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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #831A8C it is the complementary color #7CE573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #831A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #831A8C shade: #881A87, #992C9A, #AA3EAD, #BB50C0 and #CC62D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #831A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #831A8C shade: #831A8C, #720879, #610066, #500053 and #3F0040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #831A8C shade: #851A8E, #8E1A78, #8E1A59, #8E1A39 and #8E1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #831A8C shade: #851A8E, #661A8E, #461A8E, #271A8E and #1A1A8E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #831A8C shade matches the following richer shades: #851A8E and #910C9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #831A8C shade: #851A8E, #7A2881, #6E3573, #634365 and #575158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #831A8C shade: #471A8E, #661A8E, #851A8E, #8E1A79 and #8E1A5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #831A8C shade: #440D48, #64146B, #851A8E, #A620B1 and #C627D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #831A8C shade: #831A8C, #8E281A and #1A8E56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #831A8C shade: #831A8C, #8E851A and #1A8E85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #831A8C shade: #831A8C, #8E281A, #248E1A and #1A818E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #831A8C shade: #831A8C, #8E4A1A, #248E1A and #1A5E8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 81 / 0 / 45

HEX #831A8C

RGB 131 26 140

HSL 295.26, 0.69%, 0.33%

LAB 32.83, 56.48, -39.08

 

Complementary color

CMYK 46 / 0 / 50 / 10

HEX #7CE573

RGB 124 229 115

HSL 115.26, 0.69%, 0.67%

LAB 82.68, -52.45, 46.02

 

CMYK 0 / 81 / 1 / 47

HEX #881A87

RGB 136 26 135

HSL 300.55, 0.68%, 0.32%

LAB 33.4, 56.65, -35.02

 

CMYK 1 / 71 / 0 / 40

HEX #992C9A

RGB 153 44 154

HSL 299.45, 0.56%, 0.39%

LAB 39.42, 57.86, -36.9

 

CMYK 2 / 64 / 0 / 32

HEX #AA3EAD

RGB 170 62 173

HSL 298.38, 0.47%, 0.46%

LAB 45.65, 58.21, -38.22

 

CMYK 3 / 58 / 0 / 25

HEX #BB50C0

RGB 187 80 192

HSL 297.32, 0.47%, 0.53%

LAB 51.96, 58.06, -39.18

 

CMYK 3 / 54 / 0 / 17

HEX #CC62D3

RGB 204 98 211

HSL 296.28, 0.56%, 0.61%

LAB 58.3, 57.63, -39.9

 

CMYK 6 / 81 / 0 / 45

HEX #831A8C

RGB 131 26 140

HSL 295.26, 0.69%, 0.33%

LAB 32.83, 56.48, -39.08

 

CMYK 6 / 93 / 0 / 53

HEX #720879

RGB 114 8 121

HSL 296.28, 0.88%, 0.25%

LAB 27.11, 53.94, -36.51

 

CMYK 5 / 100 / 0 / 60

HEX #610066

RGB 97 0 102

HSL 297.06, 1%, 0.2%

LAB 21.95, 49.24, -32.7

 

CMYK 4 / 100 / 0 / 67

HEX #500053

RGB 80 0 83

HSL 297.83, 1%, 0.16%

LAB 17.13, 42.9, -27.94

 

CMYK 2 / 100 / 0 / 75

HEX #3F0040

RGB 63 0 64

HSL 299.06, 1%, 0.13%

LAB 12.14, 36.31, -22.96

 

CMYK 6 / 82 / 0 / 44

HEX #851A8E

RGB 133 26 142

HSL 295.34, 0.69%, 0.33%

LAB 33.3, 57.23, -39.53

 

CMYK 0 / 82 / 15 / 44

HEX #8E1A78

RGB 142 26 120

HSL 311.38, 0.69%, 0.33%

LAB 33.66, 55.64, -25.15

 

CMYK 0 / 82 / 37 / 44

HEX #8E1A59

RGB 142 26 89

HSL 327.41, 0.69%, 0.33%

LAB 32.28, 51.65, -7.41

 

CMYK 0 / 82 / 60 / 44

HEX #8E1A39

RGB 142 26 57

HSL 343.97, 0.69%, 0.33%

LAB 31.31, 48.72, 12.25

 

CMYK 0 / 82 / 82 / 44

HEX #8E1A1A

RGB 142 26 26

HSL 0, 0.69%, 0.33%

LAB 30.79, 47.11, 31.42

 

CMYK 6 / 82 / 0 / 44

HEX #851A8E

RGB 133 26 142

HSL 295.34, 0.69%, 0.33%

LAB 33.3, 57.23, -39.53

 

CMYK 28 / 82 / 0 / 44

HEX #661A8E

RGB 102 26 142

HSL 279.31, 0.69%, 0.33%

LAB 28.16, 51.32, -48.09

 

CMYK 51 / 82 / 0 / 44

HEX #461A8E

RGB 70 26 142

HSL 262.76, 0.69%, 0.33%

LAB 23.65, 46.16, -55.64

 

CMYK 73 / 82 / 0 / 44

HEX #271A8E

RGB 39 26 142

HSL 246.72, 0.69%, 0.33%

LAB 20.53, 42.6, -60.89

 

CMYK 82 / 82 / 0 / 44

HEX #1A1A8E

RGB 26 26 142

HSL 240, 0.69%, 0.33%

LAB 19.69, 41.64, -62.32

 

CMYK 6 / 82 / 0 / 44

HEX #851A8E

RGB 133 26 142

HSL 295.34, 0.69%, 0.33%

LAB 33.3, 57.23, -39.53

 

CMYK 7 / 92 / 0 / 39

HEX #910C9C

RGB 145 12 156

HSL 295.42, 0.86%, 0.33%

LAB 35.37, 64.71, -44.67

 

CMYK 6 / 82 / 0 / 44

HEX #851A8E

RGB 133 26 142

HSL 295.34, 0.69%, 0.33%

LAB 33.3, 57.23, -39.53

 

CMYK 5 / 69 / 0 / 49

HEX #7A2881

RGB 122 40 129

HSL 295.28, 0.53%, 0.33%

LAB 32.35, 47.54, -33.1

 

CMYK 4 / 54 / 0 / 55

HEX #6E3573

RGB 110 53 115

HSL 295.16, 0.37%, 0.33%

LAB 32.03, 35.13, -24.93

 

CMYK 2 / 34 / 0 / 60

HEX #634365

RGB 99 67 101

HSL 296.47, 0.2%, 0.33%

LAB 33.15, 20.2, -14.44

 

CMYK 1 / 8 / 0 / 65

HEX #575158

RGB 87 81 88

HSL 291.43, 0.04%, 0.33%

LAB 35.23, 3.93, -3.21

 

CMYK 50 / 82 / 0 / 44

HEX #471A8E

RGB 71 26 142

HSL 263.28, 0.69%, 0.33%

LAB 23.77, 46.3, -55.43

 

CMYK 28 / 82 / 0 / 44

HEX #661A8E

RGB 102 26 142

HSL 279.31, 0.69%, 0.33%

LAB 28.16, 51.32, -48.09

 

CMYK 6 / 82 / 0 / 44

HEX #851A8E

RGB 133 26 142

HSL 295.34, 0.69%, 0.33%

LAB 33.3, 57.23, -39.53

 

CMYK 0 / 82 / 15 / 44

HEX #8E1A79

RGB 142 26 121

HSL 310.86, 0.69%, 0.33%

LAB 33.71, 55.79, -25.7

 

CMYK 0 / 82 / 37 / 44

HEX #8E1A5A

RGB 142 26 90

HSL 326.9, 0.69%, 0.33%

LAB 32.32, 51.76, -8

 

CMYK 6 / 82 / 0 / 72

HEX #440D48

RGB 68 13 72

HSL 295.93, 0.69%, 0.17%

LAB 15.41, 34.05, -23.28

 

CMYK 7 / 81 / 0 / 58

HEX #64146B

RGB 100 20 107

HSL 295.17, 0.69%, 0.25%

LAB 24.55, 45.79, -31.76

 

CMYK 6 / 82 / 0 / 44

HEX #851A8E

RGB 133 26 142

HSL 295.34, 0.69%, 0.33%

LAB 33.3, 57.23, -39.53

 

CMYK 6 / 82 / 0 / 31

HEX #A620B1

RGB 166 32 177

HSL 295.45, 0.69%, 0.41%

LAB 41.71, 68.05, -46.89

 

CMYK 7 / 82 / 0 / 17

HEX #C627D4

RGB 198 39 212

HSL 295.14, 0.69%, 0.49%

LAB 49.75, 78.02, -54.09

 

CMYK 6 / 81 / 0 / 45

HEX #831A8C

RGB 131 26 140

HSL 295.26, 0.69%, 0.33%

LAB 32.83, 56.48, -39.08

 

CMYK 0 / 72 / 82 / 44

HEX #8E281A

RGB 142 40 26

HSL 7.24, 0.69%, 0.33%

LAB 32.58, 42.16, 33.21

 

CMYK 82 / 0 / 39 / 44

HEX #1A8E56

RGB 26 142 86

HSL 151.03, 0.69%, 0.33%

LAB 52.1, -44.27, 21.29

 

CMYK 6 / 81 / 0 / 45

HEX #831A8C

RGB 131 26 140

HSL 295.26, 0.69%, 0.33%

LAB 32.83, 56.48, -39.08

 

CMYK 0 / 6 / 82 / 44

HEX #8E851A

RGB 142 133 26

HSL 55.34, 0.69%, 0.33%

LAB 54.66, -8.51, 53.72

 

CMYK 82 / 0 / 6 / 44

HEX #1A8E85

RGB 26 142 133

HSL 175.34, 0.69%, 0.33%

LAB 53.23, -32.28, -3.98

 

CMYK 6 / 81 / 0 / 45

HEX #831A8C

RGB 131 26 140

HSL 295.26, 0.69%, 0.33%

LAB 32.83, 56.48, -39.08

 

CMYK 0 / 72 / 82 / 44

HEX #8E281A

RGB 142 40 26

HSL 7.24, 0.69%, 0.33%

LAB 32.58, 42.16, 33.21

 

CMYK 75 / 0 / 82 / 44

HEX #248E1A

RGB 36 142 26

HSL 114.83, 0.69%, 0.33%

LAB 51.61, -50.83, 48.77

 

CMYK 82 / 9 / 0 / 44

HEX #1A818E

RGB 26 129 142

HSL 186.72, 0.69%, 0.33%

LAB 49.34, -22.99, -15.05

 

CMYK 6 / 81 / 0 / 45

HEX #831A8C

RGB 131 26 140

HSL 295.26, 0.69%, 0.33%

LAB 32.83, 56.48, -39.08

 

CMYK 0 / 48 / 82 / 44

HEX #8E4A1A

RGB 142 74 26

HSL 24.83, 0.69%, 0.33%

LAB 39.11, 25.19, 39.57

 

CMYK 75 / 0 / 82 / 44

HEX #248E1A

RGB 36 142 26

HSL 114.83, 0.69%, 0.33%

LAB 51.61, -50.83, 48.77

 

CMYK 82 / 34 / 0 / 44

HEX #1A5E8E

RGB 26 94 142

HSL 204.83, 0.69%, 0.33%

LAB 38.16, -2.95, -32.37

 

Description

Color code: HEX #831A8C | qconv.com Color code: HEX #831A8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 26 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 26 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 81 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 81% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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