 43 62 130

HSL 226.9, 0.5%, 0.34%

LAB 28.3, 16.08, -40.69

 

CMYK 0 / 66 / 53 / 49

HEX #832C3E

RGB 131 44 62

HSL 347.59, 0.5%, 0.34%

LAB 31.75, 38.81, 9.22

 

CMYK 0 / 2 / 67 / 49

HEX #82802B

RGB 130 128 43

HSL 58.62, 0.5%, 0.34%

LAB 52.24, -10.45, 44.63

 

CMYK 67 / 0 / 15 / 49

HEX #2B826F

RGB 43 130 111

HSL 166.9, 0.5%, 0.34%

LAB 49.04, -30.57, 2.75

 

CMYK 67 / 66 / 0 / 49

HEX #2B2C82

RGB 43 44 130

HSL 239.31, 0.5%, 0.34%

LAB 23.43, 28.32, -48.6

 

CMYK 0 / 66 / 53 / 49

HEX #832C3E

RGB 131 44 62

HSL 347.59, 0.5%, 0.34%

LAB 31.75, 38.81, 9.22

 

CMYK 19 / 0 / 67 / 49

HEX #69822B

RGB 105 130 43

HSL 77.24, 0.5%, 0.34%

LAB 50.85, -22.58, 42.57

 

CMYK 67 / 0 / 15 / 49

HEX #2B826F

RGB 43 130 111

HSL 166.9, 0.5%, 0.34%

LAB 49.04, -30.57, 2.75

 

CMYK 48 / 67 / 0 / 49

HEX #432B82

RGB 67 43 130

HSL 256.55, 0.5%, 0.34%

LAB 25.36, 33.36, -45.36

 

Description

Color code: HEX #832C3E | qconv.com Color code: HEX #832C3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 44 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 44 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 53 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 53% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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