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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #830AFB it is the complementary color #7CF504. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #830AFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #830AFB shade: #880AF6, #991CFF, #AA2EFF, #BB40FF and #CC52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #830AFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #830AFB shade: #830AFB, #7200E8, #6100D5, #5000C2 and #3F00AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #830AFB shade: #8309FB, #C409FB, #FB09F1, #FB09B0 and #FB096E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #830AFB shade: #8309FB, #4109FB and #0909FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #830AFB shade matches the following richer shades: #8309FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #830AFB shade: #8309FB, #821DE7, #8231D3, #8245BF and #825AAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #830AFB shade: #0911FB, #4109FB, #8209FB, #C309FB and #FB09F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #830AFB shade: #5903AF, #6E03D8, #8309FB, #9731FC and #AC5AFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #830AFB shade: #830AFB, #FB0952 and #09FB21

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #830AFB shade: #830AFB, #FB8209 and #09FB82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #830AFB shade: #830AFB, #FB0952, #82FB09 and #09FBB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #830AFB shade: #830AFB, #FB0909, #82FB09 and #09FBFB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 96 / 0 / 2

HEX #830AFB

RGB 131 10 251

HSL 270.12, 0.97%, 0.51%

LAB 41.23, 81.53, -90.52

 

Complementary color

CMYK 49 / 0 / 98 / 4

HEX #7CF504

RGB 124 245 4

HSL 90.12, 0.97%, 0.49%

LAB 86.8, -65.35, 83.01

 

CMYK 45 / 96 / 0 / 4

HEX #880AF6

RGB 136 10 246

HSL 272.03, 0.93%, 0.5%

LAB 41.38, 80.92, -87.44

 

CMYK 40 / 89 / 0 / 0

HEX #991CFF

RGB 153 28 255

HSL 273.04, 1%, 0.55%

LAB 45.39, 81.77, -85.8

 

CMYK 33 / 82 / 0 / 0

HEX #AA2EFF

RGB 170 46 255

HSL 275.6, 1%, 0.59%

LAB 49.15, 79.59, -79.54

 

CMYK 27 / 75 / 0 / 0

HEX #BB40FF

RGB 187 64 255

HSL 278.64, 1%, 0.63%

LAB 53.44, 76.56, -72.47

 

CMYK 20 / 68 / 0 / 0

HEX #CC52FF

RGB 204 82 255

HSL 282.31, 1%, 0.66%

LAB 58.12, 72.97, -64.79

 

CMYK 48 / 96 / 0 / 2

HEX #830AFB

RGB 131 10 251

HSL 270.12, 0.97%, 0.51%

LAB 41.23, 81.53, -90.52

 

CMYK 51 / 100 / 0 / 9

HEX #7200E8

RGB 114 0 232

HSL 269.48, 1%, 0.45%

LAB 36.75, 77.3, -87.26

 

CMYK 54 / 100 / 0 / 16

HEX #6100D5

RGB 97 0 213

HSL 267.32, 1%, 0.42%

LAB 32.58, 71.98, -83.32

 

CMYK 59 / 100 / 0 / 24

HEX #5000C2

RGB 80 0 194

HSL 264.74, 1%, 0.38%

LAB 28.38, 66.62, -79.24

 

CMYK 64 / 100 / 0 / 31

HEX #3F00AF

RGB 63 0 175

HSL 261.6, 1%, 0.34%

LAB 24.17, 61.23, -74.98

 

CMYK 48 / 96 / 0 / 2

HEX #8309FB

RGB 131 9 251

HSL 270.25, 0.97%, 0.51%

LAB 41.19, 81.63, -90.58

 

CMYK 22 / 96 / 0 / 2

HEX #C409FB

RGB 196 9 251

HSL 286.36, 0.97%, 0.51%

LAB 50.57, 88.63, -74.85

 

CMYK 0 / 96 / 4 / 2

HEX #FB09F1

RGB 251 9 241

HSL 302.48, 0.97%, 0.51%

LAB 59.03, 95.18, -55.16

 

CMYK 0 / 96 / 30 / 2

HEX #FB09B0

RGB 251 9 176

HSL 318.6, 0.97%, 0.51%

LAB 55.93, 87.36, -22.91

 

CMYK 0 / 96 / 56 / 2

HEX #FB096E

RGB 251 9 110

HSL 334.96, 0.97%, 0.51%

LAB 53.85, 81.87, 13.34

 

CMYK 48 / 96 / 0 / 2

HEX #8309FB

RGB 131 9 251

HSL 270.25, 0.97%, 0.51%

LAB 41.19, 81.63, -90.58

 

CMYK 74 / 96 / 0 / 2

HEX #4109FB

RGB 65 9 251

HSL 253.88, 0.97%, 0.51%

LAB 34.57, 77.89, -101.77

 

CMYK 96 / 96 / 0 / 2

HEX #0909FB

RGB 9 9 251

HSL 240, 0.97%, 0.51%

LAB 32.3, 76.93, -105.62

 

CMYK 48 / 96 / 0 / 2

HEX #8309FB

RGB 131 9 251

HSL 270.25, 0.97%, 0.51%

LAB 41.19, 81.63, -90.58

 

CMYK 48 / 96 / 0 / 2

HEX #8309FB

RGB 131 9 251

HSL 270.25, 0.97%, 0.51%

LAB 41.19, 81.63, -90.58

 

CMYK 44 / 87 / 0 / 9

HEX #821DE7

RGB 130 29 231

HSL 270, 0.81%, 0.51%

LAB 40.24, 73.93, -80.86

 

CMYK 38 / 77 / 0 / 17

HEX #8231D3

RGB 130 49 211

HSL 270, 0.65%, 0.51%

LAB 40.65, 63.11, -68.74

 

CMYK 32 / 64 / 0 / 25

HEX #8245BF

RGB 130 69 191

HSL 270, 0.49%, 0.51%

LAB 42.4, 49.26, -54.28

 

CMYK 24 / 47 / 0 / 33

HEX #825AAA

RGB 130 90 170

HSL 270, 0.32%, 0.51%

LAB 45.58, 32.55, -36.9

 

CMYK 96 / 93 / 0 / 2

HEX #0911FB

RGB 9 17 251

HSL 238.02, 0.97%, 0.51%

LAB 32.75, 75.52, -104.86

 

CMYK 74 / 96 / 0 / 2

HEX #4109FB

RGB 65 9 251

HSL 253.88, 0.97%, 0.51%

LAB 34.57, 77.89, -101.77

 

CMYK 48 / 96 / 0 / 2

HEX #8209FB

RGB 130 9 251

HSL 270, 0.97%, 0.51%

LAB 41.07, 81.55, -90.79

 

CMYK 22 / 96 / 0 / 2

HEX #C309FB

RGB 195 9 251

HSL 286.12, 0.97%, 0.51%

LAB 50.41, 88.5, -75.11

 

CMYK 0 / 96 / 3 / 2

HEX #FB09F3

RGB 251 9 243

HSL 301.98, 0.97%, 0.51%

LAB 59.14, 95.45, -56.1

 

CMYK 49 / 98 / 0 / 31

HEX #5903AF

RGB 89 3 175

HSL 270, 0.97%, 0.35%

LAB 27.53, 62.44, -69.32

 

CMYK 49 / 99 / 0 / 15

HEX #6E03D8

RGB 110 3 216

HSL 270.14, 0.97%, 0.43%

LAB 34.68, 73.19, -81.53

 

CMYK 48 / 96 / 0 / 2

HEX #8309FB

RGB 131 9 251

HSL 270.25, 0.97%, 0.51%

LAB 41.19, 81.63, -90.58

 

CMYK 40 / 81 / 0 / 1

HEX #9731FC

RGB 151 49 252

HSL 270.15, 0.97%, 0.59%

LAB 46.72, 75.43, -81.96

 

CMYK 32 / 64 / 0 / 1

HEX #AC5AFC

RGB 172 90 252

HSL 270.37, 0.96%, 0.67%

LAB 55.19, 62.28, -68.07

 

CMYK 48 / 96 / 0 / 2

HEX #830AFB

RGB 131 10 251

HSL 270.12, 0.97%, 0.51%

LAB 41.23, 81.53, -90.52

 

CMYK 0 / 96 / 67 / 2

HEX #FB0952

RGB 251 9 82

HSL 341.9, 0.97%, 0.51%

LAB 53.29, 80.36, 29.49

 

CMYK 96 / 0 / 87 / 2

HEX #09FB21

RGB 9 251 33

HSL 125.95, 0.97%, 0.51%

LAB 86.58, -84.19, 78.51

 

CMYK 48 / 96 / 0 / 2

HEX #830AFB

RGB 131 10 251

HSL 270.12, 0.97%, 0.51%

LAB 41.23, 81.53, -90.52

 

CMYK 0 / 48 / 96 / 2

HEX #FB8209

RGB 251 130 9

HSL 30, 0.97%, 0.51%

LAB 66.9, 40.35, 72.36

 

CMYK 96 / 0 / 48 / 2

HEX #09FB82

RGB 9 251 130

HSL 150, 0.97%, 0.51%

LAB 87.32, -74.96, 44.18

 

CMYK 48 / 96 / 0 / 2

HEX #830AFB

RGB 131 10 251

HSL 270.12, 0.97%, 0.51%

LAB 41.23, 81.53, -90.52

 

CMYK 0 / 96 / 67 / 2

HEX #FB0952

RGB 251 9 82

HSL 341.9, 0.97%, 0.51%

LAB 53.29, 80.36, 29.49

 

CMYK 48 / 0 / 96 / 2

HEX #82FB09

RGB 130 251 9

HSL 90, 0.97%, 0.51%

LAB 88.81, -65.7, 84.31

 

CMYK 96 / 0 / 29 / 2

HEX #09FBB3

RGB 9 251 179

HSL 162.15, 0.97%, 0.51%

LAB 88.12, -65.7, 20.86

 

CMYK 48 / 96 / 0 / 2

HEX #830AFB

RGB 131 10 251

HSL 270.12, 0.97%, 0.51%

LAB 41.23, 81.53, -90.52

 

CMYK 0 / 96 / 96 / 2

HEX #FB0909

RGB 251 9 9

HSL 0, 0.97%, 0.51%

LAB 52.65, 78.59, 64.26

 

CMYK 48 / 0 / 96 / 2

HEX #82FB09

RGB 130 251 9

HSL 90, 0.97%, 0.51%

LAB 88.81, -65.7, 84.31

 

CMYK 96 / 0 / 0 / 2

HEX #09FBFB

RGB 9 251 251

HSL 180, 0.97%, 0.51%

LAB 89.87, -47.33, -13.93

 

Description

Color code: HEX #830AFB | qconv.com Color code: HEX #830AFB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 131 red, 10 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
131 10 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 96 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 96% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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