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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #83176E it is the complementary color #7CE891. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #83176E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #83176E shade: #881769, #99297C, #AA3B8F, #BB4DA2 and #CC5FB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #83176E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #83176E shade: #83176E, #72055B, #610048, #500035 and #3F0022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #83176E shade: #82176D, #821750, #821733 and #821717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #83176E shade: #82176D, #7A1782, #5D1782, #401782 and #231782

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #83176E shade matches the following richer shades: #82176D and #8E0B75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #83176E shade: #82176D, #762366, #69305E, #5D3C57 and #51484F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #83176E shade: #5D1782, #791782, #82176E, #821752 and #821735

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #83176E shade: #3C0B32, #5F1150, #82176D, #A51D8B and #C823A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #83176E shade: #83176E, #824017 and #17826B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #83176E shade: #83176E, #6E8217 and #176E82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #83176E shade: #83176E, #824017, #17822B and #175982

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #83176E shade: #83176E, #826017, #17822B and #173982

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 16 / 49

HEX #83176E

RGB 131 23 110

HSL 311.67, 0.7%, 0.3%

LAB 30.79, 52.45, -23.44

 

Complementary color

CMYK 47 / 0 / 38 / 9

HEX #7CE891

RGB 124 232 145

HSL 131.67, 0.7%, 0.7%

LAB 83.99, -49.3, 32.93

 

CMYK 0 / 83 / 23 / 47

HEX #881769

RGB 136 23 105

HSL 316.46, 0.71%, 0.31%

LAB 31.5, 52.93, -19.06

 

CMYK 0 / 73 / 19 / 40

HEX #99297C

RGB 153 41 124

HSL 315.54, 0.58%, 0.38%

LAB 37.51, 54.19, -21.51

 

CMYK 0 / 65 / 16 / 33

HEX #AA3B8F

RGB 170 59 143

HSL 314.59, 0.48%, 0.45%

LAB 43.74, 54.54, -23.28

 

CMYK 0 / 59 / 13 / 27

HEX #BB4DA2

RGB 187 77 162

HSL 313.64, 0.45%, 0.52%

LAB 50.07, 54.37, -24.61

 

CMYK 0 / 53 / 11 / 20

HEX #CC5FB5

RGB 204 95 181

HSL 312.66, 0.52%, 0.59%

LAB 56.44, 53.92, -25.65

 

CMYK 0 / 82 / 16 / 49

HEX #83176E

RGB 131 23 110

HSL 311.67, 0.7%, 0.3%

LAB 30.79, 52.45, -23.44

 

CMYK 0 / 96 / 20 / 55

HEX #72055B

RGB 114 5 91

HSL 312.66, 0.92%, 0.23%

LAB 25.08, 49.83, -20.26

 

CMYK 0 / 100 / 26 / 62

HEX #610048

RGB 97 0 72

HSL 315.46, 1%, 0.19%

LAB 20.08, 44.66, -15.51

 

CMYK 0 / 100 / 34 / 69

HEX #500035

RGB 80 0 53

HSL 320.25, 1%, 0.16%

LAB 15.29, 38.34, -9.88

 

CMYK 0 / 100 / 46 / 75

HEX #3F0022

RGB 63 0 34

HSL 327.62, 1%, 0.12%

LAB 10.35, 31.84, -3.72

 

CMYK 0 / 82 / 16 / 49

HEX #82176D

RGB 130 23 109

HSL 311.78, 0.7%, 0.3%

LAB 30.55, 52.07, -23.19

 

CMYK 0 / 82 / 38 / 49

HEX #821750

RGB 130 23 80

HSL 328.04, 0.7%, 0.3%

LAB 29.26, 48.3, -6.29

 

CMYK 0 / 82 / 61 / 49

HEX #821733

RGB 130 23 51

HSL 344.3, 0.7%, 0.3%

LAB 28.37, 45.64, 11.85

 

CMYK 0 / 82 / 82 / 49

HEX #821717

RGB 130 23 23

HSL 0, 0.7%, 0.3%

LAB 27.9, 44.17, 29.43

 

CMYK 0 / 82 / 16 / 49

HEX #82176D

RGB 130 23 109

HSL 311.78, 0.7%, 0.3%

LAB 30.55, 52.07, -23.19

 

CMYK 6 / 82 / 0 / 49

HEX #7A1782

RGB 122 23 130

HSL 295.51, 0.7%, 0.3%

LAB 30.31, 53.72, -36.97

 

CMYK 28 / 82 / 0 / 49

HEX #5D1782

RGB 93 23 130

HSL 279.25, 0.7%, 0.3%

LAB 25.42, 48.1, -45.11

 

CMYK 51 / 82 / 0 / 49

HEX #401782

RGB 64 23 130

HSL 262.99, 0.7%, 0.3%

LAB 21.26, 43.33, -52.07

 

CMYK 73 / 82 / 0 / 49

HEX #231782

RGB 35 23 130

HSL 246.73, 0.7%, 0.3%

LAB 18.28, 39.93, -57.08

 

CMYK 0 / 82 / 16 / 49

HEX #82176D

RGB 130 23 109

HSL 311.78, 0.7%, 0.3%

LAB 30.55, 52.07, -23.19

 

CMYK 0 / 92 / 18 / 44

HEX #8E0B75

RGB 142 11 117

HSL 311.45, 0.86%, 0.3%

LAB 32.42, 58.36, -25.19

 

CMYK 0 / 82 / 16 / 49

HEX #82176D

RGB 130 23 109

HSL 311.78, 0.7%, 0.3%

LAB 30.55, 52.07, -23.19

 

CMYK 0 / 70 / 14 / 54

HEX #762366

RGB 118 35 102

HSL 311.57, 0.54%, 0.3%

LAB 29.45, 43.8, -20.58

 

CMYK 0 / 54 / 10 / 59

HEX #69305E

RGB 105 48 94

HSL 311.58, 0.37%, 0.3%

LAB 29.22, 32.15, -15.92

 

CMYK 0 / 35 / 6 / 64

HEX #5D3C57

RGB 93 60 87

HSL 310.91, 0.22%, 0.3%

LAB 30.03, 19.35, -10.3

 

CMYK 0 / 11 / 2 / 68

HEX #51484F

RGB 81 72 79

HSL 313.33, 0.06%, 0.3%

LAB 31.69, 5.24, -2.79

 

CMYK 28 / 82 / 0 / 49

HEX #5D1782

RGB 93 23 130

HSL 279.25, 0.7%, 0.3%

LAB 25.42, 48.1, -45.11

 

CMYK 7 / 82 / 0 / 49

HEX #791782

RGB 121 23 130

HSL 294.95, 0.7%, 0.3%

LAB 30.13, 53.52, -37.27

 

CMYK 0 / 82 / 15 / 49

HEX #82176E

RGB 130 23 110

HSL 311.21, 0.7%, 0.3%

LAB 30.6, 52.21, -23.75

 

CMYK 0 / 82 / 37 / 49

HEX #821752

RGB 130 23 82

HSL 326.92, 0.7%, 0.3%

LAB 29.33, 48.53, -7.5

 

CMYK 0 / 82 / 59 / 49

HEX #821735

RGB 130 23 53

HSL 343.18, 0.7%, 0.3%

LAB 28.42, 45.78, 10.57

 

CMYK 0 / 82 / 17 / 76

HEX #3C0B32

RGB 60 11 50

HSL 312.24, 0.69%, 0.14%

LAB 12.16, 28.49, -12.91

 

CMYK 0 / 82 / 16 / 63

HEX #5F1150

RGB 95 17 80

HSL 311.54, 0.7%, 0.22%

LAB 21.63, 40.89, -18.59

 

CMYK 0 / 82 / 16 / 49

HEX #82176D

RGB 130 23 109

HSL 311.78, 0.7%, 0.3%

LAB 30.55, 52.07, -23.19

 

CMYK 0 / 82 / 16 / 35

HEX #A51D8B

RGB 165 29 139

HSL 311.47, 0.7%, 0.38%

LAB 39.14, 62.74, -28.07

 

CMYK 0 / 83 / 16 / 22

HEX #C823A8

RGB 200 35 168

HSL 311.64, 0.7%, 0.46%

LAB 47.38, 72.8, -32.2

 

CMYK 0 / 82 / 16 / 49

HEX #83176E

RGB 131 23 110

HSL 311.67, 0.7%, 0.3%

LAB 30.79, 52.45, -23.44

 

CMYK 0 / 51 / 82 / 49

HEX #824017

RGB 130 64 23

HSL 22.99, 0.7%, 0.3%

LAB 34.95, 25.46, 36.37

 

CMYK 82 / 0 / 18 / 49

HEX #17826B

RGB 23 130 107

HSL 167.1, 0.7%, 0.3%

LAB 48.52, -34.53, 4.29

 

CMYK 0 / 82 / 16 / 49

HEX #83176E

RGB 131 23 110

HSL 311.67, 0.7%, 0.3%

LAB 30.79, 52.45, -23.44

 

CMYK 15 / 0 / 82 / 49

HEX #6E8217

RGB 110 130 23

HSL 71.21, 0.7%, 0.3%

LAB 51.09, -21.58, 50.44

 

CMYK 82 / 15 / 0 / 49

HEX #176E82

RGB 23 110 130

HSL 191.21, 0.7%, 0.3%

LAB 42.68, -17.22, -18.1

 

CMYK 0 / 82 / 16 / 49

HEX #83176E

RGB 131 23 110

HSL 311.67, 0.7%, 0.3%

LAB 30.79, 52.45, -23.44

 

CMYK 0 / 51 / 82 / 49

HEX #824017

RGB 130 64 23

HSL 22.99, 0.7%, 0.3%

LAB 34.95, 25.46, 36.37

 

CMYK 82 / 0 / 67 / 49

HEX #17822B

RGB 23 130 43

HSL 131.21, 0.7%, 0.3%

LAB 47.39, -47.29, 37.81

 

CMYK 82 / 32 / 0 / 49

HEX #175982

RGB 23 89 130

HSL 202.99, 0.7%, 0.3%

LAB 35.87, -4.85, -28.69

 

CMYK 0 / 82 / 16 / 49

HEX #83176E

RGB 131 23 110

HSL 311.67, 0.7%, 0.3%

LAB 30.79, 52.45, -23.44

 

CMYK 0 / 26 / 82 / 49

HEX #826017

RGB 130 96 23

HSL 40.93, 0.7%, 0.3%

LAB 43.02, 6.74, 43.88

 

CMYK 82 / 0 / 67 / 49

HEX #17822B

RGB 23 130 43

HSL 131.21, 0.7%, 0.3%

LAB 47.39, -47.29, 37.81

 

CMYK 82 / 56 / 0 / 49

HEX #173982

RGB 23 57 130

HSL 220.93, 0.7%, 0.3%

LAB 25.92, 16.67, -44.58

 

Description

Color code: HEX #83176E | qconv.com Color code: HEX #83176E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 23 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 23 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 16 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 16% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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