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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #831166 it is the complementary color #7CEE99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #831166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #831166 shade: #881161, #992374, #AA3587, #BB479A and #CC59AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #831166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #831166 shade: #831166, #720053, #610040, #50002D and #3F001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #831166 shade: #831166, #831147, #831129 and #831111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #831166 shade: #831166, #811183, #621183, #441183 and #251183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #831166 shade matches the following richer shades: #831166 and #8F056C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #831166 shade: #831166, #771D60, #6B295A, #5F3554 and #53414E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #831166 shade: #631183, #811183, #831166, #831148 and #83112A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #831166 shade: #3A082D, #5E0C49, #831166, #A71682 and #CC1A9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #831166 shade: #831166, #834411 and #118372

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #831166 shade: #831166, #668311 and #116683

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #831166 shade: #831166, #834411, #11832D and #115083

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #831166 shade: #831166, #836611, #11832D and #112D83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

Complementary color

CMYK 48 / 0 / 36 / 7

HEX #7CEE99

RGB 124 238 153

HSL 135.26, 0.77%, 0.71%

LAB 85.87, -50.46, 31.39

 

CMYK 0 / 88 / 29 / 47

HEX #881161

RGB 136 17 97

HSL 319.66, 0.78%, 0.3%

LAB 30.64, 53.33, -15.23

 

CMYK 0 / 77 / 24 / 40

HEX #992374

RGB 153 35 116

HSL 318.81, 0.63%, 0.37%

LAB 36.43, 55.1, -18.16

 

CMYK 0 / 69 / 21 / 33

HEX #AA3587

RGB 170 53 135

HSL 317.95, 0.52%, 0.44%

LAB 42.52, 55.78, -20.29

 

CMYK 0 / 62 / 18 / 27

HEX #BB479A

RGB 187 71 154

HSL 317.07, 0.46%, 0.51%

LAB 48.77, 55.81, -21.89

 

CMYK 0 / 56 / 15 / 20

HEX #CC59AD

RGB 204 89 173

HSL 316.17, 0.53%, 0.57%

LAB 55.07, 55.48, -23.14

 

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

CMYK 0 / 100 / 27 / 55

HEX #720053

RGB 114 0 83

HSL 316.32, 1%, 0.22%

LAB 24.33, 49.77, -16.1

 

CMYK 0 / 100 / 34 / 62

HEX #610040

RGB 97 0 64

HSL 320.41, 1%, 0.19%

LAB 19.69, 43.65, -10.58

 

CMYK 0 / 100 / 44 / 69

HEX #50002D

RGB 80 0 45

HSL 326.25, 1%, 0.16%

LAB 14.93, 37.4, -4.63

 

CMYK 0 / 100 / 59 / 75

HEX #3F001A

RGB 63 0 26

HSL 335.24, 1%, 0.12%

LAB 10.04, 31.03, 1.96

 

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

CMYK 0 / 87 / 46 / 49

HEX #831147

RGB 131 17 71

HSL 331.58, 0.77%, 0.29%

LAB 28.59, 49.2, -1.26

 

CMYK 0 / 87 / 69 / 49

HEX #831129

RGB 131 17 41

HSL 347.37, 0.77%, 0.29%

LAB 27.81, 46.91, 17.85

 

CMYK 0 / 87 / 87 / 49

HEX #831111

RGB 131 17 17

HSL 0, 0.77%, 0.29%

LAB 27.48, 45.93, 32.57

 

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

CMYK 2 / 87 / 0 / 49

HEX #811183

RGB 129 17 131

HSL 298.95, 0.77%, 0.29%

LAB 31.13, 56.76, -36.21

 

CMYK 25 / 87 / 0 / 49

HEX #621183

RGB 98 17 131

HSL 282.63, 0.77%, 0.29%

LAB 25.67, 51.06, -45.29

 

CMYK 48 / 87 / 0 / 49

HEX #441183

RGB 68 17 131

HSL 266.84, 0.77%, 0.29%

LAB 21.09, 46.49, -52.97

 

CMYK 72 / 87 / 0 / 49

HEX #251183

RGB 37 17 131

HSL 250.53, 0.77%, 0.29%

LAB 17.61, 43.21, -58.83

 

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

CMYK 0 / 97 / 24 / 44

HEX #8F056C

RGB 143 5 108

HSL 315.22, 0.93%, 0.29%

LAB 31.88, 58.25, -20.29

 

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

CMYK 0 / 76 / 19 / 53

HEX #771D60

RGB 119 29 96

HSL 315.33, 0.61%, 0.29%

LAB 28.5, 45.48, -18.15

 

CMYK 0 / 62 / 16 / 58

HEX #6B295A

RGB 107 41 90

HSL 315.45, 0.45%, 0.29%

LAB 27.98, 35.78, -15.2

 

CMYK 0 / 44 / 12 / 63

HEX #5F3554

RGB 95 53 84

HSL 315.71, 0.28%, 0.29%

LAB 28.43, 23.83, -10.75

 

CMYK 0 / 22 / 6 / 67

HEX #53414E

RGB 83 65 78

HSL 316.67, 0.12%, 0.29%

LAB 29.84, 10.33, -4.87

 

CMYK 24 / 87 / 0 / 49

HEX #631183

RGB 99 17 131

HSL 283.16, 0.77%, 0.29%

LAB 25.84, 51.23, -45.01

 

CMYK 2 / 87 / 0 / 49

HEX #811183

RGB 129 17 131

HSL 298.95, 0.77%, 0.29%

LAB 31.13, 56.76, -36.21

 

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

CMYK 0 / 87 / 45 / 49

HEX #831148

RGB 131 17 72

HSL 331.05, 0.77%, 0.29%

LAB 28.63, 49.3, -1.88

 

CMYK 0 / 87 / 68 / 49

HEX #83112A

RGB 131 17 42

HSL 346.84, 0.77%, 0.29%

LAB 27.83, 46.96, 17.2

 

CMYK 0 / 86 / 22 / 77

HEX #3A082D

RGB 58 8 45

HSL 315.6, 0.76%, 0.13%

LAB 11.01, 28.3, -11.06

 

CMYK 0 / 87 / 22 / 63

HEX #5E0C49

RGB 94 12 73

HSL 315.37, 0.77%, 0.21%

LAB 20.53, 41.07, -15.55

 

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

CMYK 0 / 87 / 22 / 35

HEX #A71682

RGB 167 22 130

HSL 315.31, 0.77%, 0.37%

LAB 38.55, 63.5, -23.41

 

CMYK 0 / 87 / 22 / 20

HEX #CC1A9F

RGB 204 26 159

HSL 315.17, 0.77%, 0.45%

LAB 47.08, 74.23, -27.25

 

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

CMYK 0 / 48 / 87 / 49

HEX #834411

RGB 131 68 17

HSL 26.84, 0.77%, 0.29%

LAB 35.98, 23.43, 40.04

 

CMYK 87 / 0 / 13 / 49

HEX #118372

RGB 17 131 114

HSL 171.05, 0.77%, 0.29%

LAB 48.97, -33.56, 0.82

 

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

CMYK 22 / 0 / 87 / 49

HEX #668311

RGB 102 131 17

HSL 75.26, 0.77%, 0.29%

LAB 50.8, -25.8, 51.62

 

CMYK 87 / 22 / 0 / 49

HEX #116683

RGB 17 102 131

HSL 195.26, 0.77%, 0.29%

LAB 40.02, -12.88, -22.82

 

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

CMYK 0 / 48 / 87 / 49

HEX #834411

RGB 131 68 17

HSL 26.84, 0.77%, 0.29%

LAB 35.98, 23.43, 40.04

 

CMYK 87 / 0 / 66 / 49

HEX #11832D

RGB 17 131 45

HSL 134.74, 0.77%, 0.29%

LAB 47.68, -48.09, 37.18

 

CMYK 87 / 39 / 0 / 49

HEX #115083

RGB 17 80 131

HSL 206.84, 0.77%, 0.29%

LAB 32.91, 0.71, -33.99

 

CMYK 0 / 87 / 22 / 49

HEX #831166

RGB 131 17 102

HSL 315.26, 0.77%, 0.29%

LAB 29.88, 52.81, -19.72

 

CMYK 0 / 22 / 87 / 49

HEX #836611

RGB 131 102 17

HSL 44.74, 0.77%, 0.29%

LAB 44.76, 3.51, 47.5

 

CMYK 87 / 0 / 66 / 49

HEX #11832D

RGB 17 131 45

HSL 134.74, 0.77%, 0.29%

LAB 47.68, -48.09, 37.18

 

CMYK 87 / 66 / 0 / 49

HEX #112D83

RGB 17 45 131

HSL 225.26, 0.77%, 0.29%

LAB 22.42, 24.99, -50.93

 

Description

Color code: HEX #831166 | qconv.com Color code: HEX #831166 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 17 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 17 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 22 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 22% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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