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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8312F8 it is the complementary color #7CED07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8312F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8312F8 shade: #8812F3, #9924FF, #AA36FF, #BB48FF and #CC5AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8312F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8312F8 shade: #8312F8, #7200E5, #6100D2, #5000BF and #3F00AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8312F8 shade: #8312F8, #C112F8, #F812F1, #F812B3 and #F81274

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8312F8 shade: #8312F8, #4512F8 and #1212F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8312F8 shade matches the following richer shades: #8312F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8312F8 shade: #8312F8, #8325E4, #8339D0, #844DBC and #8461A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8312F8 shade: #121DF8, #4312F8, #8112F8, #BE12F8 and #F812F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8312F8 shade: #5A05B1, #6E07D9, #8312F8, #983AF9 and #AD62FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8312F8 shade: #8312F8, #F8125A and #12F825

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8312F8 shade: #8312F8, #F88112 and #12F881

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8312F8 shade: #8312F8, #F8125A, #88F812 and #12F8AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8312F8 shade: #8312F8, #F81215, #88F812 and #12F8F4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 93 / 0 / 3

HEX #8312F8

RGB 131 18 248

HSL 269.48, 0.94%, 0.52%

LAB 41.27, 79.86, -88.77

 

Complementary color

CMYK 48 / 0 / 97 / 7

HEX #7CED07

RGB 124 237 7

HSL 89.48, 0.94%, 0.48%

LAB 84.42, -62.45, 80.88

 

CMYK 44 / 93 / 0 / 5

HEX #8812F3

RGB 136 18 243

HSL 271.47, 0.9%, 0.51%

LAB 41.43, 79.27, -85.66

 

CMYK 40 / 86 / 0 / 0

HEX #9924FF

RGB 153 36 255

HSL 272.05, 1%, 0.57%

LAB 45.98, 80.02, -84.83

 

CMYK 33 / 79 / 0 / 0

HEX #AA36FF

RGB 170 54 255

HSL 274.63, 1%, 0.61%

LAB 49.98, 77.18, -78.19

 

CMYK 27 / 72 / 0 / 0

HEX #BB48FF

RGB 187 72 255

HSL 277.7, 1%, 0.64%

LAB 54.47, 73.62, -70.8

 

CMYK 20 / 65 / 0 / 0

HEX #CC5AFF

RGB 204 90 255

HSL 281.45, 1%, 0.68%

LAB 59.31, 69.65, -62.88

 

CMYK 47 / 93 / 0 / 3

HEX #8312F8

RGB 131 18 248

HSL 269.48, 0.94%, 0.52%

LAB 41.27, 79.86, -88.77

 

CMYK 50 / 100 / 0 / 10

HEX #7200E5

RGB 114 0 229

HSL 269.87, 1%, 0.45%

LAB 36.43, 76.67, -86.07

 

CMYK 54 / 100 / 0 / 18

HEX #6100D2

RGB 97 0 210

HSL 267.71, 1%, 0.41%

LAB 32.25, 71.32, -82.13

 

CMYK 58 / 100 / 0 / 25

HEX #5000BF

RGB 80 0 191

HSL 265.13, 1%, 0.37%

LAB 28.03, 65.93, -78.06

 

CMYK 63 / 100 / 0 / 33

HEX #3F00AC

RGB 63 0 172

HSL 261.98, 1%, 0.34%

LAB 23.79, 60.51, -73.81

 

CMYK 47 / 93 / 0 / 3

HEX #8312F8

RGB 131 18 248

HSL 269.48, 0.94%, 0.52%

LAB 41.27, 79.86, -88.77

 

CMYK 22 / 93 / 0 / 3

HEX #C112F8

RGB 193 18 248

HSL 285.65, 0.94%, 0.52%

LAB 50.15, 86.88, -73.86

 

CMYK 0 / 93 / 3 / 3

HEX #F812F1

RGB 248 18 241

HSL 301.83, 0.94%, 0.52%

LAB 58.73, 94.04, -55.66

 

CMYK 0 / 93 / 28 / 3

HEX #F812B3

RGB 248 18 179

HSL 318, 0.94%, 0.52%

LAB 55.73, 86.39, -25.01

 

CMYK 0 / 93 / 53 / 3

HEX #F81274

RGB 248 18 116

HSL 334.43, 0.94%, 0.52%

LAB 53.65, 80.85, 9.35

 

CMYK 47 / 93 / 0 / 3

HEX #8312F8

RGB 131 18 248

HSL 269.48, 0.94%, 0.52%

LAB 41.27, 79.86, -88.77

 

CMYK 72 / 93 / 0 / 3

HEX #4512F8

RGB 69 18 248

HSL 253.3, 0.94%, 0.52%

LAB 34.95, 75.84, -99.43

 

CMYK 93 / 93 / 0 / 3

HEX #1212F8

RGB 18 18 248

HSL 240, 0.94%, 0.52%

LAB 32.57, 74.62, -103.48

 

CMYK 47 / 93 / 0 / 3

HEX #8312F8

RGB 131 18 248

HSL 269.48, 0.94%, 0.52%

LAB 41.27, 79.86, -88.77

 

CMYK 47 / 93 / 0 / 3

HEX #8312F8

RGB 131 18 248

HSL 269.48, 0.94%, 0.52%

LAB 41.27, 79.86, -88.77

 

CMYK 43 / 84 / 0 / 11

HEX #8325E4

RGB 131 37 228

HSL 269.53, 0.78%, 0.52%

LAB 40.82, 71.24, -78.2

 

CMYK 37 / 73 / 0 / 18

HEX #8339D0

RGB 131 57 208

HSL 269.4, 0.62%, 0.52%

LAB 41.7, 59.26, -65.29

 

CMYK 30 / 59 / 0 / 26

HEX #844DBC

RGB 132 77 188

HSL 269.73, 0.45%, 0.52%

LAB 44.01, 44.79, -49.94

 

CMYK 21 / 42 / 0 / 34

HEX #8461A8

RGB 132 97 168

HSL 269.58, 0.29%, 0.52%

LAB 47.34, 28.56, -32.93

 

CMYK 93 / 88 / 0 / 3

HEX #121DF8

RGB 18 29 248

HSL 237.13, 0.94%, 0.52%

LAB 33.53, 71.67, -101.87

 

CMYK 73 / 93 / 0 / 3

HEX #4312F8

RGB 67 18 248

HSL 252.78, 0.94%, 0.52%

LAB 34.81, 75.76, -99.68

 

CMYK 48 / 93 / 0 / 3

HEX #8112F8

RGB 129 18 248

HSL 268.96, 0.94%, 0.52%

LAB 41.02, 79.68, -89.19

 

CMYK 23 / 93 / 0 / 3

HEX #BE12F8

RGB 190 18 248

HSL 284.87, 0.94%, 0.52%

LAB 49.69, 86.48, -74.65

 

CMYK 0 / 93 / 2 / 3

HEX #F812F4

RGB 248 18 244

HSL 301.04, 0.94%, 0.52%

LAB 58.9, 94.46, -57.07

 

CMYK 49 / 97 / 0 / 31

HEX #5A05B1

RGB 90 5 177

HSL 269.65, 0.95%, 0.36%

LAB 28, 62.62, -69.74

 

CMYK 49 / 97 / 0 / 15

HEX #6E07D9

RGB 110 7 217

HSL 269.43, 0.94%, 0.44%

LAB 34.96, 72.87, -81.64

 

CMYK 47 / 93 / 0 / 3

HEX #8312F8

RGB 131 18 248

HSL 269.48, 0.94%, 0.52%

LAB 41.27, 79.86, -88.77

 

CMYK 39 / 77 / 0 / 2

HEX #983AF9

RGB 152 58 249

HSL 269.53, 0.94%, 0.6%

LAB 47.68, 71.77, -78.71

 

CMYK 31 / 61 / 0 / 2

HEX #AD62FA

RGB 173 98 250

HSL 269.61, 0.94%, 0.68%

LAB 56.61, 58.13, -64.66

 

CMYK 47 / 93 / 0 / 3

HEX #8312F8

RGB 131 18 248

HSL 269.48, 0.94%, 0.52%

LAB 41.27, 79.86, -88.77

 

CMYK 0 / 93 / 64 / 3

HEX #F8125A

RGB 248 18 90

HSL 341.22, 0.94%, 0.52%

LAB 53.09, 79.3, 24.3

 

CMYK 93 / 0 / 85 / 3

HEX #12F825

RGB 18 248 37

HSL 124.96, 0.94%, 0.52%

LAB 85.7, -82.92, 76.97

 

CMYK 47 / 93 / 0 / 3

HEX #8312F8

RGB 131 18 248

HSL 269.48, 0.94%, 0.52%

LAB 41.27, 79.86, -88.77

 

CMYK 0 / 48 / 93 / 3

HEX #F88112

RGB 248 129 18

HSL 28.96, 0.94%, 0.52%

LAB 66.29, 39.76, 70.24

 

CMYK 93 / 0 / 48 / 3

HEX #12F881

RGB 18 248 129

HSL 148.96, 0.94%, 0.52%

LAB 86.43, -73.88, 43.54

 

CMYK 47 / 93 / 0 / 3

HEX #8312F8

RGB 131 18 248

HSL 269.48, 0.94%, 0.52%

LAB 41.27, 79.86, -88.77

 

CMYK 0 / 93 / 64 / 3

HEX #F8125A

RGB 248 18 90

HSL 341.22, 0.94%, 0.52%

LAB 53.09, 79.3, 24.3

 

CMYK 45 / 0 / 93 / 3

HEX #88F812

RGB 136 248 18

HSL 89.22, 0.94%, 0.52%

LAB 88.17, -62.7, 83.08

 

CMYK 93 / 0 / 29 / 3

HEX #12F8AF

RGB 18 248 175

HSL 160.96, 0.94%, 0.52%

LAB 87.17, -65.22, 21.61

 

CMYK 47 / 93 / 0 / 3

HEX #8312F8

RGB 131 18 248

HSL 269.48, 0.94%, 0.52%

LAB 41.27, 79.86, -88.77

 

CMYK 0 / 93 / 92 / 3

HEX #F81215

RGB 248 18 21

HSL 359.22, 0.94%, 0.52%

LAB 52.33, 77.2, 60.25

 

CMYK 45 / 0 / 93 / 3

HEX #88F812

RGB 136 248 18

HSL 89.22, 0.94%, 0.52%

LAB 88.17, -62.7, 83.08

 

CMYK 93 / 0 / 2 / 3

HEX #12F8F4

RGB 18 248 244

HSL 178.96, 0.94%, 0.52%

LAB 88.83, -47.81, -11.83

 

Description

Color code: HEX #8312F8 | qconv.com Color code: HEX #8312F8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 18 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 18 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 93 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 93% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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