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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83247D it is the complementary color #7CDB82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83247D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83247D shade: #882478, #99368B, #AA489E, #BB5AB1 and #CC6CC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83247D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83247D shade: #83247D, #72126A, #610057, #500044 and #3F0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83247D shade: #84247E, #842464, #84244A, #842430 and #842424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83247D shade: #84247E, #702484, #562484, #3D2484 and #242484

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83247D shade matches the following richer shades: #84247E, #92178A and #9F0996

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83247D shade: #84247E, #773272, #693F66, #5B4D5A and #4E5B4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83247D shade: #562484, #6F2484, #84247F, #842466 and #84244C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83247D shade: #431240, #641B5F, #84247E, #A52D9D and #C536BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83247D shade: #83247D, #843C24 and #248463

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83247D shade: #83247D, #7F8424 and #247F84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83247D shade: #83247D, #843C24, #248429 and #246C84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83247D shade: #83247D, #845924, #248429 and #244F84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 5 / 49

HEX #83247D

RGB 131 36 125

HSL 303.79, 0.57%, 0.33%

LAB 33.07, 50.62, -29.36

 

Complementary color

CMYK 43 / 0 / 41 / 14

HEX #7CDB82

RGB 124 219 130

HSL 123.79, 0.57%, 0.67%

LAB 79.93, -46.21, 35.18

 

CMYK 0 / 74 / 12 / 47

HEX #882478

RGB 136 36 120

HSL 309.6, 0.58%, 0.34%

LAB 33.67, 51.04, -25.21

 

CMYK 0 / 65 / 9 / 40

HEX #99368B

RGB 153 54 139

HSL 308.48, 0.48%, 0.41%

LAB 40.04, 51.4, -26.81

 

CMYK 0 / 58 / 7 / 33

HEX #AA489E

RGB 170 72 158

HSL 307.35, 0.4%, 0.47%

LAB 46.51, 51.2, -27.97

 

CMYK 0 / 52 / 5 / 27

HEX #BB5AB1

RGB 187 90 177

HSL 306.19, 0.42%, 0.54%

LAB 53.01, 50.71, -28.85

 

CMYK 0 / 47 / 4 / 20

HEX #CC6CC4

RGB 204 108 196

HSL 305, 0.48%, 0.61%

LAB 59.48, 50.07, -29.55

 

CMYK 0 / 73 / 5 / 49

HEX #83247D

RGB 131 36 125

HSL 303.79, 0.57%, 0.33%

LAB 33.07, 50.62, -29.36

 

CMYK 0 / 84 / 7 / 55

HEX #72126A

RGB 114 18 106

HSL 305, 0.73%, 0.26%

LAB 26.88, 49.3, -27.25

 

CMYK 0 / 100 / 10 / 62

HEX #610057

RGB 97 0 87

HSL 306.19, 1%, 0.19%

LAB 20.94, 46.8, -24.36

 

CMYK 0 / 100 / 15 / 69

HEX #500044

RGB 80 0 68

HSL 309, 1%, 0.16%

LAB 16.12, 40.43, -19.22

 

CMYK 0 / 100 / 22 / 75

HEX #3F0031

RGB 63 0 49

HSL 313.33, 1%, 0.12%

LAB 11.12, 33.82, -13.74

 

CMYK 0 / 73 / 5 / 48

HEX #84247E

RGB 132 36 126

HSL 303.75, 0.57%, 0.33%

LAB 33.29, 51.03, -29.61

 

CMYK 0 / 73 / 24 / 48

HEX #842464

RGB 132 36 100

HSL 320, 0.57%, 0.33%

LAB 32.01, 46.99, -15.13

 

CMYK 0 / 73 / 44 / 48

HEX #84244A

RGB 132 36 74

HSL 336.25, 0.57%, 0.33%

LAB 31.02, 43.77, 0.33

 

CMYK 0 / 73 / 64 / 48

HEX #842430

RGB 132 36 48

HSL 352.5, 0.57%, 0.33%

LAB 30.35, 41.48, 16.54

 

CMYK 0 / 73 / 73 / 48

HEX #842424

RGB 132 36 36

HSL 0, 0.57%, 0.33%

LAB 30.14, 40.75, 24.01

 

CMYK 0 / 73 / 5 / 48

HEX #84247E

RGB 132 36 126

HSL 303.75, 0.57%, 0.33%

LAB 33.29, 51.03, -29.61

 

CMYK 15 / 73 / 0 / 48

HEX #702484

RGB 112 36 132

HSL 287.5, 0.57%, 0.33%

LAB 30.33, 47.43, -38.28

 

CMYK 35 / 73 / 0 / 48

HEX #562484

RGB 86 36 132

HSL 271.25, 0.57%, 0.33%

LAB 26.47, 41.72, -44.71

 

CMYK 54 / 73 / 0 / 48

HEX #3D2484

RGB 61 36 132

HSL 255.63, 0.57%, 0.33%

LAB 23.4, 36.91, -49.83

 

CMYK 73 / 73 / 0 / 48

HEX #242484

RGB 36 36 132

HSL 240, 0.57%, 0.33%

LAB 21.22, 33.25, -53.5

 

CMYK 0 / 73 / 5 / 48

HEX #84247E

RGB 132 36 126

HSL 303.75, 0.57%, 0.33%

LAB 33.29, 51.03, -29.61

 

CMYK 0 / 84 / 5 / 43

HEX #92178A

RGB 146 23 138

HSL 303.9, 0.73%, 0.33%

LAB 35.12, 59.97, -34.03

 

CMYK 0 / 94 / 6 / 38

HEX #9F0996

RGB 159 9 150

HSL 303.6, 0.89%, 0.33%

LAB 37.42, 66.63, -37.58

 

CMYK 0 / 73 / 5 / 48

HEX #84247E

RGB 132 36 126

HSL 303.75, 0.57%, 0.33%

LAB 33.29, 51.03, -29.61

 

CMYK 0 / 58 / 4 / 53

HEX #773272

RGB 119 50 114

HSL 304.35, 0.41%, 0.33%

LAB 32.74, 39.24, -23.09

 

CMYK 0 / 40 / 3 / 59

HEX #693F66

RGB 105 63 102

HSL 304.29, 0.25%, 0.33%

LAB 32.96, 25.03, -15.31

 

CMYK 0 / 15 / 1 / 64

HEX #5B4D5A

RGB 91 77 90

HSL 304.29, 0.08%, 0.33%

LAB 34.54, 8.47, -5.46

 

CMYK 14 / 0 / 14 / 64

HEX #4E5B4E

RGB 78 91 78

HSL 120, 0.08%, 0.33%

LAB 37.21, -7.9, 5.81

 

CMYK 35 / 73 / 0 / 48

HEX #562484

RGB 86 36 132

HSL 271.25, 0.57%, 0.33%

LAB 26.47, 41.72, -44.71

 

CMYK 16 / 73 / 0 / 48

HEX #6F2484

RGB 111 36 132

HSL 286.88, 0.57%, 0.33%

LAB 30.17, 47.2, -38.54

 

CMYK 0 / 73 / 4 / 48

HEX #84247F

RGB 132 36 127

HSL 303.13, 0.57%, 0.33%

LAB 33.35, 51.2, -30.15

 

CMYK 0 / 73 / 23 / 48

HEX #842466

RGB 132 36 102

HSL 318.75, 0.57%, 0.33%

LAB 32.09, 47.27, -16.28

 

CMYK 0 / 73 / 42 / 48

HEX #84244C

RGB 132 36 76

HSL 335, 0.57%, 0.33%

LAB 31.09, 43.98, -0.89

 

CMYK 0 / 73 / 4 / 74

HEX #431240

RGB 67 18 64

HSL 303.67, 0.58%, 0.17%

LAB 15.47, 30.02, -17.62

 

CMYK 0 / 73 / 5 / 61

HEX #641B5F

RGB 100 27 95

HSL 304.11, 0.57%, 0.25%

LAB 24.7, 41.04, -23.69

 

CMYK 0 / 73 / 5 / 48

HEX #84247E

RGB 132 36 126

HSL 303.75, 0.57%, 0.33%

LAB 33.29, 51.03, -29.61

 

CMYK 0 / 73 / 5 / 35

HEX #A52D9D

RGB 165 45 157

HSL 304, 0.57%, 0.41%

LAB 41.71, 60.76, -34.97

 

CMYK 0 / 73 / 5 / 23

HEX #C536BC

RGB 197 54 188

HSL 303.78, 0.57%, 0.49%

LAB 49.66, 69.88, -40.38

 

CMYK 0 / 73 / 5 / 49

HEX #83247D

RGB 131 36 125

HSL 303.79, 0.57%, 0.33%

LAB 33.07, 50.62, -29.36

 

CMYK 0 / 55 / 73 / 48

HEX #843C24

RGB 132 60 36

HSL 15, 0.57%, 0.33%

LAB 34.53, 29.15, 29.08

 

CMYK 73 / 0 / 25 / 48

HEX #248463

RGB 36 132 99

HSL 159.38, 0.57%, 0.33%

LAB 49.23, -35.79, 9.99

 

CMYK 0 / 73 / 5 / 49

HEX #83247D

RGB 131 36 125

HSL 303.79, 0.57%, 0.33%

LAB 33.07, 50.62, -29.36

 

CMYK 4 / 0 / 73 / 48

HEX #7F8424

RGB 127 132 36

HSL 63.13, 0.57%, 0.33%

LAB 53.1, -14.38, 48.31

 

CMYK 73 / 4 / 0 / 48

HEX #247F84

RGB 36 127 132

HSL 183.13, 0.57%, 0.33%

LAB 48.54, -24.03, -10.37

 

CMYK 0 / 73 / 5 / 49

HEX #83247D

RGB 131 36 125

HSL 303.79, 0.57%, 0.33%

LAB 33.07, 50.62, -29.36

 

CMYK 0 / 55 / 73 / 48

HEX #843C24

RGB 132 60 36

HSL 15, 0.57%, 0.33%

LAB 34.53, 29.15, 29.08

 

CMYK 73 / 0 / 69 / 48

HEX #248429

RGB 36 132 41

HSL 123.13, 0.57%, 0.33%

LAB 48.31, -46.14, 39.77

 

CMYK 73 / 18 / 0 / 48

HEX #246C84

RGB 36 108 132

HSL 195, 0.57%, 0.33%

LAB 42.41, -13.73, -19.69

 

CMYK 0 / 73 / 5 / 49

HEX #83247D

RGB 131 36 125

HSL 303.79, 0.57%, 0.33%

LAB 33.07, 50.62, -29.36

 

CMYK 0 / 33 / 73 / 48

HEX #845924

RGB 132 89 36

HSL 33.13, 0.57%, 0.33%

LAB 41.5, 12.44, 36.69

 

CMYK 73 / 0 / 69 / 48

HEX #248429

RGB 36 132 41

HSL 123.13, 0.57%, 0.33%

LAB 48.31, -46.14, 39.77

 

CMYK 73 / 40 / 0 / 48

HEX #244F84

RGB 36 79 132

HSL 213.13, 0.57%, 0.33%

LAB 33.21, 4.14, -34.1

 

Description

Color code: HEX #83247D | qconv.com Color code: HEX #83247D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 36 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 36 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 5 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 5% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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